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Meet the Man Behind San Francisco’s Musical ‘Star Factory’

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Meet the Man Behind San Francisco’s Musical ‘Star Factory’


Rudy Colombini, the frontman for a Rolling Stones cover band, is neither humble nor demure about his labor of love: San Francisco’s Music City, a complex dedicated to musicians and musicianship, at every level. It might sound straight out of Nashville, but it’s right here in the city’s Lower Nob Hill neighborhood.

“This is the most important fucking artistic project in the United States,” Colombini told The Standard. 

The three-floor facility—which opened 20 new rehearsal spaces Friday—provides future stars with everything from living space to rehearsal rooms, engaged audiences and an array of refreshments. In the venture’s fundraising materials, Colombini is just as grandiose, describing the complex as “Motown Records, CBGB, the Chelsea Hotel, Abbey Road Studios, the Berklee School of Music, the Rock & Roll Hall of Fame, all in one building in San Francisco.”

A warehouse-looking space has a bar in the back and wooden floors with black columns.
The largest of four venues at Music City includes a full bar and has rehearsal spaces surrounding it. | Source: Courtesy Music City

The expansion comes at a time when San Francisco scouts for an artistic renaissance, the smoke signals of which include vinyl store openings, new music venues, expanded art spaces and entire neighborhoods enlivened by the arts. 

A consummate showman who has been playing live music in San Francisco for 51 years, Colombini is used to performing. His band, The Unauthorized Rolling Stones, once opened for Elton John, and Colombini played at the Mill Valley institution Sweetwater Music Hall years ago—and also had a sold-out show there last week. 

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“I’ve played in every major venue,” he said. “And every shithole.” 

But this gig—the passion project of his life—is the vision for which he put everything on the line, financially backing the venture thanks to the money he made as a real estate developer.  

“I was born to do this,” he said. “It started out as a philanthropic project. It ended up a legacy.” 

The superlative-slinging lead singer calls Music City a “star factory,” a place where emerging musicians can practice, perform and connect. There are affordable hotel and hostel rooms where touring artists can stay, store their gear and connect with a music-loving community. The bar and restaurant of the campus-like artist incubator is slated to open within 10 days, after final approval of the city’s Department of Public Health. 

But the real star of the show here is the new rehearsal and venue spaces that have been under construction for the past six years, all of which are equipped with audio-visual capabilities, allowing bands to perform live online. Audience members walking into Music City can see two bands playing at once—one they hear (in the venue) and one they don’t (in the rehearsal space), beckoning passersby on Bush Street. 

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“There isn’t anything like this on the planet,” Colombini said. “We’ll give you a grand if you find it.” 

Amps and guitars stand in a room with brick walls and glass windows. Amps and guitars stand in a room with brick walls and glass windows.
Music City’s expansion includes the addition of 20 state-of-the-art rehearsal spaces equipped with gear and streaming capabilities. | Source: Courtesy Music City

According to Colombini, what budding musicians need most is an audience. With the number of people cycling through the complex—groups in the rehearsal spaces, guests in the hostel and hotel, the public at the bar and restaurant—there’s an organic listenership built into the building. 

“There will easily be 700 to 800 people on-site,” he said.  

He imagines a band rehearsing with the blinds down in the refurbished rehearsal studios—spaces that bridge the historic (original brick walls) with the modern (top-of-the-line equipment)—then streaming directly to one of the building’s venues or on a ClearChannel radio station. 

Music lovers can pick up drinks from the alleyway window on Fern Street, dine in the on-site restaurant serving elevated gastropub fare and watch a multitude of bands rehearse in the stylish rehearsal spaces or take in a show at one of the four venues. 

“Music is our thrill, our delight,” Colombini said. “It’s the most important antidepressant.” 

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Musicians play guitars and drums in a performance space with wooden floors and a brick wall.Musicians play guitars and drums in a performance space with wooden floors and a brick wall.
Musicians perform in the main venue at San Francisco’s Music City. | Source: Courtesy Music City

It’s been a long time coming, but, to paraphase the Stones, time was on his side. The project was put on pause during the pandemic, and for a long stretch, Music City has had only one rehearsal space—a room adjacent to the hotel accommodations that had earlier been used as a common space. 

The room has been continuously booked, said the hotel’s front desk receptionist, Isaac Lawrence, demonstrating the demand for more space. 

Rehearsal spaces are affordable at Music City, ranging from $15 to $45 an hour, a fraction of what studios typically charge. From Jan. 5 to Jan. 12, Music City is offering its rehearsal spaces free of charge in connection with the opening celebration. 

“There’s a great sense of community,” Lawrence said. “You have all these different groups commingling, between the rehearsal spaces and the guests and the permanent residents.” 

An small alleyway has blue and green dots on it. An small alleyway has blue and green dots on it.
When finished, the Music City bar and restaurant will open up to tiny Fern Street in the back, allowing audience members to walk up for drinks and entertainment. | Source: Julie Zigoris/The Standard

Music City also houses the San Francisco Music Hall of Fame, a self-paced exhibition that spotlights local musicians who made it big. 

It’s all part of a larger project by Colombini to put San Francisco back on the musical map, a city he called an “international star factory” but whose reputation has been diminished over the past 25 years. 

The longtime musician cited a report put together by the London-based organization Sound Diplomacy that found many flaws in the city’s sustenance and promotion of its music scene and history. The Standard viewed a copy of the report, not made available to the public, which recommended “to create a multi-use music hub for the local community” as a priority. Colombini sees his Music City as that hub.  

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“I never had the big hit I wanted,” Colombini said, reflecting on his musical career. “This is my big hit.” 



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49ers Show ‘Resiliency’ in Upset Victory, Thanks to LFG Winner Demarcus Robinson

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49ers Show ‘Resiliency’ in Upset Victory, Thanks to LFG Winner Demarcus Robinson


The San Francisco 49ers suffered another devastating injury on Sunday. But, thanks to a strong supporting cast, they found a way to prevail once again.

San Francisco pulled off the biggest playoff upset so far in what’s been a wild wild-card round, defeating the Philadelphia Eagles, 23-19, on the road. Unheralded wide receiver Demarcus Robinson was a major reason behind Sunday’s upset as he hauled in six receptions for a game-high 111 yards and a touchdown en route to winning Tom Brady’s LFG Player of the Game.

When Robinson spoke with Brady after the game, it didn’t take long for him to find the one word to describe the 49ers. 

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“If it was one word, I’d say resiliency. Resilient,” Robinson said of his team. “These guys play with resiliency. We’ve got a lot of injuries throughout the year. Even tonight, like you said, losing Kittle, guys stepped up and knew they had to make plays. That’s what we were able to do today, go out and make plays.”

Sunday’s victory also came in comeback fashion for the Niners, who rallied from a 16-10 fourth-quarter deficit despite losing tight end George Kittle in the first half to a torn Achilles.

Tom Brady’s LFG Player of the Game: 49ers WR Demarcus Robinson 🏆

Robinson’s resiliency was on full display on the 49ers’ opening possession. He turned an intermediate pass from Brock Purdy over the middle into a 61-yard gain, zigzagging through the Eagles’ secondary on his way to Philly’s 16-yard line. He then caught a 2-yard touchdown pass from Purdy to end the drive.

There was possibly no greater sign of the team’s resiliency, however, than the play that gave them a 17-16 lead early in the fourth quarter. After their offense seemed stuck in the mud for most of the game, the 49ers found the end zone when wide receiver Jauan Jennings threw a 29-yard touchdown pass to running back Christian McCaffrey on a trick play.

Robinson was just one of a few supporting characters who contributed to the 49ers’ win. Fullback Kyle Juszczyk had a season-high four receptions for 49 yards, making a pair of big grabs that helped set up touchdowns in the fourth quarter. Defensively, linebacker Garret Wallow had a game-high 11 total tackles after recording just nine total tackles in the regular season. 

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The 49ers’ top player in McCaffrey also showed his resilience in the win. McCaffrey turned 21 touches into 114 yards and two touchdowns, with the second TD coming via a 4-yard grab with 2:54 remaining to give the 49ers a decisive 23-19 lead.

“I think the guys are just playing with resiliency, man,” Robinson said of his team. “Everybody knew what we had at stake. Everybody came out there and did their part. So, that helped us get the dub.”

The injury to Kittle was his second serious injury of the season after he missed time earlier in the year due to a hamstring tear. San Francisco has also seen some of its other stars get sidelined for the majority of the year, such as edge rusher Nick Bosa and linebacker Fred Warner.

Warner could potentially return later in the postseason, but another key piece in wide receiver Ricky Pearsall, who missed Sunday’s game, remains in limbo as he battles a knee injury. Of course, Purdy missed time this year due to shoulder and toe injuries that cost him eight games.

Despite all of that, the 49ers will now move on to play for a spot in the NFC Championship Game when they take on the Seahawks in Seattle next weekend. They nearly hosted the divisional round game, but lost to the Seahawks at home, 13-3, in the regular-season finale to give Seattle the NFC West and the conference’s No. 1 seed. 

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Robinson is optimistic, however, that there will be a different result this time around. 

“Hopefully, we get the dub, obviously,” Robinson said. “We’ve just got to lock in, man. We’ve got to lock in and put more points on the board than we did last week at home. Just put more points on the board. The defense played lights out tonight. Hopefully, we keep playing that same way, man, and it leads to more dubs.”

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Philadelphia Eagles-San Francisco 49ers: Picks, odds for NFC Wild Card

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Philadelphia Eagles-San Francisco 49ers: Picks, odds for NFC Wild Card


The San Francisco 49ers (12-5) visit the Philadelphia Eagles (11-6) at Lincoln Financial Field in Philadelphia for a Wild Card round showdown as the NFL playoffs get underway. USA TODAY’s panel of NFL experts have locked in their picks and predictions for the action. Here’s everything you need to know before kickoff on Sunday, January 11, including live updated odds and injury report news.

Name Week 18 2025 Season
Blake Schuster 11-5 141-111-7
Jon Hoefling 11-5 137-128-7
Tyler Dragon 6-10 128-137-7
Chris Bumbaca 7-9 115-121-6
Lorenzo Reyes 8-8 119-131-6
Jordan Mendoza 8-8 113-123-6
Richard Morin N/A 47-34-3

Eagles vs. 49ers live odds, moneyline, over/under

Opening Lines

  • Spread: Eagles (-3.5)
  • Moneyline: Eagles (-190), 49ers (+155)
  • Over/Under: 46.5

Get the edge with our exclusive NFL betting picks

Eagles vs. 49ers picks against the spread

Jon Hoefling: San Francisco 49ers (+4.5)

The Eagles feel like a lesser version of the Seattle Seahawks, and SF had several opportunities to win against Seattle in Week 18.

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Tyler Dragon: Philadelphia Eagles (-4.5)

San Francisco has too many injuries. The 49ers will compete, but the Eagles are the best team in the tournament.

Lorenzo Reyes: San Francisco 49ers (+4.5)

This season, it was San Francisco’s defense that let it down. The lack of a pass rush and lack of turnovers kept games closer. The thing is, Philadelphia’s offense was also underwhelming, which was surprising given the talent on the roster. I think this is a case where the Niner offense carries the day, though injuries on defense are a concern. Either way, this line feels too big.

Christopher Bumbaca: Philadelphia Eagles (-4.5)

This is a “go with the best unit on the field” play. The one I’m talking about? The Philadelphia Eagles’ defense. Kyle Shanahan vs. Vic Fangio should be a treat though.

Jordan Mendoza: San Francisco 49ers (+4.5)

The defending champions have been up-and-down this season, and that gives San Francisco to catch the Eagles off guard. Brock Purdy finds his form to deliver a stunner.

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Blake Schuster: Philadelphia Eagles (-4.5)

All San Francisco had to do was beat Seattle in Week 18 and it wouldn’t have had to leave home once during the postseason. Now the Niners have to go to Philly and face an Eagles team that’s probably furious after their season finale letdown. The Bay is about to experience some intense whiplash.

Eagles vs. 49ers updated injury report

NFL Playoffs Wild Card picks, predictions, odds

Super Bowl 60 updated odds



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Watch Bob Weir Perform ‘Touch of Grey’ with Dead and Co. at His Final Live Appearance

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Watch Bob Weir Perform ‘Touch of Grey’ with Dead and Co. at His Final Live Appearance


The music world was busy mourning David Bowie on the 10-year anniversary of his death on Saturday when the devastating word hit that we lost another icon of almost indescribable significance to rock history: Bob Weir. 

“He transitioned peacefully, surrounded by loved ones, after courageously beating cancer as only Bobby could,” the Weir family wrote in a public statement. “Unfortunately, he succumbed to underlying lung issues.”

The road was Weir’s home from the moment the Grateful Dead formed in 1965 all the way through last summer. His projects outside the Grateful Dead included RatDog, Furthur, Bob Weir and Wolf Bros, and Dead & Company. At almost any given time, he had shows on the books with at least one of them.

“The interesting thing is, I’ve never made plans,” he told Rolling Stone‘s Angie Martoccio last March. “And I’m not about to, because I’m too damn busy doing other stuff, trying to get the sound right, trying to get the right chords, trying to get the right words, trying to get all that stuff together for the storytelling. And really, making plans seems like a waste of time. Because nothing ever works out like you expected it to, no matter who you are. So why bother?”

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Dead & Co. wrapped up a farewell tour in July 2023, but they continued to play residencies at Sphere in Las Vegas throughout 2024 and 2025. And they came together one last time in August 2025 for three shows in San Francisco’s Golden Gate Park to celebrate the Grateful Dead’s 60th anniversary. Throughout the three evenings, they were joined by Billy Strings, Trey Anastasio, Grahame Lesh, and Sturgill Simpson.

These were joyous concerts filled with Deadheads from around the globe, but Weir was holding a secret: He was diagnosed with cancer weeks earlier, and had just started treatment. “Those performances, emotional, soulful, and full of light, were not farewells, but gifts,” the Weir family wrote. “Another act of resilience. An artist choosing, even then, to keep going by his own design.”

The final night wrapped up with “Touch of Grey,” perhaps the most famous tune in the Dead songbook. Weir sang lead, and the band stretched it out for nearly eight minutes. At the end, Weir took a group bow with the full band, waved to the crowd, and then took a special bow with Mickey Hart, the only other original member of the Dead in Dead & Co., before they walked off together. It was his final live appearance. 

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“There is no final curtain here, not really,” wrote the Weir family. “Only the sense of someone setting off again. He often spoke of a three-hundred-year legacy, determined to ensure the songbook would endure long after him. May that dream live on through future generations of Dead Heads. And so we send him off the way he sent so many of us on our way: with a farewell that isn’t an ending, but a blessing. A reward for a life worth livin’.”

It’s way too early to seriously contemplate the future of Dead & Co., but it’s somewhat hard to imagine them continuing outside of a tribute concert to Weir. He was the heart and soul of the group.

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That said, Weir himself once said he hoped to see the band outlive him. “I had a little flash while we were playing one night,” Weir told Rolling Stone‘s David Fricke in 2016. “It was toward the end of the tour. I don’t remember what city it was in. We were getting into the second set, setting up a tune. We were all playing, but the tune hadn’t begun yet. We were all feeling out the groove, just playing with it. Suddenly I was 20 feet behind my own head, looking at this and kind of happy with the way the song was shaping up. I started looking around, and it was 20 years later. John’s hair had turned gray. Oteil’s had turned white. I looked back at the drummers, and it was a couple of new guys. I looked back at myself, the back of my head, and it was a new guy. It changed my entire perception of what it is we’re up to.”

The members of Dead & Co. will ultimately make the call. And no matter what happens, Grateful Dead music will continue to live on concert stages for decades and decades to come. They are responsible for a significant chapter of the Great American Songbook. 

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