South-Carolina
Louisiana plantation where historic slave revolt started now under Black ownership
LAPLACE, La. — Jo Banner is excited to show the newly acquired Woodland Plantation House near the banks of the Mississippi River.
“We have still a lot of work to do, but I think for the home to be from 1793, it looks rather good,” she beams.
The raised creole-style building has a rusty tin roof and a wide front porch. Forest green wooden shutters cover the windows and doors.
The site is historically significant because this is where one of the largest slave revolts in U.S. history began. It’s also known as the German Coast Uprising because this region was settled by German immigrants.
“The start of the 1811 revolt happened here, on this porch,” Banner says.
Banner and her twin sister Joy are co-founders of the Descendants Project, a non-profit in Louisiana’s heavily industrialized river parishes – just west of New Orleans. Early this year, the group bought the Woodland Plantation Home, putting it in Black ownership for the first time in more than two centuries.
“Our mission is to eradicate the legacies of slavery so for us, it’s the intersection of historic preservation, the preservation of our communities, which are also historic, and our fight for environmental justice,” says Joy Banner.
The sisters plan to preserve it as a museum that will reinterpret the 1811 uprising as inspiration for new generations to confront racism.
“While others may see a beautiful plantation home, for us, this space means a lot,” Jo Banner says. “It’s the knowing we have to keep fighting and knowing what footsteps we’re following.”
She calls the hundreds of enslaved people who participated in the revolt “freedom fighters.” It started when they wounded white plantation owner Manuel Andry, killed his son, and commandeered weapons and other supplies. Historical accounts say the military-style revolt was led by a Creole man, Charles Deslondes, an enslaved overseer.
Both sides of the Mississippi were lined with sugarcane plantations at the time. That meant the enslaved were in close proximity, able to devise a plan to overtake the plantations one by one.
“So as they were marching from one space to the next, they were continuing to gather more people to join them for their fight,” she says. “The point was to get them to New Orleans so that they could gain their freedom.”
Their goal was to create a free territory in New Orleans. But within three days, the insurrection was brutally stopped.
Local militias backed by U.S. troops swiftly put down the rebellion, killing dozens of the people trying to escape slavery. More than 40 others were captured, put on trial, and executed.
Highlighting a once-hidden history
For decades that story wasn’t told during tours of the grand plantation homes lining the Mississippi River. The Banner sisters, descendants of two of those plantations, both worked in tourism in what has been marketed as New Orleans Plantation Country. Jo Banner says they saw firsthand the need for a more honest narrative.
“You’re thinking of what? Gone with the Wind, the ladies in hoop skirts, the mint juleps,” she says. “You’re really trying to portray this image of plantation life, removing the brutality of it, removing everything that made it what it was.”
The Banners say they want to create a space to foster what they call restorative, descendant-engaged tourism. They say that means using the site as a cultural center to celebrate the contributions of the enslaved, highlighting their architectural skill and artistic endeavors. For instance, the pioneering jazz composer and trombonist Edward “Kid” Ory was born at Woodland Plantation. The home itself has been highlighted by preservationists for its construction.
On a tour Jo Banner pulls back a section of drywall to show the handiwork of the enslaved who built the structure.
“You see the beams, you see the bousillage, which is a moss and mud, essentially a cement that’s created,” Banner says. “You have the bricks here and the bricks were made on this property — under the house, there’s a kiln to make that.”
The Banners plan to have the Woodland Plantation Home open to the public next year, and will do private tours in the meantime. They say they will also commission an archeological exploration of burial grounds on the four-and-a-half-acre property.
Local activists welcome the new Black ownership of the site.
“We know that African-Americans lived on the plantation, worked that plantation, but never had that house been under Black ownership,” says Derron Cook, who grew up here in St. John the Baptist Parish. “So it’s a different story now.”
He says even though his grandparents farmed near Woodland Quarters, the neighborhood where the enslaved once lived, he never learned about the 1811 uprising as a child.
“It was really more of a hidden history,” Cook says. “Being that it’s the largest slave revolt in U.S. history, right? That’s amazing within this small community.”
Linking the 1811 rebellion to the fight for environmental justice today
A local high school teacher, Cook is trying to ensure that new generations can find inspiration from what he considers to be revolutionaries of their time.
“For people to be able to rise up who had quote unquote ‘no power,’ so those people took it upon themselves to try and create change,” says Cook. “We honor their story, their resilience. We honor their courage for being able to make that attempt to set up something for Black people where freedom would exist.”
Five years ago, Cook took part in a large-scale reenactment of the 1811 revolt.
“It was amazing to walk on to the levees along the Mississippi River 26 miles with machetes and muskets and other weapons, yelling ‘freedom or death’…and ‘on to New Orleans!’”
He recounts the violent story of what happened to the 1811 rebels in the end.
“They were actually captured, tried, found guilty and beheaded,” he says. “And their heads were placed on stakes and lined along the Mississippi River as a signal to other enslaved to not try to escape or to not try and fight.”
Jo Banner of the Descendants Project says the collective trauma of that lingers today, as descendants of the plantations struggle for the political voice to shape what happens in their communities.
“There are so many people who are just afraid to speak out, or don’t feel that maybe they have the right to push back against a system,” she says. “Especially Black people feel that we have to be sacrificed or we have to sacrifice something in order to gain something.”
Banner says that means continually compromising with a system that has been bad for local residents because of the promise of economic development.
“We know it’s bad, but what can we do so that our heads aren’t cut off? How do we survive?”
The majority Black region is exposed on several fronts. The Environmental Defense Fund for instance, ranks St. John the Baptist parish number one on its U.S. climate vulnerability index.
It’s in the heart of what’s nicknamed Cancer Alley — the industry-laden stretch of the Mississippi River between New Orleans and Baton Rouge, where the EPA has found residents to be at high risk for exposure to hazardous pollution.
The Banners want the new Woodland museum to connect the history here to present conditions.
“That through-line of the plantation extraction of Black health, of Black land and Black communities till now we’re seeing that same exploitation and extraction, but from the industrial petrochemical just encroachment of heavy industry in our communities,” says Joy Banner.
Her sister Jo says there are many textures and layers to the story, just like what’s revealed as she peels back a section of wall of the plantation house, revealing the mossy bousillage and locally fired brick columns.
“It’s bumpy. It switches. It’s raw. Right? And I love looking at this because it reminds you this is the story we want to tell.”
Copyright 2024 NPR
South-Carolina
Summer offer leads to EDGE Jayden Broadie’s commitment to South Carolina
South Carolina made a late entrance into Jayden Broadie‘s recruitment, but the Gamecocks made every moment count.
The three-star EDGE from Rolesville (N.C.) announced his commitment to Shane Beamer and South Carolina on July 4, choosing the Gamecocks after a recruitment that remained fluid until the final weeks.
Broadie originally planned to commit this summer before considering delaying his decision into the season. Everything changed after South Carolina offered following a standout camp performance.
His first trip to Columbia was when the offer was earned, and it immediately left an impression.
“After camp they took me on a tour and talked to me about everything,” Broadie told Rivals. “All the coaches showed me love and made me feel like I belonged there. They made me feel wanted.”
[ $19.99 gets you a FULL year of On3 | Rivals national coverage ]
Defensive ends coach Deion Barnes quickly became a major factor.
Barnes worked with Broadie throughout camp, spent extra one-on-one time with him before drills began and showed the type of investment the North Carolina standout wanted to see.
“He definitely pushed me hard,” Broadie said. “He pointed out what I could improve, but he also told me what I did well. I really liked how Coach Barnes really invested his time in me before camp even started. That showed his character.”
Broadie also connected with Beamer.
“I love Coach Beamer’s energy,” he said. “After they offered, he called me a few times and was fired up about me. I love how he carries himself.”
Those relationships ultimately separated South Carolina from the rest of the field.
“They made me feel like a priority,” Broadie said. “Coach Barnes was very invested in me. He told me I would have an opportunity to compete and play early. He made me feel like I could come in and make a difference on the defense.”
Playing in the SEC also appealed to Broadie.
“It is the best of the best,” he said. “You get to compete against the best competition and really see how good you are. That’s what excites me the most.”
South-Carolina
New course offers low-profile distinction in South Carolina Lowcountry
Bill Coore, Ben Crenshaw show off new Anson Point at Palmetto Bluff
The famed designers created a new course that perfectly fits its South Carolina Lowcountry environment.
BLUFFTON, S.C. – Anson Point, the latest design to open by the architectural team of Bill Coore and Ben Crenshaw, is a welcomed change of pace in today’s market of high-profile course introductions. Its subtlety and Lowcountry charms offer a sense that the course has been there for decades.
Those sensations run contrary to most recent course openings in the Southeast. The past 10 years have seen a huge boom in high-profile private golf in Florida, Georgia and South Carolina. In Florida we have seen Panther National, Apogee, High Grove, Soleta, the soon-to-open Miakka and a host of other developments. Georgia has welcomed Ohoopee Match Club and Fall Line. South Carolina has had The Tree Farm, Old Barnwell, Broomsedge, 21 Club and more come online. These offerings are all welcome additions to the golf scene, and they all feel big, bold and new.
Where those courses zig, Anson Point zags. The private course is located near the southern tip of Palmetto Bluff, a 20,000-acre waterfront development with three golf courses, a marina, two village centers, a Montage hotel and a wide selection of nature activities. The course plays inland through mostly pines and oaks before offering marshland views from multiple holes on the back nine.
Opened early this year, Anson Point wasn’t ready in time to qualify for the various 2026 course rankings within this magazine, but it’s easy to anticipate the layout landing coveted spots on the lists as enough raters play it. Palmetto Bluff’s two other courses are the Jack Nicklaus-designed May River, which opened in 2004, and the non-traditional, nine-hole Crossroads by Tad King and Rob Collins, which opened in 2024 and offers a reversible layout.
Unlike many courses within such large developments, including May River, Anson Point is void of surrounding homes. This adds greatly to the tranquility of the experience. Hats off to South Street Partners and Henderson Park, owners of Palmetto Bluff, for taking such an approach on their newest course.
“The scale and conservation ethos of Palmetto Bluff provided South Street with a unique opportunity to site Anson Point on 500 dedicated acres within which Coore and Crenshaw could design a ‘core golf course’ without any single-family homes fronting the course,” said Chris Randolph, managing partner at South Street Partners. “While direct golf frontage real estate has historically driven premium pricing that developers seek when justifying the cost of golf course and clubhouse construction, South Street believes proximity to a world-class golf experience alone should drive even higher premiums across the entirety of the community.”
This approach, which has been the model at several new courses but not all, works well for both golf and homeowners. Residents receive easy access and increased home values with the close affiliation to the course, yet they are not bothered by mowers early in the morning or golfers in their backyards. Most important, the homes don’t impact the golf.
In an era of frequently wide-open golf, Anson differs from many other new developments in that most internal holes — those away from Savannah River’s marsh with its long views toward Georgia — are framed by trees so that the longest view across the course is about 500 yards. This provides an intimate feel that showcases the subtle features incorporated by Coore and Crenshaw.
Coore spent ample time at Anson Point discovering a routing that takes golfers through the woods and out to the marsh on multiple occasions. Coore and Crenshaw associate Ryan Farrow was the on-site lead and handled much of the shaping. The green-to-tee walks are short, the fairways and greens hug the ground, the bunkering is sparse, and areas between the fairways and the woods vary based on what was there at the outset of the project. The design embraces all the features that were available, starting at No. 1.
“There was a really special little quarry area with exposed sand and mossy edges, and we sited No. 1 green right there and used that feature as our guiding light for how to best showcase the land,” Coore said. “That and the beautiful trees and marsh edges.”
There is a mixture of holes, long and short with doglegs left and right. A pair of three-hole stretches on each nine showcase the best of Anson Point.
The par-5 seventh starts wide and gently narrows all the way to the green – players have choices off the tee, on the second shot and all around the green. The long par-4 eighth looks straight in planning, but on the ground players should favor moving the ball left to right. The tiny par-3 ninth plays across a low sandy area to a green set on a diagonal from front-left to back-right.
On the back nine, the par-4 15th is drivable for many players, with a small bunker that looks greenside but is well short and must be avoided. The par-5 16th moves from right to left and is reachable for long hitters, but the hole location dictates how to attack. The long par-3 17th plays toward the marsh, starting in a narrow shoot before the hole opens up to a green with a strong flash at the back edge, all with views of Savannah some 10 miles across the water.
These are all the types of holes that would play differently day to day, and a member would learn the subtle nuances and strategies in time. If it were a resort course, Anson Point might feel a bit underwhelming, as it lacks elevation change, multiple water features and expansive bunkering. But as a member’s course, it is a shining example of the long-term relationship one would seek out.
“We worked hard to uncover and incorporate little details throughout, and I believe it is a golf course that will reveal itself over time,” Coore said. “I imagine members will like and appreciate it even more after years of play.”
At a time when golf development in the Southeast is booming, it is nice to see that a low-profile layout is still welcome in Lowcountry. Gwk
– Jay Blasi is a golf course architect based in California who writes occasional stories for Golfweek and hosts groups of Golfweek’s Best course raters around the world.
South-Carolina
South Carolina Lottery Mega Millions, Pick 3 results for July 3, 2026
Powerball, Mega Millions jackpots: What to know in case you win
Here’s what to know in case you win the Powerball or Mega Millions jackpot.
Just the FAQs, USA TODAY
The South Carolina Education Lottery offers several draw games for those aiming to win big.
Here’s a look at July 3, 2026, results for each game:
Winning Mega Millions numbers from July 3 drawing
05-09-29-47-57, Mega Ball: 16
Check Mega Millions payouts and previous drawings here.
Winning Pick 3 Plus FIREBALL numbers from July 3 drawing
Midday: 6-8-5, FB: 0
Evening: 3-5-7, FB: 4
Check Pick 3 Plus FIREBALL payouts and previous drawings here.
Winning Pick 4 Plus FIREBALL numbers from July 3 drawing
Midday: 7-0-6-6, FB: 0
Evening: 5-8-1-1, FB: 4
Check Pick 4 Plus FIREBALL payouts and previous drawings here.
Winning Cash Pop numbers from July 3 drawing
Midday: 12
Evening: 08
Check Cash Pop payouts and previous drawings here.
Winning Palmetto Cash 5 numbers from July 3 drawing
09-13-14-25-42
Check Palmetto Cash 5 payouts and previous drawings here.
Feeling lucky? Explore the latest lottery news & results
Are you a winner? Here’s how to claim your lottery prize
The South Carolina Education Lottery provides multiple ways to claim prizes, depending on the amount won:
For prizes up to $500, you can redeem your winnings directly at any authorized South Carolina Education Lottery retailer. Simply present your signed winning ticket at the retailer for an immediate payout.
Winnings $501 to $100,000, may be redeemed by mailing your signed winning ticket along with a completed claim form and a copy of a government-issued photo ID to the South Carolina Education Lottery Claims Center. For security, keep copies of your documents and use registered mail to ensure the safe arrival of your ticket.
SC Education Lottery
P.O. Box 11039
Columbia, SC 29211-1039
For large winnings above $100,000, claims must be made in person at the South Carolina Education Lottery Headquarters in Columbia. To claim, bring your signed winning ticket, a completed claim form, a government-issued photo ID, and your Social Security card for identity verification. Winners of large prizes may also set up an Electronic Funds Transfer (EFT) for convenient direct deposit of winnings.
Columbia Claims Center
1303 Assembly Street
Columbia, SC 29201
Claim Deadline: All prizes must be claimed within 180 days of the draw date for draw games.
For more details and to access the claim form, visit the South Carolina Lottery claim page.
When are the South Carolina Lottery drawings held?
- Powerball: 10:59 p.m. ET on Monday, Wednesday, and Saturday.
- Mega Millions: 11 p.m. ET on Tuesday and Friday.
- Pick 3: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Pick 4: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Cash Pop: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Palmetto Cash 5: 6:59 p.m. ET daily.
This results page was generated automatically using information from TinBu and a template written and reviewed by a South Carolina editor. You can send feedback using this form.
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