Business
Hector Becerra named managing editor of The Times
Veteran Los Angeles Times journalist Hector Becerra has been named managing editor of the newspaper.
Interim Executive Editor Terry Tang announced the appointment Tuesday, delivering on her promise to quickly install a second-in-command to stabilize a newsroom that has been rocked this month by significant layoffs, a one-day strike by journalists and several high-level departures.
Becerra, a native Angeleno who grew up in Boyle Heights, becomes the highest-ranking Latino editor in The Times’ long history. His appointment is effective immediately.
He joined the paper nearly 25 years ago, first working for the Orange County edition before being promoted to the main newsroom in downtown Los Angeles, where he worked as a general assignment reporter for more than a decade.
“His commitment to journalism, his integrity and his dedication to The Times have long earned him the deep respect of his colleagues,” Tang said in a note to the staff. “His ability to lead through change and ensure that we’re focusing our resources on the issues and stories that matter most to our readers is precisely what we will need to meet the challenges now.”
Becerra, 51, was part of the team of reporters that won the 2011 Pulitzer Prize for public service for coverage of the city of Bell corruption scandal. He was city editor for the California section from 2017 until 2022, when he was promoted to deputy managing editor, leading the Metro and California sections, the paper’s largest staff.
Becerra graduated from Theodore Roosevelt High School and Cal State Los Angeles, where he served as editor of the University Times. He covered wildfires, issues of homelessness and the effects of crime on families. He once spent the day picking strawberries in Santa Maria and shared the experience with readers.
He wrote movingly about his late father, a Mexican immigrant who came to California without documentation to provide for his family. His father (who became a legal resident in 1980) was a voracious reader, including of The Times.
The move comes during a difficult period for The Times. Earlier this month, then-Executive Editor Kevin Merida announced his departure from The Times after tensions with the paper’s owner, Dr. Patrick Soon-Shiong. Two managing editors — Sara Yasin and Shani Hilton — also resigned.
Last week, Soon-Shiong named Tang to serve as interim executive editor. She previously served as editor of the editorial page and oversaw the Op-Ed section.
Tang is the first female editor in the paper’s 142-year history and the highest-ranking Asian American editor.
In turning to Tang, a respected journalist who previously worked at the New York Times, Soon-Shiong selected a leader with whom he had already established trust.
A week ago, The Times laid off at least 115 people — or more than 20% of the newsroom — in one of its largest workforce reductions ever.
Soon-Shiong ordered the cuts, saying the organization could no longer lose $30 million to $40 million a year without making progress toward building higher readership that would bring in advertising and subscriptions to sustain it.
Since acquiring The Times in 2018 for $500 million, the owner and his family have covered more than $100 million in capital costs and operational losses. Soon-Shiong has pledged to continue investing in The Times.
Business
David Ellison hits CinemaCon, vowing to make more movies with Paramount-Warner Bros.
Paramount Skydance Chief Executive David Ellison made his case directly to theater owners Thursday, pledging to release a minimum of 30 films a year from the combined Paramount and Warner Bros. Discovery company during a speech at the CinemaCon trade convention in Las Vegas.
“I wanted to look every single one of you in the eye and give you my word,” Ellison said in a brief on-stage speech, adding that Paramount has already nearly doubled its film lineup for this year with 15 planned releases, up from eight in 2025.
He also said all films will remain in theaters exclusively for 45 days, starting Thursday. Films will then go to streaming platforms in 90 days. The amount of time that films stay in theaters — known as windowing — has been a controversial topic for theater owners, as some studios reduced that period during the pandemic. Theater operators have said the shortened window has trained audiences to wait to watch films at home and cuts into theater revenues.
“I have dedicated the last 20 years of my life to elevating and preserving film,” said Ellison, clad in a dark jacket and shirt with blue jeans. “And at Paramount, we want to tell even more great stories on the big screen — stories that make people think, laugh, dream, wonder and feel — and we want to share them with as broad an audience as possible.”
Ellison’s CinemaCon appearance comes as more than 1,000 Hollywood actors and creatives have signed a letter opposing Paramount’s proposed acquisition of Warner Bros. Supporters of the letter have said the deal would reduce competition in the industry and “further consolidate an already concentrated media landscape.”
Some theater operators have also questioned whether the combined company could achieve its goal of releasing 30 films a year, particularly after the cost cuts that are expected after the merger closes.
“People can speculate all they want — but I am standing here today telling you personally that you can count on our complete commitment,” Ellison said. “And we’ll show you we mean it.”
The speech came after a star-studded video directed by “Wicked: For Good” director Jon M. Chu that was shot on the Paramount lot on Melrose Avenue and showcased directors and actors including Issa Rae, Will Smith, Chris Pratt, James Cameron and Timothée Chalamet that are working with the company.
The video closed with “Top Gun” actor Tom Cruise perched atop the Paramount water tower.
“As you saw, the Paramount lot is alive again,” Ellison said after the video. “And we could not be more excited.”
Business
Video: Why Your Paycheck Feels Smaller
new video loaded: Why Your Paycheck Feels Smaller
By Ben Casselman, Nour Idriss, Sutton Raphael and Stephanie Swart
April 18, 2026
Business
Civil case against Alec Baldwin, ‘Rust’ movie producers advances toward a trial
Nearly two years after actor Alec Baldwin was cleared of criminal charges in the “Rust” movie shooting death, a long simmering civil negligence case is inching toward a trial this fall.
On Friday, a Los Angeles Superior Court judge denied a summary judgment motion requested by the film producers Rust Movie Productions LLC, as well as actor-producer Baldwin and his firm El Dorado Pictures to dismiss the case.
During a hearing, Superior Court Judge Maurice Leiter set an Oct. 12 trial date.
The negligence suit was brought more than four years ago by Serge Svetnoy, who served as the chief lighting technician on the problem-plagued western film. Svetnoy was close friends with cinematographer Halyna Hutchins and held her in his arms as she lay dying on the floor of the New Mexico movie set. Baldwin’s firearm had discharged, launching a .45 caliber bullet, which struck and killed her.
The Bonanza Creek Ranch in Santa Fe, N.M. in 2021.
(Jae C. Hong / Associated Press)
Svetnoy was the first crew member of the ill-fated western to bring a lawsuit against the producers, alleging they were negligent in Hutchins’ October 2021 death. He maintains he has suffered trauma in the years since. In addition to negligence, his lawsuit also accuses the producers of intentional infliction of emotional distress.
Prosecutors dropped criminal charges against Baldwin, who has long maintained he was not responsible for Hutchins’ death.
“We are pleased with the Court’s decision denying the motions for summary judgment filed by Rust Movie Productions and Mr. Baldwin,” lawyers Gary Dordick and John Upton, who represent Svetnoy, said in a statement following the hearing. “He looks forward to finally having his day in court on this long-pending matter.”
The judge denied the defendants’ request to dismiss the negligence, emotional distress and punitive damages claims. One count directed at Baldwin, alleging assault, was dropped.
Svetnoy has said the bullet whizzed past his head and “narrowly missed him,” according to the gaffer’s suit.
Attorneys representing Baldwin and the producers were not immediately available for comment.
Svetnoy and Hutchins had been friends for more than five years and worked together on nine film productions. Both were immigrants from Ukraine, and they spent holidays together with their families.
On Oct. 21, 2021, he was helping prepare for an afternoon of filming in a wooden church on Bonanza Creek Ranch. Hutchins was conversing with Baldwin to set up a camera angle that Hutchins wanted to depict: a close-up image of the barrel of Baldwin’s revolver.
The day had been chaotic because Hutchins’ union camera crew had walked off the set to protest the lack of nearby housing and previous alleged safety violations with the firearms on the set.
Instead of postponing filming to resolve the labor dispute, producers pushed forward, crew members alleged.
New Mexico prosecutors prevailed in a criminal case against the armorer, Hannah Gutierrez, in March 2024. She served more than a year in a state women’s prison for her involuntary manslaughter conviction before being released last year.
Baldwin faced a similar charge, but the case against him unraveled spectacularly.
On the second day of his July 2024 trial, his criminal defense attorneys — Luke Nikas and Alex Spiro — presented evidence that prosecutors and sheriff’s deputies withheld evidence that may have helped his defense . The judge was furious, setting Baldwin free.
Variety first reported on Friday’s court action.
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