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Here are the winners of the 2024 Pulitzer Prizes

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Here are the winners of the 2024 Pulitzer Prizes

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The Pulitzer Prizes were awarded today at Columbia University, honoring American achievements in journalism, letters and drama, and music. Widely recognized as the most prestigious awards in their field within the United States, the 108th Pulitzer Prizes took place against an unusually fraught backdrop. In a statement last week, the Pulitzer Board commended student journalists covering campus protests against the war in Gaza, acknowledging they were often placing themselves “in the face of great personal and academic risk.”

Twenty-three prizes were awarded last year, with cash prizes of $15,000 going to the recipients of most of the prizes and a gold medal to the news organization that wins the Public Service Prize.

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The New York Times won one of its three Pulitzers this year for its coverage of the war in Gaza. The award for International Reporting went to its staff for “wide-ranging and revelatory coverage of Hamas’ lethal attack in southern Israel on October 7, Israel’s intelligence failures and the Israeli military’s sweeping, deadly response in Gaza.” The Times also took Pulitzers in the Features and Investigative categories, the latter for a series by Hannah Dreier that revealed “the stunning reach of migrant child labor across the United States – and the corporate and governmental failures that perpetuate it.”

The Washington Post tied with the Times with three wins in the categories of Commentary, Editorial Writing and National Reporting. It shared the last with the staff at Reuters, which also won a Pulitzer for Breaking News Photography, for “raw and urgent photographs documenting the October 7th deadly attack in Israel by Hamas and the first weeks of Israel’s devastating assault on Gaza.”

And film critic Justin Chang of the Los Angeles Times won a Criticism Pulitzer for “richly evocative and genre-spanning” work “that reflects on the contemporary moviegoing experience.” Chang also contributes to numerous other publications, including NPR.

In arts and letters, the Biography award was given to two authors. The judges called Jonathan Eig’s King: A Life, a revelatory portrait of slain civil rights leader Martin Luther King, Jr. Ilyon Woo also won a Biography Pulitzer for Master Slave Husband Wife: An Epic Journey from Slavery to Freedom.

The Fiction Pulitzer went to West Virginia writer Jayne Anne Phillips for her novel Night Watch. It’s about a traumatized family in the aftermath of the Civil War. And the Nonfiction prize went to A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy, by Nathan Thrall. The treatment of a grieving Palestinian father was described by the judges as a “finely reported and intimate account of life under Israeli occupation of the West Bank.”

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Here are the 2024 winners:

Prizes in Journalism

Public Service
“Awarded to ProPublica for the work of Joshua Kaplan, Justin Elliott, Brett Murphy, Alex Mierjeski and Kirsten Berg, groundbreaking and ambitious reporting that pierced the thick wall of secrecy surrounding the Supreme Court to reveal how a small group of politically influential billionaires wooed justices with lavish gifts and travel, pushing the Court to adopt its first code of conduct.”

Breaking News Reporting
“Awarded to the Staff of Lookout Santa Cruz, California, for its detailed and nimble community-focused coverage, over a holiday weekend, of catastrophic flooding and mudslides that displaced thousands of residents and destroyed more than 1,000 homes and businesses.”

Investigative Reporting
“Awarded to Hannah Dreier of The New York Times for a deeply reported series of stories revealing the stunning reach of migrant child labor across the United States – and the corporate and governmental failures that perpetuate it.”

Explanatory Reporting
“Awarded to Sarah Stillman of The New Yorker for a searing indictment of our legal system’s reliance on the felony murder charge and its disparate consequences, often devastating for communities of color.”

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Local Reporting
“Awarded to Sarah Conway of City Bureau and Trina Reynolds-Tyler of the Invisible Institute for their investigative series on missing Black girls and women in Chicago that revealed how systemic racism and police department neglect contributed to the crisis.”

National Reporting
“Awarded to the Staff of Reuters for an eye-opening series of accountability stories focused on Elon Musk’s automobile and aerospace businesses, stories that displayed remarkable breadth and depth and provoked official probes of his companies’ practices in Europe and the United States.”

“Awarded to the Staff of The Washington Post for its sobering examination of the AR-15 semiautomatic rifle, which forced readers to reckon with the horrors wrought by the weapon often used for mass shootings in America. (Moved by the Board from the Public Service category, where it also was entered and nominated.)”

International Reporting
“Awarded to the Staff of The New York Times for its wide-ranging and revelatory coverage of Hamas’ lethal attack in southern Israel on October 7, Israel’s intelligence failures and the Israeli military’s sweeping, deadly response in Gaza.”

Feature Writing
“Awarded to Katie Engelhart, contributing writer, The New York Times for her fair-minded portrait of a family’s legal and emotional struggles during a matriarch’s progressive dementia that sensitively probes the mystery of a person’s essential self.”

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Vladimir Kara-Murza in Moscow on Feb. 22, 2024.

Alexander Nemenov/AFP via Getty Images


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Vladimir Kara-Murza in Moscow on Feb. 22, 2024.

Alexander Nemenov/AFP via Getty Images

Commentary
“Awarded to Vladimir Kara-Murza, contributor, The Washington Post for passionate columns written at great personal risk from his prison cell, warning of the consequences of dissent in Vladimir Putin’s Russia and insisting on a democratic future for his country.”

Criticism
“Awarded to Justin Chang of the Los Angeles Times for richly evocative and genre-spanning film criticism that reflects on the contemporary moviegoing experience.”

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Editorial Writing
“Awarded to David E. Hoffman of The Washington Post for a compelling and well-researched series on new technologies and the tactics authoritarian regimes use to repress dissent in the digital age, and how they can be fought.”

Illustrated Reporting and Commentary
“Awarded to Medar de la Cruz, contributor, The New Yorker for his visually-driven story set inside Rikers Island jail using bold black-and-white images that humanize the prisoners and staff through their hunger for books.”

Breaking News Photography
“Awarded to the Photography Staff of Reuters for raw and urgent photographs documenting the October 7th deadly attack in Israel by Hamas and the first weeks of Israel’s devastating assault on Gaza.”

Haitian migrants wade through water as they cross the Darien Gap from Colombia to Panama on May 9, 2023.

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Haitian migrants wade through water as they cross the Darien Gap from Colombia to Panama on May 9, 2023.

Ivan Valencia/AP

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Feature Photography
“Awarded to the Photography Staff of Associated Press for poignant photographs chronicling unprecedented masses of migrants and their arduous journey north from Colombia to the border of the United States.”

Audio Reporting
“Awarded to the Staffs of the Invisible Institute, Chicago, and USG Audio, California, for a powerful series that revisits a Chicago hate crime from the 1990s, a fluid amalgam of memoir, community history and journalism.”

Letters and Drama Prizes

Fiction
“Awarded to Night Watch, by Jayne Anne Phillips (Knopf), a beautifully rendered novel set in West Virginia’s Trans-Allegheny Lunatic Asylum in the aftermath of the Civil War where a severely wounded Union veteran, a 12-year-old girl and her mother, long abused by a Confederate soldier, struggle to heal.”

Drama
“Awarded to Primary Trust, by Eboni Booth, a simple and elegantly crafted story of an emotionally damaged man who finds a new job, new friends and a new sense of worth, illustrating how small acts of kindness can change a person’s life and enrich an entire community.”

History
“Awarded to No Right to an Honest Living: The Struggles of Boston’s Black Workers in the Civil War Era, by Jacqueline Jones (Basic Books), a breathtakingly original reconstruction of free Black life in Boston that profoundly reshapes our understanding of the city’s abolitionist legacy and the challenging reality for its Black residents.”

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Biography
“Awarded to King: A Life, by Jonathan Eig (Farrar, Straus and Giroux), a revelatory portrait of Martin Luther King, Jr. that draws on new sources to enrich our understanding of each stage of the civil rights leader’s life, exploring his strengths and weaknesses, including the self-questioning and depression that accompanied his determination.”

“Awarded to Master Slave Husband Wife: An Epic Journey from Slavery to Freedom, by Ilyon Woo (Simon & Schuster), a rich narrative of the Crafts, an enslaved couple who escaped from Georgia in 1848, with light-skinned Ellen disguised as a disabled white gentleman and William as her manservant, exploiting assumptions about race, class and disability to hide in public on their journey to the North, where they became famous abolitionists while evading bounty hunters.”

Memoir or Autobiography
“Awarded to Liliana’s Invincible Summer: A Sister’s Search for Justice, by Cristina Rivera Garza (Hogarth), a genre-bending account of the author’s 20-year-old sister, murdered by a former boyfriend, that mixes memoir, feminist investigative journalism and poetic biography stitched together with a determination born of loss.”

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Poetry
“Awarded to Tripas: Poems, by Brandon Som (Georgia Review Books), a collection that deeply engages with the complexities of the poet’s dual Mexican and Chinese heritage, highlighting the dignity of his family’s working lives, creating community rather than conflict.”

General Nonfiction
“Awarded to A Day in the Life of Abed Salama: Anatomy of a Jerusalem Tragedy, by Nathan Thrall (Metropolitan Books), a finely reported and intimate account of life under Israeli occupation of the West Bank, told through a portrait of a Palestinian father whose five-year-old son dies in a fiery school bus crash when Israeli and Palestinian rescue teams are delayed by security regulations.”

Prize in Music
“Awarded to ‘Adagio (For Wadada Leo Smith)’ by Tyshawn Sorey, premiered on March 16, 2023 at Atlanta Symphony Hall, an introspective saxophone concerto with a wide range of textures presented in a slow tempo, a beautiful homage that’s quietly intense, treasuring intimacy rather than spectacle.”

Special Citations
“The Pulitzer Board awards a special citation for the late writer and critic Greg Tate, whose language – cribbed from literature, academia, popular culture and hip-hop – was as influential as the content of his ideas. His aesthetic, innovations and intellectual originality, particularly in his pioneering hip-hop criticism, continue to influence subsequent generations, especially writers and critics of color.

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In recent years the Pulitzer Board has issued citations honoring journalists covering wars in Ukraine and Afghanistan. This year, the Board recognizes the courageous work of journalists and media workers covering the war in Gaza. Under horrific conditions, an extraordinary number of journalists have died in the effort to tell the stories of Palestinians and others in Gaza. This war has also claimed the lives of poets and writers among the casualties. As the Pulitzer Prizes honor categories of journalism, arts, and letters, we mark the loss of invaluable records of the human experience.”

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‘Hijack’ and ‘The Night Manager’ continue to thrill in their second seasons

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‘Hijack’ and ‘The Night Manager’ continue to thrill in their second seasons

Idris Elba returns as an extraordinarily unlucky traveler in the second season of Hijack. Plus Tom Hiddleston is back as hotel worker/intelligence agent in The Night Manager.

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When I first began reviewing television after years of doing film, I was struck by one huge difference between the way they tell stories. Movies work hard to end memorably: They want to stick the landing so we’ll leave the theater satisfied. TV series have no landing to stick. They want to leave us un-satisfied so we’ll tune into the next season.

Oddly enough, this week sees the arrival of sequels to two hit series — Apple TV’s Hijack and Prime Video’s The Night Manager — whose first seasons ended so definitively that I never dreamt there could be another. Goes to show how naïve I am.

The original Hijack, which came out in 2023, starred Idris Elba as Sam Nelson, a corporate negotiator who’s flying to see his ex when the plane is skyjacked by assorted baddies. The story was dopey good fun, with Elba — who’s nobody’s idea of an inconspicuous man — somehow able to move around a packed jetliner and thwart the hijackers. The show literally stuck the landing.

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It was hard to see how you could bring back Sam for a second go. I mean, if a man’s hijacked once, that’s happenstance. If it happens twice, well, you’re not going on vacation with a guy like that. Still, Season 2 manages to make Sam’s second hijacking at least vaguely plausible by tying it to the first one. This time out Sam’s on a crowded Berlin subway train whose hijackers will slaughter everyone if their demands aren’t met.

From here, things follow the original formula. You’ve got your grab bag of fellow passengers, Sam’s endangered ex-wife, some untrustworthy bureaucrats, an empathetic woman traffic controller, and so forth. You’ve got your non-stop twists and episode-ending cliffhangers. And of course, you’ve got Elba, a charismatic actor who may be better here than in the original because this plot unleashes his capacity for going to dark, dangerous places.

While more ornately plotted than the original, the show still isn’t about anything more than unleashing adrenaline. I happily watched it for Elba and the shots of snow falling in Berlin. But for a show like this to be thrilling, it has to be as swift as a greyhound. At a drawn-out eight episodes — four hours more than movies like Die Hard and SpeedHijack 2 is closer to a well-fed basset hound.

Tom Hiddleston as Jonathan Pine in The Night Manager Season 2.

Tom Hiddleston plays MI6 agent Jonathan Pine in The Night Manager Season 2.

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Things move much faster in Season 2 of The Night Manager. The action starts nearly a decade after the 2016 original which starred Tom Hiddleston as Jonathan Pine, a night manager at a luxury Swiss hotel, who gets enlisted by a British intelligence agent — that’s Olivia Colman — to take down the posh arms dealer Richard Roper, played by Hugh Laurie. Equal parts James Bond and John le Carré, who wrote the source novel, the show raced among glossy locations and built to a pleasing conclusion.

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So pleasing that Hiddleston is back as Pine, who is now doing surveillance work for MI6 under the name of Alex Goodwin. He learns the existence of Teddy Dos Santos — that’s Diego Calva — a Colombian pretty boy who’s the arms-dealing protégé of Roper. So naturally, Pine defies orders and goes after him, heading to Colombia disguised as a rich, dodgy banker able to fund Teddy’s business.

While David Farr’s script doesn’t equal le Carré in sophistication, this labyrinthine six-episode sequel follows the master’s template. It’s positively bursting with stuff — private eyes and private armies, splashy location shooting in Medellín and Cartagena, jaded lords and honest Colombian judges, homoerotic kisses, duplicities within duplicities, a return from the dead, plus crackerjack performances by Hiddleston, Laurie, Colman, Calva and Hayley Squires as Pine’s sidekick in Colombia. Naturally, there’s a glamorous woman, played by Camila Morrone, who Pine will want to rescue.

As it builds to a teasing climax — yes, there will be a Season 3 — The Night Manager serves up a slew of classic le Carré themes. This is a show about fathers and sons, the corrupt British ruling class, resurgent nationalism and neo-imperialism. Driving the action is what one character dubs “the commercialization of chaos,” in which the powerful smash a society in order to buy up — and profit from — the pieces. If it had come out a year ago, Season 2 might’ve seemed like just another far-fetched thriller set in an exotic location. These days it feels closer to a news flash.

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Meghan Trainor Doubles Down On Distancing Herself From ‘Toxic Mom Group’

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Meghan Trainor Doubles Down On Distancing Herself From ‘Toxic Mom Group’

Meghan Trainor
I’m Not In The Toxic Mom Group, I Swear

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Video: Fashion Highlights From the 2026 Golden Globes

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Video: Fashion Highlights From the 2026 Golden Globes

new video loaded: Fashion Highlights From the 2026 Golden Globes

Vanessa Friedman, our fashion director and chief fashion critic, recaps what she saw on the red carpet for the 2026 Golden Globes.

By Vanessa Friedman, Chevaz Clarke, Gabby Bulgarelli and Jon Hazell

January 12, 2026

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