Timothy Humphrey isn’t sure what exactly happened the night the visitor arrived.
“I saw something in the sky, and then an individual on the ground who spoke to me,” Humphrey, a Temecula resident, recalled as he walked through the Saturday afternoon crowds at the Contact in the Desert UFO convention in Indian Wells. He described the entity — a possible extraterrestrial? — as a “blonde-haired, blue eyed dude” dressed in all white. “I wasn’t on psychedelics or anything,” Humphrey laughed, but the encounter left him shaken.
“I had trouble sleeping after, but I wasn’t harmed,” Humphrey said. “I took it as an experience where the line blurred between reality and spiritual woo-woo stuff.”
Humphrey’s mind-bending night was the kind of thing many would keep private, or to the deepest trenches of UFO Reddit. But last weekend, two thousand fellow seekers gathered at the Renaissance Esmeralda resort to try to make sense of their similar encounters and beliefs.
They had much to discuss. The topic of UFOs has gone from fringe to urgently mainstream in just a few years. The highest reaches of the government, military, media and entertainment have taken serious interest in the phenomenon.
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Hardcore Ufologists rightly feel vindicated, but that’s old news at Contact the Desert, which celebrated its tenth anniversary this year. There, a fascination with Ufology melded with esoteric spirituality, government conspiracy, alt-celebrity culture and a bit of self-awareness about how loopy this can all get.
Believers at the five-day convention between May 30 to June 3 nurtured a subculture that’s now passing laws and opening minds. But such belief can also self-reinforce to strange places. The worldviews on display at Contact the Desert are ascendant. They show where Americans are looking for meaning — or solace — in terrestrially fraught times.
“It was a wonderful experience being here,” Humphrey said. “It was fellowship with a lot of like minds. It makes you wonder what else is out there I don’t know about?”
“They tried so hard to wipe us out, but here we are,” said professed UFO experiencer Whitley Strieber, left, with Travis Walton, Linda Moulton Howe, and Paul Hynek at Contact in the Desert convention in Indian Wells.
(David Vassalli / For The Times)
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From at least the early 20th century era of rocket scientist Jack Parsons, and the shared roots of Pasadena’s Jet Propulsion Laboratory, Scientology and the occult group Ordo Templi Orientis, the hard science of space exploration has mingled with more esoteric ideas in Southern California.
Now, UFOs are a common topic in government. The most recent national defense authorization act compelled the National Archives to gather documents about “unidentified anomalous phenomena, technologies of unknown origin and nonhuman intelligence,” and this year yielded the first All-domain Anomaly Resolution Office report. U.S. Senate Majority leader Chuck Schumer and others drafted legislation to declassify information about Unidentified Aerial Phenomena (UAP, the current term for UFOs). Rep. Tim Burchett formed a bipartisan UAP caucus. There’s been sworn testimony from a U.S. intelligence officer alleging the government may have alien craft and bodies. Harvard astrophysicist Avi Loeb wrote bestsellers arguing we may have found evidence pointing to extraterrestrial life.
A decade ago, after the pop-culture success of “The X-Files” but before the latest wave of mainstream and government attention, Ron Janix helped found Contact in the Desert as a home for all of it.
The audience was there — according to a 2021 Pew Research Center poll, two-thirds of Americans believe that extraterrestrial life exists, and more than half believe that military-reported sightings are evidence of alien life.
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Entranced by the James Webb space telescope photographs? Think the CIA is lying about the power of psychic remote viewing? See something weird out in Joshua Tree? You’d find fellow travelers at Contact.
“The audience definitely runs the full gamut, from people with a general curiosity to diehards who claim experiences with aliens,” Janix said. “But there’s no question that since the New York Times story in 2017 and the release of UAP videos from the Pentagon, there’s been a lot more exposure of our community in the mainstream. We try to have fun with it — there’s lots of new people at the event and we want them to know it’s just something to ponder.”
“It is kind of like a Coachella for UFO’s,” laughed Dan Harary, the co-founder of the Hollywood Disclosure Alliance, a group that connects experts and “experiencers” at Contact with the film industry. A boom in documentaries such as J.J. Abrams’ sober Showtime series “UFO” and James Fox’s cult hit “The Phenomenon” proved the topic is compelling beyond red-eyed History Channel marathons.
“There are thousands of fascinating stories for producers here. It’s not just like that Twilight Zone episode ‘To Serve Man’,” Harary said. “We’ve got a guy who is a multimillionaire businessman who said he’s met with the Pleiadians ever since he was 5, and hey, I believe him.”
Felicia LuQue is ready to encounter the unknown at the Contact in the Desert convention in Indian Wells, California.
(David Vassalli / For The Times)
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Ufology, like Protestantism, is a big-tent religion, and “A lot of this overlaps,” Janix said. “The ways things blend here is through the idea of nonhuman intelligence, whether it’s a nuts-and-bolts spacecraft to someone talking to ghost to a DMT or ayahuasca experience to talking to artificial intelligence.”
As the topic of UAP and extraterrestrial life became a live-wire issue in Congress and the Department of Defense, with figures including the late Sen. Harry Reid acknowledging programs such as the Advanced Aerospace Threat Identification Program, the question of UAP took on new seriousness in the halls of power.
“I think the audience feels a degree of vindication,” said Nick Pope, a UAP researcher and former civil servant in the U.K.’s Ministry of Defense, who presented at Contact. “People that went to these events used to get ribbed by their families, now those families say ‘I saw the congressional hearing on that, I heard about UFO provisions in the defense bill.’ These people were ridiculed and now they can hold their heads up high. ”
This being SoCal, that included Thomas Jane, the actor and star of “Hung” and “The Punisher,” who said he was “coming out of the UFO closet” with a lecture at Contact.
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“Actors do lots of crazy stuff, but I hope I can help destigmatize the phenomenon,” he said. “I had an experience I couldn’t explain, and there are a lot of people in my position where you wouldn’t feel okay to talk about it before those congressional hearings blew the door wide open. We have to be culturally ready to absorb that we’re not alone. What will this tell us about the nature of reality, physics, evolution?”
On Saturday, crowds wandered through two floors of the Esmeralda, a swanky resort between Palm Springs and the Coachella festival grounds. The audience ranged from witchy Highland Park Gen Z’ers to Nevada desert libertarian Boomers. From morning to night, they strolled between talks that ranged from the grounded (an interview with Harvard’s Loeb touching on his recent book “Interstellar”) to the starstruck (a “Legends: The Pioneers Who Paved The Way” panel with George Noory, of the long running news-of-the-weird conspiracy show “Coast To Coast AM,” and physicist and former CIA parapsychologist Russell Targ). The hosts of the popular true-crime and occult comedy show “Last Podcast on the Left” drew howls and groans when they smashed deep-cut UFO-sighting videos into (pixelated) clips of hardcore alien-themed porn.
Dave Magown, from Las Vegas, was at his first Contact, and felt heartened by everyone’s curiosity. His partner was an experiencer, he said, and he wanted to learn more to support her. “The people here are so open minded, it’s what’s missing in the world today,” he said. “They have the ability to see more than the average Joe. I plan to come every year, I’m gonna be more educated next time.”
“The people here are so open-minded, it’s what’s missing in the world today,” said Dave Magown about Contact In The Desert. “They have the ability to see more than the average Joe.”
(David Vassalli / For The Times)
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Regulars walked through the halls of crystal skulls and clairvoyant booths with the renewed vigor of being proved right, at least on some of it.
“I usually speak or sell these energy devices at these, it’s my favorite event of the year,” said Apolla Asteria, an esoteric YouTuber. “We’ve witnessed changes in the field of disclosure in the few years, with the UAP task force and the Pentagon reports. We’re getting the vibe that this is being taken seriously.”
Other Contact in the Desert veterans, such as L.A. musician Helena Reznor, are eager to move past staid government reports. “I think people are getting bored of the whole alien thing, we pretty much know there’s something else coming into our reality,” Reznor said. “It’s time to start looking more into portal activity and all of the different, strange intelligences that seem to be interacting with us.”
Shannon McNamara and Xander Gilbert traveled in from Denver for the convention. Gilbert had just left “a talk about Egypt where they said they were beaming people into space when they die and that’s why the Pharaohs are in pyramids,” he laughed. “Everything’s a fun story, even when its wacky.”
McNamara, a podcaster who covers celebrities and conspiracy theory culture, said she knew when to draw the line between silly and dangerous beliefs. “I go as deep as I can before they mention Jewish people and then I’m out,” she said. “Ever since 2020, conspiracy topics have popped off because people don’t trust the media, they don’t trust politicians, they don’t trust schools. All these systems have broken down, so people are like ‘Maybe I trust this author on Amazon with an e-book that resonates.’”
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“And they want a community where like-minded weirdness resonates,” Gilbert added.
That was the conflict at this year’s Contact in the Desert. It is no longer just a fringe event where someone like Travis Walton, the mustachioed professed abductee portrayed in “Fire In the Sky,” is mobbed like Harry Styles. Its topics are no longer taboo in the mainstream.
Should its culture shift to more scientific inquiry, or towards fan service for its most devoted? Does an event like this have an obligation to police its far edges, or to cultivate them?
“If the government has classified information, they won’t release it. Why wait for the government to tell us what lies outside the solar system?” asked Harvard astrophysicist Avi Loeb before the Contact in the Desert convention in Indian Wells.
(David Vassalli / For The Times)
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For Loeb, the director of Harvard’s Institute for Theory and Computation at the Harvard-Smithsonian Center for Astrophysics, who delivered a Zoom talk at Contact on Saturday, serious researchers into this field should expect healthy criticism.
“People invent virtual realities. AI has hallucinations. We live in a world where you don’t get feedback if you don’t speak with other people,” said Loeb in a phone call before the festival. “That’s become part of politics and polarization now, and it’s also part of science. That’s unfortunate, because science gives you the privilege of taking risks, making mistakes and learning.”
Loeb’s scientific credibility and Harvard perch made him a potent — if controversial — figure. His captivating 2021 book “Extraterrestrial” posited that Oumuamua, the first known interstellar object to enter our solar system, had evidence of being extraterrestrial technology. The book galvanized the field, became a bestseller and made him UFO-scene famous.
“The beauty of science is that there is one reality we share and can measure it with instruments,” Loeb said. “If the government has classified information, they won’t release it. Why wait for the government to tell us what lies outside the solar system?”
There are risks navigating a scene like Contact. Recently, Loeb caught blowback for appearing via Zoom before a Mexican congressional hearing about UAP where, later, a Ufologist presented “alien mummies” that were likely made of human and animal bones (“It was embarrassing,” Loeb said). Benjamin Fernando, a Johns Hopkins seismologist, recently said that seismic signals from a meteor crash Loeb was investigating were more likely due to a car backfiring.
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“What a ridiculous statement,” Loeb laughed when asked about Fernando’s critique. “An eagle has crows on its back pecking at its neck. My goal is to rise to the level where the crows fall off.
“Copernicus’ book was banned for hundreds of years, but his ideas prevailed because people realized they were true,” he continued. “It’s a subject of great interest. Put some limits on this, but let’s explore it!”
“We’re so close to the finish line of disclosure,” UFO lobbyist Stephen Bassett said. “That’s what makes this the most extraordinary activist movement.”
(David Vassalli / For The Times)
For all the avant-garde amateur physics and brain-smoothing New Age thought at Contact, there was also real feeling that the world was being proven more complex and fantastical by the week.
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If you couldn’t quite follow esoteric journalist Linda Moulton Howe’s thoughts about how pure bismuth could help negate gravity, you could appreciate the vim of Stephen Bassett, a UAP disclosure lobbyist with the Paradigm Research Group, racking up legislative wins.
“We’re so close to the finish line of disclosure,” Bassett said. “Until now it was as if you were arguing to end the embargo on Cuba, and the government’s position was ‘There’s no such thing as Cuba. Those photos are fake.’ That’s what makes this the most extraordinary activist movement.”
“The US government officially acknowledged that UFOs were real. Up until that point, everyone was struggling constantly to get their friends and neighbors to believe they weren’t crazy,” said Daniel Sheehan, an attorney who founded New Paradigm Institute, a UAP-focused policy group, after a colorful career of other activist litigation. After the dissolution of last year’s UAP Disclosure Act, he’s now lobbying Congress to establish an independent board that would gather and declassify information and protect whistleblowers.
“There’s a shift in consciousness here when people get together. Now they can talk to friends and neighbors about news reports,” Sheehan said. “There was this underworld club where they were oppressed in common. Now that’s been lifted, and they realize they’re going to have to do more work.”
The final goals of the movement — definitive proof and acknowledgment from government of the existence of extraterrestrial life — remain tantalizingly beyond the veil.
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One hot topic at Contact was the whistleblower David Grusch, a former intelligence official and U.S. Air Force officer who set the UFO podcast world aflame with Congressional testimony that the government could be hiding recovered alien craft and bodies. (NASA administrator Bill Nelson, when asked about Grusch in a 2023 press conference, said “NASA is open and transparent in our data. He said he had a friend that knew where a warehouse was that had a UFO locked up. He also said he had another friend that said he had parts of an alien. Whatever he said, where’s the evidence?”)
There was no faster way to get sour looks at Contact than citing March’s AARO report, a paper from the Defense Department’s newly established All-domain Anomaly Resolution Office. The department said “AARO has found no verifiable evidence that any UAP sighting has represented extraterrestrial activity. AARO has found no verifiable evidence that the U.S. government or private industry has ever had access to extraterrestrial technology. AARO has found no indications that any information was illegally or inappropriately withheld from Congress.”
Rocky Angel looks to the skies at the Contact in the Desert convention in Indian Wells.
(David Vassalli / For The Times)
“I was so optimistic about AARO, but it was so dismissive,” Janix said. “It just felt like what the government did with Project Blue Book and the Condon Report. If this is all that AARO is, we need to go somewhere else.”
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The government’s openness to the topic has Ufologists worried that a fragile consensus might end up in the culture-war morass — or pernicious conspiracies.
“The cynic in me says everything is political,” Pope said. “If Joe Biden said ‘We have proof of alien life,’ his opponents would say ‘Here comes the next COVID.’ We have rare bipartisanship around this issue, and we risk unraveling into conspiracy and deep hatreds. There is a conspiratorial wing that can breed extremism.”
As the lectures at Contact wound down into a boozy dance party with a live rock band, the crowd of Ufologists had wine-fueled disagreements: Did David Grusch have the evidence to back up his claims? Can the government be trusted to disclose what it knows?
One thing they were certain of, however, is that they were winning.
Late in the day, Whitley Strieber, the “Communion” author and legendary professed experiencer, opened the Legends of Ufology panel to thunderous applause.
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“They tried so hard to wipe us out,” Strieber said, voice shaking with conviction. “And here we are.”
At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.
When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.
After more than two and a half years of research, planning and construction, Dataland, the world’s first museum of AI arts, will open June 20.
Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the museum anchors the $1-billion Frank Gehry-designed Grand LA complex across the street from Walt Disney Concert Hall in downtown Los Angeles. Its first exhibition, “Machine Dreams: Rainforest,” created by Refik Anadol Studio, was inspired by a trip to the Amazon and uses vast data sets to immerse visitors in a machine-generated sensory experience of the natural world.
The architecture of the space, which Anadol calls “a living museum,” is used to reflect distant rainforest ecosystems, including changing temperature, light, smell and visuals. Anadol refers to these large-scale, shimmering tableaus as “digital sculptures.”
“This is such an important technology, and represents such an important transformation of humanity,” Anadol said in an interview. “And we found it so meaningful and purposeful to be sure that there is a place to talk about it, to create with it.”
The 35,000-square-foot privately funded museum devotes 25,000 square feet to public space, with the remaining 10,000 square feet holding the in-house technology that makes the space run. Dataland contains five immersive galleries and a 30-foot ceiling. An escalator by the entrance will transport guests to the experiences below. The museum declined to say how much Dataland, designed by architecture firm Gensler, cost to build.
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An isometric architectural rendering of Dataland. The 25,000-square-foot AI arts museum also contains an additional 10,000 square feet of non-public space that holds its operational technology.
(Refik Anadol Studio for Dataland)
Dataland will collect and preserve artificial intelligence art and is powered by an open-access AI model created by Anadol’s studio called the Large Nature Model. The model, which does not source without permission, culls mountains of data about the natural world from partners including the Smithsonian, London’s Natural History Museum and the Cornell Lab of Ornithology. This data, including up to half a billion images of nature, will form the basis for the creation of a variety of AI artworks, including “Machine Dreams.”
“AI art is a part of digital art, meaning a lineage that uses software, data and computers to create a form of art,” Anadol explained. “I know that many artists don’t want to disclose their technologies, but for me, AI means possibilities. And possibilities come with responsibilities. We have to disclose exactly where our data comes from.”
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Sustainability is another responsibility that Anadol takes seriously. For more than a decade, Anadol has devoted much thought to the massive carbon footprint associated with AI models. The Large Nature Model is hosted on Google Cloud servers in Oregon that use 87% carbon-free, renewable energy. Anadol says the energy used to support an individual visit to the museum is equivalent to what it takes to charge a single smartphone.
Anadol believes AI can form a powerful bridge to nature — serving as a means to access and preserve it — and that the swiftly evolving technology can be harnessed to illuminate essential truths about humanity’s relationship to an interconnected planet. During a time of great anxiety about the power of AI to disrupt lives and livelihoods, Anadol maintains it can be a revolutionary tool in service of a never-before-seen form of art.
“The works generate an emergent, living reality, a machine’s dream shaped by continuous streams of environmental and biological data. Within this evolving system, moments of recognition and interpretation emerge across different forms of knowledge,” a news release about the museum explains. “At the same time, the exhibition registers loss as part of this expanded field of perception, most notably in the Infinity Room, where visitors encounter the 1987 recording of the last known Kauaʻi ʻŌʻō, a now-extinct bird whose unanswered call becomes part of the work.”
“It’s very exciting to say that AI art is not image only,” Anadol said. “It’s a very multisensory, multimedium experience — meaning sound, image, video, text, smell, taste and touch. They are all together in conversation.”
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