Northeast
NYC Ballet celebrates 75th anniversary as it attracts larger, younger crowds
- New York City Ballet, one of the world’s premier dance troupes, has been celebrating its 75th anniversary all year.
- Affordable pricing has been a major factor in attracting younger people to shows. Some evenings target young professionals with post-show receptions.
- The New York City Ballet’s 2024 budget is about $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.
Alice McDermott settled into her seat at New York City Ballet on a recent Friday night, excited to see her first-ever ballet performance. The 31-year-old Manhattanite, who works in recruiting, was on a fun girls’ night out with three friends she’d met through work, starting with dinner.
“They told me I’d love the ballet,” says McDermott, who was also excited to realize she was already familiar with one of the evening’s performers, Tiler Peck, via the dancer’s popular Instagram feed. “They said you can put on a nice dress and just immerse yourself in another world, whilst marveling at what the human body can achieve.”
Seems they were right: At the end of the evening, McDermott, a new fan, went home and watched a ballet documentary.
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Perhaps you could call it “Ballet and the City”? Whatever the term for McDermott’s ballet evening with pals, the scenario would surely be music to the ears of the company — which has been celebrating its 75th birthday with fanfare this year — and especially its artistic leaders of the past five years, Jonathan Stafford and Wendy Whelan.
The two, both former dancers at the storied troupe founded by George Balanchine, have made it a key goal to bring in a younger audience to ensure the company’s long-term health — and more broadly, to guard the vitality of a centuries-old art form.
It seems to be working. Though some initiatives have been in place for longer, the last five years have seen a marked shift, according to numbers provided to the Associated Press: In 2023, 53% of ticket buyers were under age 50, and people in their 30s made up the largest age segment by decade. Five years earlier, in 2018, 41% of ticket buyers were under 50, and people in their 60s made up the largest age segment.
New York City Ballet’s associate artistic director Wendy Whelan, left, and artistic director Jonathan Stafford, right, stand inside the lobby of the David H. Koch Theater at Lincoln Center on Feb. 29, 2024, in New York City. (AP Photo/Bebeto Matthews)
Now, longtime ballet followers note that on a bustling Friday evening you can look down from the first ring of the David H. Koch Theater at Lincoln Center and not simply see, well, a sea of gray.
`A GENERATION OF YOUNG PROFESSIONALS’
A major factor in attracting younger people, especially those under 30, has been affordable pricing. There are also evenings targeting young professionals, including post-show receptions. And there have been collaborations with visual or musical artists with youthful followings — like the musician Solange, who in 2022 was commissioned to score a ballet by 23-year old choreographer Gianna Reisen.
The Solange collaboration was a significant moment, Whelan and Stafford said in a recent interview, surveying the past five years as the thumping of leaping dancers’ feet echoed through the ceiling above Stafford’s office.
“We sold out every show,” Whelan noted. “It was a little nugget, but it was memorable.”
Perhaps even more important was the fact, says Stafford, that about 70% of those ticket buyers were new to the company — contributing to “a generation of young professionals in the city that are at our theater every night now.”
Katherine Brown, the ballet’s executive director, said the company had taken a look at the theater and vastly reduced the price of certain seats — and saw them fill up. She also noted the 30-for-30 program, where members under 30 can buy any seat in the house for $30. “That thing has just exploded,” Brown says, from some 1,800 members in the last full season before the pandemic-forced shutdown, to some 14,000 now.
One can’t discount the “pure economics” of an evening at the ballet, especially for young people, says Wendy Perron, longtime dance writer and former editor of Dance Magazine. “When I was in New York in the ’70s and ‘80s, I just couldn’t afford to go to the ballet,” she says.
GETTING BETTER ACQUAINTED
Also not to be discounted: the effect of social media in promoting dancers as people with personalities.
“We’ve got this crop of really exciting but also relatable, approachable dancers, and through social media, audiences can connect to them in a way they couldn’t back when we were dancing,” says Stafford, who retired as a dancer in 2014.
Consider Peck, one of the company’s most popular ballerinas (and a rising choreographer), whose Instagram feed had reached McDermott before she ever saw her dance. Peck supplies her half-million followers with short, punchy videos about everything from her 10 favorite dance roles to how she applies stage makeup. Her videos often feature her partner onstage and off, rising principal dancer Roman Mejia.
It’s all very different from a time when — like Odette in “Swan Lake” — ballerinas used to be mysterious and, above all, silent.
Social media — whether used by the company or via the dancers’ own feeds — can also answer questions. If you attended a performance of “The Nutcracker” a few seasons ago, you might have wondered why dancer Mira Nadon, as Sugarplum Fairy, suddenly disappeared from the stage at a key moment. The answer was on her Instagram later: Her pointe shoe had slipped off.
“See, you can get all your answers from Instagram now,” quips Whelan, who herself has an active feed.
ESTABLISHING A PARTNERSHIP
A few months ago, Whelan, a much-loved former NYCB principal who also retired in 2014, got a congratulatory text from Stafford in the morning — it had been exactly five years since the two had taken the helm after a turbulent period when #MeToo accusations caused scandal.
Historically, the company had been led by one man — Balanchine until 1983, then Peter Martins. This time, the board tried something new: a duet. Stafford was already interim head, and Whelan had applied for the job.
“They put us in a room and closed the door, and we were like – ‘Hi?’” Whelan says. “They were like, figure it out! And we did.” Stafford, the artistic director, serves as a bridge between the creative and business sides. Whelan, associate artistic director, focuses on the delicate task of programming.
Company insiders describe a mood different from the days when one outsized, all-powerful personality ruled from above. For one thing, the pair says they’ve instituted annual taking-stock conversations with each dancer.
Diversity — ballet is slowly changing but still overwhelmingly white — is also a priority, they say, and that includes diversifying “the pipeline,” meaning students at the affiliated School of American Ballet.
Recently, the company heralded its first two Black dancers to dance Dewdrop, the second most important female “Nutcracker” role: India Bradley and guest artist Alexandra Hutchinson of the Dance Theater of Harlem. Yet to come is a Black Sugarplum Fairy. The company says 26% of its dancers identify as people of color, whereas 10 years ago that figure was 13%. Stafford and Whelan have commissioned 12 ballets by choreographers of color in the last six years, it says.
“We know where the gaps are, and we take it seriously,” Whelan says.
She and Stafford say they’re also paying more attention to wellness, be it physical training to avoid injury, healthy diets, or a more frank discussion of mental health.
As for the company’s financial health, it is strong, Brown says, four years after the pandemic cost tens of millions in losses. The 2024 budget is roughly $102 million, compared to $88 million in 2019. Audience capacity has exceeded pre-pandemic levels.
As for new fan McDermott, she’s planning more visits, along with her friends.
“I think we have a new tradition between the four of us,” she says. “We’ll definitely be making it a bit of a thing.”
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New Hampshire
Bank Robber, Sexual Assaulter, With 40-Plus Year Criminal History, Wanted On Parole Violation: NH DOC
CONCORD, NH — The New Hampshire Department of Corrections is asking for the public’s help in finding a sex offender and robbery convict, with “violent tendencies,” who is wanted on a parole violation.
Michael J. Wells is 60, white, about 5 feet, 6 inches tall, and weighs around 150 lbs. He has dirty blond hair and hazel eyes. Officials said Wells sometimes uses the following aliases: “Michael Morris,” “Michael Morse,” and “Michael Kirby.” He has Tasmanian devil, star, moon, and skull tattoos on his right arm and a cross over a skull with a spider web on his left arm.
The warrant against Wells was issued by the New Hampshire Parole Board as well as Manchester police for duty to report, after accusing him of absconding from parole and failing to register as a sex offender.
“In December 1994,” an alert stated, “Wells was convicted of aggravated felonious sexual assault and as a result, is required to register as a Tier III sex offender for the remainder of his life. Wells is currently on Parole Supervision for robbery.”
In December 2018, Wells robbed the Citizens Bank in Manchester, passing a note stating, “I have a gun. No tracking. No dye bag. $20-$50 quickly. No alarm.” In August 2021, he committed the same offense under similar circumstances, officials said, after he was placed on escape status from the Calumet Transitional Housing Unit. He was arrested in Massachusetts a few weeks later.
Wells is known to frequent both Concord and Manchester.
Editor’s note: This post was derived from information supplied by the New Hampshire Department of Corrections and does not indicate a conviction. This link explains how to request the removal of a name from New Hampshire Patch police reports.
Wells criminal history dates back more than four decades, according to superior court records, after he was accused of forgery in Nashua in August 1985. In June 1988, he was convicted on one forgery charge.
Wells was accused of theft in 1990 and he pleaded guilty to the charge a month later.
Wells was accused of bail jumping in February 1989.
In 1994, Wells was accused of aggravated felonious sexual assault, sexual assault, and second-degree assault charges in Nashua. In December 1994, he pleaded guilty to the second-degree assault charge. Wells was found guilty by the court on one aggravated felonious sexual assault charge in January 1996.
Wells was also accused of escape in December 1998.
In 2005 and 2006, more charges were racked up, including four acts prohibited counts in Nashua, a false report to law enforcement, receiving stolen property, two acts prohibited counts in Salem, and forgery in Manchester. Wells was found guilty on two of the drug charges in Salem and the Manchester forgery charge, while the others were nolle prossed.
In April 2019, Wells was convicted on the December 2018 bank robbery charges. He was given a three-and-a-half-to-10-year sentence with 136 days of time served credit and a 10-to-20-year sentence, suspended for 10 years.
New Jersey
New Jersey Politics (Episode 512) – On New Jersey
On this episode of New Jersey Politics with Laura Jones: Princeton University students, led by the Whig-Cliosophic Society, NAACP Princeton Chapter, and Vote100, host a non-partisan forum for Democratic candidates vying to replace retiring Rep. Bonnie Watson Coleman in NJ’s 12th District. Student leader Alejandra Ramos joins us. Plus, Assemblyman Mike Inganamort explains why Governor Mikie Sherrill’s proposed shift from “net” to “gross” business taxation could impact small businesses operating on thin margins.
Pennsylvania
Democrat Josh Shapiro tests political muscle in swing-state Pennsylvania’s midterms
LOCK HAVEN, Pa. — Josh Shapiro may be heavily favored to win reelection as Pennsylvania governor, but that doesn’t mean there isn’t a lot on the line for him this year.
Shapiro, who is just beginning to hit the campaign trail, wants voters to give Democrats control of the state legislature for the first time in decades. And he’s pushing his favored candidates in competitive congressional primaries, an attempt to mold his party’s slate in the midterm elections that will determine control of Washington.
All of this means that, much like other potential Democratic presidential candidates, Shapiro is testing his political capital in ways that could shape his future and the party’s.
Illinois Gov. JB Pritzker successfully boosted his favored candidate in his state’s U.S. Senate primary. Maryland Gov. Wes Moore failed to convince lawmakers to redraw the state’s congressional map, while California Gov. Gavin Newsom achieved redistricting through a voter referendum last year.
Shapiro brushed off questions — and Republican criticism — about burnishing his credentials for a White House run.
“The only thing I am focused on is beating my opponent for governor and helping other Democrats get elected here and sending a clear message to Donald Trump that the chaos, cruelty and corruption that he’s been engaged in is not something that we support here in Pennsylvania,” Shapiro told The Associated Press after speaking to Democrats at a packed coffee shop in small-town Lock Haven.
Shapiro has never said whether he’s interested in running for president. But he does say he wants a voice in his party’s future. Democrats need to figure out how to “get stuff done” to make people’s lives better, he said, and he wants to be “part of that conversation.”
Stacy Garrity, the Republican state treasurer who is running for governor, said Shapiro can’t hide his ambition — and it’s bad for the state.
“We all know that he’s more interested in Pennsylvania Avenue than helping Pennsylvania families,” she said in an interview. “He thinks if he can hand Pennsylvania on a platter to the Democratic Party, then maybe they take a harder look at him.”
An opportunity to demonstrate strength
They just might.
Pennsylvania is a hard state to succeed in politically, and Democrats around the country are taking note of Shapiro because of that, said Paul Begala, a Democratic campaign strategist, commentator and senior aide to Bill Clinton when he was president.
The election gives Shapiro an opportunity to demonstrate strength.
“Right now, Democrats, the thing they want the most is a winner, and a very close second is a fighter,” Begala said. “This election is an opportunity for him to show that.”
Ahead of this year’s campaign, Shapiro put his stamp on the Pennsylvania Democratic Party by getting committee people to elect his hand-picked chair and plunging more than $900,000 so far this election cycle into the organization’s accounts.
He’s on track to break his own state fundraising record and tells voters that Pennsylvania is the “center of the political universe” in the fight for control of the U.S. House.
Democrats want to flip four House seats in Pennsylvania. Shapiro’s endorsed candidates include Paige Cognetti, mayor of Scranton; Bob Brooks, president of the state firefighters’ union; and Janelle Stelson, a former television news personality who narrowly lost two years ago.
Shapiro already cut an ad for Brooks, who is running in a hotly contested four-way primary for the chance to challenge freshman Republican U.S. Rep. Ryan Mackenzie.
Contested primaries and GOP surrogates
Shapiro’s endorsements haven’t scared off Democratic rivals.
Ryan Crosswell, a former federal prosecutor running against Brooks, issued a campaign memo that — in a veiled reference to the governor — said Crosswell has “no party machine behind him, no power broker network, no favors to call in.”
For his part, Shapiro said: “I’m just focused on trying to elevate good people. Hopefully they’ll all win.”
Republicans, meanwhile, have their own surrogates.
Garrity said the White House asked her for a list of people she wants to visit in Pennsylvania.
Trump, Vice President JD Vance and a number of Cabinet secretaries have already visited the state’s contested congressional districts. Earlier this month, House Speaker Mike Johnson made a fundraising swing through Pennsylvania.
“We know the majority runs through Pennsylvania and the speaker is focused on doing everything he can to help those members defend their seats,” said Greg Steele, a spokesperson for Johnson’s political operation.
It’s quite likely Johnson will be back: Pennsylvania was his last campaign stop before the 2024 election.
Trump and Vance could return, too, and in the meantime, the president is keeping an eye on Pennsylvania. On Tuesday night, he took to social media to take credit for a decision by owners of two coal-fired power plants not to close in what he called a “BIG WIN for the Great Commonwealth of Pennsylvania, which I love.”
Shapiro starts hitting the campaign trail
As he begins to campaign, Shapiro is proving himself to be a draw even in Pennsylvania’s out-of-the-way areas. Earlier this month, he helped pack a ballroom for Centre County Democrats and the coffee shop for Clinton County Democrats.
“I saw brand-new people, I saw people who have not been engaged in the party in years,” Bre Brannan, Clinton County’s Democratic Party chair, said. The crowd included Republicans and independents, too, she said.
With a Democratic “trifecta,” Shapiro tells audiences he could get more done, citing legislation Republicans have stalled. That includes raising Pennsylvania’s rock-bottom minimum wage and expanding legal protections for LGBT residents. He also has a housing affordability plan he’s pushing this year.
Consolidating control of the state Legislature would be no small feat. Democrats hold a one-seat majority in the state House and haven’t held the state Senate majority in over three decades.
Few Democrats in the party’s 2028 presidential sights have an opportunity to demonstrate political strength and party-building aptitude in swing states.
The opportunity could help Shapiro prove his mettle when the presidential campaign season cranks up and would-be candidates go in search of institutional support, endorsements and donor commitments.
Pouring money into down-ballot races and flipping seats may not help Shapiro with the average voter. But activists, donors and other elected officials care a great deal about that, strategists say.
Success would strengthen Shapiro’s hand at a time when candidates are trying to win the “perception campaign” that they are the strongest candidate, Democratic campaign strategist Mike Mikus said.
“It doesn’t guarantee anything,” Mikus said. “But it is definitely something to bring to the table when you’re lining up donors, endorsements and finance chairs, things like that. It’s compelling to them.”
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