Lifestyle
Who are America's first drag laureates? Californians ready to fight the war on drag
It’s June and Pride Month is in full swing as LGBTQ+ communities around the world celebrate together as well as commemorate the Stonewall Uprising in New York City in 1969. Two prominent voices — the drag laureates of West Hollywood and San Francisco — are booked and busy. There are wigs to coif, dresses to steam and parties to attend.
On their busy schedules this month are a host of events: Pride kickoff parties and official parade appearances in SoCal and NorCal, a panel about drag and cinema at the Academy Museum of Motion Pictures in Los Angeles, and the raising of the Pride flag at City Hall in San Francisco, among many others.
The laureates — drag queen D’Arcy Drollinger from San Francisco and L.A. native Pickle, the one-name drag queen representing West Hollywood — sat down late last month to chat about their tenures, Drollinger on a video chat and Pickle in person over lunch in Hollywood.
D’Arcy Drollinger.
(Rachel Z Photography)
So what is a laureate? And what is a drag laureate specifically?
A laureate is a recipient of an honor or recognition for achievement in an art or science. The most widely known laureate program in the United States is in the field of poetry. The National Youth Poet Laureate Amanda Gorman rose to acclaim when she read her poem “The Hill We Climb” at President Biden’s inauguration in 2021.
So then, what exactly is a drag laureate? The answer for Pickle and Drollinger — they are the first two queens in the nation to hold this title — is that it’s a role that is still being defined. Their individual roles receive an annual stipend funded through West Hollywood Arts Council for Pickle and through the San Francisco Public Library for Drollinger. The role is meant for them to act as a spokesperson for local businesses and be an ambassador for their city. Also, during their tenure, they’re meant to highlight the LGBTQ+ community and elevate the art of drag.
D’Arcy Drollinger.
(Rachel Z Photography)
Why does having these roles in cities with large LGBTQ+ populations matter?
“The queer community continues to be the heartbeat of [this city],” says Drollinger, who thinks a position like hers shows a great commitment by San Francisco leaders to a group that has deep roots in the city and helped shape its identity. The queer communities in San Francisco and L.A. have been at the forefront of progressive change, with monumental protests at Compton’s Cafeteria in 1966 in San Francisco, Cooper Do-Nuts in downtown L.A. in 1959 and the Black Cat in Silver Lake in 1967.
Both laureate programs were spawned from COVID-era worries about the declining state of small business and ravaged city cores, as is playing out in San Francisco. All across the country, downtowns have largely sat empty, a product of people conditioned to staying home during the pandemic shutdown. Turning to drag queens and kings, talented performers who are good at drawing a crowd and creating a festive environment, seemed like an obvious way to get the LGBTQ community and its allies back out.
West Hollywood Drag Laureate Pickle, center, is thanked by Los Angeles County Supervisor Lindsey P. Horvath before hosting the José Sarria Drag Pageant, celebrating Harvey Milk Day in West Hollywood.
(Jason Armond / Los Angeles Times)
“The LGBTQ community has such a history with the city,” says West Hollywood Councilmember Lauren Meister, who helped draft the initial proposal for the Drag Laureate program in WeHo. “We wanted the drag laureate to be an ambassador to West Hollywood businesses but also promote art and culture. We wanted to do something that could bring some levity back to our city and keep things edgy.”
Positions like this, in two of America’s most liberal cities, in a time when drag queens are everywhere from TV to local bars, might not seem revolutionary. But around the country, the landscape can look a little different. This year alone, the American Civil Liberties Union is tracking 25 bills in state legislatures that are aiming to block children from drag performances, force venues that promote performances to register as adult businesses or ban drag altogether. And in California, drag performers are not immune from harassment by conservative groups.
Pickle, who leads the Los Angeles chapter of Drag Story Hour that hosts story-time readings for children at local libraries, was met with angry protests at a story hour in the city of San Fernando last fall. Although it was a distressing experience, she tries not to let it rattle her too much. She continues to host story hours around L.A. County and is working with San Fernando city officials to investigate the incident.
Pickle poses for a portrait after hosting the José Sarria Drag Pageant.
(Jason Armond / Los Angeles Times)
Who are these queens?
In July 2023, Pickle was selected by the West Hollywood Arts Council from a pool of applicants to be the city’s first drag laureate. In her official capacity so far, she has MC’d a Halloween Spectacular in support of the Bob Baker Marionette Theater, played host for an event celebrating the 39th anniversary of the city of West Hollywood, and just recently put together a drag pageant in honor of LGBTQ activist José Julio Sarria for Harvey Milk Day.
Pickle, whose name was inspired by drag icon Hedda Lettuce and her favorite In-N-Out order (cheeseburger, extra onions, no pickle), is excited about uplifting other drag performers and showcasing the talent that’s bubbling up all around Southern California. “Drag is so much more than the bars and clubs people are used to seeing it in,” says Pickle, who has been performing for about a decade. “It’s a legitimate art form that deserves its spotlight.”
Pickle at the José Sarria Drag Pageant.
(Jason Armond / Los Angeles Times)
D’Arcy Drollinger.
(Rachel Z Photography)
Drollinger, who was appointed in May 2023, dons a big blond bouffant wig, expressive eyes and pouty lips. The San Francisco native is a veteran drag performer, writer and actor who’s been performing since the ’90s. She’s also the owner of Oasis, one of the country’s largest drag cabarets. In her role as laureate, she has curated drag stages for the San Francisco Museum of Modern Art and the music festival Outside Lands, and has helped develop drag performances in conjunction with First Thursdays, an effort to promote the businesses in downtown San Francisco.
Drollinger has always tried to support other queer artists, mainly through her nonprofit Oasis Arts that provides mentorship, performance space and small stipends to queer artists of all genres. With the laureate role, she is excited to be able to spotlight her community even further.
LGBTQ+ history on display at the José Sarria Drag Pageant.
(Jason Armond / Los Angeles Times)
West Hollywood Drag Laureate Pickle, right, hosts the José Sarria Drag Pageant, celebrating Harvey Milk Day in West Hollywood.
(Jason Armond / Los Angeles Times)
Is diversity and inclusion helping to shape the future of the drag community?
As with anyone who steps into the role of “first,” the question of who’s next as a laureate comes up regularly. Both drag queens say they are aware of the diversity of their communities and the need to bring representation to this new elevated position. But they are cognizant of the fact that while they were chosen by a selection committee from a diverse pool of individuals, they are white performers. Pickle and Drollinger say they are confident that diversity will be better reflected in the laureate appointments moving forward.
“I’m just one flavor,” says Pickle of the breadth of talent in the drag community. “I’m spending a lot of my time connecting other drag artists to resources.” One of her initiatives as a drag laureate has been to set up quarterly drag roundtables at Plummer Park Community Center to bring together drag performers of all backgrounds with resources that can help elevate their art.
According to Pickle, there are local arts grants of up to $6,500 specifically earmarked for trans and gender-diverse artists that most performers aren’t aware of. She feels artists and performers in the drag community would be strong candidates because they’re making art nobody else is making.
She also has witnessed remarkable change. “We recently got a lot of the descriptions for these arts grants rewritten to specifically include drag performers,” she says. “It’s incredibly important to be able to see yourself mentioned in these grants to think, ‘Oh yeah, this is something I can utilize.’”
In the Bay Area, Drollinger says creating space for trans and BIPOC communities is paramount. She often hears that there should be more trans and BIPOC nights at certain clubs in NorCal. “And that is important,” she says. “But why not include everyone in everything? … Once we have a shift in consciousness, those who are considered outsiders become the insiders.”
West Hollywood Drag Laureate Pickle, one of the first drag laureates in the country, at her childhood home in Koreatown.
(Jason Armond / Los Angeles Times)
D’Arcy Drollinger on a San Francisco trolley.
(Rachel Z Photography)
Who comes next?
The laureates still have time on their tenures: Pickle will end hers next summer; Drollinger’s tenure ends in November, but she’s discussing a six-month extension. However, they are starting to see the finish line and are thinking about what, or more important, who comes next. “The true measure of success for my time as laureate will be in the pool of applicants for the next round,” says Pickle. If she’s done her job well, she says the next laureate will be selected from a much larger number of applicants from all sections of the drag community.
For Drollinger, she hopes to leave behind an event or two that can be replicated by her successors if they choose to. “On my way out, I want to put in writing what I think this program is, to give it a little more shape,” she says. “But ultimately, I hope the drag laureate role can be whatever that individual laureate wants to make of it.”
Lifestyle
Sunday Puzzle: Pet theory
On-air challenge
Today’s puzzle is called “Pet Theory.” Every answer is a familiar two-word phrase or name in which the first word start starts PE- and the second word starts T-. (Ex. What walkways at intersections carry –> PEDESTRIAN TRAFFIC)
1. Chart that lists all the chemical elements
2. Place for a partridge in “The 12 Days of Christmas”
3. Male voyeur
4. What a coach gives a team during halftime in the locker room
5. Set of questions designed to reveal your traits
6. Something combatants sign to end a war
7. Someone who works with you one-on-one with physical exercises
8. Member of the Who
9. Incisors, canines, and premolars that grow in after you’re a baby
10. Nadia Comaneci was the first gymnast to score this at the Olympics
11. What holds the fuel in a British car
Last week’s challenge
Last week’s challenge was a numerical one from Ed Pegg Jr., who runs the website mathpuzzle.com. Take the nine digits — 1, 2, 3, 4, 5, 6, 7, 8, 9. You can group some of them and add arithmetic operations to get 2011 like this: 1 + 23 ÷ 4 x 5 x 67 – 8 + 9. If you do these operations in order from left to right, you get 2011. Well, 2011 was 15 years ago. Can you group some of the digits and add arithmetic symbols in a different way to make 2026? The digits from 1 to 9 need to stay in that order. I know of two different solutions, but you need to find only one of them.
Challenge answer
12 × 34 × 5 – 6 – 7 + 8 – 9 [or] 1 + 2 + 345 × 6 – 7 × 8 + 9
Winner
Daniel Abramson of Albuquerque, N.M.
This week’s challenge
This week’s challenge comes from listener Ward Hartenstein. Think of a well-known couple whose names are often said in the order of _____ & _____. Seven letters in the names in total. Combine those two names, change an E to an S, and rearrange the result to name another famous duo who are widely known as _____ & _____.
If you know the answer to the challenge, submit it below by Thursday, January 15 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
Lifestyle
Paul Gripp, one of the last great orchid explorers and hybridizers, dies at 93
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
Orchid expert Paul Francis Gripp, a renowned orchid breeder, author and speaker who traveled the world in search of unusual varieties for his nursery, Santa Barbara Orchid Estates, died in a Santa Barbara hospice center on Jan. 2 after a short illness. He was 93.
In a Facebook post on Jan. 4, Gripp’s sister, Toni Gripp Brink, said her brother died “after suffering a brain hemorrhage and loss of consciousness in his longtime Santa Barbara home. He was surrounded by his loving family, day and night, for about a week in a Santa Barbara hospice before he passed.”
Gripp was renowned in the orchid world for his expertise, talks and many prize-winning hybrids such as the Santa Barbara Sunset, a striking Laelia anceps and Laeliocattleya Ancibarina cross with rich salmon, peach and magenta hues that was bred to thrive outside in California’s warmer climes.
In a 2023 interview, Gripp’s daughter, Alice Gripp, who owns and operates the business also known as SBOE with her brother, Parry, said Santa Barbara Sunset is still one of the nursery’s top sellers.
Santa Barbara Sunset is one of the most popular orchids that Paul Gripp bred at his famed orchid nursery, Santa Barbara Orchid Estates a.k.a. SBOE.
(Dania Maxwell / Los Angeles Times)
Gripp was a popular speaker, author and avid storyteller who talked about his experiences searching for orchids in the Philippines, Myanmar (then known as Burma), India, the high Andes, Mexico, Guatemala, Brazil, New Guinea and other parts of the world, fostering exchanges with international growers and collecting what plants he could to propagate, breed and sell in his Santa Barbara nursery.
“Working in orchids has been like living in a dream,” Gripp said in a 2023 interview. “There’s thousands of different kinds, and I got to travel all over to find things people would want. But the first orchid I found? It was in Topanga Creek, Epipactis gigantea, our native orchid, and you can still find them growing in [California’s] streams and canyons today.”
Gripp was “one of the last orchid people who went looking for these plants in situ — where they occurred in nature,” said Lauris Rose, one of his former employees who is now president of the Santa Barbara International Orchid Show and owner of Cal-Orchid Inc., a neighboring nursery that she started with her late husband James Rose, another SBOE employee who died in January 2025.
These days, Rose said in an interview on Thursday, orchids are considered “something to enhance the beauty of your home,” but when she and her husband first began working with Gripp in the 1970s, “they were something that totally captivated your interest and instilled a wanderlust spirit that made you want to explore the species in the plant kingdom, as they grew in nature, not as produced in various colors from laboratories.”
She said Gripp’s charm and self-deprecating demeanor also helped fuel his success. “People flocked for the experience of walking around that nursery and learning things from him,” Rose said in a 2023 interview.
“Paul lectured all over the world, teaching people about different species of orchids in a very accessible way,” Rose said. “He didn’t act like a professor. He got up there with anecdotes like, ‘One time I climbed up this tree trying to reach a plant in another tree, and all these red ants infested my entire body, so I had to take off all my clothes and rub all these ants off my body.’ A lot of people’s lectures are boring as dirt, but Paul could command a room. He had charisma, and it was infectious.”
Gripp was born on Oct. 18, 1932, in Greater Los Angeles and grew up in Topanga Canyon. He went to Santa Monica College and then UCLA, where he earned a degree in horticulture, and worked as a gardener on weekends, primarily for Robert J. Chrisman, a wealthy Farmers Insurance executive and hobbyist orchid grower who lived in Playa del Rey.
After college, Gripp served a stint in the Navy after the Korean War, and when he got out, he called Chrisman, his old boss, who invited him to come to Santa Barbara and manage the orchid nursery he was starting there.
After retirement, Paul Gripp still visited the nursery often, helping with weeding, as he’s doing here in this file photo, or just talking with customers.
(Dania Maxwell / Los Angeles Times)
The nursery opened in 1957, with Gripp as its manager, and 10 years later, after Chrisman died, he purchased SBOE from the Chrisman family.
In 1986, Gripp and his then-wife, Anne Gripp, divorced. In the settlement, Gripp got their cliff-side Santa Barbara home with its breathtaking views of the Pacific Ocean, and his former wife got the nursery. When Anne Gripp died, her children Parry and Alice inherited the nursery and took over its operation in 1994, Alice Gripp said in 2023.
Gripp officially retired from the nursery, but he was a frequent helper several times a week, weeding, dividing plants, answering customer questions and regaling them with his orchid-hunting stories.
“Paul loves plants, but what he loves most in life is teaching other people about orchids,” Alice Gripp said in 2023. “He chats with them, and I try to take their money.”
Gripp wasn’t a huge fan of the ubiquitous moth orchids (Phalaenopsis) sold en masse in most grocery store floral departments, but he was philosophical about their popularity.
They’re good for indoor plants, he said in 2023, but don’t expect them to live very long. “A house is a house, not a jungle,” he said, “so there’s a 99% chance they’re going to die. But they’re pretty cheap [to buy], so it works out pretty good.”
“He used to say, ‘I’m an orchid man. I love every orchid equally,’ and he does,” his daughter said in 2023. “I don’t know if he would run into a burning building to save a Phalaenopsis from Trader Joe’s, but he told me once, ‘I’ve never thrown out a plant.’ And that’s probably true. When he was running things, the aisles were so crammed people were always knocking plants off the benches because they couldn’t walk through.”
Gripp is survived by his children and his second wife, Janet Gripp, as well as his sister Toni Gripp Brink. In a post on the nursery’s website on Jan. 5, the Gripp family asked for privacy.
“We are still very much grieving Paul’s sudden passing,” the message read. “If you would like to share your memories of Paul, please send them by mail or email for us to read in the days to come. We will welcome your remembrances and gather these into a scrapbook to keep at SBOE. We appreciate your understanding of our need for peaceful reflection at this time. In the coming weeks, we will announce our plans for honoring and remembering Paul with our orchid friends.”
Lifestyle
Veteran actor T.K. Carter, known for ‘The Thing’ and ‘Punky Brewster,’ dies at 69
Actor TK Carter arrives for the premiere of “The LA Riot” at the Tribeca Film Festival, Monday, April 25, 2005, in New York.
Mary Altaffer/AP
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Mary Altaffer/AP
DUARTE, Calif. — Veteran actor T.K. Carter, who appeared in the horror film “The Thing” and “Punky Brewster” on television, has died at the age of 69.
Carter was declared dead Friday evening after deputies responded to a call regarding an unresponsive male in Duarte, California, according to the Los Angeles County Sheriff’s Department.
Police did not disclose a cause of death or other details, but said no foul play was suspected.
Thomas Kent “T.K.” Carter was born Dec. 18, 1956, in New York City and was raised in Southern California.
He began his career in stand-up comedy and with acting roles. Carter had been acting for years before a breakthrough role as Nauls the cook in John Carpenter’s 1982 horror classic, “The Thing.” He also had a recurring role in the 1980s sitcom “Punky Brewster.”
Other big-screen roles include “Runaway Train” in 1985, “Ski Patrol” in 1990 and “Space Jam” in 1996.
“T.K. Carter was a consummate professional and a genuine soul whose talent transcended genres,” his publicist, Tony Freeman, said in a statement. “He brought laughter, truth, and humanity to every role he touched. His legacy will continue to inspire generations of artists and fans alike.”
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