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Quincy Jones, Grammy-Winning Producer for Michael Jackson, Film Composer, Dies at 91

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Quincy Jones, Grammy-Winning Producer for Michael Jackson, Film Composer, Dies at 91

Quincy Jones, who distinguished himself over the course of a 70-year career in music as an artist, bandleader, composer, arranger and producer, has died. He was 91.

Jones died Sunday night at his home in Bel Air, Calif., according to a statement shared with Variety by his rep Arnold Robinson. A cause of death was not disclosed. 

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing. And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him,” the Jones family said in the statement. “He is truly one of a kind and we will miss him dearly; we take comfort and immense pride in knowing that the love and joy, that were the essence of his being, was shared with the world through all that he created. Through his music and his boundless love, Quincy Jones’ heart will beat for eternity.”

Jones’ eminence in the entertainment community was so great that he went by a one-letter handle: “Q.”

Bred in the world of jazz, Jones became one of pop music’s most formidable figures. He collected six of his 28 Grammy Awards for his 1990 album “Back on the Block” and was a three-time producer of the year honoree.

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To many, he is probably best known for his production collaborations with Michael Jackson, which began in 1979 with the singer’s breakthrough solo album “Off the Wall,” which has sold an estimated 20 million copies internationally.

Its chart-topping sequel “Thriller” (1982) — for which Jones took album of the year honors, plus a record of the year trophy for the track “Billie Jean” — remains the bestselling album of all time, with worldwide sales estimated in excess of 110 million. Jones went on to work with Jackson on his No. 1 1987 release “Bad.”

In 1985, Jones made international headlines as the producer of USA for Africa’s “We Are the World,” the single devoted to African famine relief; Jackson co-authored the song with Lionel Richie and led its all-star cast of vocalists.

Jones was the first African American to pen the score for a major motion picture, 1964’s “The Pawnbroker,” and went on to receive seven Oscar nominations for best original score and song. In 1995, he received AMPAS’ Jean Hersholt Humanitarian Award, another first for a Black artist.

He made his mark on TV as executive producer of the ’90s NBC sitcom “The Fresh Prince of Bel-Air,” which brought rapper Will “Fresh Prince” Smith to prominence as an actor. In addition to the 2022 reboot of “Bel-Air,” he later exec produced the comedy skeins “In the House” and “MadTV”; the 10-hour 1995 documentary “The History of Rock ‘N’ Roll”; the 2014 documentary “Keep on Keepin’ On”; and the 2023 adaptation of “The Color Purple” directed by Blitz Bazawule.

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Jones received a Tony Award nomination in 2006 as producer of the musical adaptation of “The Color Purple.”

In the publishing world, he founded the respected hip-hop magazine Vibe, which spawned a TV spinoff in 1997.

In recognition of the vast array of causes to which he contributed, Jones was named Variety’s philanthropist of the year in 2014.

He was born Quincy Delight Jones Jr. in Chicago. He took up the trumpet, his principal instrument, as a boy. At the age of 10, his family moved to Seattle; there, as a novice musician of 14, he met 17-year-old Ray Charles.

By 18, after studying at the Berklee School of Music in Boston, Jones was touring with Lionel Hampton’s big band in a trumpet section that included Art Farmer and Clifford Brown. In the early ’50s, he honed his arranging chops by writing charts for trumpeter Clark Terry (an important early mentor), Count Basie, Dinah Washington and many others. He made his debut as a leader in 1953 in an octet co-led by drummer Roy Haynes.

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After serving as band director for Dizzy Gillespie’s State Dept.-sponsored big band and doing stints at ABC-Paramount and France’s Barclay Records, Jones assembled an in-house orchestra at Mercury Records. Though a subsequent touring group collapsed financially, the association led to an A&R position at Mercury; by 1964, Jones was a VP at the label, where he produced pop singer Leslie Gore’s major hits.

In 1959-60, he arranged a pair of Charles’ finest albums, “The Genius of Ray Charles” and “Genius + Soul Jazz.” He received his first Grammy in 1964 for his arrangement of “I Can’t Stop Loving You,” Charles’ hit version of Don Gibson’s country tune.

At the behest of Sidney Lumet, Jones wrote the score for the director’s 1964 drama “The Pawnbroker.” That assignment — the first for a Black musician — led to prestige composing jobs on such features as “In Cold Blood,” “In the Heat of the Night” (which featured a title song by Ray Charles), “The Italian Job,” “Bob and Carol and Ted and Alice” and “The Getaway.”

In the mid-’60s, Jones established a working relationship with Frank Sinatra. He arranged a pair of albums teaming the vocalist with Count Basie’s orchestra, “It Might as Well Be Swing” (1964) and the live “Sinatra at the Sands” (1966).

In 1969, Jones began a profitable association as an artist with A&M Records, for which he recorded nine studio albums. He reaped three Grammys for his jazz-pop work at the label; in 1974, the A&M album “Body Heat” became the highest-charting set of his career, peaking at No. 8. In 1977, he released an album of his soundtrack music for the top-rated ABC miniseries “Roots” on the label; it reached No. 21 on the pop album chart.

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While Jones busied himself over the years as a producer for such artists as Aretha Franklin, the Brothers Johnson, George Benson and Chaka Khan, it was his work with Michael Jackson that thrust him into the most rarefied stratum of the music industry.

In 1978, Jones was working as music supervisor on director Lumet’s film adaptation of the Broadway hit “The Wiz,” featuring Jackson as the Scarecrow. While the picture was in production, Jackson — then newly signed as a solo artist to Epic Records — sought Jones’ advice about potential producers for his upcoming album. After supplying the singer with a list of prospects, Jones was enlisted by Jackson for the job.

The phenomenal decade-long Jones-Jackson partnership resulted in three multiplatinum albums (including the unprecedented and still unequalled worldwide smash “Thriller”), 18 top-10 pop hits (including 10 No. 1 singles) and four Grammy Awards for Jones.

At the apex of Jackson’s popularity in January 1985, Jones recorded “We Are the World” with a cast of soloists that also included Stevie Wonder, Bruce Springsteen, Bob Dylan, Willie Nelson, Diana Ross and Ray Charles. The benefit single sold an estimated 20 million copies worldwide and added an additional three Grammys, including one for record of the year, to Jones’ resume.

In 1980, Jones founded Qwest Records, a joint venture with Warner Bros. Records. The imprint released the Jones-penned soundtrack for Steven Spielberg’s “The Color Purple” and signed such artists as George Benson, Tevin Campbell, New Order and, briefly, Sinatra (whose 1984 album “L.A. Is My Lady” was arranged by Jones). But its chief executive became its most prominent act.

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Jones’ 1989 Qwest album “Back on the Block” — an all-star affair pairing Jones with legends like Miles Davis, Ella Fitzgerald, Sarah Vaughan and Ray Charles and young bloods like Ice-T and Big Daddy Kane — captured a bounty of Grammys and peaked at No. 9 on the U.S. album chart.

In 1993, Warner Bros. released “Miles and Quincy Live at Montreux,” a 1991 live set by trumpeter Davis and Jones from the titular jazz festival in France on which Davis revisited compositions originally arranged in the ’50s by Gil Evans. It proved to be the jazz legend’s final recording and received a Grammy in 1994.

Jones’ latter-day solo releases were “Q’s Jook Joint” (1995) and “Q Soul Bossa Nostra” (2010). The former featured a host of seasoned R&B and jazz vets, young hip-hop stars and even a guest shot by Marlon Brando. The latter album, comprising new recordings of material associated with Jones, included appearances by such diverse artists as Jennifer Hudson, Amy Winehouse, Usher, Snoop Dogg, Wyclef Jean and Three 6 Mafia. In addition to appearing on The Weeknd’s 2022 album “Dawn FM” and in the music video for Travis Scott and Young Thug’s song “Out West,” Jones has only sporadically produced or performed as an artist. Upon the release of his self-titled 2018 documentary, Jones collaborated with producer Mark Ronson and vocalist Chaka Khan on the accompanying single “Keep Reachin’.” 

His Global Gumbo Orchestra made appearances at the Hollywood Bowl in 2011 and at that venue’s Playboy Jazz Festival in 2012. The group released “Tomorrow,” a charity single featuring stars of several Arab nations and co-produced by Jones and RedOne, in late 2011. After appearing at the Hollywood Bowl in 2017 to perform selections from his A&M years, Jones commemorated his 90th birthday in July 2023 with a two-night celebration at the venue featuring past and present artists he worked with, from singer Patti Austin to songwriter and multi-instrumentalist Jacob Collier.

Jones received the Recording Academy’s Legend Award in 1991 and Trustees Award in 1989. He received the Kennedy Center Honors in 2001 and the National Medal of the Arts from President Obama in 2011. He was inducted into the Rock and Roll Hall of Fame in 2013 as the winner of the Ahmet Ertegun Award together with Lou Adler.

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Jones released his autobiography “Q” in 2001; an audio version of the book received a Grammy as best spoken word album in 2002.

Married and divorced three times, he is survived by six daughters and a son.

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Maduro arrives in US after stunning capture in operation that Trump says will let US ‘run’ Venezuela

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Maduro arrives in US after stunning capture in operation that Trump says will let US ‘run’ Venezuela

CARACAS, Venezuela (AP) — Deposed Venezuelan leader Nicolás Maduro arrived in the United States to face criminal charges after being captured in an audacious nighttime military operation that President Donald Trump said would set the U.S. up to “run” the South American country and tap its vast oil reserves to sell to other nations.

Maduro landed Saturday evening at a small airport in New York following the middle-of-the-night operation that extracted him and his wife, Cilia Flores, from their home in a military base in the capital city of Caracas — an act that Maduro’s government called “imperialist.” The couple faces U.S. charges of participating in a narco-terrorism conspiracy.

The dramatic action capped an intensive Trump administration pressure campaign on Venezuela’s autocratic leader and months of secret planning, resulting in the most assertive American action to achieve regime change since the 2003 invasion of Iraq. Legal experts raised questions about the lawfulness of the operation, which was done without congressional approval. Venezuela’s vice president, Delcy Rodriguez, meanwhile, demanded that the United States free Maduro and called him the country’s rightful leader as her nation’s high court named her interim president.

Some Venezuelan civilians and members of the military were killed, said Rodríguez, who didn’t give a number. Trump said some U.S. forces were injured, but none were killed.

Speaking to reporters hours after Maduro’s capture, Trump revealed his plans to exploit the leadership void to “fix” the country’s oil infrastructure and sell “large amounts” of oil to other countries.

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Trump says US will ‘run the country’

The Trump administration promoted the ouster as a step toward reducing the flow of dangerous drugs into the U.S. The president touted what he saw as other potential benefits, including a leadership stake in the country and greater control of oil.

Trump claimed the U.S. government would help lead the country and was already doing so, though there were no immediate visible signs of that. Venezuelan state TV aired pro-Maduro propaganda and broadcast live images of supporters taking to the streets in Caracas in protest.

“We’re going to run the country until such time as we can do a safe, proper and judicious transition,” Trump said at a Mar-a-Lago news conference. He boasted that this “extremely successful operation should serve as warning to anyone who would threaten American sovereignty or endanger American lives.”

Maduro and other Venezuelan officials were indicted in 2020 on narco-terrorism conspiracy charges, and the Justice Department released a new indictment Saturday of Maduro and his wife that painted his administration as a “corrupt, illegitimate government” fueled by a drug-trafficking operation that flooded the U.S with cocaine. The U.S. government does not recognize Maduro as the country’s leader.

The Trump administration spent months building up American forces in the region and carrying out attacks on boats in the Caribbean Sea and eastern Pacific Ocean for allegedly ferrying drugs. Last week, the CIA was behind a drone strike at a docking area believed to have been used by Venezuelan drug cartels — the first known direct operation on Venezuelan soil since the U.S. campaign began in September.

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Early morning attack

Taking place 36 years to the day after the 1990 surrender and seizure of Panama leader Manuel Antonio Noriega following a U.S. invasion, the Venezuela operation unfolded under the cover of darkness early Saturday. Trump said the U.S. turned off “almost all of the lights” in Caracas while forces moved in to extract Maduro and his wife.

Gen. Dan Caine, chairman of the Joint Chiefs of Staff, said U.S. forces had rehearsed their maneuvers for months, learning everything about Maduro — where he was and what he ate, as well as details of his pets and his clothes.

“We think, we develop, we train, we rehearse, we debrief, we rehearse again and again,” Caine said. “Not to get it right, but to ensure we cannot get it wrong.”

Multiple explosions rang out that morning, and low-flying aircraft swept through Caracas. Maduro’s government accused the United States of hitting civilian and military installations, calling it an “imperialist attack” and urging citizens to take to the streets. The explosions — at least seven blasts — sent people rushing into the streets, while others took to social media to report what they saw and heard.

Under Venezuelan law, Rodríguez would take over from Maduro. Rodríguez, however, stressed during a Saturday appearance on state television that she did not plan to assume power, before Venezuela’s high court ordered that she become interim president.

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“There is only one president in Venezuela,” Rodriguez said, “and his name is Nicolás Maduro Moros.”

Some streets in Caracas fill up

Venezuela’s ruling party has held power since 1999, when Maduro’s predecessor, Hugo Chávez, took office, promising to uplift poor people and later to implement a self-described socialist revolution.

Maduro took over when Chávez died in 2013. His 2018 reelection was widely considered a sham because the main opposition parties were banned from participating. During the 2024 election, electoral authorities loyal to the ruling party declared him the winner hours after polls closed, but the opposition gathered overwhelming evidence that he lost by a more than 2-to-1 margin.

In a demonstration of how polarizing Maduro is, people variously took to the streets to protest his capture, while others celebrated it. At a protest in the Venezuelan capital, Caracas, Mayor Carmen Meléndez joined a crowd demanding Maduro’s return.

“Maduro, hold on, the people are rising up!” the crowd chanted. “We are here, Nicolás Maduro. If you can hear us, we are here!”

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In other parts of the city, the streets were empty hours after the attack.

“How do I feel? Scared, like everyone,” said Caracas resident Noris Prada, who sat on an empty avenue looking at his phone. “Venezuelans woke up scared. Many families couldn’t sleep.”

In Doral, Florida, home to the largest Venezuelan community in the United States, people wrapped themselves in Venezuelan flags, ate fried snacks and cheered as music played. At one point, the crowd chanted “Liberty! Liberty! Liberty!”

Questions of legality

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Whether the United States violated any laws, international or otherwise, was still a question early Sunday. “There are a number of international legal concepts which the United States might have broken by capturing Maduro,” said Ilan Katz, an international law analyst.

In New York, the U.N. Security Council, acting on an emergency request from Colombia, planned to hold a meeting on U.S. operations in Venezuela on Monday morning. That was according to a council diplomat, who spoke on the condition of anonymity to discuss a meeting not yet made public.

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Lawmakers from both American political parties have raised reservations and flat-out objections to the U.S. attacks on boats suspected of drug smuggling. Congress has not approved an authorization for the use of military force for such operations in the region.

Connecticut Rep. Jim Himes, the top Democrat on the House Intelligence Committee, said he had seen no evidence that would justify Trump striking Venezuela without approval from Congress and demanded an immediate briefing by the administration on “its plan to ensure stability in the region and its legal justification for this decision.”

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Toropin and Tucker reported from Washington. Associated Press writers Jorge Rueda in Caracas, Venezuela; Lisa Mascaro, Michelle L. Price, Seung Min Kim and Alanna Durkin Richer in Washington; Farnoush Amiri in New York; and Larry Neumeister in South Amboy, New Jersey, contributed to this report.

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Maduro capture echoes Noriega takedown that used rock music as psychological warfare against dictator

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Maduro capture echoes Noriega takedown that used rock music as psychological warfare against dictator

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The U.S. capture of Venezuelan leader Nicolás Maduro and his wife on Saturday is reviving memories of the dramatic 1989 takedown of Panamanian dictator Manuel Noriega, which coincidentally took place 36 years ago to the day of Maduro’s Jan. 3 capture.

Under former President George H.W. Bush, U.S. forces launched a surprise invasion of Panama in the early hours of Dec. 20, 1989, accusing Noriega of conspiring with drug traffickers to funnel cocaine into America. 

He had also faced allegations of manipulating the country’s 1989 presidential election.

MADURO MET CHINESE ENVOY HOURS BEFORE US CAPTURE FROM CARACAS AS BEIJING SLAMS OPERATION

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“The goal was to restore the democratically elected government of Guillermo Endara and arrest Noriega on drug trafficking charges,” the U.S. Army’s website states. “At the time, Operation Just Cause was the largest and most complex combat operation since the Vietnam War.”

Similarly to Saturday’s operation involving Maduro, the Panama invasion proceeded without explicit authorization from Congress, according to Axios. 

Panamanian dictator Manuel Noriega at a ceremony commemorating the death of the national hero, Omar Torrijos, in Panama City.  (Bill Gentile/CORBIS/Corbis via Getty Images)

Noriega’s capture, however, unfolded over several weeks as he evaded arrest by taking refuge inside the Vatican’s embassy in Panama City.

U.S. troops used psychological warfare to force Noriega out of hiding.

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In a tactic known as Operation Nifty Package, military vehicles with loudspeakers blasted non-stop rock music with a playlist that included songs by The Clash, Van Halen and U2, BBC News reported.

Noriega surrendered to U.S. forces Jan. 3, 1990, 36 years to the day before the U.S. capture of Maduro, and was flown to America to stand trial, Axios reported.

MADURO-BACKED TDA GANG’S EXPANSION INTO US CITIES EMERGES AS KEY FOCUS OF SWEEPING DOJ INDICTMENT

Former Panamanian strongman Manuel Noriega is pictured in this Jan. 4, 1990, file photo. (Reuters/HO JDP)

The operation resulted in the deaths of 23 U.S. service members and left 320 others wounded. The Pentagon estimated that roughly 200 Panamanian civilians and 314 Panamanian military personnel were killed, according to The Associated Press.

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In 1992, Noriega was convicted on drug trafficking charges in a Miami federal court and received a 40-year prison sentence.

He was granted prisoner-of-war status, housed in a separate bungalow away from other inmates and was allowed to wear his Panamanian military uniform and insignia in court, the AP reported.

WASHINGTON POST PRAISES TRUMP’S VENEZUELA OPERATION AS ‘UNQUESTIONABLE TACTICAL SUCCESS’

Venezuelan President Nicolás Maduro addresses supporters during a rally marking the anniversary of the 19th-century Battle of Santa Ines in Caracas, Venezuela, Dec. 10.  (Pedro Rances Mattey/Anadolu via Getty Images)

After serving 17 years in a U.S. prison, he was extradited to France and later Panama. He died in 2017.

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President Donald Trump announced Saturday that Maduro and his wife had been captured and flown out of the country as part of Operation Absolute Resolve.

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In recent months, the U.S. military has carried out a series of strikes on suspected drug vessels allegedly liked to the Venezuelan regime in the Caribbean Sea and Eastern Pacific. 

Until a permanent leader can be found, the U.S. government will “run” Venezuela, Trump said, “until such time as we can do a safe, proper and judicious transition.”

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US Republicans back Trump on Venezuela amid faint MAGA dissent

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US Republicans back Trump on Venezuela amid faint MAGA dissent

Since coming down the escalator in 2015 to announce his first presidential run, Donald Trump has presented himself as a break from the traditional hawkish foreign policy in the United States.

The US president has even criticised some of his political rivals as “warmongers” and “war hawks”.

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But Trump’s move to abduct Venezuelan President Nicolas Maduro and announce that the US will “run” the Latin American country has drawn comparisons with the regime change wars that he built a political career rejecting.

Some critics from Trump’s Make America Great Again (MAGA) movement, who backed his message of focusing on the country’s own issues instead of conflicts abroad, are criticising Washington’s march to war with Venezuela.

Still, Trump’s grip on Republican politics appears to remain firm, with most legislators from the party praising Trump’s actions.

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“To President Trump and his team, you should take great pride in setting in motion the liberation of Venezuela,” Senator Lindsey Graham wrote in a social media post.

“As I have often said, it is in America’s national security interest to deal with the drug caliphate in our backyard, the centrepiece of which is Venezuela.”

Graham’s reference to a “drug caliphate” seems to play on Islamophobic tropes and promote the push to liken the US attacks on alleged drug traffickers in Latin America to the so-called “war on terror”.

The US senator heaped praise on the winner of the FIFA Peace Prize – handed to Trump by the association’s chief, Gianni Infantino, in December – and called him “the GOAT of the American presidency”, which stands for “the greatest of all time”.

Muted criticism

While it was expected that Graham and other foreign policy hawks in Trump’s orbit would back the moves against Venezuela, even some of the Republican sceptics of foreign interventions cheered the abduction of Maduro.

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Former Congressman Matt Gaetz, one of the most vocal critics of hawkish foreign policy on the right, poked fun at the “capture” of the Venezuelan president.

“Maduro is gonna hate CECOT,” he wrote on X, referring to the notorious prison in El Salvador where the Trump administration sent hundreds of suspected gang members without due process.

Libertarian Senator Rand Paul, who has been a leading voice in decrying Congress’s war-making power, only expressed muted disapproval of Trump’s failure to seek lawmakers’ authorisation for military action in Venezuela.

“Time will tell if regime change in Venezuela is successful without significant monetary or human cost,” he wrote in a lengthy statement that mostly argued against bringing “socialism” to the US.

“Best though, not to forget, that our founders limited the executive’s power to go to war without Congressional authorisation for a reason – to limit the horror of war and limit war to acts of defence. Let’s hope those precepts of peace are not forgotten in our justified relief that Maduro is gone and the Venezuelan people will have a second chance.”

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Early on Saturday morning, Republican Senator Mike Lee questioned the legality of the attack. “I look forward to learning what, if anything, might constitutionally justify this action in the absence of a declaration of war or authorisation for the use of military force,” he wrote on X.

Lee later said that Secretary of State Marco Rubio told him that US troops were executing a legal arrest warrant against Maduro.

“This action likely falls within the president’s inherent authority under Article II of the Constitution to protect US personnel from an actual or imminent attack,” the senator said.

Dissent

Republican Congresswoman Marjorie Taylor Greene was one of the few dissenting voices.

“Americans’ disgust with our own government’s never-ending military aggression and support of foreign wars is justified because we are forced to pay for it and both parties, Republicans and Democrats, always keep the Washington military machine funded and going,”  Greene wrote on X.

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Greene, a former Trump ally who fell out with the US president and is leaving Congress next week, rejected the argument that Trump ordered Maduro’s “capture” because of the Venezuelan president’s alleged involvement in the drug trade.

She noted that Venezuela is not a major exporter of fentanyl, the leading cause of overdose deaths in the US.

She also underscored that, last month, Trump pardoned former Honduran President Juan Orlando Hernandez, a convicted drug trafficker who was serving a 45-year sentence in a US jail.

“Regime change, funding foreign wars, and American’s [sic] tax dollars being consistently funneled to foreign causes, foreigners both home and abroad, and foreign governments while Americans are consistently facing increasing cost of living, housing, healthcare, and learn about scams and fraud of their tax dollars is what has most Americans enraged,” Greene said.

Congressman Tomas Massie, another Republican, shared a speech he delivered in the House of Representatives earlier this month, warning that attacking Venezuela is about “oil and regime change”.

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“Are we prepared to receive swarms of the 25 million Venezuelans, who will likely become refugees, and billions in American treasure that will be used to destroy and inevitably rebuild that nation? Do we want a miniature Afghanistan in the Western Hemisphere?” Massie said in the remarks.

“If that cost is acceptable to this Congress, then we should vote on it as a voice of the people and in accordance with our Constitution.”

While Massie and Greene are outliers in their party, Trump’s risky moves in Venezuela were a success in the short term: Maduro is in US custody at a minimal cost to Washington.

Similarly, few Republicans opposed the US war in Iraq when then-President George W Bush stood under the “mission accomplished” sign on the aircraft carrier USS Abraham Lincoln after toppling Iraq’s leader, Saddam Hussein, in 2003.

But there is now a near consensus across the political spectrum that the Iraq invasion was a geopolitical disaster.

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The fog of war continues to hang over Venezuela, and it is unclear who is in charge of the country, or how Trump will “run” it.

The US president has not ruled out deploying “boots on the ground” to Venezuela, raising the prospect of a US occupation and the possibility of another Vietnam, Iraq or Afghanistan.

“Do we truly believe that Nicolas Maduro will be replaced by a modern-day George Washington? How did that work out in… Libya, Iraq or Syria?” Massie warned in his Congress speech.

“Previous presidents told us to go to war over WMDs, weapons of mass destruction, that did not exist. Now, it’s the same playbook, except we’re told that drugs are the WMDs.”

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