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At Contact in the Desert, 'Coachella for UFOs,' a once-fringe topic takes the main stage

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At Contact in the Desert, 'Coachella for UFOs,' a once-fringe topic takes the main stage

Timothy Humphrey isn’t sure what exactly happened the night the visitor arrived.

“I saw something in the sky, and then an individual on the ground who spoke to me,” Humphrey, a Temecula resident, recalled as he walked through the Saturday afternoon crowds at the Contact in the Desert UFO convention in Indian Wells. He described the entity — a possible extraterrestrial? — as a “blonde-haired, blue eyed dude” dressed in all white. “I wasn’t on psychedelics or anything,” Humphrey laughed, but the encounter left him shaken.

“I had trouble sleeping after, but I wasn’t harmed,” Humphrey said. “I took it as an experience where the line blurred between reality and spiritual woo-woo stuff.”

Humphrey’s mind-bending night was the kind of thing many would keep private, or to the deepest trenches of UFO Reddit. But last weekend, two thousand fellow seekers gathered at the Renaissance Esmeralda resort to try to make sense of their similar encounters and beliefs.

They had much to discuss. The topic of UFOs has gone from fringe to urgently mainstream in just a few years. The highest reaches of the government, military, media and entertainment have taken serious interest in the phenomenon.

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Hardcore Ufologists rightly feel vindicated, but that’s old news at Contact the Desert, which celebrated its tenth anniversary this year. There, a fascination with Ufology melded with esoteric spirituality, government conspiracy, alt-celebrity culture and a bit of self-awareness about how loopy this can all get.

Believers at the five-day convention between May 30 to June 3 nurtured a subculture that’s now passing laws and opening minds. But such belief can also self-reinforce to strange places. The worldviews on display at Contact the Desert are ascendant. They show where Americans are looking for meaning — or solace — in terrestrially fraught times.

“It was a wonderful experience being here,” Humphrey said. “It was fellowship with a lot of like minds. It makes you wonder what else is out there I don’t know about?”

“They tried so hard to wipe us out, but here we are,” said professed UFO experiencer Whitley Strieber, left, with Travis Walton, Linda Moulton Howe, and Paul Hynek at Contact in the Desert convention in Indian Wells.

(David Vassalli / For The Times)

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From at least the early 20th century era of rocket scientist Jack Parsons, and the shared roots of Pasadena’s Jet Propulsion Laboratory, Scientology and the occult group Ordo Templi Orientis, the hard science of space exploration has mingled with more esoteric ideas in Southern California.

Now, UFOs are a common topic in government. The most recent national defense authorization act compelled the National Archives to gather documents about “unidentified anomalous phenomena, technologies of unknown origin and nonhuman intelligence,” and this year yielded the first All-domain Anomaly Resolution Office report. U.S. Senate Majority leader Chuck Schumer and others drafted legislation to declassify information about Unidentified Aerial Phenomena (UAP, the current term for UFOs). Rep. Tim Burchett formed a bipartisan UAP caucus. There’s been sworn testimony from a U.S. intelligence officer alleging the government may have alien craft and bodies. Harvard astrophysicist Avi Loeb wrote bestsellers arguing we may have found evidence pointing to extraterrestrial life.

A decade ago, after the pop-culture success of “The X-Files” but before the latest wave of mainstream and government attention, Ron Janix helped found Contact in the Desert as a home for all of it.

The audience was there — according to a 2021 Pew Research Center poll, two-thirds of Americans believe that extraterrestrial life exists, and more than half believe that military-reported sightings are evidence of alien life.

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Entranced by the James Webb space telescope photographs? Think the CIA is lying about the power of psychic remote viewing? See something weird out in Joshua Tree? You’d find fellow travelers at Contact.

“The audience definitely runs the full gamut, from people with a general curiosity to diehards who claim experiences with aliens,” Janix said. “But there’s no question that since the New York Times story in 2017 and the release of UAP videos from the Pentagon, there’s been a lot more exposure of our community in the mainstream. We try to have fun with it — there’s lots of new people at the event and we want them to know it’s just something to ponder.”

“It is kind of like a Coachella for UFO’s,” laughed Dan Harary, the co-founder of the Hollywood Disclosure Alliance, a group that connects experts and “experiencers” at Contact with the film industry. A boom in documentaries such as J.J. Abrams’ sober Showtime series “UFO” and James Fox’s cult hit “The Phenomenon” proved the topic is compelling beyond red-eyed History Channel marathons.

“There are thousands of fascinating stories for producers here. It’s not just like that Twilight Zone episode ‘To Serve Man’,” Harary said. “We’ve got a guy who is a multimillionaire businessman who said he’s met with the Pleiadians ever since he was 5, and hey, I believe him.”

A woman with a cowboy hat and sunglasses poses

Felicia LuQue is ready to encounter the unknown at the Contact in the Desert convention in Indian Wells, California.

(David Vassalli / For The Times)

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Ufology, like Protestantism, is a big-tent religion, and “A lot of this overlaps,” Janix said. “The ways things blend here is through the idea of nonhuman intelligence, whether it’s a nuts-and-bolts spacecraft to someone talking to ghost to a DMT or ayahuasca experience to talking to artificial intelligence.”

As the topic of UAP and extraterrestrial life became a live-wire issue in Congress and the Department of Defense, with figures including the late Sen. Harry Reid acknowledging programs such as the Advanced Aerospace Threat Identification Program, the question of UAP took on new seriousness in the halls of power.

“I think the audience feels a degree of vindication,” said Nick Pope, a UAP researcher and former civil servant in the U.K.’s Ministry of Defense, who presented at Contact. “People that went to these events used to get ribbed by their families, now those families say ‘I saw the congressional hearing on that, I heard about UFO provisions in the defense bill.’ These people were ridiculed and now they can hold their heads up high. ”

This being SoCal, that included Thomas Jane, the actor and star of “Hung” and “The Punisher,” who said he was “coming out of the UFO closet” with a lecture at Contact.

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“Actors do lots of crazy stuff, but I hope I can help destigmatize the phenomenon,” he said. “I had an experience I couldn’t explain, and there are a lot of people in my position where you wouldn’t feel okay to talk about it before those congressional hearings blew the door wide open. We have to be culturally ready to absorb that we’re not alone. What will this tell us about the nature of reality, physics, evolution?”

On Saturday, crowds wandered through two floors of the Esmeralda, a swanky resort between Palm Springs and the Coachella festival grounds. The audience ranged from witchy Highland Park Gen Z’ers to Nevada desert libertarian Boomers. From morning to night, they strolled between talks that ranged from the grounded (an interview with Harvard’s Loeb touching on his recent book “Interstellar”) to the starstruck (a “Legends: The Pioneers Who Paved The Way” panel with George Noory, of the long running news-of-the-weird conspiracy show “Coast To Coast AM,” and physicist and former CIA parapsychologist Russell Targ). The hosts of the popular true-crime and occult comedy show “Last Podcast on the Left” drew howls and groans when they smashed deep-cut UFO-sighting videos into (pixelated) clips of hardcore alien-themed porn.

Dave Magown, from Las Vegas, was at his first Contact, and felt heartened by everyone’s curiosity. His partner was an experiencer, he said, and he wanted to learn more to support her. “The people here are so open minded, it’s what’s missing in the world today,” he said. “They have the ability to see more than the average Joe. I plan to come every year, I’m gonna be more educated next time.”

A stack of literature about UFOs.

“The people here are so open-minded, it’s what’s missing in the world today,” said Dave Magown about Contact In The Desert. “They have the ability to see more than the average Joe.”

(David Vassalli / For The Times)

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Regulars walked through the halls of crystal skulls and clairvoyant booths with the renewed vigor of being proved right, at least on some of it.

“I usually speak or sell these energy devices at these, it’s my favorite event of the year,” said Apolla Asteria, an esoteric YouTuber. “We’ve witnessed changes in the field of disclosure in the few years, with the UAP task force and the Pentagon reports. We’re getting the vibe that this is being taken seriously.”

Other Contact in the Desert veterans, such as L.A. musician Helena Reznor, are eager to move past staid government reports. “I think people are getting bored of the whole alien thing, we pretty much know there’s something else coming into our reality,” Reznor said. “It’s time to start looking more into portal activity and all of the different, strange intelligences that seem to be interacting with us.”

Shannon McNamara and Xander Gilbert traveled in from Denver for the convention. Gilbert had just left “a talk about Egypt where they said they were beaming people into space when they die and that’s why the Pharaohs are in pyramids,” he laughed. “Everything’s a fun story, even when its wacky.”

McNamara, a podcaster who covers celebrities and conspiracy theory culture, said she knew when to draw the line between silly and dangerous beliefs. “I go as deep as I can before they mention Jewish people and then I’m out,” she said. “Ever since 2020, conspiracy topics have popped off because people don’t trust the media, they don’t trust politicians, they don’t trust schools. All these systems have broken down, so people are like ‘Maybe I trust this author on Amazon with an e-book that resonates.’”

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“And they want a community where like-minded weirdness resonates,” Gilbert added.

That was the conflict at this year’s Contact in the Desert. It is no longer just a fringe event where someone like Travis Walton, the mustachioed professed abductee portrayed in “Fire In the Sky,” is mobbed like Harry Styles. Its topics are no longer taboo in the mainstream.

Should its culture shift to more scientific inquiry, or towards fan service for its most devoted? Does an event like this have an obligation to police its far edges, or to cultivate them?

A man's face is projected onto a screen.

“If the government has classified information, they won’t release it. Why wait for the government to tell us what lies outside the solar system?” asked Harvard astrophysicist Avi Loeb before the Contact in the Desert convention in Indian Wells.

(David Vassalli / For The Times)

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For Loeb, the director of Harvard’s Institute for Theory and Computation at the Harvard-Smithsonian Center for Astrophysics, who delivered a Zoom talk at Contact on Saturday, serious researchers into this field should expect healthy criticism.

“People invent virtual realities. AI has hallucinations. We live in a world where you don’t get feedback if you don’t speak with other people,” said Loeb in a phone call before the festival. “That’s become part of politics and polarization now, and it’s also part of science. That’s unfortunate, because science gives you the privilege of taking risks, making mistakes and learning.”

Loeb’s scientific credibility and Harvard perch made him a potent — if controversial — figure. His captivating 2021 book “Extraterrestrial” posited that Oumuamua, the first known interstellar object to enter our solar system, had evidence of being extraterrestrial technology. The book galvanized the field, became a bestseller and made him UFO-scene famous.

“The beauty of science is that there is one reality we share and can measure it with instruments,” Loeb said. “If the government has classified information, they won’t release it. Why wait for the government to tell us what lies outside the solar system?”

There are risks navigating a scene like Contact. Recently, Loeb caught blowback for appearing via Zoom before a Mexican congressional hearing about UAP where, later, a Ufologist presented “alien mummies” that were likely made of human and animal bones (“It was embarrassing,” Loeb said). Benjamin Fernando, a Johns Hopkins seismologist, recently said that seismic signals from a meteor crash Loeb was investigating were more likely due to a car backfiring.

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“What a ridiculous statement,” Loeb laughed when asked about Fernando’s critique. “An eagle has crows on its back pecking at its neck. My goal is to rise to the level where the crows fall off.

“Copernicus’ book was banned for hundreds of years, but his ideas prevailed because people realized they were true,” he continued. “It’s a subject of great interest. Put some limits on this, but let’s explore it!”

A crowd of people at the Contact in the Desert convention.

“We’re so close to the finish line of disclosure,” UFO lobbyist Stephen Bassett said. “That’s what makes this the most extraordinary activist movement.”

(David Vassalli / For The Times)

For all the avant-garde amateur physics and brain-smoothing New Age thought at Contact, there was also real feeling that the world was being proven more complex and fantastical by the week.

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If you couldn’t quite follow esoteric journalist Linda Moulton Howe’s thoughts about how pure bismuth could help negate gravity, you could appreciate the vim of Stephen Bassett, a UAP disclosure lobbyist with the Paradigm Research Group, racking up legislative wins.

“We’re so close to the finish line of disclosure,” Bassett said. “Until now it was as if you were arguing to end the embargo on Cuba, and the government’s position was ‘There’s no such thing as Cuba. Those photos are fake.’ That’s what makes this the most extraordinary activist movement.”

“The US government officially acknowledged that UFOs were real. Up until that point, everyone was struggling constantly to get their friends and neighbors to believe they weren’t crazy,” said Daniel Sheehan, an attorney who founded New Paradigm Institute, a UAP-focused policy group, after a colorful career of other activist litigation. After the dissolution of last year’s UAP Disclosure Act, he’s now lobbying Congress to establish an independent board that would gather and declassify information and protect whistleblowers.

“There’s a shift in consciousness here when people get together. Now they can talk to friends and neighbors about news reports,” Sheehan said. “There was this underworld club where they were oppressed in common. Now that’s been lifted, and they realize they’re going to have to do more work.”

The final goals of the movement — definitive proof and acknowledgment from government of the existence of extraterrestrial life — remain tantalizingly beyond the veil.

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One hot topic at Contact was the whistleblower David Grusch, a former intelligence official and U.S. Air Force officer who set the UFO podcast world aflame with Congressional testimony that the government could be hiding recovered alien craft and bodies. (NASA administrator Bill Nelson, when asked about Grusch in a 2023 press conference, said “NASA is open and transparent in our data. He said he had a friend that knew where a warehouse was that had a UFO locked up. He also said he had another friend that said he had parts of an alien. Whatever he said, where’s the evidence?”)

There was no faster way to get sour looks at Contact than citing March’s AARO report, a paper from the Defense Department’s newly established All-domain Anomaly Resolution Office. The department said “AARO has found no verifiable evidence that any UAP sighting has represented extraterrestrial activity. AARO has found no verifiable evidence that the U.S. government or private industry has ever had access to extraterrestrial technology. AARO has found no indications that any information was illegally or inappropriately withheld from Congress.”

A man in silver facepaint.

Rocky Angel looks to the skies at the Contact in the Desert convention in Indian Wells.

(David Vassalli / For The Times)

“I was so optimistic about AARO, but it was so dismissive,” Janix said. “It just felt like what the government did with Project Blue Book and the Condon Report. If this is all that AARO is, we need to go somewhere else.”

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The government’s openness to the topic has Ufologists worried that a fragile consensus might end up in the culture-war morass — or pernicious conspiracies.

“The cynic in me says everything is political,” Pope said. “If Joe Biden said ‘We have proof of alien life,’ his opponents would say ‘Here comes the next COVID.’ We have rare bipartisanship around this issue, and we risk unraveling into conspiracy and deep hatreds. There is a conspiratorial wing that can breed extremism.”

As the lectures at Contact wound down into a boozy dance party with a live rock band, the crowd of Ufologists had wine-fueled disagreements: Did David Grusch have the evidence to back up his claims? Can the government be trusted to disclose what it knows?

One thing they were certain of, however, is that they were winning.

Late in the day, Whitley Strieber, the “Communion” author and legendary professed experiencer, opened the Legends of Ufology panel to thunderous applause.

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“They tried so hard to wipe us out,” Strieber said, voice shaking with conviction. “And here we are.”

Movie Reviews

Movie Review 2025 with 11 Films of the Year

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Movie Review 2025 with 11 Films of the Year

Image: Wicked: For Good – Movie Poster

Another year is drawing to a close, and it’s time for our cinema review! In 2025, we saw many franchises return to the big screen, along with sequels to cult classics and new adaptations of legendary stories. From sci-fi and horror to musical adaptations, a wide range of genres offered fresh releases. Whether all of it was truly great is for everyone to decide individually – here is our trailer recap!

While Disney continues to push its live-action remake strategy (Snow White, Lilo & Stitch), Pixar at least delivered a brand-new animated feature with Elio.

When it comes to video game adaptations, several titles were released this year – most notably the Minecraft adaption A Minecraft Movie starring Jack Black and Jason Momoa, the second installment of Five Nights at Freddy’s, and the Until Dawn film, which was heavily criticized by the community.

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In Germany, Bully Herbig delivered a sequel to his comedy Der Schuh des Manitu with Das Kanu des Manitu, bringing the characters from one of his most successful films back to the big screen.

Just before Christmas, James Cameron launched the third part of his hit film series Avatar. Sequels also arrived for Jurassic World, the DCU, the Conjuring universe, and the popular animated film Zootopia.

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Director Guillermo del Toro took on a new adaptation of the absolute sci-fi horror cult classic and novel by Mary Shelley: Frankenstein has now been brought back to life by the creator of films such as Pacific Rim and The Shape of Water.

When it comes to adaptations, arguably the most popular musical of the year: with Part 2, the Wicked hype has returned once again.

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Entertainment

Why Gen Z and Gen Alpha are feasting on TV comfort food

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Why Gen Z and Gen Alpha are feasting on TV comfort food

John Campbell is a senior vice president at Walt Disney Co. who oversees streaming ad sales solutions. He also coaches his second-grade daughter’s basketball team, and recently asked her teammates to name their favorite TV show.

“Eleven out of 13 girls said ‘Hannah Montana,’ ” Campbell said in a recent interview, citing the popular Disney series starring Miley Cyrus that produced its last episode in 2011, before any of his players were born.

Campbell was pleased they selected a show from the Disney library, but wasn’t all that surprised based on the advertising demand he’s seeing for the company’s vintage shows.

A recent study from National Research Group found that 60% of all TV consumed is library content. Among Gen Z, 40% say they watch older shows because they find them comforting and nostalgic. Disney’s own research finds that 25% of the programs kids call their favorites were made before 2010.

While newer cutting-edge series typically win critical kudos and accolades, Gen Z and Gen Alpha viewers are binge-watching programs that became hits on the broadcast and cable networks in the pre-streaming era. They are also devouring holiday movies and specials, even on traditional TV.

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“We do see, especially around the holiday time, that people are looking for that comfort, that sense of ease,” Campbell said.

As more TV ad spending moves from traditional networks to streaming, Campbell said Disney is capitalizing on the retro trend thanks to its massive library of series. The company has seen the Gen Z audiences devour hits of yesteryear such as “How I Met Your Mother,” “Modern Family” and “Golden Girls.”

Miley Cyrus and Emily Osment in Disney’s “Hannah Montana.”

(Joel Warren/2006 Disney Channel)

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“Scrubs” and “Malcolm in the Middle” are such strong performers on Hulu and Disney+, the company has ordered reboots that advertisers are eager to be a part of, according to Campbell. Disney has even worked with advertisers to make throwback commercials to run in classic films on its streaming platforms and TV networks.

“The younger audience is drawn to the perceived simplicity of the old times and humor,” Kavita Vazirani, executive vice president of research, insights and analytics, ABC News Group & Disney Entertainment Networks. “It’s programming that just makes them feel good, and it’s something that they can watch with their friends, their families.”

Older shows have long had a place among young viewers. Previous generations grew up watching reruns of “The Brady Bunch” and “I Love Lucy” after school, when their choices on broadcast TV were scant.

But the current viewer has an endless plethora of viewing choices through streaming and cable. One executive at another media company not authorized to comment publicly cited research that said teens and young adults are gravitating to the more conventional sitcoms and dramas from the early 2000s, believing they were made explicitly for their age group.

During the era, the WB Network — later merged into the CW — was turning out young adult dramas such as “The Gilmore Girls” and “Dawson’s Creek,” while the Disney Channel was at the height of its popularity. “Friends,” the idealized rendering of urban life for young adults and long a favorite on streaming, was the ratings leader at the time.

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The appetite for such programs showed up in the most recent “Teens and Screens” study by the Center for Scholars & Storytellers @ UCLA found that among the 10- to 24 year-olds, 32.7% said they want to see “relatable stories that are like my personal life.” The previous year, the top answer was fantasy, which ranked second in 2025.

But another reason young viewers are digging into the vaults is volume.

The UCLA survey showed that the favorite show among the measured age group is the Netflix series “Stranger Things.” The series has only 42 episodes over five small-batch seasons.

When a young viewer finds an older successful series that ran on a network for years when 22 episodes per season was standard, they can binge for hundreds of hours.

“There are a lot of seasons of available episodes that you can watch, in typically any random order you want to,” said Nii Mantse Addy, chief marketing officer at the streaming service Philo, which also has seen a sharp rise in viewing of library programs.

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“There’s not as much decision fatigue,” Addy said. “The shows provide something that you can go back to and just turn on and know kind of how it’s going to make you feel.”

Executives also say that binge-watching old shows provides a respite from the angst young people experience while scrolling through social media, which escalated through the COVID-19 lockdowns.

But social media have also been a tool to help consumers discover new programs. Fans of vintage series post TikTok videos reacting to episodes that first aired years ago. There are also fan communities online and “re-watch” podcasts that are driving people to seek out programs.

“Social media has been quite a catalyst for essentially introducing these old shows to a whole new audience, whether it’s through memes, viral clips or whatever it may be,” Vazirani said. “It’s like the modern day water cooler, essentially.”

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Movie Reviews

Movie Review – The Testament of Ann Lee (2025)

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Movie Review – The Testament of Ann Lee (2025)

The Testament of Ann Lee, 2025.

Directed by Mona Fastvold.
Starring Amanda Seyfried, Lewis Pullman, Thomasin McKenzie, Matthew Beard, Christopher Abbott, David Cale, Stacy Martin, Scott Handy, Jeremy Wheeler, Tim Blake Nelson, Daniel Blumberg, Jamie Bogyo, Viola Prettejohn, Natalie Shinnick, Shannon Woodward, Millie-Rose Crossley, Willem van der Vegt, Esmee Hewett, Harry Conway, Benjamin Bagota, Maria Sand, Scott Alexander Young, Matti Boustedt, George Taylor, Alexis Latham, Lark White, Viktória Dányi, and Roy McCrerey.

SYNOPSIS:

Ann Lee, the founding leader of the Shaker Movement, proclaimed as the female Christ by her followers. Depicts her establishment of a utopian society and the Shakers’ worship through song and dance, based on real events.

The second coming of Christ was a woman. Narrated as a story of legend and constructed as a cinematic epic, co-writer/director Mona Fastvold’s The Testament of Ann Lee tells the story of the eponymous 18th-century preacher who occasionally experienced divine visions guiding her on how to teach her and her followers to free themselves and be absolved of sin.

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This group, an offshoot of Quakers known as Shakers, did so by stimulating and intoxicating full-body rhythmic dancing movements set to many hymns beautifully sung by Amanda Seyfried and others. The key distinction between the group, and arguably the toughest selling point of the film aside from the religious nature of it all, is that Ann Lee asserted that the only way to achieve such pure holiness is by giving up all sexual relations, living a life of celibacy (as evident by some laughter during the CIFF festival screening when she made this decree, which quickly subsided as it is relatively easy to buy into her mission and convictions).

It shouldn’t necessarily come as a surprise that Mona Fastvold had trouble getting this one off the ground. Perhaps what finally secured the project’s financial backing was all those awards The Brutalist (directed by her husband Brady Corbet and co-written by her, flipping those duties and credits this time around) either won or was nominated for, which was notably another film that almost no one had interest in making. The point is that this should serve as a reminder that there is an audience for anything and everything.

Whether one doesn’t care about religious movements or is a nonbeliever, The Testament of Ann Lee is remarkably hypnotic in its craftsmanship. It features a flat-out career-best performance from Amanda Seyfried, who blends all of her strengths as an actor and unleashes them at the peak of her talent. Yes, there are moments of tragedy and trauma, but the film refuses to wallow in misery, chartering her Shakers movement with hope, miracles, and perseverance as the journey takes them from Manchester to Niskayuna, New York, in search of expanding their follower base while dealing with other setbacks within the movement and personally.

Chronicling Ann Lee’s life with precise editing that rarely drags (and mostly fixates on the early stages of the Shakers movement and decade-plus long attempt to battle sexism as a female preacher and find a foothold amidst escalating tensions between British and Americans), the film also offers insight into the events that gave her a repulsion for sexual intimacy, her marriage with blacksmith Abraham (Christopher Abbott), and dynamics with her most loyal supporters which includes brother William (Lewis Pullman) and Mary (Thomasin Mckenzie, also serving as the narrator). Given the unfortunate nature of how most women, especially wives, were expected to have zero agency compared to their male counterparts and deliver babies, it is also organically inspiring watching her find a group with similar beliefs willing to trust her visions and take up celibacy. Whether or not all of them succeed is part of the journey and, interestingly enough, shows who is genuinely loyal and in her corner.

This is no dry biopic, though. Instead, it is brimming with life and energy, mainly through those “shaking” sequences depicting those outstandingly choreographed seizure-like dance numbers (typically shot by William Rexer from an elevated overhead angle, looking down at an entire room, capturing a ridiculous amount of motions all weaving together and creating something uniformly spellbinding). The songs throughout are divinely performed, adding another layer to this film’s transfixing pull. Nearly every image is sublime, right up until the perfect final shot. Admittedly, the film loses a bit of steam in the third act as one awaits a grim confrontation with naysayers who feel threatened by her position, movement, and pacifism regarding the burgeoning American Revolution.

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Still, whatever reservations one has about watching a religious movement preaching peace and celibacy while laboring away building a utopia (an aspect that puts it in great juxtaposition with The Brutalist) will wash away like sin. That’s the power of the movies; even someone who isn’t religious will find it hard not to be swept up in Ann Lee’s life. Fact, fiction, bluff… it doesn’t matter; the material is treated with conviction and non-judgmental respect. In The Testament of Ann Lee, Amanda Seyfried channels that for something holy, empowering, infectious, and all around breathtaking.

Flickering Myth Rating – Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Robert Kojder

https://www.youtube.com/watch?v=embed/playlist

 

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