Lifestyle
Yes, Apple's new iPad ad is ugly and crushing, but art can't be flattened
There is something so ugly about crushing an acoustic guitar. Making it buckle, making the middle of it explode in splinters. That might be personal to me, as someone who grew up with a dad who was what you might call a campfire guitarist — not a performer, just a dad who used to entertain us with songs like “Dark as a Dungeon,” a little folk tune about the lethal dangers of coal mining. Maybe to you, it’s not the guitar. Maybe it’s the cameras or the vinyl records.
A little more than halfway through the new ad for “the thinnest Apple product ever,” an enormous hydraulic press bears down on an acoustic guitar — and cameras, and records, and other things that hold reservoirs of emotion for people who make art. Paint, pencils, a dressmaker’s mannequin, books, a wooden model of a person, a not-yet-dry clay bust, a video game cabinet. Everything is flattened under its power. But the most spectacular crushings are of musical instruments — that guitar, a piano, a drum set, a trumpet standing on its end until it gives way.
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The ad — which Apple has since apologized for — is meant to communicate, I suppose, that this tiny, thin iPad can contain what is important from all these things. It can replace them all. You can make your music with it. You can paint with it. You can play games on it. You can take your photos with it. And it suggests this means you can finally destroy all those things that have been so burdensome, like massive pianos and messy paint.
But these are not practical items to begin with. Nobody owns a piano because it’s practical; it’s about the least practical thing you can own. It can wreck your floor. It goes out of tune. And if you happen to get a new place, you don’t just need movers for it; you may need special movers. You don’t own a piano to get from point A to point B in the most direct way you can. You own a piano for the reason we had one in my house: a person plays it. Someone sits down, as my mother did, and plays the “Maple Leaf Rag,” and you can hear the pedals lightly squeak, and you can watch hands skitter across keys, and of course you are listening to music — but also, those are your mother’s hands.
Of course, to be fair, the ad is also meant to cause controversy, because you do not crush beautiful things and offend accidentally. The ad says almost nothing about the iPad itself except that it’s very thin; the point is all the crushing, the point is the ugliness, so admittedly, to recognize that ugliness is to serve the ad’s purpose.
But its ugliness is also what proves the folly of its concept. The reason people will react as emotionally as they do to the vulgarity of the ad is precisely why the thinnest iPad yet cannot do what they say it will do. It cannot replace the things that people have, over hundreds of years, learned to carry and live beside, and to incorporate into their creation of what they hope will be beauty. Art is intertwined with humanity, with all its flawed dimensions, and the two cannot be separated. In the making of art, there is family, there are friends and collaborators, there is both fragility and permanence, and there is the passage of time. And there is physicality.
In our current environment, the ad plays as an extension of, or maybe a companion to, the idea that artificial intelligence — or what travels under that name — can take over the production of art: of books, of illustrations, of music, of films. We are enduring an all-out assault on the need for anyone’s idiosyncratic individuality to be involved in the creation of art. It is an attempt to reduce creative acts to devices with the right capabilities, to the point where machines can make it all entirely without us. We will, in this vision, order a book or a film as we do a mass-produced piece of fast fashion, and as such, it will be cheap and disposable and reliant on the exploitation of labor.
But the very fact that Apple knew this ad would make people so angry is how you know this reductive approach to art is doomed to fail. The people who made this ad specifically chose to crush things that are valuable not only because of their capabilities, but because they are things that creative people imbue with meaning, that they save up for and hand down to their kids. Those things will not be replaced by iPads.
You can make beautiful music with an iPad; you can make beautiful digital art. But that art will be made alongside other music, other art, not stacked on top of the corpses of old violins. If you think of new frontiers in art as an opportunity to destroy sculptures or explode bottles of paint, you never understood art at all, and you never will.
In certain kinds of stories, “I am not worried” is the last thing you say before the monster devours you. But while I am worried about the economics of art and its creation, I am not worried at all that art made by humans will ever vanish or be replaced by the thinnest iPad ever. The gasp that went up from so many people when they saw that guitar explode, that sound came from the part of a human being that makes art. And that part instinctively understands that beauty isn’t fixated on tech-world dominance. It doesn’t demand to crush what is loved in order to chase the fantasy that you can fit everything that matters into the pocket of a briefcase.
Lifestyle
All about character: Jane Austen fans on their favorites
Jane Austen ready to party for her 250th birthday at the Jane Austen Society of North America’s Annual General Meeting in Baltimore.
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In her six completed novels, Jane Austen excelled at love stories: Elinor and Edward, Lizzie and Darcy, Fanny and Edmund, Emma and Knightley, Anne and Wentworth, heck even Catherine and Tilney. As her fans celebrate the 250th anniversary of her birth, they’d like you to know it’s a mistake to simply dismiss her work as light, frothy romances. It’s full of intricate plots, class satire and biting wit, along with all the timeless drama of human foibles, frailties and resolve.
Tessa Harings (left) learns English country dance at the Jane Austen Society of North America’s 2025 Annual General Meeting
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“The basic reason why Austen is still popular today is because all of her characters are people we know in the world,” says Tessa Harings. She’s a high school teacher from Phoenix and one of the more than 900 attendees at the Jane Austen Society of North America’s Annual General Meeting, held in Baltimore this year. “We all know of someone who’s shy and aloof and needs to be brought into the crowd. We all know someone who’s quite witty, naturally. We all know someone who is a bit silly and always looking for attention.”
Colin Firth, properly memed from the 1995 BBC miniseries. His Darcy is a big favorite with the JASNA crowd.
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Shy and aloof? That could be Darcy. Naturally witty? Lizzie Bennet. Silly and looking for attention? Take your pick: baby sister Lydia or maybe the haughty Caroline Bingley or the unctuous Mr. Collins, all creations from what might be Austen’s most popular novel, Pride and Prejudice.
Her characters have permeated modern pop culture, even among people who’ve never opened her books. Harings says that’s one reason her students want to read these Regency-era novels. They want to understand the jokes in all those short videos and memes, like Mr. Collins making awkward dinner conversation.
He wants a wife, he compliments the potatoes. In Mr. Collin’s head, it makes sense.
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Her students enjoy the tension between Darcy and Lizzie: he’s very rich, so besotted by her against his will that he can hardly dance, glower and talk at the same time. Lizzie initially cannot stand him and refuses his first proposal, as shown in this soggy scene from the 2005 movie adaptation.
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Harings says Lizzie is her favorite Austen character. “She has such sharp, sarcastic wit and she’s so self-confident, despite the fact that she’s constantly being put down by the people around her for her supposedly lower position in life as the slightly less pretty of the mother’s two oldest daughters.”
Milliner Dannielle Perry (right) and her assistant Mia Berg of Timely Tresses in their Regency-era togs.
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“When I was a teenager, I loved Lizzie and I wanted to be Lizzie,” says milliner Dannielle Perry of Oxford, N.C. She’s read and reread all of Jane Austen’s books and she loves how they change for her as she’s gotten older. She’s now more sympathetic toward Mrs. Bennet, Lizzie’s mom: a woman desperate to get her five daughters married, least they be penniless since they can’t inherit their father’s estate. “I feel sorry for her in a way I never did before,” Perry says. “She is sort of silly, but she’s lived with a man for 20 years who largely dismisses her and thinks she’s frivolous.”
Doctoral student Katie Yu, of Dallas, has this analysis of Mrs. Bennett and her husband, who seems mentally checked-out at best: “He’s not a great father. He’s always putting his wife down in front of his daughters, he’s putting his daughters down in front of his daughters.” Yu says Mr. Bennet married Mrs. Bennet because she was pretty, treats her as an inferior, and often ignores her. This is why Mrs. Bennet goes on about her nerves and “has the vapors” whenever she’s stressed: she’s trying to get his attention.
“But,” says Tessa Harings, “she still has a level of street smarts that she has to get her daughters married. And yes, she’s sincerely concerned about their future … she actually, of the two of them, is the more concerned and involved parent.”
Tom Tumbusch explains 19th century dance moves to JASNA members.
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Dance instructor Tom Tumbusch, of Cincinnati, says men can learn a lot from Austen. “Modern men struggle to find good role models,” he says. “Reading Austen’s works can help them see the places where men can go wrong.” Mr. Bennet, for example. Or the libertine George Wickham who lies and runs off with the flighty Bennet sister, Lydia. Or maybe Willoughby from Sense and Sensibility, who leads Marianne Dashwood on, ghosts her and is later revealed to have abandoned an unmarried woman who gave birth to his child.
Oh, Marianne, he’s so not worth it!
On the other hand, Tumbusch says Jane Austen’s heroes can show men “how to be masculine in a constructive way,” like owning mistakes, taking responsibility and treating women with respect. It’s not just Darcy, who works behind the scenes getting Wickham to marry Lydia, it’s also Captain Wentworth from Persuasion. Tombusch says Wentworth does what men of his station should: he uses his own resources to help someone less fortunate, the poor, partially disabled widow Mrs. Smith. And in Sense and Sensibility, there’s the steadfast Col. Brandon. Hoping to make Willoughby’s rejection of Marianne less devastating to her, he exposes the libertine’s behavior. He rides hours to retrieve her mother when Marianne is near death. He patiently, oh-so-patiently, waits for her young, broken heart to mend.
All this while wearing a flannel waistcoat because he’s on the “wrong side of five and thirty” and needs to keep those ancient bones warm.
Before he rocked worlds as Snape, Alan Rickman made the earth move for viewers of the 1995 movie adaptation of Sense and Sensibility.
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JASNA president Mary Mintz, of McLean, Va., says though Jane Austen is largely known for her marriage plots, it’s really the human need for connection that grounds her stories. “She writes about the relationships between parents and children, between siblings or among siblings, she writes about relationships with friends. And she is really insightful. When you combine that with her knowledge of human psychology, it’s a great formula for success.”

Mintz is fascinated by Emma’s pivotal character, Miss Bates. She’s a spinster and member of the gentry class who lives with her elderly mother on an extremely limited income. She’s also a nervous chatterbox, “someone who can’t stop talking,” says Mintz. “I’ve known a lot of Misses Bates in my lifetime… people who seem insecure and feel as though they have to fill up silence, but are really good-hearted people.”
When Emma is rude to Miss Bates, she’s firmly chastised by her neighbor, Mr. Knightley. It becomes a turn-around moment in the story. Humbled, Emma apologizes. She also sees how she’s been wrong to meddle in the love life of Harriet Smith, a pretty teenager whose parents are unknown.
Mintz says there’s an interesting link between Bates and Harriet, if you put two and two together.
“In Jane Austen’s actual life, mothers and daughters often share the same name,” she explains. That pattern can be seen in many of her novels. “We don’t know who Harriet Smith’s natural mother is, but at one point Miss Bates is referred to as ‘Hetty,’ which could be a diminutive for ‘Harriet.’ “
That’s the first clue. The second clue occurs during that scene where Knightley sets Emma right. He says of Miss Bates, “she has sunk from the comforts she was born to.” He then draws a contrast between the spinster’s current station and her former one: “You, whom she had known from an infant, whom she had seen grow up from a period when her notice was an honour…”
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Emma’s father is quite wealthy, so why would Miss Bates’ notice have once been so esteemed? Mary Mintz asks, “Is because she had a child out of wedlock?”
And could that child be… Harriet Smith?
The mind: it boggles! A Jane Austen Easter egg! It’s just one example of how multi-dimensional her novels are and why so many people will continue loving, analyzing and discussing her work well into the next 250 years.

Jacob Fenston and Danny Hensel edited and produced this report.
Lifestyle
Rob Reiner and Wife Michele Had Throats Slit By Family Member
Rob Reiner And Wife Michele
Throats Slit By Family Member
Published
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Updated
Rob Reiner and his wife Michele had their throats slit by a family member, possibly after an argument inside their Los Angeles home, leading to their tragic deaths … TMZ has learned
It’s unclear what exactly triggered the violence, which went down Sunday afternoon in Brentwood … but we’re told one of Rob’s daughters found her parents dead and told police a family member had killed them. PEOPLE reports the couple’s son, Nick, is being questioned in connection with the murders.
Our sources also say the daughter told police the family member “should be a suspect” because they’re “dangerous.”
TMZ broke the story … Rob and Michele suffered lacerations consistent with knife wounds and LAPD’s Robbery Homicide Division is investigating the case.
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Dispatch audio captures a firefighter calling for backup to the Brentwood mansion around 3:30 PM … though it doesn’t provide any further information about the circumstances in the abode.
Rob was 78. Michele was 68.
Lifestyle
Sunday Puzzle: Major U.S. cities
Sunday Puzzle
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On-air challenge
I’m going to read you some sentences. Each sentence conceals the name of a major U.S. city in consecutive letters. As a hint, the answer’s state also appears in the sentence. Every answer has at least six letters. (Ex. The Kentucky bodybuilders will be flexing tonight. –> LEXINGTON)
1. Space enthusiasts in Oregon support landing on Mars.
2. Contact your insurance branch or agent in Alaska.
3. The Ohio company has a sale from today to next Sunday.
4. The Colorado trial ended in a sudden verdict.
5. Fans voted the Virginia tennis matches a peak experience.
6. I bought a shamrock for decorating my house in Illinois.
7. All the Connecticut things they knew have now changed.
8. Can you help a software developer in Texas?
Last week’s challenge
Last week’s challenge came from Mike Reiss, who’s a showrunner, writer, and producer for “The Simpsons.” Think of a famous living singer. The last two letters of his first name and the first two letters of his last name spell a bird. Change the first letter of the singer’s first name. Then the first three letters of that first name and the last five letters of his last name together spell another bird. What singer is this?
Challenge answer
Placido Domingo
Winner
Brock Hammill of Corvallis, Montana.
This week’s challenge
This week’s challenge comes from Robert Flood, of Allen, Texas. Name a famous female singer of the past (five letters in the first name, seven letters in the last name). Remove the last letter of her first name and you can rearrange all the remaining letters to name the capital of a country (six letters) and a food product that its nation is famous for (five letters).
If you know the answer to the challenge, submit it below by Thursday, December 18 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle.
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