Lifestyle
‘Craziest thing you can do’: Why are so many adventure seekers warming up to ice climbing?
Thwack! Thwack! Thud!
Oh, thank god, my whole body exclaimed. After a few swings, the razor-sharp pick I clutched lodged firmly into a cascading frozen waterfall. Shards of ice exploded from the point of contact onto my face. A taste of blood. At least the hold seemed solid. I raised one foot and kicked the tippy-toe spike of a traction device attached to my boot into the opalescent surface. Then I raised the other.
Like a cat walking on extended claws, I made my way up Chouinard Falls in Lee Vining Canyon, an ice-climbing mecca in the state. Swing, crash, thud. Two steps. Swing, crash, thud. Two steps.
I wasn’t fast. I definitely wasn’t graceful. But I was ice climbing.
Ice climbing, as the name suggests, entails scaling frozen water. Even mountain goats can’t scramble up vertical ice, so specialized equipment is needed. Like rock climbing, the sport entails a rope system — known as belaying — but differs in substantive ways.
Not only does ice-climbing gear resemble medieval torture devices, but the sport, for obvious reasons, must be done in the cold. Ice forms in the shade, adding to the chill factor. Particularly frigid climbs can bring on the “screaming barfies,” a cluster of symptoms that include severe hand pain and nausea. (My sun-soaked Angeleno blood curdles at the thought.) As climbers chop into the ice with their tools and crampons, frozen debris rains below.
Ice-climbing gear includes sturdy mountaineering boots, crampons, sharp picks called ice tools, ropes and more.
(Richard Bae / For The Times)
While it is still relatively obscure, several mountain guides said ice climbing received a nudge closer to the mainstream with the explosion of outdoor recreation in recent years. Roughly 2.5 million Americans climb ice, rock or pursue mountaineering, increasing nearly 18% from the mid-2000s, according to the Outdoor Industry Assn., a collective that includes business leaders, climate experts and policy makers.
“Before I tried it, I always had this idea that it was the craziest thing you could do,” said Michael O’Connor of Sierra Mountain Guides. “I was, like, does the ice just fall down and hit you? And, yeah, the equipment seems cool, but it also seems horrifying.”
Yet O’Connor came away from his first tussle with ice, around 2010, wanting more.
Now, “by the time fall is hitting and I see the ice starting to form up and start to hear about people climbing on things, I’m like, ‘All right, I’m getting kind of psyched.’ And then once it’s here in Sierra, I’m like, ‘Let’s go.’ And it’s so fun.”
Sunny California, ice climbing’s unlikely birthplace
Conquerors of big mountains have long contended with ice. Once upon a time, alpinists laboriously hacked steps into it — literal stairways to heaven. That all changed in the mid-1960s to early 1970s. Renowned climber Yvon Chouinard — who set up a blacksmith shop in Ventura and later opened outdoor clothing brand Patagonia’s first store nearby — developed a curved pick that could claw into steep ice and stay put. Early climbs using the innovative tool were made in California’s Eastern Sierra Nevada.
“It’s no stretch to call that the ice-climbing revolution,” said Doug Robinson, who frequently climbed with Chouinard in those days and helped usher in the sport’s transformation.
Climbers began to haul themselves up frozen waterfalls and dangling icicles, carving out a discipline separate from mountaineering. Sunny California, far from the epicenter of the sport today, can broadly be considered the cradle of its modern form.
Climbers scale the ice falls at Lee Vining Canyon, about 30 miles north of Mammoth (Richard Bae / For The Times)
(Richard Bae)
The allure of ice climbing
Ice fanatics and detractors alike speak reverentially of its ephemeral quality. (The qualifier is so intertwined with the practice that a recent Instagram post I came across read, “This is a generic ice climbing post… ephemeral ephemeral ephemeral ephemeral ephemeral…”)
Unlike rock, ice is constantly changing. It can form, melt and reform multiple times a season — and exactly how it manifests is different each time. Depending on the climber, this presents an interesting puzzle or infuriating challenge.
Adrian Ballinger, owner of Lake Tahoe-based guiding company Alpenglow Expeditions, highlighted the creative movement the malleable surface permits.
Getting to the ice is not always easy, particularly in parched California. The trek to famed ice falls in Lee Vining Canyon can be grueling depending on the conditions. (Richard Bae / For The Times)
(Richard Bae)
In rock climbing, “whether you’re outside or in the gym, there are a certain number of places where you can put your hands and feet and that’s it,” he said. “The beauty of ice is since you have these spikes on your feet and in your hands, you can make your handholds and footholds anywhere you choose.”
The same principle makes it accessible to a range of body types, he added. While one rock climb might be better or worse for a short person, ice allows people of all shapes to forge their own path.
Then there’s just the badassery of pursuing an activity that epitomizes radical.
Ready to climb? Here’s how to get started
Despite its hardcore aura, ice climbing is more accessible than it seems. Interest, drive and hardiness can carry a novice a long way, according to alpine veterans.
“It’s pretty intuitive,” said Aaron Jones, 37, a mountain guide based in Bishop whom I met while he was climbing with his cousin in the small town of June Lake. “If you can swing a hammer, you can swing an ice tool.”
It does, however, require a significant amount of expensive gear and technical know-how to get off the ground. It’s not something you can learn entirely through YouTube videos. Seasoned climbers recommend sampling the sport by tapping a reputable mountain guiding service or pairing up with an experienced friend with enough patience to show you the ropes.
Necessary gear includes mountaineering boots, crampons (devices with long spikes fitted onto stiff-soled boots that dig into ice and snow to prevent falls), two ice tools (the picks), harness, helmet, ropes, ice screws (to protect the lead climber) and winter clothing. Because these items can amount to hundreds, even thousands, of dollars, it’s not advised to buy everything for your first go. It’s best to see if you enjoy the sport and then try out different equipment before your wallet takes a hit.
Ice is constantly changing, so no two ice-climbing experiences are ever the same.
(Richard Bae / For The Times)
Climbers use razor-sharp ice tools to haul themselves up frozen waterfalls. An anchor, center, attaches the rope system to the slick surface. (Richard Bae / For The Times)
(Richard Bae)
Besides group and individual instruction, guiding services generally provide all the goodies you need to send ice. If you’re connected to a rock-climbing or outdoorsy community, you may be able to borrow some gear. Some can be rented.
There are no requirements to book a beginner’s outing with Alpenglow, “just that you’re up for a day of adventure outside,” said Ballinger, an internationally recognized skier and climber. Private outings hover around $700 per person, he said. Alpenglow’s group intro courses in mountaineering, avalanche rescue and more start around $275.
The same goes for Sierra Mountain Guides, which offers a two-day introductory ice climbing course. It costs $515 per person on weekends and $480 midweek. O’Connor said a full day of private guiding averages $500 or more.
While you don’t need to be an accomplished athlete, a basic level of fitness is often needed just to sojourn to the ice — particularly in parched California. Once you get there, you need enough gas to climb and then make the same trek back in a state of enhanced fatigue.
“You have to have some resilience and robustness to just withstand those elements alone. And then if you add in climbing and carrying all of your equipment … it’s definitely not for everyone,” O’Connor said. “I’m not saying that everyone shouldn’t try it, but not everyone’s gonna like it.”
As the rising sun spat fiery fuchsia across the sky, three companions and I caravanned to an unmarked trailhead near the eastern entrance to Yosemite National Park. Outfitted in rigid mountaineering boots, I hiked for 1½ hours over snow-covered boulders to reach the ice falls of Lee Vining Canyon.
Melinda Guerrero, 34, an experienced rock climber in my party who was trying ice for the first time , quickly calculated when we’d need to leave to avoid scrambling back after sunset. “I definitely don’t want to do that in the dark,” she asserted. My chafed heels whimpered in agreement.
Where to climb
It may not come as a complete surprise that California is not the ultimate destination for ice. That said, it’s home to several iconic ice playgrounds that are driving distance from the megalopolises of Los Angeles and San Francisco.
Lee Vining Canyon is arguably the most popular ice climbing destination in the Golden State. Renowned climbers Yvon Chouinard and Doug Robinson pioneered modern ice climbing techniques there more than a half-century ago.
(Richard Bae / For The Times)
Eastern Sierra Nevada
- Lee Vining Canyon. Located near the small Eastern Sierra hamlet of Lee Vining, this area is arguably the best-known and most popular destination in the state. It lures climbers with its dependable ice that tends to linger during the winter. It also offers climbing routes suitable for beginners. Getting there isn’t a walk in the park: the trek to get there, known as the approach, involves navigating talus fields and steep passages that may be blanketed in snow.
- June Lake. This mountain community near Mammoth offers exponentially more accessible roadside ice. As the name suggests, ice seekers need only to pull over along the June Lake Loop and walk a short distance to a crag with relatively low angle ice ideal for learning on. Horsetail Falls is another popular spot that can be hiked to.
Northern Sierra Nevada
Ballinger’s guiding company typically brings clients to two zones in the Tahoe area:
Because of Tahoe’s heavy snowfall, Ballinger said the climbs become shorter as powder builds up and covers the routes.
Beyond California
Dedicated climbers converge in areas better known for ice, such as Cody, Wyo.; Ouray, Colo.; Hyalite Canyon near Bozeman, Mont.; Valdez, Alaska; and Canmore in the Canadian Rockies.
When to climb
Ice-climbing season in sunny California tends to be short and, yes, ephemeral. It typically runs from December through March in the Eastern Sierra, but is highly dependent on weather conditions.
Tahoe’s season this year started in mid-November and Ballinger anticipates it will last through January, with a possibility of extending through February or March.
It’s critical to gauge the condition of the ice before getting on it. Sierra Mountain Guides posts handy ice reports.
When I visited the Eastern Sierra in mid-December, the temperatures were unusually warm. It made for more comfortable climbing (i.e., neither my fingers or toes screamed in pain), but less favorable ice conditions.
Clothing considerations
What distinguishes ice climbing from many other other winter sports is that it involves relatively long periods of inactivity. While one person climbs, another waits below (or above) and belays them. This trade-off of movement and pause makes a clothing layering system particularly important.
The person who isn’t climbing generally throws on a heavy jacket and warm gloves. The outer jacket is shed while climbing and often gloves will be swapped for ones that allow for more dexterity. If the walk to and from the ice wall is long or strenuous, it’s important that you can strip off layers when you inevitably heat up.
Bringing “four pairs of gloves is not uncommon,” O’Connor said.
A note on danger
Shards of ice whizzed past me on a deviously slick platform underneath frozen waterfalls that resembled lofty ice sculptures. One thumped my hand, as if to say, “Outta my way!”
“They didn’t tell you about this part?” asked Jake Ballard, observing my consternation amid the onslaught. Ballard, 42, an experienced rock climber, recently started to tackle ice.
Actually, I had been told that one of the hazards of ice climbing is falling frozen debris. But I mistakenly assumed that ice would only plummet occasionally. (Later, I saw Ballard belaying a friend while he crouched behind a ridge to avoid the ice’s flight path.)
Falling frozen debris poses a major, even fatal, hazard to ice climbers.
(Richard Bae / For The Times)
No activity conducted in the mountains is 100% safe, ice climbing included. Risks can be managed, minimized, but not entirely avoided.
Mountain experts generally agree that ice climbing is more dangerous than outdoor rock climbing. Avalanches, sharp equipment, cold weather and unstable ice all threaten bodily harm.
“If you’re in the wrong place at the wrong time ice can fall and, if it hits you, there’s big enough pieces that it will kill you,” O’Connor said, adding that there are practices employed to position yourself to lower the likelihood of being hit.
There’s also a major difference between the risks posed by what’s known as leading and top roping a climb, both terms used in rock climbing. A person who leads a climb sets up the rope system that makes climbing safer for those who follow. They’re less protected on the first ascent and can suffer a serious fall. The person who climbs after the system is set up will be on top rope, which means that their partner should be able to catch them if they fall with minimal consequence.
Jones, who owns Sierra Climbing School, said the changing nature of the medium makes screws inserted into the ice to limit the distance the lead climber can fall “inherently suspect.”
“When you’re top roping … it’s just as safe as rock climbing as long as you’re not like stabbing yourself with a pick,” he said.
Climbing ice in a warming world
Climate change has made the evanescent sport more precarious. Increased heat doesn’t just shrink the available ice, but threatens to make what does freeze unreliable.
Ballinger said climate change has shortened the season as lingering higher temperatures often delay the start before returning early in the spring to lop it off.
A spike in temperatures during the season can weaken the bonds of the ice and make it unsafe to climb. Once upon a time, Ballinger said they could reliably “run ice” consistently on weekends once the season started. Now fluctuations on the thermometer make it touch and go.
“In California, it’s always been ephemeral, but it’s even more so now,” he said.
Though California is home to several ice playgrounds — including Lee Vining Canyon and June Lake — ice climbing season tends to be short. So go while you can.
(Richard Bae / For The Times)
Lifestyle
‘My role was making movies that mattered,’ says Jodie Foster, as ‘Taxi Driver’ turns 50
Jodie Foster, shown here in 2025, plays an American Freudian psychoanalyst in Paris in Vie Privée (A Private Life).
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Jodie Foster has been acting since she was 3, starting out in commercials, then appearing in TV shows and films. She still has scars from the time a lion mauled her on the set of a Disney film when she was 9.
“He picked me up by the hip and shook me,” she says. “I had no idea what was happening. … I remember thinking, ‘Oh this must be an earthquake.’”
Luckily, the lion responded promptly when a trainer said, “Drop it.” It was a scary moment, Foster says, but “the good news is I’m fine … and I’m not afraid of lions.”
“I think there’s a part of me that has been made resilient by what I’ve done for a living and has been able to control my emotions in order to do that in a role,” she says. “When you’re older, those survival skills get in the way, and you have to learn how to ditch them [when] they’re not serving you anymore.”
In 1976, at age 12, Foster starred opposite Robert De Niro and Harvey Keitel in Martin Scorsese’s film Taxi Driver. Foster’s portrayal of a teenage sex worker in the film sparked controversy because of her age, but also led to her first Academy Award nomination. She remains grateful for the experience on the film, which turns 50 this year.
“What luck to have been part of that, our golden age of cinema in the ’70s, some of the greatest movies that America ever made, the greatest filmmakers, auteur films,” she says. “I couldn’t be happier that [my mom] chose these roles for me.”
In the new film Vie Privée (A Private Life), she plays an American Freudian psychoanalyst in Paris. With the exception of a few lines, she speaks French throughout the film.
Interview highlights
On learning to speak French as a child
My mom, when I was about 9 years old, she had never traveled anywhere in her life and right before then, she took a trip to France and fell in love with it and said, “OK, you’re going to learn French. You are going to go to an immersion school, and someday maybe you’ll be a French actor.” And so they dropped me in where [there] was a school, Le Lycée Francais de Los Angeles, that does everything in French, so it was science and math and history, everything in French. And I cried for about six months and then I spoke fluently and got over it.
On being the family breadwinner at a young age
My mom was very aware that that was unusual, and that would put pressure on me. So she kind of sold it differently. She would say, “Well, you do one job, but then your sister does another job. And we all participate, we’re all doing a job, and this is all part of the family.” And I think that was her way of … making my brothers and sisters not feel like somehow they were beholden to me or to my brother who also was an actor. And not having pressure on me, but also helping her ego a bit, because I think that was hard for her to feel that she was being taken care of by a child. …
There’s two things that can happen as a child actor: One is you develop resilience, and you come up with a plan and a way to survive intact, and there are real advantages to that in life. And I really feel grateful for the advantages that that’s given me, the benefits that that has given me. Or the other is you totally fall apart and you can’t take it.
On her early immersion into art and film
My mom saw that I was interested in art and cinema and took me to every foreign film she could find, mostly because she wanted me to hear other languages. But we went to very dark, interesting German films that lasted eight hours long. And we saw all the French New Wave movies, and we had long conversations about movies and what they meant. I think that she respected me.
I did have a skill that was beyond my years and I had a strong sense of self … [and the] ability to understand emotions and character that was beyond my years. [Acting] gave me an outlet that I would not have had if I’d gone on a path to be what I was meant to be, which is really just to be an intellectual. … It was a sink or swim. I had to develop an emotional side. I had to cut off my brain sometimes to play characters in order to be good, and I wanted to be good. If I was gonna do something, I wanted it to be excellent. So in order to do that, I had to learn emotions and I had to learn, not only how to access them, but also how to control them so that I could give them intention.
Jodie Foster attends the Cannes Film Festival in 1976 to promote Taxi Driver.
Raph Gatti/AFP for Getty Images
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Raph Gatti/AFP for Getty Images
On sexual abuse in Hollywood
I’ve really had to examine that, like, how did I get saved? There were microaggressions, of course. Anybody who’s in the workplace has had misogynist microaggressions. That’s just a part of being a woman, right? But what kept me from having those bad experiences, those terrible experiences? And what I came to believe … is that I had a certain amount of power by the time I was, like, 12. So by the time I had my first Oscar nomination, I was part of a different category of people that had power and I was too dangerous to touch. I could’ve ruined people’s careers or I could’ve called “Uncle,” so I wasn’t on the block.
It also might be just my personality, that I am a head-first person and I approach the world in a head-first way. … It’s very difficult to emotionally manipulate me because I don’t operate with my emotions on the surface. Predators use whatever they can in order to manipulate and get people to do what they want them to do. And that’s much easier when the person is younger, when the person is weaker, when a person has no power. That’s precisely what predatory behavior is about: using power in order to diminish people, in order to dominate them.
On her decision to safeguard her personal life
I did not want to participate in celebrity culture. I wanted to make movies that I loved. I wanted to give everything of myself on-screen, and I wanted to survive intact by having a life and not handing that life over to the media and to people that wished me ill. …
What’s important to consider is that I grew up in a different time, where people couldn’t be who they were and we didn’t have the kinds of freedoms that we have now. And I look at my sons’ generation, and bless them, that they have a kind of justice that we just didn’t [have] access to. And I did the best I could and I had a big plan in mind of making films that could make people better. And that’s all I wanted to do was make movies. I didn’t want to be a public figure or a pioneer or any of those things. And I benefited from all of the pioneers that came before me that did that hard work of having tomatoes thrown at them and being unsafe. And they did that work and I have thanked them. I thank them.
We don’t all have to have the same role. And I think my role was making movies that mattered and creating female characters that were human characters and creating a huge body of work and then being able to look back at the pattern of that body of work and go like, “Oh wow, Jodie played a doctor. She played a mother. She played as a scientist. She played an astronaut. She killed all the bad guys. She did all of those things — and had a lesbian wife and had two kids and was a complete person that had a whole other life.” And I think that will be valuable someday down the line, that I was able to keep my life intact and leave a legacy. There’s lots of ways of being valuable.
Lauren Krenzel and Thea Chaloner produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
We zoomed down California’s longest and fastest zip lines. Here are 6 things to know
Hartman was previously (legally) growing cannabis on the ranch. However, when the market became oversaturated, it was no longer profitable to be a small-scale cannabis grower in the Santa Ynez Valley, he said.
Hartman loves growing crops, and his mother mentioned protea, an ancient type of flowering plant found in South Africa and Australia. Protea are drought-tolerant and do well in California’s Mediterranean climate, he said. In the summer, the staff only has to provide a gallon of water to the plants.
Hartman said his family took a “massive gamble” and picked out 16 of the best cultivars that they thought would grow well, planting them in 2020. They’ve found the South African varieties, like the Safari Sunset and Goldstrike, do the best.
“These protea plants go back in the fossil record like 300 million years,” Hartman said. “They’re some of the oldest flowers on the planet.”
Hartman said he plans to open a nursery, hopefully later this year, so people can buy potted protea and plant them around their homes, given how drought-tolerant they are.
The tour through the ranch’s 8 acres of proteas includes a U-pick option where guests can take cut flowers home.
Lifestyle
‘Hijack’ and ‘The Night Manager’ continue to thrill in their second seasons
Idris Elba returns as an extraordinarily unlucky traveler in the second season of Hijack. Plus Tom Hiddleston is back as hotel worker/intelligence agent in The Night Manager.
Apple TV
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Apple TV
When I first began reviewing television after years of doing film, I was struck by one huge difference between the way they tell stories. Movies work hard to end memorably: They want to stick the landing so we’ll leave the theater satisfied. TV series have no landing to stick. They want to leave us un-satisfied so we’ll tune into the next season.
Oddly enough, this week sees the arrival of sequels to two hit series — Apple TV’s Hijack and Prime Video’s The Night Manager — whose first seasons ended so definitively that I never dreamt there could be another. Goes to show how naïve I am.
The original Hijack, which came out in 2023, starred Idris Elba as Sam Nelson, a corporate negotiator who’s flying to see his ex when the plane is skyjacked by assorted baddies. The story was dopey good fun, with Elba — who’s nobody’s idea of an inconspicuous man — somehow able to move around a packed jetliner and thwart the hijackers. The show literally stuck the landing.

It was hard to see how you could bring back Sam for a second go. I mean, if a man’s hijacked once, that’s happenstance. If it happens twice, well, you’re not going on vacation with a guy like that. Still, Season 2 manages to make Sam’s second hijacking at least vaguely plausible by tying it to the first one. This time out Sam’s on a crowded Berlin subway train whose hijackers will slaughter everyone if their demands aren’t met.
From here, things follow the original formula. You’ve got your grab bag of fellow passengers, Sam’s endangered ex-wife, some untrustworthy bureaucrats, an empathetic woman traffic controller, and so forth. You’ve got your non-stop twists and episode-ending cliffhangers. And of course, you’ve got Elba, a charismatic actor who may be better here than in the original because this plot unleashes his capacity for going to dark, dangerous places.

While more ornately plotted than the original, the show still isn’t about anything more than unleashing adrenaline. I happily watched it for Elba and the shots of snow falling in Berlin. But for a show like this to be thrilling, it has to be as swift as a greyhound. At a drawn-out eight episodes — four hours more than movies like Die Hard and Speed — Hijack 2 is closer to a well-fed basset hound.
Tom Hiddleston plays MI6 agent Jonathan Pine in The Night Manager Season 2.
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Des Willie/Prime
Things move much faster in Season 2 of The Night Manager. The action starts nearly a decade after the 2016 original which starred Tom Hiddleston as Jonathan Pine, a night manager at a luxury Swiss hotel, who gets enlisted by a British intelligence agent — that’s Olivia Colman — to take down the posh arms dealer Richard Roper, played by Hugh Laurie. Equal parts James Bond and John le Carré, who wrote the source novel, the show raced among glossy locations and built to a pleasing conclusion.
So pleasing that Hiddleston is back as Pine, who is now doing surveillance work for MI6 under the name of Alex Goodwin. He learns the existence of Teddy Dos Santos — that’s Diego Calva — a Colombian pretty boy who’s the arms-dealing protégé of Roper. So naturally, Pine defies orders and goes after him, heading to Colombia disguised as a rich, dodgy banker able to fund Teddy’s business.

While David Farr’s script doesn’t equal le Carré in sophistication, this labyrinthine six-episode sequel follows the master’s template. It’s positively bursting with stuff — private eyes and private armies, splashy location shooting in Medellín and Cartagena, jaded lords and honest Colombian judges, homoerotic kisses, duplicities within duplicities, a return from the dead, plus crackerjack performances by Hiddleston, Laurie, Colman, Calva and Hayley Squires as Pine’s sidekick in Colombia. Naturally, there’s a glamorous woman, played by Camila Morrone, who Pine will want to rescue.
As it builds to a teasing climax — yes, there will be a Season 3 — The Night Manager serves up a slew of classic le Carré themes. This is a show about fathers and sons, the corrupt British ruling class, resurgent nationalism and neo-imperialism. Driving the action is what one character dubs “the commercialization of chaos,” in which the powerful smash a society in order to buy up — and profit from — the pieces. If it had come out a year ago, Season 2 might’ve seemed like just another far-fetched thriller set in an exotic location. These days it feels closer to a news flash.
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