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Israeli artist, curators refuse to open exhibit until cease-fire, hostage deal is reached

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Israeli artist, curators refuse to open exhibit until cease-fire, hostage deal is reached

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The artist representing Israel at this year’s Venice Biennale in Italy, along with its curators, said Tuesday they will not open the Israeli pavilion until a cease-fire and hostage deal are reached in Israel’s months-long war with Hamas in the Gaza Strip.  

A sign on the window of the Israeli pavilion posted Tuesday and written in English reads: “The artist and curators of the Israeli pavilion will open the exhibition when a cease-fire and hostage release agreement is reached.”

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In a statement, artist Ruth Patir, said she and the curators wanted to show solidarity with the families of the hostages “and the large community in Israel who is calling for change.”

“As an artist and educator, I firmly object to cultural boycott, but I have a significant difficulty in presenting a project that speaks about the vulnerability of life in a time of unfathomed disregard for it,” Patir said in the statement.

JEWISH ORGANIZATION LEADER SAYS ISRAEL WILL BE PROTECTED BY GOD, DESPITE ATTACKS BY IRAN OR ITS PROXIES

Italian soldiers patrol the Israeli national pavilion at the Biennale contemporary art fair in Venice, Italy, Tuesday, April 16, 2024.  (AP Photo/Colleen Barry)

Israel is among 88 national participants in the 60th Venice Biennale, which runs from April 20-Nov. 24. The Israeli pavilion was built in 1952 as a permanent representation of Israel inside the Giardini, the original venue of the world’s oldest contemporary art show and the site of 29 national pavilions. Other nations show in the nearby Arsenale or at venues throughout the city.

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But even before the statement, curators and critics had signed an open letter calling on the Biennale to exclude the Israeli national pavilion from this year’s show to protest Israel’s war in Gaza. Those opposed to Israel’s presence had also vowed to protest on-site.

Italy’s culture minister had firmly backed Israel’s participation, and the fair was opening amid unusually heightened security.

The national pavilions at Venice are independent of the main show, and each nation decides its own show, which may or may not play into the curator’s vision. Patir’s Israeli exhibit was titled “(M)otherland.” 

People stand in front of the closed Israeli national pavilion at the Biennale contemporary art fair in Venice, Italy, Tuesday, April 16, 2024. (AP Photo/Luca Bruno)

The curators of the Israeli pavilion, Mira Lapidot and Tamar Margalit, said they were delaying the opening of the exhibit because of the “horrific war that is raging in Gaza,” but that they hoped the conditions would change, so the exhibit could open for public view.

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“There is no end in sight, only the promise of more pain, loss, and devastation. The exhibition is up and the pavilion is waiting to be opened,” they said. For now, a video work made by Patir can be seen through the pavilion window.

The (M)otherland exhibit was set to run from Saturday, April 20, through Sunday, November 24. 

The Associated Press contributed to this report. 

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Two-train crash leaves at least 1 dead, 89 injured as emergency crews rush to chaotic scene

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Two-train crash leaves at least 1 dead, 89 injured as emergency crews rush to chaotic scene

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Authorities are responding after two passenger trains crashed into each other Friday near Bedford, England, killing at least one person and injuring nearly 90 others.

The East of England Ambulance Service said it was called to a collision involving two trains at Elstow, near Bedford, at about 5:15 p.m. local time and quickly declared a “major incident.”

One person died at the scene, 11 people suffered very serious injuries, 22 were seriously injured and 56 people had minor injuries, officials said.

Bedford is roughly 60 miles north of London.

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2 TRAINS COLLIDE IN DENMARK, LEAVING 5 PEOPLE CRITICALLY INJURED

Two passenger trains collided Friday in the United Kingdom. (Fox News)

All the patients with the most serious injuries have been taken from the scene to hospital.

The ambulance service said it sent numerous resources to the scene, including more than 20 ambulances, specialist hazardous area response teams and six air ambulances.

MULTIPLE STABBED IN UK TRAIN ATTACK NEAR CAMBRIDGE AS POLICE ARREST 2 SUSPECTS

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Emergency crews were pictured working near the scene. (Fox News)

“Our thoughts are with everyone affected, and we thank all emergency service colleagues for their swift response,” the ambulance service wrote in a statement.

The Bedfordshire Fire and Rescue Service confirmed its crews were also responding.

“Please avoid the area,” fire officials wrote in a statement on X.

Sources told The Telegraph the train driver was on the phone with maintenance staff discussing a safety issue at the time of the crash.

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Lebanese influencer organises World Cup event amid Israel’s attack on Leban

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Lebanese influencer organises World Cup event amid Israel’s attack on Leban
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As Israel’s war on Lebanon rages, hundreds gather in Rmeileh by Sidon Gate to watch the 2026 World Cup. Organised by influencer Bilal Haddad, the fan zone offers food trucks, shisha and family activities, giving people a rare chance to relax. Al Jazeera’s Justin Salhani went to check it out.

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On the South Lawn, a UFC fighter’s victory frames an unusual White House scene

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On the South Lawn, a UFC fighter’s victory frames an unusual White House scene

WASHINGTON (AP) — Mark Schiefelbein has been based in Washington, D.C., with AP for about three years, and before that spent a decade in Beijing at AP’s China bureau.

Here’s what he had to say about this extraordinary photo.

Why this photo?

This was an event that had never happened before in the 250-year history of the United States and may never happen again: a night of mixed martial-arts cage match brawls on the South Lawn of the White House, with bloodied competitors battling it out in front of the president, vice president, and other leaders of the country. AP had other photographers ringside at the event focusing more on the fights themselves. So I felt my role was to capture the context of the evening — the location, the people in attendance, the environment.

How I made this photo

A small group of other photographers and I, the White House press pool, had been allowed to photograph part of the evening from a position in the stands directly opposite the White House. I was carrying four cameras with a variety of lenses from 12 mm to 300 mm. This let me capture everything from ultra-wide views of the “claw” structure built for the fights, to close-ups of leaders and celebrities in attendance. I had been following Diego Lopes with my longest lens as he moved around the ring celebrating his win over Steve Garcia. When I saw him start to climb onto the cage, I immediately realized there might be a possibility of a picture like this and zoomed out to capture more of the scene.

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Why this photo works

The White House is surely one of the most recognizable buildings in the world. The columns of the South Portico, the fighter standing with arms and legs spread wide in celebration, and the octagon padding of the UFC ring tell an entire story as your eyes move from top to bottom of the frame. With Lopes standing with his back to the camera, facing the White House, it becomes less a photo of him and more about the evening, the event, and the spectacle. It was fortunate that it was after nightfall, so things that might have been distracting, like the Marine Band and spectators seated behind the ring, are mostly in the dark. Only the key elements – the White House, Lopes, and the ring are lit up.

For more extraordinary AP photography, click here.

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