Entertainment
Travis and Taylor have arrived at Super Bowl LVIII. Follow our columnist as she covers all things Swelce
The big day is finally here: This Swiftie has made it to the Super Bowl.
I’ve spent the week in Las Vegas tracking all things Travis Kelce and Taylor Swift. I asked him a non-football question at a press conference filled with sports journalists, went to the NFL’s version of the Oscars and even went to a strip club that offered the couple a $1-million package to stop by on Sunday.
But today is different. Today we may actually gain proximity to Swift herself. I have dozens of friendship bracelets, a comfortable pair of sneakers and my eagle eye. Follow along as I bring you all the Swelce news I can find.
9:30 a.m: The earliest media buses depart Mandalay Bay at 10:30 a.m.; my colleagues and I decide to arrive as early as possible just in case. As luck would have it, the driver decides to leave an hour early, getting us on the road to Allegiant Stadium with plenty of time to spare.
The drive to the stadium isn’t long — five minutes, tops. We could walk, but there are so many security barricades that the best course of action is to go the official route. It’s so early that there’s still not a lot of action on the streets outside the stadium — no one has set up makeshift T-shirt stands or food carts yet.
9:35 a.m: Aaaaand we’re here. The only other people in the line to have their bags checked are stadium workers, decked out in official jackets.
Allegiant Stadium opened in 2020 and it’s still got that shiny and bright sheen to it. The second-most expensive stadium in the world, ($1.9 billion), it crouches around its 65,000 seats, reflecting the growing swarm around it. I’ve heard some compare it to the Death Star, but I’m into it. I’ve never been to a non-college football game before (I know. Life is unfair.) Still, the tunnels look familiar to me — not only because I’ve been to concerts in other stadiums but because, obviously, these are exactly the kind of halls we’ve seen Swift walking down this season on her way to her seats.
10 a.m.: My credential gives me access to the service level, which is where a lot of the action seems to take place. There are boxes of doughnuts and huge bags of popcorn ready to be rolled to the concession stands. Big red bags with Kansas City Chiefs logos are stacked outside of the locker room. And at the end of a long walkway is a huge open-air garage, where the buses dropping off the players are set to arrive. I decide to post up here, hoping to catch a glimpse of Kelce in his pre-game fit.
11:37 a.m.: The NFL camera crew starts shifting their gear onto their shoulders, indicating something might be happening soon. It’s been colder than I expected in Vegas this week — today’s high is predicted to be 54 degrees — and it’s at least 15 degrees cooler on this dark, windy garage. So I’m really hoping Kelce steps off the bus. Alas, while a handful of KC players arrive — including Patrick Mahomes, in his trademark suit — Kelce isn’t among them.
11:58 a.m.: We have our first celebrity garage-sighting: Post Malone, who is singing “America the Beautiful” before the game today. He walks by leisurely, only to emerge with his posse a few times again shortly later, his guitar strapped around his neck. Reba McEntire, who is decked out in a fur coat I wish I was wearing, also arrives in time to get ready to sing the national anthem.
12:40 a.m: With less than thee hours until kickoff, Kelce has arrived — and he walks right past me. He’s looking remarkably shiny, dressed in what Vogue says is a sequin suit he had custom made for the occasion by Amiri. He’s wearing sunglasses and betrays no emotion as he struts in. “All right, Trav,” a woman next to me shouts. “Alright nah,” he responds, using his signature catchphrase from the “New Heights” podcast.
1 p.m.: A kind security guard has told me that all “friends and family” will be coming through this entrance, and I’m hoping that includes Swift. But my phone is at 15%, and I don’t want it to die before she comes, so I decide to chance it and book it up to the press box to grab my charger.
1:17 p.m.: A fellow reporter downstairs texts me that he sees some commotion coming from the side where the 49ers entered the stadium. (I’ve been on the Chiefs side.) I rush downstairs, until a slew of texts arrive on my phone: She’s here. And I missed her. How could this happen to me?
My colleague, Sam Farmer, caught some of the action and says she came in with Blake Lively, Ice Spice and her mother, Andrea.
The only thing that makes me feel slightly better is that she came in across the parking garage, far from my eye-line, and those close to her were apparently instructed by security to keep their phones down. That’s probably because the only ones who ended up getting a clear shot of her were the NFL cameras.
I missed this chance, but I will not give up. I have at least five hours left under the same roof as T.Swift.
1:30 p.m.: Back out in the sunshine, fans have started to trickle in. I spot a telltale sign of a Swiftie: A pink glittering heart painted around her eye, just like Swift rocked on her “Lover” album. It’s Sloan Moyer, 11, a Kansas City resident who found out last week her dad had surprised her and her family with tickets to the game. They’re big fans of the Chiefs and go to all the home games, but Sloan loves Swift the most. She’s been to three home concerts and supports her idol’s new romance.“I think it’s a good idea. I hope it moves on,” she said giddily. “I just love supporting her. I would, like, probably start crying or something if I saw her.”
Sloan, 11, came from Kansas City with her family to cheer on the Chiefs — and Taylor Swift. She’s rocking a “Lover”-themed heart around her eye.
(Amy Kaufman/Los Angeles Times)
1:45 p.m.: There are a handful of booths surrounding the stadium, selling standard Super Bowl merch and overpriced sodas. But Hunt Auctions catches my eye because they have a bunch of unique-looking memorabilia. I immediately ask Gary Reibsane, who is putting out the gear, to point out the Kelce items. He’s got six helmets signed by #87 on display ($925 to $1150) plus his jersey ($975) and a photo signed by both Mahomes and Kelce ($2,850.) How do they get the stuff signed? “We buy it in bulk from the autograph sellers,” Reibsane says. I ask if he thinks he’ll sell out of all of the Kelce items today. “Oh, this isn’t everything out there — there’s back-stock,” he grins.
A jersey signed by Kelce is going for $975 at a booth outside Allegiant Stadium.
(Amy Kaufman/Los Angeles Times)
Hunt Auctions is selling a variety of autographed Kelce helmets outside the stadium. This one goes for $925.
(Amy Kaufman / Los Angeles Times)
2:20 p.m.: It’s nearing game time, and I’ve yet to head to the press box. I head up to find my two colleagues from the sports section, Gary Klein and Sam Farmer, ready with binoculars for me to borrow. As it turns out, Swift is posted in a box directly across the stadium from us, and we can see her if we just use the special lenses.
It’s weird to be trying to catch a glimpse of her this way instead of anxiously waiting for the TV to pan to her during a telecast at home. But knowing she’s 150 yards or so away from me is a different feeling altogether. My co-workers and I try to calculate when might be best to try to head over and catch a glimpse of her IRL instead of through the binoculars. I don’t feel comfortable revealing my strategy here, but let’s say I will not be remaining in the press box for this entire game.
4 p.m.: With the first quarter over, I decided to see if I could get closer to Swift’s suite. (Also, the food in the press box included “Jackpot dogs” that I was warned had an “explosive payout,” so I wanted to peruse the offerings outside.) Less than five minutes later, I was in the area that houses the nicest boxes. Most had at least one security guard posted outside, but outside one door three men wearing blazers stood stoically taking in the scene. Nearby two young women — one in an 87 jersey — were staring at the door, alongside a man with a long-lens camera and another wearing a USA Today press pass. This had to be it, though there are bathrooms in the suites, meaning she wouldn’t have to exit until she was leaving the stadium.
I asked the young women in the jerseys if they were Swifties, gave them my card and explained my mission: that I, too, was here for Taylor and Travis. We started to chat until their mom interjected: “Do not talk to her,” she warned.
Movie Reviews
Movie Review: ‘The SpongeBob Movie: Search for SquarePants’ – Catholic Review
NEW YORK (OSV News) – Cartoon characters can devolve into dullards over time. But some are more enduringly appealing than others, as the adventure “The SpongeBob Movie: Search for SquarePants” (Paramount) proves.
Yellow, absorbent and porous on the outside, unflaggingly upbeat SpongeBob (voice of Tom Kenny) is childlike and anxious to please within. He also displays the kind of eagerness for grown-up experiences that is often found in real-life youngsters but that gets him into trouble in this fourth big-screen outing for his character.
Initially, his yearning for maturity takes a relatively harmless form. Having learned that he is now exactly 36 clams tall, the requisite height to ride the immense roller coaster at Captain Booty Beard’s Fun Park, he determines to do so.
Predictably, perhaps, he finds the ride too scary for him. This prompts Mr. Krabs (voice of Clancy Brown), the owner of the Krusty Krab — the fast-food restaurant where SpongeBob works as a cook — to inform his chef that he is still an immature bubble-blowing boy who needs to be tested as a swashbuckling adventurer.
The opportunity for such a trial soon arises with the appearance of the ghostly green Flying Dutchman (voice of Mark Hamill), a pirate whose elaborately spooky lair, the Underworld, is adjacent to SpongeBob’s friendly neighborhood, Bikini Bottom. Subject to a curse, the Dutchman longs to lift it and return to human status.
To do so, he needs to find someone both innocent and gullible to whom he can transfer the spell. SpongeBob, of course, fits the bill.
So the buccaneer lures SpongeBob, accompanied by his naive starfish pal Patrick (voice of Bill Fagerbakke), into a series of challenges designed to prove that the lad has what it takes. Mr. Krabs, the restaurateur’s ill-tempered other employee, Squidward (voice of Rodger Bumpass), and SpongeBob’s pet snail, Gary, all follow in pursuit.
Along the way, SpongeBob and Patrick’s ingenuity and love of carefree play usually succeed in thwarting the Dutchman’s plans.
As with most episodes of the TV series, which premiered on Nickelodeon in 1999, there are sight gags intended either for adults or savvy older children. This time out, though, director Derek Drymon and screenwriters Pam Brady and Matt Lieberman produce mostly misfires.
These include an elaborate gag about Davy Jones’ legendary locker — which, after much buildup, turns out to be an ordinary gym locker. Additionally, in moments of high stress, SpongeBob expels what he calls “my lucky brick.” As euphemistic poop gags go, it’s more peculiar than naughty.
True to form, SpongeBob emerges from his latest escapades smarter, wiser, pleased with his newly acquired skills and with increased loyalty to his friends. So, although the script’s humor may often fall short, the franchise’s beguiling charm remains.
The film contains characters in cartoonish peril and occasional scatological humor. The OSV News classification is A-I – general patronage. The Motion Picture Association rating is PG — parental guidance suggested. Some material may not be suitable for children.
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Entertainment
Reiner family tragedy sheds light on pain of families grappling with addiction
When Greg heard about the deaths of Rob and Michele Reiner, and the alleged involvement of their son Nick, the news struck a painfully familiar chord.
It wasn’t the violence that resonated, but rather the heartache and desperation that comes with loving a family member who suffers from an illness that the best efforts and intentions alone can’t cure.
Greg has an adult child who, like Nick Reiner, has had a long and difficult struggle with addiction.
“It just rings close to home,” said Greg, chair of Families Anonymous, a national support program for friends and family members of people with addiction. (In keeping with the organization’s policy of anonymity for members, The Times is withholding Greg’s last name.)
“It’s just so horrible to be the parent or a loved one of somebody that struggles with [addiction], because you can’t make any sense of this,” he said. “You can’t find a way to help them.”
Every family’s experience is different, and the full picture is almost always more complicated than it appears from the outside. Public details about the Reiner family’s private struggles are relatively few.
But some parts of their story are likely recognizable to the millions of U.S. families affected by addiction.
“This is really bringing to light something that’s going on in homes across the country,” said Emily Feinstein, executive vice president of the nonprofit Partnership to End Addiction.
Over the years, Nick Reiner, 32, and his parents publicly discussed his years-long struggle with drug use, which included periods of homelessness and multiple rehab stints.
Most recently, he was living in a guesthouse on his parents’ Brentwood property. Family friends told The Times that Michele Singer Reiner had become increasingly concerned about Nick’s mental health in recent weeks.
The couple were found dead in their home Sunday afternoon. Los Angeles police officers arrested Nick hours later. On Tuesday, he was charged with their murder. He is currently being held without bail and has been placed under special supervision due to potential suicide risk, a law enforcement official told The Times.
Experts in substance use cautioned against drawing a direct line between addiction and violence.
“Addiction or mental health issues never excuse a horrific act of violence like this, and these sort of acts are not a direct result or a trait of addiction in general,” said Zac Jones, executive director of Beit T’Shuvah, a nonprofit Los Angeles-based addiction treatment center.
The circumstances around the Reiners’ highly publicized deaths are far from ordinary. The fact that addiction touched their family is not.
Nearly 1 in 5 people in the U.S. has personally experienced addiction, a 2023 poll from the Kaiser Family Foundation found.
Two-thirds of Americans have a family member with the disease, a proportion that is similar across rural, urban and suburban dwellers, and across Black, Latino and white respondents.
“Substance use disorders, addiction, do not discriminate,” Jones said. “It affects everyone from the highest of the high [socioeconomic status] to people that are experiencing homelessness on Skid Row. … There is no solution that can be bought.”
During interviews for the 2015 film “Becoming Charlie,” a semi-autobiographical film directed by Rob Reiner and co-written by Nick Reiner, the family told journalists that Nick, then in his early 20s, had been to rehab an estimated 18 times since his early teens. Nick Reiner has also spoken publicly about his use of heroin as a teenager.
Such cycles of rehab and relapse are common, experts said. One 2019 study found that it took an average of five recovery attempts to effectively stop using and maintain sobriety, though the authors noted that many respondents reported 10 or more attempts.
Many families empty their savings in search of a cure, Feinstein said. Even those with abundant resources often end up in a similarly despairing cycle.
“Unfortunately, the system that is set up to treat people is not addressing the complexity or the intensity of the illness, and in most cases, it’s very hard to find effective evidence-based treatment,” Feinstein said. “No matter how much money you have, it doesn’t guarantee a better outcome.”
Addiction is a complex disorder with intermingled roots in genetics, biology and environmental triggers.
Repeated drug use, particularly in adolescence and early adulthood when the brain is still developing, physically alters the circuitry that governs reward and motivation.
On top of that, co-occurring mental health conditions, traumas and other factors mean that no two cases of substance abuse disorders are exactly the same.
There are not enough quality rehabilitation programs to begin with, experts said, and even an effective program that one patient responds to successfully may not work at all for someone else.
“There is always the risk of relapse. That can be hard to process,” Greg said.
Families Anonymous counsels members to accept the “Three Cs” of a loved one’s addiction, Greg said: you didn’t cause it, you can’t cure it and you can’t control it.
“Good, loving families, people that care, deal with this problem just as much,” he said. “This is just so common out there, but people don’t really talk about it. Especially parents, for fear of being judged.”
After the killings, a family friend told The Times that they had “never known a family so dedicated to a child” as Rob and Michele Reiner, and that the couple “did everything for Nick. Every treatment program, therapy sessions and put aside their lives to save Nick’s repeatedly.”
But the painful fact is that devotion alone cannot cure a complex, chronic disease.
“If you could love someone into sobriety, into recovery, into remission from their psychiatric issues, then we’d have a lot fewer clients here,” Jones said. “Unfortunately, love isn’t enough. It’s certainly a part of the solution, but it isn’t enough.”
If you or someone you know is experiencing a mental health crisis, help is available. Call 988 to connect to trained mental health counselors or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Jake Reiner, Nick Reiner, Romy Reiner, Michele Singer Reiner and Rob Reiner attend Four Sixes Ranch Steakhouse’s pop-up grand opening at Wynn Las Vegas on Sept. 14, 2024.
(Denise Truscello / Getty Images for Wynn Las Vegas)
Movie Reviews
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