Lifestyle
The Met Gala has fueled backlash against stars who are silent about the Gaza conflict
Zendaya at the 2024 Met Gala in New York City. The actress is one of many celebrities whose name has appeared this week on social media “block” lists for not speaking out publicly about the conflict in Gaza.
Jamie McCarthy/Getty Images
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Jamie McCarthy/Getty Images
Zendaya at the 2024 Met Gala in New York City. The actress is one of many celebrities whose name has appeared this week on social media “block” lists for not speaking out publicly about the conflict in Gaza.
Jamie McCarthy/Getty Images
A collective effort on TikTok and other social media platforms to push celebrities to speak publicly about the conflict in Gaza went into overdrive this week after The Met Gala.
Creators on TikTok have earned millions of views for videos they’ve made linked to hashtags like #celebrityblocklist, #letthemeatcake and #blockout.
Many of these posts list the names of actors, musicians and other high-profile figures whom the video creators say had not yet spoken out against Israel’s attacks on the region — or hadn’t spoken out sufficiently — and therefore should be blocked.
And there’s been a special push in recent days to name those who attended the opulent, star-studded annual Met Gala on Monday.
“I made a Google Doc of every celebrity that attended the Met Gala, and now I’m going through and writing if they’ve been silent, or if they’ve been using their platform to speak up about the genocide in Gaza,” said one TikTok user in a video displaying a long list of celebrity names against a black background with the word “SILENT” in red next to to some, including Zendaya, Nicki Minaj, Keith Urban and Andrew Scott. “Some of these celebrities have not been completely silent,” the Tiktoker continued. “Zendaya did make a post back in October on her story supporting Palestine, but has been silent since. So I went ahead and put ‘silent.’”
The Met Gala fans the flames
Calls on social media to boycott celebrity silences have been on a slow burn for months.
But the fact the New York event, with its unchecked display of privilege and wealth, took place at around the same time as thousands of Palestinians were being forced to flee Rafah at less than 24 hours notice as Israeli troops took control of the Gaza territory’s border crossing with Egypt, fanned the glowing embers into full-on flames.
“The Met Gala was a bit of a hyperbolic moment that got a lot of people’s attention,” said Marcus Collins, an assistant professor of marketing at the University of Michigan. “The celebrity boycotts had existed, but they weren’t really at the top of the social zeitgeist. But then you have a moment like the Met Gala that wasn’t really related to the conflict, but the pieces were all at play. When the attacks [in Gaza] were happening the same day, the juxtaposition just got people talking and moving.”
Even relatively minor celebrities like social media influencer Hayley Baylee — who wasn’t even a guest at the event, but had been hired as a pre-gala host to interview those invited as they headed to the party — were caught up in the backlash on TikTok.
Many creators posted negative reactions to a video Baylee posted of herself that night (which has since been taken down), saying, “Let them eat cake!” It was a nod, as she later admitted in a video apologizing for her actions, to a current trend on social media for looks inspired by Marie Antoinette, and a line from the 2006 film starring Kirsten Dunst, about the ill-fated French queen.
“The world is just not peaceful or stable enough for the average person to accept and enjoy celebrities flaunting their wealth on social media,” said one user on TikTok in response both to Baylee’s faux-pas and the overall flaunting of wealth in New York that night. “Flexing on the peasants only works when the peasants aren’t watching other peasants be wiped off the face of the planet.”
The impact of blocking celebrities on the people of Gaza
The rationale behind the calls on social media to block celebrities, thereby negatively impacting their advertising revenue, is to put pressure on them to use their massive influence to try to stop the violence in Gaza.
“The hope is that it will either bring more visibility to the cause and shift the balance in getting political forces like the U.S. government to do something to mitigate the violence that’s happening in the Middle East,” said Collins. “But as rational as that logic may seem, I don’t think there are very many examples where this has actually worked.”
Collins cited the example of George Clooney’s efforts, albeit in an era before the rise of social media, to end the war in Sudan. A 2014 article in The Guardian by the Sudan-based journalist Maeve Shearlaw assessed the impact of the celebrity’s dedicated efforts over the years to bring about change: “I don’t see that it has halted, or even reduced, the genocide. The killing, displacement, sexual assaults and rape never stopped.”
On the other hand, pressure on social media has occasionally impacted the ways celebrities speak out about world events. For example, the backlash against Oprah Winfrey and Dwayne “The Rock” Johnson for asking the public to donate to a Maui wildfire recovery fund last fall caused the pair to put more of their own significant resources into the effort. However, the amount they contributed was not disclosed.
The impact on everyone else
It remains to be seen whether the latest celebrity-blocking social media campaign will bring about positive change for the people of Gaza.
But some experts say the fact that it doesn’t directly target the issue, but rather focuses on which celebrities are remaining silent, obscures the desired goal.
“That’s not what we’re debating on and trending about and talking about and arguing about,” said Chris Morse, a communications professor at Bryant University. “It’s the fact that Celebrity A won’t tell us their stance. Isn’t that weird that they won’t do that? Let’s boycott them until they do do that.”
Indeed, some stars have seen a fall-off in followers over the past week. For example, Taylor Swift, who’s at the top of many of the block lists, lost around 300,000 followers on TikTok over the past week, according to a comparison between her current TikTok follower number and the number obtained from last week via Wayback Machine, and around 50,000 on Instagram. But that’s nothing for a star of Swift’s magnitude.
“A large celebrity has their touring, has multiple large social channels, is featured on television, is featured in the press,” said Eric Dahan, CEO of the social media marketing company Mighty Joy. “If you have north of 100 million followers and you lose three or five million, it sucks. But is that the end of the world for you? No.”
Dahan added that blocking celebrities doesn’t prevent them from appearing in targeted social media ad campaigns.
“Blocking an account doesn’t prevent you from receiving an ad, because the ad is not run through the celebrity’s account per se,” said Dahan. “And so, for example, you can block Kim Kardashian, but Hulu could run an ad targeting the Kardashians at you.”
Meanwhile, controversies involving celebrities very often bring attention to social media platforms.
“TikTok definitely benefits, right? Because the trend is happening on their format,” said Bryant University’s Morse. “We are constantly mentioning TikTok in all of the stories, and that makes people curious in order to see the trend and see what people are doing. So you got to go to TikTok, and you really got to become a member because you can’t really see too many things without actually engaging with the platform.”
TikTok did not immediately respond to NPR’s request for comment.
And even if the many, much-viewed videos aimed at canceling celebrities don’t help to bring about a change for the people of Gaza, there’s at least an emotional reward for those doing the canceling.
“It does provide some sense of agency,” said the University of Michigan’s Collins. “A sense that I’ve done something to influence other people to do something that perhaps maybe might make a difference. Because in the minds of those folks, it’s better than doing nothing.”
Lifestyle
They set out to elevate karaoke in L.A. — and opened a glamorous lounge that pulls out all the stops
Brothers Leo and Oliver Kremer visited karaoke spots around the globe and almost always had the same impression.
“The drinks weren’t always great, the aesthetics weren’t always so glamorous, the sound wasn’t always awesome and the lights were often generic,” says Leo, a former bassist of the band Third Eye Blind.
As devout karaoke fans, they wanted to level up the experience. So they dreamed up Mic Drop, an upscale karaoke lounge in West Hollywood that opens Thursday. It’s located inside the original Larrabee Studios, a historic 1920s building formerly owned by Carole King and her ex-husband, Gerry Goffin — and the spot where King recorded some of her biggest hits. Third Eye Blind band members Stephan Jenkins and Brad Hargreaves are investors of the new venue.
Inside the two-story, 6,300-square-foot venue with 13 private karaoke rooms and an electrifying main stage, you can feel like a rock star in front of a cheering audience. Want to check it out? Here are six things to know.
The Kremer brothers hired sculptor Shawn HibmaCronan to create an 8-foot-tall disco-themed microphone for their karaoke lounge.
1. Take your pick between a private karaoke experience or the main stage
A unique element of Mic Drop is that it offers both private karaoke rooms and a main stage experience for those who wish to sing in front of a crowd. The 13 private rooms range from six- to 45-person capacity. Each of the karaoke rooms are named after a famous recording studio such as Electric Lady, Abbey Road, Shangri La and of course, Larrabee Studios. There is a two-hour minimum on all rentals and hourly rates depend on the room size and day of the week.
But if you’re ready to take the center stage, it’s free to sing — at least technically. All you have to do is pay a $10 fee at the door, which is essentially a token that goes toward your first drink. Then you can put your name on the list with the KJ (karaoke jockey) who keeps the crowd energized throughout the night and even hits the stage at times.
Harrison Baum, left, of Santa Monica, and Amanda Stagner, 27, of Los Angeles, sing in one of the 13 private karaoke rooms.
2. Thumping, high sound quality was a top priority
As someone who toured the world playing bass for Third Eye Blind, top-tier sound was a nonnegotiable for Leo. “Typically with karaoke, the sound is kind of teeny, there’s not a lot of bass and the vocal is super hot and sitting on top too much,” he says. To combat this, he and his brother teamed up with Pineapple Audio, an audio visual company based in Chicago, to design their crisp sound system. They also installed concert-grade speakers and custom subwoofers from a European audio equipment manufacturer called Celto, and bought gold-plated Sennheiser wireless microphones, which they loved so much that they had an 8-foot-tall replica made for their main room. Designed by artist Shawn HibmaCronan, the “macrophone,” as they call it, has roughly 30,000 mirror tiles. “It spins and throws incredible disco light everywhere,” says Leo.
Karaoke jockeys Sophie St. John, 27, second from left, and Cameron Armstrong, 30, right, get the crowd involved with their song picks at Mic Drop.
3. A concert-level performance isn’t complete without good stage lighting and a haze machine
Each karaoke room features a disco ball and dynamic lighting that syncs up with whatever song you’re singing, which makes you feel like you are a professional performer. There’s also a haze machine hidden under the leather seats. Meanwhile, the main stage is concert-ready with additional dancing lasers and spotlights.
Brett Adams, left, of Sherman Oaks, and Patrick Riley of Studio City sing karaoke together inside a private lounge at Mic Drop.
4. The song selection is vast, offering classics and new hits
One of the worst things that can happen when you go to karaoke is not being able to find the song you want to sing. At Mic Drop, the odds of this happening are slim to none. The venue uses a popular karaoke service called KaraFun, which has a catalog of more than 600,000 songs (and adds 400 new tracks every month), according to its website. Take your pick from country, R&B, jazz, rap, pop, love duets and more. (Two newish selections I spotted were Raye’s “Where Is my Husband” and Olivia Dean’s “Man I Need,” which both released late last year.) In the private karaoke rooms, there’s also a fun feature on Karafun called “battle mode,” which allows you and your crew of up to 20 people to compete in real time. KaraFun also has an entertaining music trivia game, which I tested out with the founders and came in second place.
The design inspiration for Mic Drop was 1920s music lounges and 1970s disco culture, says designer Amy Morris.
5. The interiors are inspired by 1920s music lounges mixed with ‘70s disco vibes
A disco ball hangs from the ceiling.
If you took the sophisticated aesthetic of 1920s music lounges and mixed it with the vibrant and playful era of 1970s disco culture, you’d find Mic Drop.
When you walk into the lounge, the first thing you’ll see is a bright red check-in desk that resembles a performer’s dressing room with vanity lights, several mirrors and a range of wigs. “So much of karaoke is about getting into character and letting go of the day, so we had the idea to sell the wigs,” says Oliver. As you continue into the lounge, the focal point is the stage, which is adorned with zebra-printed carpet and dramatic, red velvet curtains. For seating, slide into the red velvet banquettes or plop onto a gold tiger velvet stool. Upstairs, you’ll find the intimate karaoke studios, which are decorated with red velvet walls and brass, curved doorways that echo the building’s deco arches, says Mic Drop’s interior designer, Amy Morris of the Morris Project.
Sarah Rothman, center, of Oakland, and friend Rachel Bernstein, left, of Los Angeles, wait at the bar.
6. You can order nontraditional karaoke bites as you wait for your turn to sing
While Mic Drop offers some of the food you’d typically find at a karaoke lounge such as tater tots, truffle popcorn and pizza, the venue has some surprising options as well. For example, a 57 gram caviar service (served with chips, crème fraîche and chives) and shrimp cocktail from Santa Monica Seafood. For their pizza program, the Kremer brothers teamed up with Avalou’s Italian Pizza Company, which is run by Louis Lombardi who starred in “The Sopranos.” He’s the brainchild behind my favorite dish, the Fuhgeddaboudit pizza, which is made with pastrami, pickles and mustard. It might sound repulsive, but trust me.
As for the cheeky cocktails, they are all named after famous musicians and songs such as the Pink Pony Club (a tart cherry pomegranate drink with vodka named after Chappell Roan), Green Eyes (a sake sour with kiwi and melon named after Green Day) and Megroni Thee Stallion (an elevated negroni named after Megan Thee Stallion).
When John Lantigua, a retired journalist in Miami Beach, checked his email one recent morning, he was glad to see an invitation.
“It was like, ‘Come and share an evening with me. Click here for details,’” Mr. Lantigua said.
It appeared to be a Paperless Post invitation from someone he once worked with at The Palm Beach Post, a man who had left Florida for Mississippi and liked to arrange dinners when he was back in town.
Mr. Lantigua, 78, clicked the link. It didn’t open.
He clicked a second time. Still nothing.
He didn’t realize what was going on until a mutual friend who had received the same email told him it wasn’t an invitation at all. It was a scam.
Phishing scams have long tried to frighten people into clicking on links with emails claiming that their bank accounts have been hacked, or that they owe thousands of dollars in fines, or that their pornography viewing habits have been tracked.
The invitation scam is a little more subtle: It preys on the all-too-human desire to be included in social gatherings.
The phishy invitations mimic emails from Paperless Post, Evite and Punchbowl. What appears to be a friendly overture from someone you know is really a digital Trojan horse that gives scammers access to your personal information.
“I thought it was diabolical that they would choose somebody who has sent me a legitimate invitation before,” Mr. Lantigua said. “He’s a friend of mine. If he’s coming to town, I want to see him.”
Rachel Tobac, the chief executive of SocialProof Security, a cybersecurity firm, said she noticed the scam last holiday season.
“Phishing emails are not a new thing,” Ms. Tobac said, “but every six months, we get a new lure that hijacks our amygdala in new ways. There’s such a desire for folks to get together that this lure is interesting to people. They want to go to a party.”
Phishing scams involve “two distinct paths,” Ms. Tobac added. In one, the recipient is served a link that turns out to be dead, or so it seems. A click activates malware that runs silently as it gleans passwords and other bits of personal information. In all likelihood, this is what happened when Mr. Lantigua clicked on the ersatz invitation link.
Another scam offers a working link. Potential victims who click on it are asked to provide a password. Those who take that next step are a boon to hackers.
“They have complete control of your email and, in turn, your entire digital life,” Ms. Tobac said. “They can reset your password for your dog’s Instagram account. They can take over your bank account. Change your health insurance.”
Digital invitation platforms are trying to combat the scam by publishing guides on how to spot fake invitations. Paperless Post has also set up an email account — phishing@paperlesspost.com — for users to submit messages for verification. The company sends suspicious links to the Anti-Phishing Working Group, a nonprofit that maintains a database monitored by cybersecurity firms. Flagged links are rendered ineffective.
The scammers’ new strategy of exploiting the desire for connection is infuriating, said Alexa Hirschfeld, a founder of Paperless Post. “Life can be isolating,” Ms. Hirschfeld said. “When it looks like you’re getting an invitation from someone you know, your first instinct is excitement, not skepticism.”
Olivia Pollock, the vice president of brand for Evite, said that fake invitations tended to be generic, promising a birthday party or a celebration of life. Most invitations these days tend to have a specific focus — mahjong gatherings or book club talks, for instance. “The devil is in the details,” Ms. Pollock said.
Because scammers don’t know how close you are with the people in your contact list, fake invitations may also seem random. “They could be from your business school roommate you haven’t spoken to in 10 years,” Ms. Hirschfeld said.
Alyssa Williamson, who works in public relations in New York, was leaving a yoga class recently when she checked her phone and saw an invitation from a college classmate.
“I assumed it was an alumni event,” Ms. Williamson, 30, said. “I clicked on it, and it was like, ‘Enter your email.’ I didn’t even think about it.”
Later that day, she received texts from friends asking her about the party invitation she had just sent out. Her response: What party?
“The thing is, I host a lot of events,” she said. “Some knew it was fake. Others were like, ‘What’s this? I can’t open it.’”
Andrew Smith, a graduate student in finance who lives in Manhattan, received what looked like a Punchbowl invitation to “a memory making celebration.” It appeared to have come from a woman he had dated in college. He received it when he was having drinks at a bar on a Friday night — “a pretty insidious piece of timing,” he said.
“The choice of sender was super clever,” Mr. Smith, 29, noted. “This was somebody that would probably get a reaction from me.”
Mr. Smith seized on the phrase “memory making celebration” and filled in the blanks. He imagined that someone in his ex-girlfriend’s immediate family had died. Perhaps she wanted to restart contact at this difficult moment.
Something saved him when he clicked a link and tried to tap out his personal information — his inability to remember the password to his email account. The next day, he reached out to his ex, who confirmed that the invitation was fake.
“It didn’t trigger any alarm bells,” Mr. Smith said. “I went right for the click. I went completely animal brain.”
The new scam comes with an unfortunate side effect, a suspicion of invitations altogether. It’s enough to make a person antisocial.
“Don’t invite me to anything,” Mr. Lantigua, the retired journalist, said, only half-joking. “I’m not coming.”
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