Culture
Mark Gastineau doesn't need your attention anymore
LEBANON, Pa. — Narrow evergreens tower over the split-level house, lining the long driveway. Arborvitae, they are called. There are 145 of them, and not one has a branch out of place.
When Mark Gastineau and his wife came to see this property for the first time a few years ago, he stopped at the trees that are the color of the uniform he once wore. The realtor told them to come inside and look around, but Gastineau didn’t need to go inside. All he needed to see were the trees.
“They’re the most beautiful trees in the world,” he says. “I love them.”
Gastineau was one of the most accomplished pass rushers in NFL history. But more than that, he was a star. After games ended and his teammates left, he sometimes stayed on the Shea Stadium field so he could feel the crowd’s roar in his chest. He sat on talk show couches for David Letterman, Oprah and Dick Cavett. He won the 1985 “Superstars” competition in Miami and was featured in a six-page spread for “Playgirl” magazine titled, “Mark Gastineau: Out of Uniform.”
Gastineau still is the kind of person who turns heads at the grocery store, with thick black hair slicked back into a mullet that would stick out from the back of a helmet if he still wore one. But he’s 67 now, living with the reverberations of the life he led.
Like many of yesterday’s football heroes, Gastineau has cognitive issues. Headaches come and go, and he tires more quickly than before. At one point he thought he had Parkinson’s, but he says two neurologists have ruled that out.
Gastineau survived Stage 3 colon cancer in 2019 — he wore a colostomy bag for a year — but the chemo left him with neuropathy. If offered, he’ll take a hand when getting out of a chair.
As he gazes out at his Arborvitae, what’s certain is Mark Gastineau isn’t Mark Gastineau anymore.
In his dreams, he was a rodeo cowboy, but as a child growing up on his family’s ranch in the White Mountains of Arizona, Gastineau lacked confidence. Other kids bullied him.
In 2019, Gastineau told the New York Post he had been repeatedly raped as a child, starting when he was 11, by a worker on the ranch. Terrified for his family’s safety, he explained to the Post, he had repressed the memories for more than four decades.
Gastineau repressed nothing else. Everything was a plea for acknowledgment. He was labeled an attention seeker. Really, he was an attention needer.
He performed his first sack dance at Round Valley High School in Arizona, then began a college experience that settled at East Central Oklahoma, an NAIA school. He had 27 sacks there and danced plenty.
Speed was his gift, so he worked to enhance it by running downhill in his driveway over and over in an early adaptation of overspeed training. When an NFL scout timed him in the 40-yard dash, Gastineau ran 4.6 seconds at 265 pounds. In disbelief, the scout told him to do it again. After another 4.6, the scout said his watch must have been off. He tried another, and Gastineau ran a 4.59.
Jets coaches were in charge of the North team at the 1979 Senior Bowl and needed a last-minute replacement player. New York’s Connie Carberg, the NFL’s first female scout, researched the possibilities. She phoned Gastineau to feel him out and was impressed by his determination and enthusiasm, so she recommended him.
His performance was so impressive that he was voted the most outstanding defensive lineman on the North team, and the Jets drafted him in the second round.
Mark Gastineau was a pioneer of both the quarterback sack and the post-sack celebration. (Tom Berg / Getty Images)
Gastineau rushed the passer like fire on a trail of gasoline.
“Dominant is the first word that comes to your mind,” fellow Jets defensive lineman Joe Klecko says. “In his best days as a pass rusher, I don’t think there was any better.”
Weighing as much as 290 pounds, Gastineau bench-pressed 400 and squatted 600. With the hunting instincts of a big cat — and an edge from the steroids he admits to taking — Gastineau went after quarterbacks with bloodlust.
“If the quarterback got up, I didn’t do my job,” Gastineau says.
In his third season in 1981, he had 20 sacks, one-half less than the league-leading Klecko. When the NFL made sacks an official statistic two years later, Gastineau’s 19 topped the league. Fans started calling the Jets’ D-line of Gastineau, Klecko, Marty Lyons and Abdul Salaam “The New York Sack Exchange.” Team publicist Frank Ramos used it in press releases.
After sacks, Gastineau celebrated by pumping his arms, jumping and punching a fist to the sky. “I’d just go nuts,” he says.
Happy birthday to our favorite sack dancer, Mark Gastineau!! pic.twitter.com/aQo5pvwLtg
— New York Jets (@nyjets) November 20, 2019
“He was like a young colt, full of energy, enthusiasm and passion,” Carberg says.
“I’d have to believe that Mark singlehandedly made the sack a glamorous play and made the NFL start keeping the sack as a meaningful statistic,” Jets coach Joe Walton once said. “He brought attention to it like no one before.”
The look-at-me wasn’t always well received, however. In 1983, Rams offensive tackle Jackie Slater took offense and went after Gastineau, precipitating a melee that saw 37 players fined.
It was the first of two brawls that week for Gastineau. Early one morning at Studio 54, the New York nightclub where celebrities and trouble always could be found, noses were broken and arrests made. Gastineau was convicted of misdemeanor assault and sentenced to 90 days of community service.
Klecko, the throwback, and Gastineau, the throwforward, were a fierce tandem on the field but an uncomfortable one away from it. “I didn’t like what he was doing at all,” says Klecko, the leader of the defense. “But he liked that spotlight.”
At one point, Klecko led Gastineau into trainer Bob Reese’s office. He closed the door and locked it. Then he pounded his thick index finger into Gastineau’s shaved chest.
“Your sack dance is killing us,” he told him. “You have to cut this s— out.”
The point was made.
“I was definitely afraid of Klecko,” he says. “He was two years above me, strong as an ox and knew how to intimidate.”
It wasn’t just the sack celebrations that created rifts. The reviews on Gastineau’s run defense were mixed. His relentlessness and ability to penetrate often resulted in running backs being dropped in the backfield, but on other plays, his gap assignment looked like a wide-open highway.
“Mark worried about the statistics more than I or anybody else did,” Klecko says. “He always wanted to get to the quarterback right away, so we used to have to make coverups on the run.”
An opportunity arose for a New York Sack Exchange poster, but Gastineau’s agent tried to make it a Gastineau poster. Eventually, after hard feelings, he was talked into posing with the others.
When teammates took issue with how he drew attention to himself, Gastineau purposely drew more, wearing a mink coat and driving a Rolls-Royce, a Ferrari and a Lamborghini. “Just to get back at them and piss them off,” he says.
Walton, however, told Klecko to go easy on Gastineau. The coach acknowledged having two sets of rules — one for the rest of the players and one for Gastineau. He was the only one allowed to use the telephone in the trainer’s room. If he was late for meetings — and he often was — no one was to say anything. Gastineau’s father, Ernie, ran the 40-yard dash with players.
“That team was full of cliques and petty jealousies,” says then-Jets wide receiver Wesley Walker, who recalls one teammate spitting a wad of chewing tobacco in Gastineau’s soda cup when he wasn’t looking.
Walker didn’t have a problem with the sack dances — “Those are things I enjoyed,” he said. “He didn’t do it in a malicious way. He created something. A lot of guys do that now.” But before the 1984 season, the NFL passed a rule that said players who participated in prolonged, excessive or premeditated celebrations would be penalized 15 yards. It was referred to as “The Gastineau Rule.”
Despite his production, Gastineau’s New York Sack Exchange teammates Joe Klecko (center) and Marty Lyons (right) had little love for him while he was playing. (Focus on Sport / Getty Images)
With 22 sacks that year, Gastineau set a record that stood for 17 seasons. “I just remember him bringing it every play,” says Hall of Fame Houston Oilers offensive lineman Bruce Matthews, whom Gastineau beat for one of those sacks.
The sacks won him fans but not friends. Teammates voted running back Freeman McNeil most valuable player on the Jets after he rushed for 1,070 yards — 13th-most in the NFL. At the Pro Bowl that season, one of five he played in, Gastineau had four sacks and two forced fumbles on the way to being named MVP. Then Klecko swiped Gastineau’s helmet and gave it to Raiders Pro Bowler Howie Long as a souvenir.
In a 1986 divisional-round playoff against the Browns, Gastineau was determined to knock quarterback Bernie Kosar out of the game. In the fourth quarter, Gastineau hit him with such fury and force that he popped three teeth from his mouth.
The hit was gratifying but only momentarily. It was third-and-24, and Gastineau was assessed a roughing-the-passer penalty that kept alive a touchdown drive that enabled Kosar and the Browns to win in double overtime. Gastineau’s teammates refused to speak to him afterward.
When players went on strike the following summer, Gastineau crossed the picket line, saying he needed the money to pay his estranged wife. As he was entering the Jets facility, teammates spit on his car. He got out of the car swinging.
While he was still married to his first wife, Gastineau began seeing Brigitte Nielsen, the 6-foot-1 Danish model known for her roles in “Red Sonja” and “Rocky IV” fresh off relationships with Sylvester Stallone and Arnold Schwarzenegger.
Nielsen had her people get in touch with his people after she saw him in a televised interview wearing nothing but a towel. They became the Taylor and Travis of their day. “People” magazine featured them on the cover, calling them “a pair of humongous lovebirds … unable to keep their hands or lips off each other.”
Through the first seven games of the 1988 season, Gastineau seemed revitalized. He was selected to serve as a game captain for the first time in his career, drew praise from teammates and was leading the AFC in sacks. He attributed his success to his happiness with Nielsen. But the relationship eventually became a wedge between him and the Jets.
Walker walked into an elevator at the team hotel and saw the two of them, expecting an introduction, but Gastineau never looked up, never said a word.
“I loved Mark and all my teammates,” Walker says. “But I think he did things that didn’t give a good indication of the type of person he really was. He got to be such a superstar that he kind of elevated himself over everybody.”
On Oct. 21, 18 days after Gastineau had three sacks in a game against the Chiefs, the 31-year-old stunned his team by announcing his retirement, citing Nielsen’s ovarian cancer diagnosis that was later discovered to be a precancerous condition.
After quitting football, Gastineau and Nielsen had each other’s names tattooed on their derrieres and partied from New York to Denmark to Scottsdale to Los Angeles. They broke up. She accused him of hitting her. They got back together. She got pregnant. Wherever they went, they saw spots from photo flashes. Gastineau says his drinking became a demon. It would be evident many times in the next dozen years or so.
After a tumultuous couple of years, Gastineau and Nielsen split for good in 1990. There was a comeback attempt in the Canadian Football League that lasted just four games, then a short-lived reincarnation as a boxer, where some of Gastineau’s opponents admitted throwing fights. He faced drug charges in 1993 after being arrested with 200 amphetamine pills at Sky Harbor International Airport in Phoenix and was eventually sentenced to three years of probation.
Multiple women accused Gastineau of domestic abuse, including Nielsen and his second wife. He denies those allegations. In 1998, he was charged with misdemeanor assault, menacing and criminal possession of a weapon against his then-girlfriend, who became his second wife shortly thereafter (a year later, he was arrested for violating a protection order she obtained against him).
Gastineau pled guilty and was sentenced to undergo counseling. He failed to show up and was sentenced to serve weekends in jail. When he skipped a weekend, he was ordered to spend one year at a residential treatment center in the Bronx. He says his attorney wrongly advised him that he could leave the state. When he did, he was arrested and sentenced to 18 months in prison.
At Rikers Island, the Bronx jail known for violence, abuse and squalor, he says inmates tried to intimidate him and shake him down for money. “Sometimes it was really, really, really scary,” he says. One day a Jets game came on the prison television. And he saw a player wearing No. 99 — his number. “How did I get here?” he asked himself.
This was the bottom. Right where he was supposed to be.
Gastineau has found peace at home with Jo Ann and Gracie. (Dan Pompei / The Athletic)
After 11 months, Gastineau was released from Rikers. When he had been in the residential drug treatment program, he met congregants of Times Square Church who invited him to attend a service there.
Whenever Gastineau met people at the church, he introduced himself by saying, “Mark Gastineau, New York Jets.” He saw himself as who he had been, not who he could be, and this made him wonder if God — or anyone else — could love him. He met with Pastor David Wilkerson, who founded the nondenominational church. “You are not Mark Gastineau anymore,” Wilkerson told him. “You are now a child of God.”
In 2005, he met a realtor who didn’t know anything about him. “Wait until you read about me,” he told her. “I’m not in the Hall of Fame. I’m in the hall of shame.”
She read about him and then came to believe he wasn’t Mark Gastineau anymore. “I went by how he treated me,” says Jo Ann Gastineau, who became his third wife in 2007.
Mark led Jo Ann to Times Square Church, which was just what she needed. And she was just what he needed. They volunteered to scrub the church’s public toilets and joined the choir. For a weekly rehearsal, they drove from New Jersey, which sometimes took hours. They took the drive again on Sundays to perform at three services — 10 a.m., 3 p.m. and 6 p.m.
“He couldn’t sing that well, so we put him in the top row,” pastor Carter Conlon says. “He said he thought it was because he was tall. But it was because the top row was the farthest from the microphone.
“I didn’t know anything about sports, but the sports fans couldn’t believe the same Mark Gastineau who played for the New York Jets was wearing a robe, clapping his hands, crying and singing.”
But Gastineau was still struggling with something — he couldn’t forgive Klecko. Conlon told him unforgiveness would hurt him more than Klecko and implored him to let it go. The former teammates were together for an appearance in 2020 in New Jersey, shortly after Klecko had shoulder surgery. Gastineau suggested they pray for healing. Klecko was deeply appreciative.
“I was a young kid,” Klecko says now. “If I could go back, I probably would have been more accepting of his way and tried to talk to him more about it. Once the game is set aside, you have a different life. There is no confrontation between us anymore. I wish him all the best.”
These days, whenever they see each other, Gastineau asks about Klecko’s family, and that means everything to Klecko.
“I shouldn’t have done the things that I did,” Gastineau says. “The playboy attitude I had basically brought me into an atmosphere that was really wrong.”
He was once the highest-paid defensive lineman in the NFL, and players around the league envied “Gastineau money.” But during his cancer ordeal, money was tight. A GoFundMe effort helped. His old teammate Lyons organized a fundraiser, and some powerful people stepped up anonymously.
Gastineau gets by now. Paychecks from appearances help. He established a scholarship fund through Times Square Church that benefits at-risk youth with “passionate desire to serve Jesus through sports or music-related ministries.”
Gastineau finished his career with 107 1/2 sacks — 0.78 sacks per game played. The only players with a better sacks-per-game rate in history are T.J. Watt, Deacon Jones, Myles Garrett and Reggie White. Sports Illustrated’s Paul Zimmerman once ranked him history’s seventh-greatest pass rusher. Yet with his complicated legacy, Gastineau has never been a semifinalist for the Pro Football Hall of Fame.
“To me, he is equally deserving as Joe Klecko for the Hall of Fame,” Matthews says. “When you were preparing to play the Jets, you highlighted him, and he still produced. I think that’s the epitome of a Hall of Fame player.”
When Klecko was inducted into the Hall of Fame last year, Gastineau attended. Klecko once said it would be an injustice if Gastineau was inducted. He thinks differently now, saying he would vote for him.
Being a Hall of Famer would be nice. But Gastineau doesn’t need a gold jacket. He doesn’t need to be noticed anymore.
“I have a wonderful life, a wonderful wife and this little dog,” he says, looking down at Gracie, their Golden Retriever who won’t stop giving affection. “They both love me, and that’s everything I need, you know?”
(Illustration: Sean Reilly / The Athletic; photos: Focus on Sport, Rick Stewart /Getty Images, Dan Pompei / The Athletic)
Culture
Try This Quiz and See How Much You Know About Jane Austen
“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.
Culture
Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday
On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.
Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”
With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”
How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.
By ‘A Lady’
Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)
Where the Magic Happened
Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.
An Iconic Accessory
Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.
Austen Onscreen
Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.
Jane Goes X-Rated
The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.
A Lady Unmasked
Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”
Wearable Tributes
It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.
The Austen Literary Universe
On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)
A Botanical Homage
Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.
Aunt Jane
Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.
Cultural Currency
In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.
In the Trenches
During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”
Baby Janes
You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.
The Austen Industrial Complex
Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.
Around the Globe
Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.
Playable Persuasions
In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.
#SoJaneAusten
The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.
Bonnets Fit for a Bennett
For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.
Most Ardently, Jane
Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”
Stage and Sensibility
Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.
Austen 101
Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”
W.W.J.D.
When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?
Culture
I Think This Poem Is Kind of Into You
A famous poet once observed that it is difficult to get the news from poems. The weather is a different story. April showers, summer sunshine and — maybe especially — the chill of winter provide an endless supply of moods and metaphors. Poets like to practice a double meteorology, looking out at the water and up at the sky for evidence of interior conditions of feeling.
The inner and outer forecasts don’t always match up. This short poem by Louise Glück starts out cold and stays that way for most of its 11 lines.
And then it bursts into flame.
“Early December in Croton-on-Hudson” comes from Glück’s debut collection, “Firstborn,” which was published in 1968. She wrote the poems in it between the ages of 18 and 23, but they bear many of the hallmarks of her mature style, including an approach to personal matters — sex, love, illness, family life — that is at once uncompromising and elusive. She doesn’t flinch. She also doesn’t explain.
Here, for example, Glück assembles fragments of experience that imply — but also obscure — a larger narrative. It’s almost as if a short story, or even a novel, had been smashed like a glass Christmas ornament, leaving the reader to infer the sphere from the shards.
We know there was a couple with a flat tire, and that a year later at least one of them still has feelings for the other. It’s hard not to wonder if they’re still together, or where they were going with those Christmas presents.
To some extent, those questions can be addressed with the help of biographical clues. The version of “Early December in Croton-on-Hudson” that appeared in The Atlantic in 1967 was dedicated to Charles Hertz, a Columbia University graduate student who was Glück’s first husband. They divorced a few years later. Glück, who died in 2023, was never shy about putting her life into her work.
But the poem we are reading now is not just the record of a passion that has long since cooled. More than 50 years after “Firstborn,” on the occasion of receiving the Nobel Prize for literature, Glück celebrated the “intimate, seductive, often furtive or clandestine” relations between poets and their readers. Recalling her childhood discovery of William Blake and Emily Dickinson, she declared her lifelong ardor for “poems to which the listener or reader makes an essential contribution, as recipient of a confidence or an outcry, sometimes as co-conspirator.”
That’s the kind of poem she wrote.
“Confidence” can have two meanings, both of which apply to “Early December in Croton-on-Hudson.” Reading it, you are privy to a secret, something meant for your ears only. You are also in the presence of an assertive, self-possessed voice.
Where there is power, there’s also risk. To give voice to desire — to whisper or cry “I want you” — is to issue a challenge and admit vulnerability. It’s a declaration of conquest and a promise of surrender.
What happens next? That’s up to you.
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