World
Quincy Jones, Grammy-Winning Producer for Michael Jackson, Film Composer, Dies at 91
Quincy Jones, who distinguished himself over the course of a 70-year career in music as an artist, bandleader, composer, arranger and producer, has died. He was 91.
Jones died Sunday night at his home in Bel Air, Calif., according to a statement shared with Variety by his rep Arnold Robinson. A cause of death was not disclosed.
“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing. And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him,” the Jones family said in the statement. “He is truly one of a kind and we will miss him dearly; we take comfort and immense pride in knowing that the love and joy, that were the essence of his being, was shared with the world through all that he created. Through his music and his boundless love, Quincy Jones’ heart will beat for eternity.”
Jones’ eminence in the entertainment community was so great that he went by a one-letter handle: “Q.”
Bred in the world of jazz, Jones became one of pop music’s most formidable figures. He collected six of his 28 Grammy Awards for his 1990 album “Back on the Block” and was a three-time producer of the year honoree.
To many, he is probably best known for his production collaborations with Michael Jackson, which began in 1979 with the singer’s breakthrough solo album “Off the Wall,” which has sold an estimated 20 million copies internationally.
Its chart-topping sequel “Thriller” (1982) — for which Jones took album of the year honors, plus a record of the year trophy for the track “Billie Jean” — remains the bestselling album of all time, with worldwide sales estimated in excess of 110 million. Jones went on to work with Jackson on his No. 1 1987 release “Bad.”
In 1985, Jones made international headlines as the producer of USA for Africa’s “We Are the World,” the single devoted to African famine relief; Jackson co-authored the song with Lionel Richie and led its all-star cast of vocalists.
Jones was the first African American to pen the score for a major motion picture, 1964’s “The Pawnbroker,” and went on to receive seven Oscar nominations for best original score and song. In 1995, he received AMPAS’ Jean Hersholt Humanitarian Award, another first for a Black artist.
He made his mark on TV as executive producer of the ’90s NBC sitcom “The Fresh Prince of Bel-Air,” which brought rapper Will “Fresh Prince” Smith to prominence as an actor. In addition to the 2022 reboot of “Bel-Air,” he later exec produced the comedy skeins “In the House” and “MadTV”; the 10-hour 1995 documentary “The History of Rock ‘N’ Roll”; the 2014 documentary “Keep on Keepin’ On”; and the 2023 adaptation of “The Color Purple” directed by Blitz Bazawule.
Jones received a Tony Award nomination in 2006 as producer of the musical adaptation of “The Color Purple.”
In the publishing world, he founded the respected hip-hop magazine Vibe, which spawned a TV spinoff in 1997.
In recognition of the vast array of causes to which he contributed, Jones was named Variety’s philanthropist of the year in 2014.
He was born Quincy Delight Jones Jr. in Chicago. He took up the trumpet, his principal instrument, as a boy. At the age of 10, his family moved to Seattle; there, as a novice musician of 14, he met 17-year-old Ray Charles.
By 18, after studying at the Berklee School of Music in Boston, Jones was touring with Lionel Hampton’s big band in a trumpet section that included Art Farmer and Clifford Brown. In the early ’50s, he honed his arranging chops by writing charts for trumpeter Clark Terry (an important early mentor), Count Basie, Dinah Washington and many others. He made his debut as a leader in 1953 in an octet co-led by drummer Roy Haynes.
After serving as band director for Dizzy Gillespie’s State Dept.-sponsored big band and doing stints at ABC-Paramount and France’s Barclay Records, Jones assembled an in-house orchestra at Mercury Records. Though a subsequent touring group collapsed financially, the association led to an A&R position at Mercury; by 1964, Jones was a VP at the label, where he produced pop singer Leslie Gore’s major hits.
In 1959-60, he arranged a pair of Charles’ finest albums, “The Genius of Ray Charles” and “Genius + Soul Jazz.” He received his first Grammy in 1964 for his arrangement of “I Can’t Stop Loving You,” Charles’ hit version of Don Gibson’s country tune.
At the behest of Sidney Lumet, Jones wrote the score for the director’s 1964 drama “The Pawnbroker.” That assignment — the first for a Black musician — led to prestige composing jobs on such features as “In Cold Blood,” “In the Heat of the Night” (which featured a title song by Ray Charles), “The Italian Job,” “Bob and Carol and Ted and Alice” and “The Getaway.”
In the mid-’60s, Jones established a working relationship with Frank Sinatra. He arranged a pair of albums teaming the vocalist with Count Basie’s orchestra, “It Might as Well Be Swing” (1964) and the live “Sinatra at the Sands” (1966).
In 1969, Jones began a profitable association as an artist with A&M Records, for which he recorded nine studio albums. He reaped three Grammys for his jazz-pop work at the label; in 1974, the A&M album “Body Heat” became the highest-charting set of his career, peaking at No. 8. In 1977, he released an album of his soundtrack music for the top-rated ABC miniseries “Roots” on the label; it reached No. 21 on the pop album chart.
While Jones busied himself over the years as a producer for such artists as Aretha Franklin, the Brothers Johnson, George Benson and Chaka Khan, it was his work with Michael Jackson that thrust him into the most rarefied stratum of the music industry.
In 1978, Jones was working as music supervisor on director Lumet’s film adaptation of the Broadway hit “The Wiz,” featuring Jackson as the Scarecrow. While the picture was in production, Jackson — then newly signed as a solo artist to Epic Records — sought Jones’ advice about potential producers for his upcoming album. After supplying the singer with a list of prospects, Jones was enlisted by Jackson for the job.
The phenomenal decade-long Jones-Jackson partnership resulted in three multiplatinum albums (including the unprecedented and still unequalled worldwide smash “Thriller”), 18 top-10 pop hits (including 10 No. 1 singles) and four Grammy Awards for Jones.
At the apex of Jackson’s popularity in January 1985, Jones recorded “We Are the World” with a cast of soloists that also included Stevie Wonder, Bruce Springsteen, Bob Dylan, Willie Nelson, Diana Ross and Ray Charles. The benefit single sold an estimated 20 million copies worldwide and added an additional three Grammys, including one for record of the year, to Jones’ resume.
In 1980, Jones founded Qwest Records, a joint venture with Warner Bros. Records. The imprint released the Jones-penned soundtrack for Steven Spielberg’s “The Color Purple” and signed such artists as George Benson, Tevin Campbell, New Order and, briefly, Sinatra (whose 1984 album “L.A. Is My Lady” was arranged by Jones). But its chief executive became its most prominent act.
Jones’ 1989 Qwest album “Back on the Block” — an all-star affair pairing Jones with legends like Miles Davis, Ella Fitzgerald, Sarah Vaughan and Ray Charles and young bloods like Ice-T and Big Daddy Kane — captured a bounty of Grammys and peaked at No. 9 on the U.S. album chart.
In 1993, Warner Bros. released “Miles and Quincy Live at Montreux,” a 1991 live set by trumpeter Davis and Jones from the titular jazz festival in France on which Davis revisited compositions originally arranged in the ’50s by Gil Evans. It proved to be the jazz legend’s final recording and received a Grammy in 1994.
Jones’ latter-day solo releases were “Q’s Jook Joint” (1995) and “Q Soul Bossa Nostra” (2010). The former featured a host of seasoned R&B and jazz vets, young hip-hop stars and even a guest shot by Marlon Brando. The latter album, comprising new recordings of material associated with Jones, included appearances by such diverse artists as Jennifer Hudson, Amy Winehouse, Usher, Snoop Dogg, Wyclef Jean and Three 6 Mafia. In addition to appearing on The Weeknd’s 2022 album “Dawn FM” and in the music video for Travis Scott and Young Thug’s song “Out West,” Jones has only sporadically produced or performed as an artist. Upon the release of his self-titled 2018 documentary, Jones collaborated with producer Mark Ronson and vocalist Chaka Khan on the accompanying single “Keep Reachin’.”
His Global Gumbo Orchestra made appearances at the Hollywood Bowl in 2011 and at that venue’s Playboy Jazz Festival in 2012. The group released “Tomorrow,” a charity single featuring stars of several Arab nations and co-produced by Jones and RedOne, in late 2011. After appearing at the Hollywood Bowl in 2017 to perform selections from his A&M years, Jones commemorated his 90th birthday in July 2023 with a two-night celebration at the venue featuring past and present artists he worked with, from singer Patti Austin to songwriter and multi-instrumentalist Jacob Collier.
Jones received the Recording Academy’s Legend Award in 1991 and Trustees Award in 1989. He received the Kennedy Center Honors in 2001 and the National Medal of the Arts from President Obama in 2011. He was inducted into the Rock and Roll Hall of Fame in 2013 as the winner of the Ahmet Ertegun Award together with Lou Adler.
Jones released his autobiography “Q” in 2001; an audio version of the book received a Grammy as best spoken word album in 2002.
Married and divorced three times, he is survived by six daughters and a son.
World
Trump Says Iran Has Agreed to Not Have a Nuclear Weapon
World
Trump expands Cuba sanctions beyond US companies in major crackdown on foreign enablers
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The Trump administration is rolling out what experts describe as the most significant expansion of U.S. sanctions on Cuba in decades.
The administration is attempting what supporters say is the first broad application of Cuba-related secondary sanctions against foreign firms, aiming not only at Havana itself but also at foreign companies and banks that continue doing business with the island’s military-linked economic empire.
The new framework, established under an executive order signed by President Donald Trump May 1, applies pressure beyond U.S. companies for the first time, threatening foreign firms with sanctions exposure if they continue operating in key sectors of the Cuban economy linked to Grupo de Administración Empresarial S.A., or GAESA.
TRUMP ADMINISTRATION PRESSED TO CLOSE CUBA EMBARGO LOOPHOLE AS OIL SET TO RUN OUT WITHIN DAYS
Supporters say the move closes a loophole that allowed foreign investors to sustain Cuba’s communist regime while the longstanding U.S. embargo largely restricted Americans.
Critics argue the measures risk worsening an already severe humanitarian crisis on the island without meaningfully weakening the government.
Demonstrators attempt to burn the Communist Party headquarters in Morón, Cuba, after authorities allegedly opened fire on protesters without warning. (Obtained by Fox News Digital)
“At the top of the month, what the Trump administration did was for the first time extend the application of U.S. sanctions from just prohibiting trade between U.S. firms and U.S. persons and the Cuban island to third-party countries and enablers,” Max Meizlish, a former Treasury Department official now serving as a research fellow at the Foundation for Defense of Democracies, told Fox News Digital in an interview.
“For the first time ever in a truly unprecedented fashion, that’s the same logic that the administration is now applying to Cuba,” he said.
The sanctions focus heavily on GAESA, a sprawling military-linked conglomerate that analysts estimate controls between 40% and 70% of Cuba’s economy, including tourism, mining, retail, ports and financial services.
A recent Foundation for Defense of Democracies report authored by Meizlish and Connor Pfeiffer argued that foreign companies doing business in Cuba are effectively helping sustain the regime’s military and political leadership.
TRUMP DECLARES NATIONAL EMERGENCY OVER CUBA, THREATENS TARIFFS ON NATIONS THAT SUPPLY OIL TO COMMUNIST REGIME
An image of Fidel and Raul Castro and Miguel Diaz-Canel, Cuba’s president and first secretary of the Communist Party, is displayed in a billboard in Havana, April 12, 2023. (Alexandre Meneghini/Reuters)
The State Department sanctioned GAESA and several affiliated entities in May under the new authorities, opening the door for potential penalties against foreign companies and financial institutions that continue dealings with them after a June 5 wind-down deadline.
Meizlish argued previous sanctions regimes failed because they isolated American companies while allowing foreign actors to continue financing the Cuban state.
“There’s a lot of Spanish firms, for instance, that have invested millions of dollars in luxury hotel properties, villa properties in Cuba that partner with GAESA, all funding this military enterprise at the expense of the Cuban people,” he said.
He also pointed to Canadian involvement in Cuba’s nickel and cobalt sectors, saying foreign investment has generated “huge amounts of money for the regime.”
“A lot of people think about the U.S. embargo over the years is actually being responsible for a lot of the problems on the Cuban island, but they don’t give consideration to the fact that GAESA, this newly sanctioned entity, has been sitting on an estimated $20 billion in assets and cash over the year while depriving the people of Cuba,” Meizlish told Fox News Digital.
But critics of the policy warn the economic fallout could land the hardest on ordinary Cubans.
William LeoGrande, a longtime Cuba expert at American University, said the May 1 measures represent a major escalation because they specifically target foreign businesses rather than just Americans and aim to deter foreign companies from doing business with GAESA by threatening sanctions exposure.
LeoGrande acknowledged the measures could deprive the Cuban government of revenue but argued the broader population is likely to suffer most.
CUBA’S ENTIRE ELECTRICAL GRID COLLAPSES, LEAVING WHOLE ISLAND WITHOUT POWER
A woman with her son signals a car on a dark street during a blackout in Bauta municipality, Artemisa province, Cuba, on March 18, 2024. (Yamil Lage/AFP via Getty Images)
“This would potentially deprive the Cuban government of funds, but the impact will fall mainly on ordinary citizens because it means the government has fewer resources to import food, medicine and fuel,” he said.
The debate comes as Cuba faces its deepest economic and humanitarian crisis in years.
The World Food Programme says food insecurity is worsening amid fuel shortages, inflation and declining access to imported goods, while U.N. officials have warned that electricity shortages and blackouts are disrupting hospitals, vaccination programs and food distribution networks across the island.
LeoGrande also warned tougher sanctions could contribute to another migration crisis.
NICARAGUA BLOCKS PATHWAY USED BY CUBAN MIGRANTS TO REACH THE US
Protesters take to the streets in Cuba over food and electricity shortages. (Reuters)
“Another unintended effect is that by making living conditions in Cuba even more desperate, tougher sanctions could trigger a mass migration like we saw in 1980 or 1994,” LeoGrande said.
On background, a U.S. official rejected arguments that American sanctions are responsible for Cuba’s humanitarian crisis.
“The suffering of the Cuban people is not caused by the U.S. embargo but by the Cuban dictatorship’s failed Communist policies and human rights violations,” the official told Fox News Digital. “The embargo does not prohibit Cuba’s access to world markets or trade with third countries.”
The official added that U.S. law explicitly permits exports of food, medicine and medical equipment to Cuba and accused the regime of hiding “billions in overseas bank accounts instead of investing in electricity, infrastructure and the daily needs of its people.”
The debate mirrors long-standing arguments surrounding U.S. sanctions on countries like Iran and Venezuela, where supporters view economic pressure as a tool to weaken authoritarian governments while critics argue regimes often survive and civilians absorb the economic damage.
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Meizlish argued sanctions should not be judged simply by whether they immediately topple governments.
“The problem isn’t that the embargo went too far,” he said. “It’s that it didn’t go far enough.”
Fox News Digital reached out to the Cuban Embassy in Washington for comment but did not receive a response by the time of publication.
World
US House passes Iran war powers resolution in rare moment of Trump backlash
The United States House of Representatives has passed a resolution to rein in President Donald Trump’s powers to attack Iran without congressional authorisation.
Four Republicans joined Democrats to pass the bill in a vote of 215 to 208 on Wednesday in Washington, DC.
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While the resolution is unlikely to become law, it represents a stark rebuke against Trump’s decision to join Israel in attacking Iran on February 28, launching an ongoing conflict that will reach its 100th day on Saturday.
Trump did not seek congressional approval for the war, which he has attempted to label as a “skirmish” or a “short-term excursion”.
The Republican leader’s repeated use of military force abroad has frustrated some leaders in Congress, a body which the Constitution solely imbued with the power to declare war.
Wednesday’s vote marked the fourth time this year that the House has voted on a war powers resolution to force Trump to seek congressional backing for his military actions against Iran.
It is the first time, however, that the resolution has been successful in the House. Its passage comes after a political manoeuvre that some interpreted as a Republican effort to scuttle the bill.
A divide among Republicans
A vote on the war powers resolution was expected on May 21, the eve of Congress’s Memorial Day recess.
But the vote was cancelled, despite indications that the resolution would succeed with Republican support. House Speaker Mike Johnson, a Republican and close Trump ally, chose to adjourn the chamber early.
The resolution, however, was picked up again after the recess. In Wednesday’s vote, Tom Barrett of Michigan, Warren Davidson of Ohio, Brian Fitzpatrick of Pennsylvania and Thomas Massie of Kentucky splintered away from the Republican establishment to pass the bill.
Massie, whose re-election bid Trump actively campaigned against, marked the occasion with a message on social media.
“The Iran War Powers Resolution that I cosponsored (opposing the war) just passed the House of Representatives,” Massie wrote. “The People’s House is sending a message: end this war.”
Massie will not be returning to Congress next year. He was defeated last month in his local Republican Party primary by a Trump-backed opponent, Ed Gallrein.
Barrett, whose House seat is vulnerable to a Democratic takeover in November’s midterms, explained his vote by arguing that Trump had exceeded his mandate.
“Congress has the exclusive authority under the Constitution to declare war and authorize the use of force. The War Powers Act of 1973 delegates some of that authority to the president for a limited period of time,” Barrett, an army veteran, wrote.
“That authority has expired, and my support of this resolution tonight is consistent with my belief that it is time for Congress to decide the scope of the mission and the appropriate limits on the use of force in Iran.”
Democrats call on Senate to act
While Trump’s war on Iran has divided House Republicans, the chamber’s Democrats were unanimous in their backing of the war powers resolution. After the vote, several urged their colleagues in the Senate to swiftly pass the measure.
“We passed an Iran War Powers Resolution in the House to rein in Trump and end his unauthorized, reckless war,” Representative Ayanna Pressley, a progressive from Massachusetts, wrote on social media. “The Senate must immediately follow suit and act to end this war.”
Representative Shontel Brown of Ohio, meanwhile, underscored the constitutional issues raised by Trump’s war, as well as its cost.
“Congress holds the power to declare war—not the executive branch,” she said in a post. “After months of chaos, higher costs, and wasted resources, it is time to end Trump’s costly war in Iran NOW.”
The war on Iran has been costly for the US, with the Pentagon estimating in May that $29bn had been spent so far.
Some analysts consider this an undercount, though. In April, a public finance expert at Harvard University projected that the price tag could soar to more than $1 trillion.
There are also concerns that the war has cost the US in terms of military preparedness.
The Center for Strategic and International Studies, a US-based research institute, issued a report in April warning that certain critical munitions have run low, with the number used outstripping the number of anticipated replacements.
They include Tomahawk missiles, Terminal High Altitude Area Defense systems (THAADs) and Precision Strike missiles (PrSMs).
Public backlash growing
US voters broadly disapprove of the US-Israel war against Iran. A poll last month from the Marist Institute for Public Opinion found that 60 percent of US citizens disapprove of Trump’s approach to the war, a jump from 54 percent in March.
The increase was even seen among Republicans. While 15 percent disapproved of Trump’s handling of the war in March, the number has since increased to 22 percent.
Among US citizens overall, 61 percent found that the war had done “more harm than good”.
The growing disapproval reflects, in part, the economic backlash to the war, which has sent prices for fuel and other products like agricultural fertiliser skyrocketing.
The Trump administration has also faced criticism for the unprovoked nature of the February 28 attack, though the president and his allies have argued the war was necessary to prevent Iran from obtaining a nuclear weapon.
More than 3,400 people have died in Iran during the war. At least 13 US soldiers have also been killed in the conflict, which spilled into nearby countries, with deaths reported across the region.
Wednesday’s House war powers resolution now proceeds to the Senate, which passed a similar bill in May.
But it faces an uphill battle overall, as Trump is likely to veto any attempt to curtail his military powers.
Only a bill passed with a two-thirds majority in both the House and Senate can overcome a presidential veto. So far, neither the Senate’s version, nor the House’s, has breached that threshold.
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