Connect with us

World

Quincy Jones, Grammy-Winning Producer for Michael Jackson, Film Composer, Dies at 91

Published

on

Quincy Jones, Grammy-Winning Producer for Michael Jackson, Film Composer, Dies at 91

Quincy Jones, who distinguished himself over the course of a 70-year career in music as an artist, bandleader, composer, arranger and producer, has died. He was 91.

Jones died Sunday night at his home in Bel Air, Calif., according to a statement shared with Variety by his rep Arnold Robinson. A cause of death was not disclosed. 

“Tonight, with full but broken hearts, we must share the news of our father and brother Quincy Jones’ passing. And although this is an incredible loss for our family, we celebrate the great life that he lived and know there will never be another like him,” the Jones family said in the statement. “He is truly one of a kind and we will miss him dearly; we take comfort and immense pride in knowing that the love and joy, that were the essence of his being, was shared with the world through all that he created. Through his music and his boundless love, Quincy Jones’ heart will beat for eternity.”

Jones’ eminence in the entertainment community was so great that he went by a one-letter handle: “Q.”

Bred in the world of jazz, Jones became one of pop music’s most formidable figures. He collected six of his 28 Grammy Awards for his 1990 album “Back on the Block” and was a three-time producer of the year honoree.

Advertisement

To many, he is probably best known for his production collaborations with Michael Jackson, which began in 1979 with the singer’s breakthrough solo album “Off the Wall,” which has sold an estimated 20 million copies internationally.

Its chart-topping sequel “Thriller” (1982) — for which Jones took album of the year honors, plus a record of the year trophy for the track “Billie Jean” — remains the bestselling album of all time, with worldwide sales estimated in excess of 110 million. Jones went on to work with Jackson on his No. 1 1987 release “Bad.”

In 1985, Jones made international headlines as the producer of USA for Africa’s “We Are the World,” the single devoted to African famine relief; Jackson co-authored the song with Lionel Richie and led its all-star cast of vocalists.

Jones was the first African American to pen the score for a major motion picture, 1964’s “The Pawnbroker,” and went on to receive seven Oscar nominations for best original score and song. In 1995, he received AMPAS’ Jean Hersholt Humanitarian Award, another first for a Black artist.

He made his mark on TV as executive producer of the ’90s NBC sitcom “The Fresh Prince of Bel-Air,” which brought rapper Will “Fresh Prince” Smith to prominence as an actor. In addition to the 2022 reboot of “Bel-Air,” he later exec produced the comedy skeins “In the House” and “MadTV”; the 10-hour 1995 documentary “The History of Rock ‘N’ Roll”; the 2014 documentary “Keep on Keepin’ On”; and the 2023 adaptation of “The Color Purple” directed by Blitz Bazawule.

Advertisement

Jones received a Tony Award nomination in 2006 as producer of the musical adaptation of “The Color Purple.”

In the publishing world, he founded the respected hip-hop magazine Vibe, which spawned a TV spinoff in 1997.

In recognition of the vast array of causes to which he contributed, Jones was named Variety’s philanthropist of the year in 2014.

He was born Quincy Delight Jones Jr. in Chicago. He took up the trumpet, his principal instrument, as a boy. At the age of 10, his family moved to Seattle; there, as a novice musician of 14, he met 17-year-old Ray Charles.

By 18, after studying at the Berklee School of Music in Boston, Jones was touring with Lionel Hampton’s big band in a trumpet section that included Art Farmer and Clifford Brown. In the early ’50s, he honed his arranging chops by writing charts for trumpeter Clark Terry (an important early mentor), Count Basie, Dinah Washington and many others. He made his debut as a leader in 1953 in an octet co-led by drummer Roy Haynes.

Advertisement

After serving as band director for Dizzy Gillespie’s State Dept.-sponsored big band and doing stints at ABC-Paramount and France’s Barclay Records, Jones assembled an in-house orchestra at Mercury Records. Though a subsequent touring group collapsed financially, the association led to an A&R position at Mercury; by 1964, Jones was a VP at the label, where he produced pop singer Leslie Gore’s major hits.

In 1959-60, he arranged a pair of Charles’ finest albums, “The Genius of Ray Charles” and “Genius + Soul Jazz.” He received his first Grammy in 1964 for his arrangement of “I Can’t Stop Loving You,” Charles’ hit version of Don Gibson’s country tune.

At the behest of Sidney Lumet, Jones wrote the score for the director’s 1964 drama “The Pawnbroker.” That assignment — the first for a Black musician — led to prestige composing jobs on such features as “In Cold Blood,” “In the Heat of the Night” (which featured a title song by Ray Charles), “The Italian Job,” “Bob and Carol and Ted and Alice” and “The Getaway.”

In the mid-’60s, Jones established a working relationship with Frank Sinatra. He arranged a pair of albums teaming the vocalist with Count Basie’s orchestra, “It Might as Well Be Swing” (1964) and the live “Sinatra at the Sands” (1966).

In 1969, Jones began a profitable association as an artist with A&M Records, for which he recorded nine studio albums. He reaped three Grammys for his jazz-pop work at the label; in 1974, the A&M album “Body Heat” became the highest-charting set of his career, peaking at No. 8. In 1977, he released an album of his soundtrack music for the top-rated ABC miniseries “Roots” on the label; it reached No. 21 on the pop album chart.

Advertisement

While Jones busied himself over the years as a producer for such artists as Aretha Franklin, the Brothers Johnson, George Benson and Chaka Khan, it was his work with Michael Jackson that thrust him into the most rarefied stratum of the music industry.

In 1978, Jones was working as music supervisor on director Lumet’s film adaptation of the Broadway hit “The Wiz,” featuring Jackson as the Scarecrow. While the picture was in production, Jackson — then newly signed as a solo artist to Epic Records — sought Jones’ advice about potential producers for his upcoming album. After supplying the singer with a list of prospects, Jones was enlisted by Jackson for the job.

The phenomenal decade-long Jones-Jackson partnership resulted in three multiplatinum albums (including the unprecedented and still unequalled worldwide smash “Thriller”), 18 top-10 pop hits (including 10 No. 1 singles) and four Grammy Awards for Jones.

At the apex of Jackson’s popularity in January 1985, Jones recorded “We Are the World” with a cast of soloists that also included Stevie Wonder, Bruce Springsteen, Bob Dylan, Willie Nelson, Diana Ross and Ray Charles. The benefit single sold an estimated 20 million copies worldwide and added an additional three Grammys, including one for record of the year, to Jones’ resume.

In 1980, Jones founded Qwest Records, a joint venture with Warner Bros. Records. The imprint released the Jones-penned soundtrack for Steven Spielberg’s “The Color Purple” and signed such artists as George Benson, Tevin Campbell, New Order and, briefly, Sinatra (whose 1984 album “L.A. Is My Lady” was arranged by Jones). But its chief executive became its most prominent act.

Advertisement

Jones’ 1989 Qwest album “Back on the Block” — an all-star affair pairing Jones with legends like Miles Davis, Ella Fitzgerald, Sarah Vaughan and Ray Charles and young bloods like Ice-T and Big Daddy Kane — captured a bounty of Grammys and peaked at No. 9 on the U.S. album chart.

In 1993, Warner Bros. released “Miles and Quincy Live at Montreux,” a 1991 live set by trumpeter Davis and Jones from the titular jazz festival in France on which Davis revisited compositions originally arranged in the ’50s by Gil Evans. It proved to be the jazz legend’s final recording and received a Grammy in 1994.

Jones’ latter-day solo releases were “Q’s Jook Joint” (1995) and “Q Soul Bossa Nostra” (2010). The former featured a host of seasoned R&B and jazz vets, young hip-hop stars and even a guest shot by Marlon Brando. The latter album, comprising new recordings of material associated with Jones, included appearances by such diverse artists as Jennifer Hudson, Amy Winehouse, Usher, Snoop Dogg, Wyclef Jean and Three 6 Mafia. In addition to appearing on The Weeknd’s 2022 album “Dawn FM” and in the music video for Travis Scott and Young Thug’s song “Out West,” Jones has only sporadically produced or performed as an artist. Upon the release of his self-titled 2018 documentary, Jones collaborated with producer Mark Ronson and vocalist Chaka Khan on the accompanying single “Keep Reachin’.” 

His Global Gumbo Orchestra made appearances at the Hollywood Bowl in 2011 and at that venue’s Playboy Jazz Festival in 2012. The group released “Tomorrow,” a charity single featuring stars of several Arab nations and co-produced by Jones and RedOne, in late 2011. After appearing at the Hollywood Bowl in 2017 to perform selections from his A&M years, Jones commemorated his 90th birthday in July 2023 with a two-night celebration at the venue featuring past and present artists he worked with, from singer Patti Austin to songwriter and multi-instrumentalist Jacob Collier.

Jones received the Recording Academy’s Legend Award in 1991 and Trustees Award in 1989. He received the Kennedy Center Honors in 2001 and the National Medal of the Arts from President Obama in 2011. He was inducted into the Rock and Roll Hall of Fame in 2013 as the winner of the Ahmet Ertegun Award together with Lou Adler.

Advertisement

Jones released his autobiography “Q” in 2001; an audio version of the book received a Grammy as best spoken word album in 2002.

Married and divorced three times, he is survived by six daughters and a son.

Continue Reading
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

World

Paramount’s Jeff Shell Accused in Lawsuit of Leaking UFC, WBD Info

Published

on

Paramount’s Jeff Shell Accused in Lawsuit of Leaking UFC, WBD Info

A professional gambler and FBI informant has made good on his threat to take legal action against Paramount Skydance president Jeff Shell, as attorneys for Robert “R.J.” Cipriani have filed a 67-page complaint against the media exec in Los Angeles County Superior Court.

Among the allegations Cipriani has brought against Shell are breach of oral contract and fraud, charges related to a reformatted Spanish-language TV show that never got off the ground. The court document claims that Shell broke “a clear promise to help [the] plaintiff develop an English-language version” of Roku Channel’s four-part series Serenata de las Estrellas, which was co-produced by Cipriani in 2023.

Cipriani is suing Shell for $150 million in damages.

“This case arises from the oldest form of fraud: A powerful man took everything a less powerful man had to offer, promised to repay him, lied to him when he asked about it and then refused to compensate him at all,” the second paragraph of the complaint states.

Cipriani claims he had provided Shell with what amounts to 18 months of “sophisticated, high-value crisis communications services,” all of which went uncompensated. Shell allegedly agreed to develop Star Serenade, an adaptation of Serenata, in exchange for these services, but did not follow through.

Advertisement

The legal document also includes allegations that Shell had disclosed sensitive information about the Paramount’s bid to acquire the Warner Bros. Discovery assets. Cipriani states that Shell in a Feb. 2 meeting had told him that PSKY “intended to enhance and ‘sweeten’ its pending hostile tender offer … to $30 per share in cash,” information that was not made public until Feb. 10. (Cipriani claimed that Shell during that same meeting referred to WBD CEO David Zaslav as a “suck-up.”)

Cipriani went on to state that Shell told him, “We’re paying way too much for Warner Bros. If we could just wait another year, we could get it a whole lot cheaper.”

Paramount and WBD formally entered a $111 billion merger agreement on Feb. 27. Should the deal be met with regulatory approval, the combined CBS Sports/TNT Sports portfolio will bring the rights to the NFL, NHL, MLB, college football, the UFC, the Masters and March Madness under one roof. Shell did not participate in the briefing Paramount convened with analysts the following Monday.

A few pages deeper into the complaint, Cipriani stated he had filed a complaint with the Securities and Exchange Commission related to disclosures Shell had made to him regarding the then-pending $7.7 billion Paramount-UFC deal. Cipriani claims Shell told him about the pact 26 days before it went public. Shell is said to have shared details of the negotiations with Cipriani despite the fact that “even UFC president Dana White did not yet know of the transaction.” (Oddly enough, Cipriani’s complaint alleges that Shell characterized the talks as “very hush hush” while he was spilling the beans.)

The legal complaint includes a screen shot of what appears to be a WhatsApp conversation between Cipriani and Shell, in which the latter states, “We are buying ALL of the UFC rights for the next 7 years for Paramount.”

Advertisement

When a draft of Cipriani’s complaint began circulating last month, an attorney representing Shell said the document was “riddled with clear errors of fact and law.” With the complaint now filed, Shell will have to opportunity to formally rebut Cipriani.

Shell is currently the subject of an internal Paramount investigation related to Cipriani’s claims and is expected to remain on the sidelines until the inquiry is complete. That said, no official action has been taken, and he remains on the job as of Tuesday afternoon.

Continue Reading

World

Cuban activist to Trump: ‘Make Cuba great again’ by ending communist rule

Published

on

Cuban activist to Trump: ‘Make Cuba great again’ by ending communist rule

NEWYou can now listen to Fox News articles!

As Cuba faces rolling blackouts, food shortages and renewed protests, Cuban human rights activist Rosa María Payá is warning in an interview to Fox News Digital that the island’s deepening crisis cannot be solved with economic reforms alone and is urging the United States to maintain pressure on the communist government in Havana.

The recent outages and shortages are tied to Cuba’s worsening energy and economic crisis. 

A recent nationwide blackout was triggered by a failure at the Antonio Guiteras thermoelectric plant, the island’s largest power station, cutting electricity across much of the country, according to Reuters. The crisis has been compounded by fuel shortages after the Trump administration moved to curtail oil shipments to the island, particularly from Venezuela — one of Cuba’s main suppliers. 

Cuban officials say U.S. sanctions have worsened the country’s economic difficulties, while repeated power plant failures and an aging electrical grid have left millions facing prolonged blackouts that have fueled growing public frustration and protests.

Advertisement

RUSSIA WARNS AGAINST ‘PROVOCATIVE ACTIONS’ AROUND CUBA AFTER 4 KILLED ONBOARD US-REGISTERED SPEEDBOAT

The state-run company blamed U.S. sanctions in an official statement, saying, “Without ending the financial blockade, there can be no permanent energy stability,” according to CubaHeadlines.

Rosa Maria Paya, daughter of late Cuban dissident Oswaldo Paya, is seen during a tribute to her father’s memory in Santiago, Chile, April 17, 2017.  (Ivan Alvarado/Reuters)

The Trump administration has increased pressure on Cuba in recent months, tightening sanctions and targeting oil shipments that help power the island’s energy system. The measures are part of a broader effort to weaken the Cuban government and support democratic change on the island. 

“To President Trump, it’s important for you to know that the Cuban people are grateful for what this administration is doing and that we are ready, and we want to make Cuba great again,” Payá said, addressing him directly. “And that means an end to the communist dictatorship, not just a new economy, but a new republic.” 

Advertisement

Her appeal comes as Cuba has re-emerged in Washington’s foreign policy discussions. Secretary of State Marco Rubio, the son of Cuban immigrants and one of the most prominent Cuban–American voices in U.S. politics, long has advocated a tougher stance toward Havana and stronger support for pro-democracy movements on the island. 

The Trump administration recently has increased pressure on the Cuban government, including measures targeting oil shipments that help sustain the island’s struggling energy sector. 

Trump praised Rubio during a press conference Tuesday and suggested he could play a central role in any potential negotiations with Havana.

“Marco Rubio is doing a great job,” Trump said. “I think he’s going to go down as the greatest secretary of state in history. They trust Marco.”

“We want to work with President Trump and with Secretary Rubio, the opposition is united,” Payá said. “We have a plan. It’s called the Freedom Accord,” she added, referring to a democratic transition framework promoted by opposition groups in Cuba. “We are ready to lead this process. The moment is now, Mr. President.”

Advertisement

Opposition groups have developed the Freedom Accord, a political roadmap for democratic change, which she says would guide a transition away from the current system in Cuba. 

Payá, 37, who escaped the country 13 years ago, has spent the past decade advocating internationally for democratic change in Cuba. 

She is the daughter of prominent dissident Oswaldo Payá, founder of the Christian Liberation Movement and architect of the Varela Project, a petition campaign in the early 2000s that gathered more than 25,000 signatures demanding free elections and civil liberties in Cuba.

Her father died in 2012 alongside fellow activist Harold Cepero in what Payá describes as an assassination by the Cuban regime. Cuban authorities said the men were killed in a car crash in eastern Cuba, but the Inter-American Commission on Human Rights later concluded there were “serious indications” that Cuban state agents were involved in the deaths.

“After the Cuban regime assassinated my father … I have been trying to follow his legacy together with many, many other Cubans on the island and in exile that today believe that we have a real chance and freedom,” she said, describing a movement that today includes activists both on the island and in exile.

Advertisement

FLORIDA LAUNCHES PROBE AFTER CUBA KILLS 4 ABOARD US-FLAGGED SPEEDBOAT NEAR KEYS

Members of the “Ladies in White” opposition group march beside the funeral procession of Oswaldo Paya, one of Cuba’s best-known dissidents, in Havana, July 24, 2012.  (Reuters)

The crisis inside Cuba has reached a level where basic survival has become a daily struggle for many families, according to Payá.  

“The situation today is that mothers don’t know if they are going to be able to feed their child tonight,” she said. “Most of the island has been suffering blackouts that last for days on many occasions.”The island has experienced waves of unrest in recent years driven by economic collapse and political repression. 

The largest demonstrations against the regime erupted on July 11, 2021, when thousands of Cubans took to the streets across the island chanting “freedom” in the biggest protests since the 1959 revolution.

Advertisement

Authorities responded with mass arrests and prison sentences for many demonstrators. 

For Payá, those protests reflected something deeper than economic frustration.

“The Cuban people have been fighting for freedom for the last 67 years,” she said. “We are demanding political freedom, not just a new economy.”

Despite comparisons between Cuba’s crisis and the political turmoil in Venezuela, Payá argues the situation in Cuba is fundamentally different. 

“Cuba’s situation is quite different,” she said. “This is the longest running communist dictatorship in the Western hemisphere.” 

Advertisement

MARCO RUBIO EMERGES AS KEY TRUMP POWER PLAYER AFTER VENEZUELA OPERATION

Cuban exiles block the Palmetto Expressway at Coral Way in support of protesters in Cuba in 2021 in Miami.  (Pedro Portal/Miami Herald via AP)

While she emphasized that Cubans themselves must ultimately drive political change, Payá said international pressure remains essential because of the regime’s ability to repress dissent.

Her appeal comes as Cuba has re-emerged in Washington’s foreign policy discussions.

Payá said the Cuban opposition hopes the United States will continue supporting democratic change on the island.

Advertisement

CLICK HERE TO DOWNLOAD THE FOX NEWS APP

Anabel Oliva, 20, speaks outside the University of Havana during a protest against disruptions in classes due to energy and internet shortages, amid U.S. sanctions and an oil blockade that have deepened the country’s crisis, in Havana, Cuba, March 9, 2026.  (Norlys Perez/Reuters)

“I believe that President Trump knows very well, better than anyone, the difference between a real deal and a better one,” she said. “He understands that this dictatorship must end.”

“To end the crisis,” she added, “we need to end the regime.”

Fox News Digital reached out to the White House and Rubio for comment and has not yet received a reply. 

Advertisement

Reuters contributed to this report.

Continue Reading

World

Israeli air strike targets building in south Lebanon

Published

on

Israeli air strike targets building in south Lebanon

An Israeli air strike has heavily damaged a building in southern Lebanon’s Tyre district.

An Israeli air strike has heavily damaged a building in southern Lebanon’s Tyre district as Israeli forces continue to attack across the area. The army says it is targeting Hezbollah military infrastructure and has warned residents south of the Litani river to leave.

Continue Reading

Trending