Connect with us

Entertainment

Bing Chen: Hype man for Asian Hollywood

Published

on

Bing Chen: Hype man for Asian Hollywood

Inside the gold-dragon-adorned walls of Chef Chu’s restaurant in the heart of Silicon Valley, a group of prominent Asian venture capitalists and tech executives gathered over Peking duck and garlic noodles.

They came at the behest of then-31-year-old Bing Chen, a former YouTube executive. Near him sat the guest of honor: director Jon Chu, who was just one month from releasing his 2018 film “Crazy Rich Asians.”

To Chen, the movie marked not just a turning point for Asians in Hollywood, but also a massive opportunity to shift the cultural narrative around Asians in general. He wanted to be a part of it.

Discover the change-makers who are shaping every cultural corner of Los Angeles. This week we bring you The Connectors, who understand that power doesn’t travel in a straight line and know how to connect the dots. Come back each Sunday for another installment.

Advertisement

“Everybody go around the table and say how you’re going to commit to this,” Chu recalled Chen saying.

“He’s literally like your camp counselor,” Chu said, “with all these big people and he doesn’t talk to them like they’re big people.”

By the end of the night, those people — including Opendoor co-founder Eric Wu, then-WeWork Chief Technology Officer Shiva Rajaraman and Andreessen Horowitz partner Maggie Hsu — had committed to buying out as many theaters as possible for the opening weekend of “Crazy Rich Asians,” a tactic inspired by the Black community’s support of Marvel blockbuster “Black Panther” earlier that year. They fanned out on social media, calling on celebrities and influencers to join their #GoldOpen campaign and asking the community to show up.

“The future won’t be begged for, borrowed, or stolen; it will be BOUGHT,” Chen tweeted, hinting at his upcoming plans.

Advertisement

The campaign was extraordinarily successful. #GoldOpen helped give Chu a box office hit — “Crazy Rich Asians” pulled in $26.5 million its first weekend in theaters, making it the biggest Asian film since 1993’s “The Joy Luck Club.” It gave Hollywood fodder for conversations about better representation.

And it gave Chen a new purpose: This budding movement needed a leader, someone who could marshal the right people and resources to ensure Asian endeavors — both inside and outside Hollywood — succeeded.

“There’s this lethal combination of using media to reshape public opinions and beliefs on the one side, and then leveraging economics to help sustain those opportunities on the other side,” Chen said.

That’s the big idea behind his nonprofit, Gold House.

In the six years since its founding, Gold House has become one of the go-to organizations for movie studios and TV networks for all things Asian-related, consulting on or promoting projects such as “Turning Red,” “Joy Ride,” “Beef” and “Past Lives.” It works in advertising and marketing to conduct research on topics such as how Asian women are portrayed in media. It supports aspiring AAPI musicians through collaborations with Spotify. It works with Hollywood’s top talent agencies.

Advertisement

‘One could argue that L.A., with its cultural capital, is the precipice or genesis of all broader societal changes.’

— Bing Chen

“The whole goal is to dismantle stereotypes and project new and affirming images of our diaspora,” Chen said.

If all goes according to plan, he’ll build a new media empire in the process.

Advertisement

Chen, now 37, runs Gold House surprisingly lean, 25 employees split between Los Angeles, San Francisco, and New York, not counting part-timers, advisors and external partners, he said.

And yet the organization operates behind the scenes of a dizzying array of projects. The team’s consulting work for film and TV includes cultural research, script and casting review, facilitating product partnerships and helping with marketing and public relations, generating the organization’s primary source of revenue. Recent releases with the Gold House touch include HBO’s TV adaptation of Viet Thanh Nguyen’s Pulitzer-Prize-winning novel “The Sympathizer.”

Bing Chen

In 2022, the organization launched Gold House Ventures, a $30-million fund to invest in the most promising Asian Pacific-led companies. The fund boasts a portfolio of more than 80 companies with at least one AAPI-identifying founder. Some of its investors include managing directors of Lightspeed and Bain & Company , philanthropic organizations such as the Chan Zuckerberg Initiative, and individual investors such as DoorDash Chief Executive Tony Xu, YouTube co-founder Steve Chen, rapper Anderson Paak and actor Daniel Dae Kim.

While Gold House Ventures is a for-profit initiative for its investors, management fees and profits are funneled back to the nonprofit. It also helped launch a coalition with other multicultural VC firms such as Harlem Capital to place people of color on company boards. They’re more influential than any C-suite position, Chen said of the dozens of people placed to date.

Even before Gold House, Chen has always been a savvy connector and shrewd operator. In the early days of YouTube, he saw the promise of a democratized platform that could give rise to a new generation of online creators and influencers.

Advertisement

“I built most of the creator programs worldwide from scratch when I got there,” Chen said. This includes leading a team that established YouTube’s creator hub, overhauled and globalized its partner program, created a talent incubation program and dreamed up the Gold Play button awards for the site’s most subscribed channels. He also saw the importance of offline events and helped produce the second annual VidCon, persuading YouTube to invest in the fan convention at a time when many in traditional entertainment did not take YouTube stardom seriously.

While Asian roles in Hollywood were few and far between, YouTube was a place where many Asian creators flourished. Early YouTubers such as the Wong Fu Brothers and beauty guru Michelle Phan found audiences of millions.

Chen developed close relationships with these creators that would prove to be valuable to the creation of Gold House a few years later when it came time to rally the community.

The son of Taiwanese immigrants, Chen was born and raised in Knoxville, Tenn. While his early childhood was marked by a strong country twang and all-American activities such as playing baseball and eating hot dogs, he was aware that his family was one of the only families of color in town. He decided it made him special instead of different, he said.

And like many American kids, he grew up watching Disney movies, which he credits for teaching him cardinal life lessons. (What’s true love? Just watch “Beauty and the Beast.” How do you make the impossible possible? Dumbo will show you.) Those movies stuck with him even as he got older. “I think they do for many people as well — that’s why Disney’s franchise is so powerful,” he said. Media, he realized, could shape public opinion.

Advertisement

“I remember … thinking, what if I could do this?”

After relocating to Shanghai in the late ’90s, the Chen family returned to the United States and landed in Orange County. He majored in creative writing at University of Pennsylvania and worked at Google and YouTube for a few years before moving to Los Angeles in 2014 to pursue his creative interests.

While Gold House Ventures is a for-profit initiative for its investors, management fees and profits are funneled back to the nonprofit.

“One could argue that L.A., with its cultural capital, is the precipice or genesis of all broader societal changes,” Chen said, compared to New York, San Francisco and Washington that may carry heft as the wealth, technology and political capitals of the nation. “We need to see that something is possible and believe that it’s possible before it actually can be possible.”

On a Wednesday in August last year, he’s up and running at a breakfast meeting at 8:30 a.m. with Christy Haubegger, founder of Latina magazine and a former exec at WarnerMedia.

Advertisement

“She’s kind of like a [diversity and inclusion] longtime champion, but she’s really pragmatic and smart,” Chen said. One of Gold House’s priorities is to work with other multicultural groups that want to kick-start similar economic growth within their communities.

In an understated olive green T-shirt with black and yellow snakeskin patterned kicks, Chen looked casually fashionable, but his shoes were intentional. They were designed by Asian American fashion designer Jeff Staple from a collection inspired by Gidra, a student newspaper launched in 1969 that gave voice to the Asian American civil rights movement.

Chen’s next stop is a strategic planning meeting with United Talent Agency.

“Early as always,” one staff member remarks as Chen arrives at the office.

After several phone calls, he meets Janet Yang, president of the Academy of Motion Pictures Arts and Sciences, for lunch. A job candidate interview and a podcast recording later, Chen’s work day finishes at 9 p.m.

Advertisement

Through the course of a day, Chen gives the impression he knows every prominent Asian in the media industry. Twitch co-founder Kevin Lin? Of course. Steve Chung, North American chief executive of CJ ENM, one of the largest entertainment and media companies in South Korea? An old friend. Terra Potts, former executive vice president of worldwide marketing at Warner Bros.? A kindred spirit.

“He’s just an ultimate connector,” said Yang, who has become a close friend.

‘What would happen if we harnessed all of our power, the power of the world’s majority and the fastest growing domestically, and ensured that we are not only building a better future for ourselves and our children, but for everyone?’

— Bing Chen

Advertisement

Priscilla Chan, associate director of business development at Spotify, said Chen has never faltered in connecting two people who he thinks should meet.

He’s also pragmatic when it comes to diversity, an approach that seems to resonate with the corporate world. As inclusion has become more a part of the national conversation, Chen has harnessed the “FOMO,” or fear of missing out, that companies are feeling to promote Gold House’s agenda to champion Asian American causes.

“There’s a level of diversity that yes, obviously is noble and is about what’s fair and right and equal,” Potts said. “And then there’s just a cold hard reality that we live in a capitalist society and ‘diverse’ audiences, people, consumers spend money … and [he] understands that.”

One of Gold House’s biggest events of the year was its second annual Gold Gala held last May in Los Angeles. Chen dubbed it the “Met Gala of the West.” It was a glamorous, glittering celebration of the 100 most impactful Asians in culture and society. The event spotlighted actor Ke Huy Quan, who won an Academy Award for his performance in “Everything Everywhere All At Once,” and actor-producer Sandra Oh. This year’s edition, held last month in downtown L.A., was equally glitzy.

Chen used the 2023 star-studded occasion to announce the next phase of his ambitions for Gold House. His vision has three stages, he said.

Advertisement

The first goal — Gold Nation — was to “definitively reshape public opinion” through media and support the entrepreneurs who are building the companies that challenge current power structures. Now, the organization has embarked on Gold Bridge, marked by the launch of Gold House in Singapore to strengthen the connection between Asia and North America. The final stage, Gold Life, which Chen said is still a few years out, is fuzzier: He declined to give specifics other than to say it will focus on “leveraging our community, capital and distribution strengths” for essential causes such as healthcare and wellness.

It’s a grand plan reminiscent of the phases of the Marvel Cinematic Universe, another media empire he admires. In conversation, Chen frequently frames Gold House’s work in terms of “world-building.”

“What would happen if we harnessed all of our power, the power of the world’s majority and the fastest growing domestically, and ensured that we are not only building a better future for ourselves and our children, but for everyone?” he said.

In the meantime, he has still more plans to execute. For AU Holdings, his personal holdings company, he has a creative franchise in the works with stories about multicultural communities and death. Last year, he took a sabbatical to write a novel for the venture, a piece he described as a 600-page spoken-word poem.

“I want to be the Asian Walt Disney Oprah,” he said, only half joking.

Advertisement

“Honestly if I didn’t know me, I would say, ‘Oh, that dude’s full of s—,’” Chen said. “But like, I mean, I’ve lived my life.”

More from L.A. Influential

Advertisement

Entertainment

Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

Published

on

Soho House sued after bartender alleges she was ‘drugged and raped’ by her supervisor

A bartender who worked at Soho House’s exclusive Soho Warehouse in downtown Los Angeles is alleging a supervisor at the posh membership club and hotel drugged and raped her, according to a lawsuit filed in Los Angeles Superior Court on Wednesday.

The woman, who filed as Jane Doe, said in her complaint that she was “subjected to repeated sexual advances and unwelcomed physical touching” by one of her supervisors, Leonard Marcelo Vichique Maya, immediately after she began working as a bartender at Berenjak, the club’s restaurant, in September 2025.

Doe is suing Vichique Maya, Soho House, Soho House Los Angeles and Soho Warehouse for sexual harassment, retaliation and other claims..

“This is as egregious an instance of callous corporate indifference to workplace sexual violence that anyone can experience,” said her attorney Nick Yasman of Los Angeles-based West Coast Trial Lawyers in a statement.

Advertisement

Representatives for Soho House and Vichique Maya were not immediately available for comment.

Doe has further alleged that Vichique Maya made “numerous comments” about her appearance, propositioned her to be his “hook-up buddy” and told her that she “would be pregnant by now” had they met earlier, all within earshot of her supervisors and colleagues.

After two weeks on the job, Doe said that she reported Vichique Maya’s conduct to two male supervisors, including Soho House’s floor manager and food and beverage director, states the complaint, but “neither took any semblance of corrective or investigatory action.”

According to the suit, Doe claims that despite “his pattern of harassing behavior and complaints,” the company, did not address his alleged misconduct. ”

She claims his behavior escalated after a “team-bonding” work event on Sept. 13, where Doe said she became disoriented after drinking with supervisors and co-workers, eventually losing consciousness, and woke up naked in Vichique Maya’s apartment.

Advertisement

“Paralyzed and speechless despite her consciousness slowly returning, Plaintiff was condemned to simply watch in horror as [sic] MARCELO repeatedly raped her inanimate body,” states the suit.

The next day, Doe said that she reported to her floor manager that Vichique Maya had “sexually assaulted her.”

She said her general manager “confirmed” that he “appeared to be preying” on her during the work event, telling her that “These things happen between coworkers.”

When she proclaimed that she could no longer work with Vichique Maya,” she said the general manager dismissed her concerns telling her: “I have a restaurant to run; I can’t have it blow up on me.”

Despite informing three managers that she was “raped,” Doe said she was continuously scheduled to work shifts with Vichique Maya during which he repeatedly sexually harassed her.

Advertisement

In December, Doe filed a complaint with Soho House human resources, and she was assured that an investigation would be opened and “immediate corrective action” taken.

However, during the investigation, Doe said that she was placed on indefinite leave while Vichique Maya continued working. A month later, she was informed the company had completed its investigation and found her report of rape “was uncorroborated” and he “would not be disciplined.”

In February, the plaintiff said that she was forced to quit her job.

One of the first, exclusive members-only social clubs, Soho House debuted in London in 1995 and quickly became the bolt-hole of choice for celebrities and the deep-pocketed. It expanded globally with 48 houses in 19 countries.

It drew high-profile investors, including Ron Burkle through his investment fund Yucaipa.

Advertisement

In 2021, the company filed for an initial public offering on the New York Stock Exchange, but it has faced financial challenges. .

Last year, Soho House went private, selling itself to a group of investors including Apollo Global Management and actor Ashton Kutcher, who also joined its board of directors, at a $2.7-billion valuation.

Continue Reading

Movie Reviews

MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

Published

on

MOVIE REVIEWS: “Mercy,” “Return to Silent Hill,” “Sentimental Value” & “In Cold Light” – Valdosta Daily Times

“Mercy”

(Thriller/Crime: 1 hour, 39 minutes)

Starring: Chris Pratt, Rebecca Ferguson, Kali Reis

Director: Timur Bekmambetov

Rated: PG-13 (Violence, bloody images, strong language, drug content and teen smoking)

Movie Review:

Advertisement

“Mercy” is a science fiction movie based on one of the more common themes of moviedom lately, artificial intelligence (AI). This crime thriller cleverly creates an intriguing story using technology and the justice system, yet it fails to be consistently interesting and intelligent throughout. The conclusion is less significant than the initial setup, as the concluding scenes become typical action sequences.

Detective Chris Raven (Pratt) of the LA Police Department is a huge supporter of the city’s new judicial courtroom. Crimes are now judged by an AI program (Ferguson) in the Mercy Court. The court is run by an artificial program that makes decisions based on all of the evidence before it without any prejudice. Detective Raven is all for this system until he is convicted of killing his wife. Now he must use all of the data, including the AI‘s ability to tap into everyone’s electronic devices, security cameras, and even into government files, within reason, to prove he did not murder his wife.

Mercy is an interesting movie. It entertains throughout, even when the story gets sloppy and characters’ actions are irrational. This mainly occurs during the final scenes. The movie tries too hard to insert unneeded narrative twists. This is disappointing because the story is interesting. What makes it fascinating is that it happens in real time. This is the most brilliant facet.

All the other theatrics are unnecessary. Director Timur Bekmambetov (“Profile,” 2018; “Wanted,” 2008) and “Mercy’s” producers should have just kept the ending simple, no plot twists or superfluous action sequences.
Grade: C (This flick needs some mercy. Let the trial begin.)

“Return to Silent Hill”

(Horror: 1 hour, 46 minutes)

Advertisement

Starring: Jeremy Irvine, Hannah Emily Anderson and Robert Strange

Director: Christophe Gans

Rated: R (Bloody violent content, strong language and brief drug use.)

Movie Review:

“Return to Silent Hill” is about one man’s quest to return to the love of his life. The problem is she has moved on to the afterlife. Meanwhile, audiences lose part of their life watching this movie, which is unlike any of the two prequels in this series. This one is a psychological horror that bores.

Advertisement

Artist James Sunderland (Irvine) decides to return to Silent Hill, a place where many people died during a devastating illness that nearly enveloped the entirety of the city’s population. What is left there is a horror show of freakish creatures, all with violent intent. Still, Sunderland searches for the love of his life, Mary Crane (Anderson).

Think of this movie as a slow suicide, where a guy goes back to retrieve his dead girlfriend. To do so, he must travel to the modern land of the dead that Silent Hill has become. This one is a type of swan song by the main character, and the movie becomes less scary while lackluster romantic notions wander aimlessly.

Grade: D (Do not return to see this.)

“Sentimental Value”

(Drama: 2 hours, 13 minutes)

Starring: Renate Reinsve, Stellan Skarsgård, Inga Ibsdotter Lilleaas and Elle Fanning

Advertisement

Director: Joachim Trier

Rated: R (Language, sexual reference, nudity and thematic elements)

Movie Review:

“Sentimental Value” is a Norwegian film that won the Grand Prix in France’s Cannes Film Festival and was nominated for nine Academy Awards, including Best Motion Picture. It is a solid drama filled with symbolism and family connections. It is brilliant performances by a talented cast under the direction of Joachim Trier (“The Worst Person in the World,” 2021).

This screenplay is about Gustav Borg (Skarsgård). He is a father, grandfather and a famed film director. He stayed away from his two daughters, actress Nora Borgwhile (Reinsve) and historian Agnes Borg Pettersen (Lilleaas), while he was creating works as a filmmaker. The director comes back into the lives of his daughters after the death of their mother. Their reunion leads to a rediscovery of their bond at their family home in Oslo.

Advertisement

Stellan Skarsgård is always a solid actor. He takes his roles and makes them tangible characters that seem like you know them, even when they’re speaking a foreign language. That is the quality of his act and why he gets nominated for multiple awards each season.

“Sentimental Value” is a valuable movie filled with enriching sentiment. It is an enjoyable film for those who value a good drama. The acting and original writing alone make the movie worth it. “Sentimental Value” starts in a very simple way, but everything in between, even when low-key, remains potent. Joachim Trier and writer Eskil Vogt have worked together on multiple projects such as “The Worst Person in the World” (2021). Their pairing is once again worthy.

Grade: A- (Any motive valuable movie.)

“In Cold Light ”

(Crime: 1 hour , 36 minutes)

Starring: Maika Monroe, Allan Hawco and Troy Kotsur

Advertisement

Director: Maxime Giroux

Rated: R (Violence, bloody images, strong language and drug material)

Movie Review:

“In Cold Light” sticks to a very straightforward story, primarily taking place over a short period. The problem is the story leaves one in the cold. Audiences have to guess what is being communicated because this movie uses American Sign Language (ASL) without subtitles. For those moviegoers who do not know ASL, they are left deciphering characters’ actions and facial expressions during some pivotal scenes.

Ava Bly (Monroe) attempts to start a legit life after prison. Her life changes when Ava’s twin, Tom Bly (Jesse Irving) is murdered while seated next to her. As her brother’s killers pursue her, Ava must evade law enforcement, which contains some crooked cops led by Bob Whyte (Hawco).

Advertisement

For a brief moment, this movie hits its exceptional moment when Oscar-recipient Helen Hunt enters the picture as a motherly Claire, a crime boss who seems more like a social worker/psychologist. Her long scene is wasted as it arrives too late.

French Canadian director Maxime Giroux’s style has potential in his first English-language film, but it does not fit a wayward narrative. A rarity, this crime drama has characters commit many dumb actions at once.

Moreover, Giroux (“Félix et Meira,” 2014) and writer Patrick Whistler forget to let their audiences in on their story. They allow much to get lost in translation, especially during heated conversations between Monroe’s Ava and her father, Will Bly, played by Academy Award-winning actor Troy Kotsur (“CODA,” 2021).

Grade: C- (Just cold and dark.)

More movie reviews online at www.valdostadailytimes.com.

Advertisement
Continue Reading

Entertainment

Paramount-Warner Bros. deal stirs fears about what it means for CNN

Published

on

Paramount-Warner Bros. deal stirs fears about what it means for CNN

As the media industry took stock of Paramount Skydance’s startling acquisition of Warner Bros. Discovery, one question lingered on the minds of many in the news business and beyond: What will this mean for CNN?

The iconic 24-hour cable news network is among the various Warner Bros. assets that would be scooped up by Paramount in a deal announced Thursday that could transform the media landscape.

Paramount has undergone a swift transformation under Chief Executive David Ellison following his family’s acquisition of the company last summer. These changes reached CBS News almost immediately with the appointment of Bari Weiss, the controversial Free Press co-founder, as its new editor in chief.

Bari Weiss moderated a town hall with Erika Kirk, widow of slain conservative activist Charlie Kirk.

(CBS via Getty Images)

Advertisement

Weiss’ tenure so far has been rocky.

Her decision to pull a “60 Minutes” story about conditions inside an El Salvador prison that housed undocumented Venezuelan migrants from the U.S. received widespread criticism and accusations of political motivation. The network said the story was held for more reporting, and the segment eventually aired.

There was more upheaval last week at the news magazine, when “60 Minutes” correspondent and CNN news anchor Anderson Cooper announced that he’d be leaving to spend more time with his family.

And earlier this year, a veteran producer at “CBS Evening News With Tony Dokoupil” was fired after he expressed disagreement about the editorial direction of the newscast.

Advertisement

Now, the concern is that similar changes could be in store for CNN, which has long been a target of President Trump’s ire. He has personally called for the ouster of hosts at the network who have questioned his policies.

CNN Worldwide Chief Executive Mark Thompson tried to quell some of those fears, particularly inside his own newsroom.

In an internal memo dated Thursday and obtained by The Times, Thompson urged employees not to “jump to conclusions about the future” and try to concentrate on their work.

“We’re still near the start of what is already an incredibly newsy year at home and abroad,” he wrote in the note. “Let’s continue to focus on delivering the best possible journalism to the millions of people who rely on us all around the world.”

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

Chairman and CEO of CNN Worldwide Mark Thompson and media editor for Semafor, Maxwell Tani, speak onstage.

(Shannon Finney / Getty Images for Semafor)

Advertisement

CNN declined to comment beyond Thompson’s memo.

Ellison has said his vision for a news business is one that is ideologically down the middle.

“We want to build a scaled news service that is basically, fundamentally in the trust business, that is in the truth business, and that speaks to the 70% of Americans that are in the middle,” he said during a Dec. 8 interview on CNBC, shortly after Warner said it had chosen Netflix as the winning bidder for its studios, HBO and HBO Max. “And we believe that by doing so that is for us, kind of doing well, while doing good.”

Ellison demurred when asked whether Trump would embrace him as CNN’s owner, given the president’s past criticisms of the network.

Advertisement

“We’ve had great conversations with the president about this, but … I don’t want to speak for him in any way, shape or form,” he said.

First Amendment scholars have raised concerns about press freedom and free speech rights under the Trump administration, particularly after last month’s arrest of former CNN journalist Don Lemon and the Federal Communications Commission’s pressure on late-night hosts like Jimmy Kimmel and Stephen Colbert.

Press freedom groups have long asked questions in other countries about how authoritarian regimes use their power and “oligarchical alliances to belittle, silence, and punish independent journalistic voices, or to steer media ownership toward … a preferred version of the truth,” said RonNell Andersen Jones, a 1st Amendment scholar and distinguished professor in the college of law at the University of Utah, in an email.

“We see them asking at least some of these questions about the U.S. today,” she wrote.

Apprehension about the merger also extends beyond its implications for CNN and the media business.

Advertisement

Lawmakers such as Rep. Laura Friedman (D-Glendale), Sen. Adam Schiff (D-Calif.) and Sen. Cory Booker (D-N.J.) have raised concerns about how the consolidation of two major Hollywood studios could affect industry jobs and film and television production — which has significantly slowed since the pandemic, the dual writers’ and actors’ strikes in 2023 and corporate cutbacks in spending.

Sen. Elizabeth Warren (D-Mass.) called the deal an “antitrust disaster” that she feared could raise prices and limit choices for consumers.

“With the cloud of corruption looming over Trump’s Department of Justice, it’ll be up to the American people to speak up and state attorneys general to enforce the law,” she said in a statement.

Already, California Atty. Gen. Rob Bonta has said the merger isn’t a “done deal,” adding that he is in communication with other states attorneys general about the issue.

“As the epicenter of the entertainment industry, California has a special interest in protecting competition,” he posted Friday on X.

Advertisement

The deal is subject to approval by the U.S. Justice Department. Bonta and other state attorneys general are expected to file a legal challenge to the mega-merger on antitrust grounds.

Ellison addressed some of these concerns in a statement Friday.

“By bringing together these world-class studios, our complementary streaming platforms, and the extraordinary talent behind them, we will create even greater value for audiences, partners and shareholders,” he said. “We couldn’t be more excited for what’s ahead.”

Times staff writer Meg James contributed to this report.

Advertisement
Continue Reading

Trending