Pittsburg, PA
Marie Watt I-Beam Quilts At Carnegie Art Museum In Pittsburgh
Installation view of “Marie Watt: LAND STITCHES WATER SKY,” Carnegie Museum of Art, Pittsburgh … [+]
Marie Watt’s latest installation comes with a soundtrack. Visitors won’t hear it in the gallery, but listen close, and you can read it.
That’s right. Read it.
“Auntie, auntie”
“Sister, sister.”
Sound familiar?
“Mother, mother.”
“Brother, brother.”
Watt (Seneca Nation; b. 1967, Seattle) refers to this as “twinning language” and took as one starting point to her presentation at Pittsburgh’s Carnegie Museum of Art Marvin Gaye’s 1971 smash hit “What’s Going On?”
“That song calls out ‘mother, mother,’ ‘brother, brother,’ and I thought, well, in a Seneca way and in an indigenous way, that call continues and it includes ‘auntie, auntie,’ and ‘grandmother, grandmother,’ and ‘uncle, uncle,’ and it includes ‘sky, sky,’ and ‘water, water,’ and ‘deer, deer,’ and ‘bobcat, bobcat,’” Watt told Forbes.com “This intersection between Marvin Gaye thinking about our relatedness and an indigenous way thinking about our relatedness, which is to say that we’re all connected, and we’re all related.”
Hear it now?
“When Marvin Gaye doubles those words, I started thinking, when he’s calling ‘mother, mother,’ it’s about making this urgent call go further in space, but it also is connected intimately to this history of call and response,” Watt continues. “In an indigenous way, I’ve started thinking of it as a way of calling back to our ancestors and calling forward to future generations.”
Watt sourced the words through collaborations with the museum’s educators, the Pittsburgh Poetry Collective, and invitations to community members of all ages. Her simple prompt was, “what’s going on?”
The words appear on steel I-Beam fragments salvaged around Pittsburgh–historic and reigning steel manufacturing capital of the world.
“(Watt) started thinking about words that we associate with what steel means today in this region,” Liz Park, Richard Armstrong Curator of Contemporary Art at the Carnegie Museum of Art, told Forbes.com. “She had an incredible list of words that are associative and inspired and informed by research and she referred to the words as a bank of words, which again, I thought was a very beautiful way of building language around the material that she’s collecting because these words are also material in the same way the I-Beams are material.”
Soot, soot.
Pride, pride.
Labor, labor.
Carbon, carbon.
Blast, blast.
Words selected, community members were invited to write them on the beams to be subsequently be welded on.
One of the hundreds of I-beams incorporated into Watt’s two sculptures was cast in glass, another industrial material Pittsburgh has long excelled at manufacturing. The artist found casting glass more finicky than expected.
What was supposed to read “Ghost Ghost” instead reads “Host Ghost” as a result of a crack in the glass beam forcing it to be cut.
“It is so perfect in so many ways; the word ‘host’ is so much a part of my ethos as an artist,” Watt explains. “When I do a collaborative project, I set the table and what is created is made by everybody.”
As TV painter Bob Ross used to say, no mistakes, just “happy accidents.”
I-Beam Quilts
“Marie Watt: LAND STITCHES WATER SKY” installation view detail.
It’s doubtful anyone other than the artist will initially view her room filling steel sculptures as quilts. I-Beam quilts. Watt’s use of quilts and blankets is what she’s best known for.
“I don’t know if they chose me or if I chose (them), and I guess that speaks to the way that I like to work with materials,” Watt said of her predilection for perceiving the world through the prism of quilts and blankets. “My initial interest in working with blankets came from how I see them functioning in my family and community. We give away blankets to honor people for being witness to important life events, but I quickly realized as I started working with salvage blankets from thrift stores and tag sales and things that people would give me knowing that was a base material for me, that we’re received in these objects, we depart the world in these objects, and we’re constantly imprinting on them.”
Watt’s “Blanket Story” sculptures–stacks of neatly folded blankets, each with a unique story to tell, sometimes rising nearly 20 feet–fill the most prestigious art museums from coast-to-coast.
“I think they have a life and energy of their own and I want to be a good listener,” Watt said. “Blankets were the beginning of this deep interest I have in listening to materials and working with materials that are often organic in nature, and that connect to our stories.”
Like steel.
Helping inspire the commission in Pittsburgh, and an offshoot of Watt’s “Blanket Stories,” are her Skywalker/Skyscraper sculptures featuring blankets wrapped around an erect I-Beam. She was drawn to the I-Beam’s interwoven history with generations of Haudenosaunee ironworkers, known as “Skywalkers,” who built many of the iconic landmarks in the Manhattan skyline and other urban infrastructure.
“When I visited Marie in her studio, the thing I was struck by is how she surrounds herself with materials, and she’s been collecting materials with intention, she doesn’t just source it from anywhere she wishes,” Park said. “She approaches that as an important part of her practice and process… literally, there were stacks of blankets (in her studio) that she described as a library of blankets.”
A library of blankets. A bank of words. I-Beams. All seemingly very different, but in Watt’s perspective, all materials.
“One thing I love about working with (I-Beams) on this scale and at this site is that I’ve become so keenly aware of the history that’s embedded in this fabric–this material,” Watt explained. “This material has been touched by so many different people and when we see it without text, it oftentimes presents as cold and structural and engineered, we forget about the human hand and the stories connected to that material.”
Just like–you guessed it–quilts and blankets.
Marie Watt Takes America
“Marie Watt: LAND STITCHES WATER SKY” installation view detail.
“Marie Watt: LAND STITCHES WATER SKY” at the Carnegie Museum of Art through September 22, 2024, is one of three major, solo exhibitions of the artist’s work on view across the country presently. It joins “Storywork: The Prints of Marie Watt, from the Collections of Jordan D. Schnitzer and His Family Foundation,” (through May 18, 2024) at Print Center New York, the artist’s first traveling retrospective and the first reflecting on the role of printmaking in her interdisciplinary work, and “Marie Watt: SKY DANCES LIGHT” at the Blanton Museum of Art in Austin, TX (through October 20, 2024) featuring sculptural works composed of thousands of tin cones sewn on mesh netting creating abstract cloud-like forms hanging from the ceiling.
That degree of institutional attention is rare for a living artist. Exceedingly rare for a living female artist. Nearly unprecedented for a living, female, Indigenous artist.
“I’m making up for lost time,” Watt said of the attention. “I’ve always been making this work, so what is present to other people or institutions is not necessarily what I see or experience.”
The kind of 20-year-in-the-making “overnight success” typical in the arts or music. Despite a pedigree no less esteemed than receiving her Master of Fine Arts degree from Yale University, only recently has Watt felt like her career stands on solid ground.
“This sounds strange even when I say it out loud, but I think it took turning 50 where I told myself that it looks like this is what I’m going to do when I grow up,” she said laughing. “I don’t know why I felt like this career of being an artist was something that somebody could suddenly pull the rug out from under me and then I would have to go back to another type of day job.”
As long as Watt has materials, she’ll continue finding unique ways of sharing stories through them, and a career. Lucky for us, there is no shortage of quilts, and words, and steel waiting for her.
Pittsburg, PA
Steelers passed the eye test for the first time in a while in a dominant win over Miami
PITTSBURGH (AP) — The Pittsburgh Steelers don’t play a particularly aesthetically pleasing brand of football. It’s been that way for a while.
The offense can lack explosion for long stretches. The defense can get pushed around with alarming ease against quality opponents. The coaching decisions sometimes randomly flip-flop between aggressive and overly cautious.
The Steelers almost need a specific set of circumstances to succeed. They need to run the ball. They need to take it away. They need to avoid mistakes. It’s a formula as old as the game itself, and at times in recent years, it has felt more stale than steady.
Yet occasionally, there are stretches when Pittsburgh finds a way to thread the needle well enough that what is old feels new again.
One of those stretches arrived late in the first half of what became a 28-15 dismantling of Miami on Monday night that kept the Steelers (8-6) one game ahead of Baltimore for the top spot in the AFC North.
Four offensive drives, all of them at least 60 yards in length, produced touchdowns that turned a 3-0 deficit into a 25-point lead, their biggest advantage at any point in a game since 2020.
While 42-year-old Aaron Rodgers was channeling his prime at wintry Acrisure Stadium by completing 23 of 27 passes for 224 yards and two scores, a defense playing without superstar outside linebacker T.J. Watt overwhelmed Dolphins quarterback Tua Tagovailoa during a third quarter in which Miami ran six plays and lost 20 yards in the process.
Though the Dolphins managed a pair of meaningless touchdowns late to make the final score more respectable, the outcome was never in doubt in the second half and offered tangible proof that Pittsburgh’s hope of playing its best football in December wasn’t just an empty promise.
Stringing together performances like the one the Steelers enjoyed on Monday night has been a challenge — and what has made the Steelers so confounding for much of the last decade.
Yet for the first time in a while, Pittsburgh looked like a first-place team capable of doing more than squeaking into the playoffs before meekly exiting. As rocky as it was during a 2-5 stretch in which their comfortable AFC North lead vanished, they’ll take it.
“We hold ourselves to a higher standard here,” longtime defensive captain Cam Heyward said. “You know, when you play for a team like this that’s had a lot of success, and, you know, we’re not responsible for that, those guys before (did that). We are trying to grasp what they did. The expectations are high, and we like it that way.”
What’s working
Finding experienced players looking for an opportunity midseason and having them make an impact.
The list of what Rodgers described as “cast-offs” includes wide receivers Marquez Valdes-Scantling and Adam Thielen and cornerback Asante Samuel Jr., all of whom made plays that contributed to perhaps Pittsburgh’s most complete performance since beating Minnesota in Ireland at the end of September.
Valdes-Scantling caught his first touchdown pass from Rodgers since 2021 when they were both in Green Bay. Samuel collected his first pick since 2023 and Thielen had his first reception and added a perfect kick-out block that opened up a lane for a Jonnu Smith touchdown run.
What needs help
The weather wasn’t conducive to a hot start and it took the offense a while to get going. While Pittsburgh did eventually score touchdowns on four straight possessions for the first time since 2018, the Steelers have been slow to warm up for most of the season, something they’ll likely need to avoid on Sunday in Detroit if they want to keep pace with the Lions.
Stock up
Tight ends Jonnu Smith and Pat Freiermuth had virtually disappeared from the offense entirely in recent weeks as Darnell Washington took on an increasingly larger role in the passing game.
That changed against Miami. Smith had three touches for 26 yards, including the second rushing touchdown of his nine-year career on a cleverly designed pitch early in the fourth quarter that put the game out of reach.
Freiermuth had more yards receiving (45) than he had in the previous four games combined, nimbly adjusting his routes against Miami’s zone.
Stock down
The “Fire Tomlin!” chants that popped up in the waning stages of a blowout loss at home to Buffalo on Nov. 30. Winning two straight and looking pretty good in the process will do that.
For all of the vitriol aimed at the NFL’s longest-tenured head coach by a portion of the fan base, the Steelers are where they have always been during Tomlin’s 19-year run: in the mix as Christmas approaches.
Even Ben Roethlisberger, who suggested recently it might be time for the team to “clean house,” said on Monday night before being inducted into the club’s Hall of Honor that he’d be fine if Tomlin coached in Pittsburgh for 10 more years.
Injuries
Watt’s status remains uncertain as he recovers from surgery to repair a partially collapsed lung suffered following a dry-needling treatment last week. … Veteran LG Isaac Seumalo sustained a triceps injury in the second half against Miami. … OLB Nick Herbig left late with a hamstring injury. It’s unclear whether it’s an aggravation of the hamstring injury that forced him to miss the season opener. … LT Andrus Peat remains in the concussion protocol. … CB James Pierre could return from a calf injury that forced him to sit out on Monday night.
Key number
23 — Consecutive home wins on Monday night for the Steelers.
Next steps
Try to keep it going in Detroit, no easy task against an explosive Lions team that will be playing with its season on the line.
___
AP NFL: https://apnews.com/hub/nfl
Pittsburg, PA
Pittsburgh Steelers lose another key pass rusher after T.J. Watt injury
PITTSBURGH — The Pittsburgh Steelers suffered another injury on Monday night to their edge rusher room. Standout third outside linebacker Nick Herbig suffered a hamstring strain, something he dealt with in the preseason and an injury that forced him to miss the first game of the year.
The team did not mention just how severe the injury was, but head coach Mike Tomlin noted that Herbig would be evaluated and they would have an update on him later. In his place, the team continued to play Alex Highsmith and leaned more on outside linebacker Jack Sawyer, a rookie out of Ohio State.
T.J. Watt is still battling a partially collapsed lung that happened during his Wednesday dry needling treatment last week, and it is unknown just how long he will be sidelined with the issue.
If Watt and Herbig can not play, Sawyer would get his first career start. They would also see more of DeMarvin Leal, who was elevated from the practice squad for this game. Leal was the team’s third round draft pick in the 2022 NFL Draft. The Steelers also have edge rusher Julius Welschof on their practice squad.
Guard Isaac Seumalo also suffered a triceps injury that forced him to exit the game and he did not return. Spencer Anderson became the starting left guard and Ryan McCollum entered the game in the team’s jumbo package.
Pittsburg, PA
Miami Dolphins just did something in Pittsburgh snow that could end their years-long cold game nightmare
The Miami Dolphins are historically a poor team in the cold. With the Pittsburgh Steelers welcoming them in a game that will occur in below-freezing temperatures, the Dolphins flew up to Pittsburgh early and practiced in a snow storm on Saturday.
The Pittsburgh area received anywhere from five-to-eight inches around the city and its suburbs, and the Dolphins practiced at Joe Walton Stadium on Robert Morris University’s campus near the Pittsburgh International Airport.
Dolphins head coach Mike McDaniel is trying to turn around a narrative that his team can not win in cold weather situations. They have run the ball well over the last four games, amassing over 160 yards in each game for the first time since the 1970s.
“(Practicing in Pittsburgh on Saturday night) was something that was considered in the offseason,” McDaniel said. “The odd part of the schedule is a Monday night on the road. It always feels like you’re so far removed from the last time you were on the football field. Doing it this way allows us to have our final full-speed practice about 48 hours from kickoff. It’ll be good, I think it’s an added bonus that we get to get ourselves into the environment, but realistically, that’s something we’ve been thinking about for a while to keep consistency about 48 hours from kickoff, having your last activity.”
When the temperature is below 40 degrees, the Dolphins have lost 12 straight games. That is the stat the Dolphins hope to crack by acclimating to the cold earlier than just Monday night, but the Steelers have also practiced outside at Acrisure Stadium as they prepare for this game.
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