Movie Reviews
’Boot Camp’ Movie Review: Much More Than a Romance
Boot Camp is our new obsession! Gina Musa’s book hits our screens in a faithful adaptation of her novel that is much more than meets the eye. The film is a story of self-empowerment and discovering your own path even in the worst of circumstances. Ready?
Here we go!
Feeling Seen in Boot Camp
Boot Camp seems at first glance like a typical young adult romantic comedy. However, it’s much more than that. It’s a film about discovering your own power and embracing it to ultimately find yourself. The romance is just the icing on the cake, one that we love, but it isn’t the focus and that makes it all different.
Don’t get us wrong, this writer is always here for the romance. I’m a hopeless romantic and grew up during the golden age of the genre. Name any rom-com from the 90s and 2000s and I will have watched it too many times to be considered healthy. But despite this, I never felt represented in any of them.
The protagonists of these movies were not like me. They were not clumsy or the outcasts of their class, they were not bullied or felt alone. Usually, they were successful women or beautiful teenagers with the perfect body to be a model. They simply put on makeup, dressed better, took off their glasses, and were the kind of beautiful women that only existed in magazines.
Whitney, the leader of Boot Camp, feels like me at just her age. A clumsy girl, who feels invisible, who has to endure bullying from her classmates, and who even her friends seem to look down on. And with that, Boot Camp had me won over.
The Message Makes the Difference

But I was even more impressed when I realized that the film perfectly reflected Whitney’s growth from an insecure woman unaware of her own power to an empowered one who values herself enough to not settle for less than being herself and going for what she wants.
What happened to me with the romantic comedies of the 90s and 2000s is that I tried. I tried to put on makeup and suddenly the mirror would reflect that magazine woman but I couldn’t do it. And I didn’t do it not only because life isn’t like the movies, but because I was only putting on makeup on my outside but, inside, I was still that insecure and clumsy girl who didn’t value herself enough.
What Boot Camp does is take that insecure, clumsy girl, who tries to take up as little space as possible and hates being the center of attention, and show her how much she is worth, making her discover her own power and that, that is invaluable.
This is the reason why the film is much more than a young adult romance: for the message it sends. I saw myself reflected in every step Whitney took, every fear, every insecurity, every fall… but also in every time she got back up and was ready to fight for herself.
Boot Camp talks about self-empowerment, body positivity, and above all, about finding your own path even when you don’t believe that path exists. And that is exactly what makes the difference.
Back to the Golden Age of Romance…with a Twist

Although Whitney is the central focus of Boot Camp, the film shows us the emotional journey of the characters around her, especially Axel. He is a man who has his own trauma to overcome and avoids thinking about it every day.
He likes his job as a coach at the camp because it not only allows him to train the students hard to explore their own limits but also gives a sense of order and routine to his life.
That job keeps Axel from thinking about his past and, suddenly, Whitney arrives and breaks all his schemes. She is a beautiful, committed, fighter, somewhat shy woman, and a born leader. Only she doesn’t realize all that and doesn’t see herself as he sees her. However, Boot Camp flees from the hackneyed cliché and what attracts Axel to Whitney is not her vulnerability, but her strength, her power.
Little by little, working together, they begin to get to know each other. As Whitney finds and embraces her power, Axel feels more attached to her. The two of them fall in love little by little, without realizing it, without expecting it, and almost without wanting it.
Their love didn’t come immediately, but through hard daily training, jokes on the beach, games in the water, and conversations by the light of a campfire. And that makes it even more special, even more unique.
Boot Camp builds to the perfect moment for the climax of the first kiss between Whitney and Axel and, just when it happens, Axel takes a step back. He doesn’t feel ready to be in a relationship because of his past but, the reality is, he’s scared. Axel is afraid of what he feels for Whitney, of the intensity of everything they are living, and he is aware that, if he takes that step, he will never be able to separate from her.
Faced with this new and unexpected rejection, Whitney’s wounds that were just beginning to heal reopen and old insecurities return. And everything seems over between them… until Axel decides to stop running away and fight for her. The two meet in the middle of the road. Whitney and Axel get the happy ending they deserve and our romantic hearts are pumping at a thousand miles an hour.
Boot Camp‘s Great Supporting Characters

Beyond Whitney and Axel’s journey, Boot Camp has some great supporting characters with many different edges like Willow, Aspen, and Martina.
At first, Willow is Whitney’s nightmare. She bullies her, makes fun of her, and seems proud of her behavior so when the two meet again at the camp, sparks start to fly right away. But, as we get deeper into Willow’s story, we discover much more than just an abuser in her.
Her relationship with her mother is not ideal and, as Whitney embraces her own power and Willow’s mother notices her, Willow feels jealousy for the first time. She always felt like she wasn’t living up to her mother’s expectations and now she’s seeing how someone she made fun of is doing so. This doesn’t justify Willow’s attitude but we can understand where she’s coming from.
Everything Willow is going through changes her perspective on her actions and, while she and Whitney don’t become the best of friends at first, they end up getting closer and admitting that they have a lot more in common with each other than they like to admit. Everything finally comes together in Boot Camp and they end up being friends.
As for Aspen and Martina, they quickly become best friends with Whitney. But, apart from that, they find each other and begin to explore the feelings that are born between them.
And, while the film doesn’t focus too much on this lesbian love story, it does perfectly portray the initial insecurity and doubts of it and, above all, it gives them a happy ending, something that is difficult to find on our TV when it comes to an LGBTI+ couple.
In conclusion, Boot Camp is a film that is much more than it seems and that we recommend! Personally, as I had the opportunity to tell Rachel and Drew in an interview that we will publish soon, after Bridgerton season 3, this is the second time I felt truly seen on my TV. And that is tremendously powerful and one of the reasons why everyone should watch this movie.
Boot Camp is available now in select theaters and on demand.
Movie Reviews
‘Hoppers’ review: Pixar’s best original movie in years
“So it’s like Avatar?” one character quips in Disney and Pixar’s “Hoppers,” bluntly translating the film’s high-concept premise for the sugar-fueled kids in the audience. And yes, the comparison is apt. The story follows a nature-obsessed teenage girl who manages to quite literally “hop” her consciousness into the body of a robotic beaver in order to spark an animal rebellion against a greedy mayor determined to bulldoze their forest for a freeway.
It’s a clever hook. The kind of big, elastic idea Pixar used to make look effortless. “Hoppers” does not reach the rarified air of “Up,” “Wall-E,” or “Inside Out,” but after a stretch of uneven originals like “Turning Red” and “Luca,” and outright misfires such as “Elemental” and “Elio,” this feels like a genuine course correction. The environmental messaging is clear without being preachy, the animals are irresistibly anthropomorphized, and the studio’s once-signature emotional sincerity is back in sturdy form.
Pixar can afford to gamble on originals when it has a guaranteed cash cow like this summer’s “Toy Story 5” waiting in the wings, but “Hoppers” earns its place in the catalogue. Director Daniel Chong crafts a warm, heartfelt film that occasionally strains under the weight of its own ambition, yet remains grounded by character and theme. Its meditation on conservation and animal displacement feels timely in a way that never tips into after-school-special territory.
We meet Mabel, voiced with bright conviction by Piper Curda, as a child liberating her classroom pets and returning them to the wild. Her moral compass is shaped by her grandmother, voiced by Karen Huie, who imparts wisdom about nature’s sanctity. True to both Pixar tradition and the broader Disney playbook, this beacon of guidance does not survive past the opening act. Loss, after all, is Pixar’s favorite inciting incident.
Years later, Mabel is still fighting the good fight, squaring off against the smarmy Mayor Jerry, voiced with slick menace by Jon Hamm. He plans to flatten the glade where Mabel and her grandmother once found solace. Mabel’s resistance feels noble but futile. The animals have already mysteriously vanished, the machinery is coming, and her last-ditch plan involves luring a beaver back to the abandoned forest in hopes of jumpstarting the ecosystem.
That’s when the film gleefully pivots into mad-scientist territory. At Beaverton University, Mabel discovers her professor, voiced by Kathy Najimy, has developed a device that can project human consciousness into synthetic animals. The process, dubbed “hopping,” allows Mabel to inhabit a robotic beaver and infiltrate the forest from within. It’s an inspired escalation that keeps the film buoyant even when the plotting grows predictable.
Her new posse includes King George, a lovably beaver voiced by Bobby Moynihan with distinct Bing Bong energy; a sharp-tongued bear voiced by Melissa Villaseñor; a regal bird king voiced by the late Isiah Whitlock Jr.; and a fish queen voiced by Ego Nwodim. As is often the case with Pixar, even in its lesser efforts, the world-building is meticulous. The animal hierarchy, complete with titles like “paw of the king,” is layered with jokes that play for kids while slyly winking at adults.
The plot ultimately follows a familiar template. Scrappy underdog rallies community. Corporate villain twirls metaphorical mustache. Emotional third-act sacrifice looms. At times, you can feel the machinery working a little too cleanly. Pixar, and Disney at large, has grown increasingly reliant on sequels and established IP, and “Hoppers” does not radically reinvent the wheel. In an animated landscape where films like “K-Pop: Demon Hunters,” “Across the Spider-Verse,” and “Goat” are pushing stylistic and narrative boundaries, being safe and sturdy may not always be enough.
And yet, there is something refreshing about a Pixar original that remembers how to tug at the heart without squeezing it dry. “Hoppers” is playful, peppered with cheeky needle drops, and builds to a sweet emotional catharsis that may or may not have left this critic a little misty-eyed. It feels earnest and engaged.
“Hoppers” may not be top-tier Pixar. But it is a welcome return to form, a reminder that the studio still knows how to marry big ideas with a bigger heart.
HOPPERS opens in theaters Friday, March 6th.
Movie Reviews
‘Hoppers’ review: Who can argue with hilarious talking animals?
Just when you think Pixar’s petting-zoo cute new movie “Hoppers” is flagrantly ripping off James Cameron, the characters come clean.
movie review
HOPPERS
Running time: 105 minutes. Rated PG (action/peril, some scary images and mild language). In theaters March 6.
“You guys, this is like ‘Avatar’!,” squeals 19-year-old Mabel (Piper Curda), the studio’s rare college-age heroine.
Shoots back her nutty professor, Dr. Fairfax (Kathy Kajimy): “This is nothing like ‘Avatar!’”
Sorry, Doc, it definitely is. And that’s fine. Placing the smart sci-fi story atop an animated family film feels right for Pixar, which has long fused the technological, the fantastical and the natural into a warm signature blend. Also, come on, “Avatar” is “Dances With Wolves” via “E.T.”
What separates “Hoppers” from the pack of recent Pix flix, which have been wholesome as a church bake sale, is its comic irreverence.
Director Daniel Chong’s original movie is terribly funny, and often in an unfamiliar, warped way for the cerebral and mushy studio. For example, I’ve never witnessed so many speaking characters be killed off in a Pixar movie — and laughed heartily at their offings to boot.
What’s the parallel to Pandora? Mabel, a budding environmental activist, has stumbled on a secret laboratory where her kooky teachers can beam their minds into realistic robot animals in order to study them. They call the devices “hoppers.”
Bold and fiery Mabel — PETA, but palatable — sees an opportunity.
The mayor of Beaverton, Jerry (Jon Hamm), plans to destroy her beloved local pond that’s teeming with wildlife to build an expressway. And the only thing stopping the egomaniacal pol — a more upbeat version of President Business from “The Lego Movie” — is the water’s critters, who have all mysteriously disappeared.
So, Mabel avatars into beaver-bot, and sets off in search of the lost creatures to discover why they’ve left.
From there, the movie written by Jesse Andrews (“Luca”) toys with “Toy Story.” Here’s what mischief fuzzy mammals, birds, reptiles and insects get up to when humans aren’t snooping around. Dance aerobics, it turns out.
Per the usual, “Hoppers” goes deep inside their intricate society. The beasts have a formal political system of antagonistic “Game of Thrones”-like royal houses. The most menacing are the Insect Queen (Meryl Streep — I’d call her a chameleon, but she’s playing a bug), a staunch monarch butterfly and her conniving caterpillar kid (Dave Franco). They’re scheming for power.
Perfectly content with his station is Mabel’s new best furry friend King George (Bobby Moynihan), a gullible beaver who ascended to the throne unexpectedly. He happily enforces “pond rules,” such as, “When you gotta eat, eat.”
That means predators have free rein to nosh on prey, and everybody’s cool with it. Because of bone-dry deliveries, like exhausted office drones, the four-legged cast members are hilarious as they go about their Animal Planet activities.
No surprise — talking lizards, sharks, bears, geese and frogs are the real stars here. They far outshine Mabel, even when she dons beaver attire. Much like a 19-year-old in a job interview, she doesn’t leave much of an impression.
Yes, the teen has a heartfelt motivation: The embattled pond was her late grandma’s favorite place. Mabel promised her that she’d protect it.
But in personality she doesn’t rank as one of Pixar’s most engaging leads, perhaps because she’s past voting age. Mabel is nestled in a nebulous phase between teenage rebellion and adulthood that’s pretty blasé, even if a touch of tension comes from her hiding her Homo sapien identity from her new diminutive pals. When animated, kids make better adventurers, plain and simple.
“Hoppers” continues Pixar’s run of humble, charming originals (“Luca,” “Elio”) in between billion-dollar-grossing, idea-starved sequels (“Inside Out 2,” probably “Toy Story 5”). The Disney-owned studio’s days of irrepressible innovation and unmatched imagination are well behind it. No one’s awed by anything anymore. “Coco,” almost 10 years ago, was their last new property to wow on the scale of peak Pixar.
Look, the new movie is likable and has a brain, heart and ample laughs. That’s more than I can say for most family fare. “A Minecraft Movie” made me wanna hop right out of the theater.
Movie Reviews
Review | Hoppers: Pixar’s new animation is a hilarious, heartfelt animal Avatar
4/5 stars
Bounding into cinemas just in time for spring, the latest Pixar animation is a pleasingly charming tale of man vs nature, with a bit of crazy robot tech thrown in.
The star of Hoppers is Mabel Tanaka (voiced by Piper Curda), a young animal-lover leading a one-girl protest over a freeway being built through the tranquil countryside near her hometown of Beaverton.
Because the freeway is the pet project of the town’s popular mayor, Jerry (Jon Hamm), who is vying for re-election, Mabel’s protests fall on deaf ears.
Everything changes when she stumbles upon top-secret research by her biology professor, Dr Sam Fairfax (Kathy Najimy), that allows for the human consciousness to be linked to robotic animals. This lets users get up close and personal with other species.
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