Connect with us

Entertainment

Live from Jimmy Buffett tribute at the Hollywood Bowl with Kenny Chesney

Published

on

Live from Jimmy Buffett tribute at the Hollywood Bowl with Kenny Chesney

He did his bit of smuggling, he once sang, and he ran his share of grass. Now, the late, great Jimmy Buffett is being honored by an assortment of his many friends and admirers in an all-star tribute concert Thursday night at the Hollywood Bowl.

Keep the Party Going, as the show is billed, takes place seven months after Buffett died from skin cancer in September at age 76, leaving behind a lifestyle empire that reportedly made him a billionaire — and, of course, a deep catalog of wryly literate songs that blend country, pop, folk, rock and Caribbean music.

In the wake of his death came warm remembrances from the likes of former President Clinton, who said Buffett’s work “brought happiness to millions of people,” and Alan Jackson, with whom Buffett recorded the No. 1 country hit “It’s Five O’Clock Somewhere.” Elton John called him “a unique and treasured entertainer”; LL Cool J said he was “glad we had time to vibe.”

Among the many acts set to perform at the Bowl are Paul McCartney, the Eagles, Jon Bon Jovi, Jackson Browne, Brandi Carlile, Kenny Chesney, Eric Church, Sheryl Crow, Zac Brown, Jack Johnson, Pitbull and members of Buffett’s longtime Coral Reefer Band.

7:11 p.m. Greetings from Margaritaville! (Sorry, I had no choice.) With a lineup long on boomer icons — and an audience full of the fans Buffett often compared to Deadheads with credit cards — tonight’s show promises to be like a stylishly graying Coachella, a prospect for which I’m all in. I’m Mikael Wood, The Times’ pop music critic, and I’m happy to be here with my colleagues August Brown and Erin Osmon to play-by-play this tribute to the man who did as much as anyone to bring fruity drinks and sandy desperation into the pop vernacular. — Mikael Wood

Advertisement

As the native Floridian on the Times team here, I am thrilled to see tonight as the beginning of a Buffett-sance among LA’s songwriter set. Parrothead wear is the look of the summer to come. — August Brown

And we’re off with a festive take on “It’s Five O’Clock Somewhere” by Buffett’s stalwart backup crew, the Coral Reefer Band. — M.W.

Introducing himself as a Florida boy, Jake Owen says he knows “a lot about citrus” — his way to queue up “Grapefruit – Juicy Fruit.” — M.W.

The Coral Reefer Band puts a brass-infused NOLA spin on “Pencil Thin Mustache,” opener of Buffett catalog highlight “Living and Dying in 3/4 Time.” This colorful crowd — the Bowl looks like a pastel kaleidoscope of leis and Hawaiian shirts — is on its feet and loving it. I wore my Hush Puppies for the occasion. Perhaps I’ll join them. — Erin Osmon

7:26 p.m. Woody Harrelson is here in a beat-up cowboy hat recalling the time he and Buffett smoked a joint on the roof of the Vatican. “That’s not true of course,” he adds, “but wouldn’t that be a great story?” As one of the night’s first celeb presenters, the actor goes on to extol Buffett’s creation of “a new genre of music — and hotels and restaurants and old folks’ homes.” — M.W.

Advertisement

7:32 p.m. Kenny Chesney takes “Changes in Latitudes, Changes in Attitudes” — which, as bite-size philosophies go, is up there with the best. — M.W.

Kenny Chesney says that, as a kid growing up in east Tennessee, Jimmy Buffett was the first person who showed him that a person can paint pictures with words; a touching and fitting sentiment before he launched into “Where I Come From,” a song that evokes the powerful, everyday images of Buffett’s (and Chesney’s) rural upbringings. — E.O.

7:35 p.m. In a video tribute, Dolly Parton emphasizes Buffett’s multi-hyphenate brilliance — songwriter, author, mogul — and that he was more than just a dude in flip flops. — E.O.

7:42 p.m. The Jimmy Buffett lifestyle crosses seas and transcends continents, as Angélique Kidjo proved on a regal take of “One Particular Harbour.” The two were old pals and collaborators on “Ti Punch Café,” from Jimmy’s final album “Equal Strain on All Parts,” and the respect and camaraderie between them is really delightful. — A.B.

Advertisement

Movie Reviews

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Published

on

Miyamoto says he was surprised Mario Galaxy Movie reviews were even harsher than the first | VGC

Nintendo’s Shigeru Miyamoto says he’s surprised at the negative critical reception to the Super Mario Galaxy Movie.

As reported by Famitsu, Miyamoto conducted a group interview with Japanese media to mark the local release of The Super Mario Galaxy Movie.

During the interview, Miyamoto was asked for his views on the critical reception to the film in the West, where critics’ reviews have been mostly negative.

Miyamoto replied that while he understood some of the negative points aimed at The Super Mario Bros Movie, he thought the reception would be better for the sequel.

“It’s true: the situation is indeed very similar,” he said. “Actually, regarding the previous film, I felt that the critics’ opinions did hold some validity. “However, I thought things would be different this time around—only to find that the criticism is even harsher than it was before.

Advertisement

“It really is quite baffling: here we are—having crossed over from a different field—working hard with the specific aim of helping to revitalize the film industry, yet the very people who ought to be championing that cause seem to be the ones taking a passive stance.”

As was the case with the first film, opinion is divided between critics and the public on The Super Mario Galaxy Movie. On review aggregate site Rotten Tomatoes, the film currently has a critics’ score of 43% , while its audience score is 89%.

Shigeru Miyamoto says he was surprised by Mario Galaxy Movie reviews.

While this is down from the first film’s scores (which were 59% critics and 95% public) it does still appear to imply that the film’s target audience is generally enjoying it despite critical negativity.

The negative reception is unlikely to bother Universal and Illumination too much, considering the film currently has a global box office of $752 million before even releasing in Japan, meaning a $1 billion global gross is becoming increasingly likely.

Elsewhere in the interview, Miyamoto said he hoped the film would perform well in Japan, especially because it has a unique script rather than a simple localization as in other regions.

Advertisement

“The Japanese version is a bit unique,” he said. “Normally, we create an English version and then localize it for each country, but for the first film, we developed the English and Japanese scripts simultaneously. For this film, we didn’t simply localize the completed English version – instead, we rewrote it entirely in Japanese to create a special Japanese version.

“So, if this doesn’t become a hit in Japan, I feel a sense of pressure – as the person in charge of the Japanese version – to not let [Illumination CEO and film co-producer] Chris [Meledandri] down.

“However, judging by the reactions of the audience members who’ve seen it, I feel that Mario fans are really embracing it. I also believe we’ve created a film that people can enjoy even if they haven’t seen the previous one, so I’m hopeful about that as well.”