Audience design session at BrLab 2019
Bella Tozini
As São Paulo-based development and training hub BrLab gears up for its 15th anniversary edition in 2026, one of Latin America’s most influential project labs has opened submissions and unveiled a raft of changes designed to expand its reach, deepen its support for emerging talent and push sustainability up the regional agenda.
The 15th BrLab will run April 7-14, primarily in São Paulo, with satellite activities in Brasilia and Recife. Producers, directors and writers from across Latin America, Spain and Portugal will convene for a week of labs, market encounters and open-industry programming.
Applications for its four 2026 workshops – BrLab Features, BrLab Rough Cut, BrLab Audience Design and the new BrLab Kids – are free and open from Nov. 12 to Dec. 12, 2025 via the lab’s website.
“For us, every edition is an opportunity to identify what’s being imagined across the region,” says BrLab founder, director and curator Rafael Sampaio. “The industry trusts us with new ideas year after year.”
Founded in 2011 and organized by Klaxon Cultura Audiovisual, BrLab has grown from a small workshop for Latin American features into a compact but influential platform, more training hub than full-blown market, yet firmly embedded in the regional calendar for projects looking to sharpen their creative and financial strategies.
Supported by institutions such as the Ibermedia program, Projeto Paradiso and Spcine – and now Petrobras as a multi-year sponsor – BrLab receives more than 400 submissions annually, curated by a professional selection committee.
As of 2025, 62 features that passed through its various sections have been produced and released, 17 more are in post-production and another 10 are financed for production through 2026. By next year the tally of completed films linked to the lab is expected to approach 90.
Many have premiered at top-tier festivals, including Cannes, Venice, Berlin, San Sebastián, Locarno, Sundance and Toronto. Recent standouts include “The Mysterious Gaze of the Flamingo,” which won the top prize at Cannes’ Un Certain Regard; “Levante” (Cannes Critics’ Week 2023); “Légua,” which screened at Cannes’ Directors’ Fortnight; Sundance title “Los Tiburones”; Berlinale competition multi-prize winner “Las Heiresses”; and San Sebastián Golden Shell laureate “Los Reyes del Mundo.” “The Wolf Behind the Door,” selected in BrLab’s very first edition in 2011, later bowed at Toronto and San Sebastián, announcing a new talent to track in Fernando Coimbra.
Avoiding the Crowded Fall Festival Corridor
Starting with this 15th edition, BrLab has permanently shifted from its traditional October slot to early April. The move is designed to avoid the crowded fall festival corridor and give projects more time to polish scripts and cuts before premiering in the back half of the year.
“This change creates a more useful rhythm for project development,” Sampaio says. “We want our selected teams to take full advantage of the international circuit, and April positions them well to do that – especially for the Rough Cut Lab.”
In 2021, BrLab launched BrLab CoPro, a curated boutique co-production forum aimed at galvanizing new partnerships with Brazil and other Latin American territories. The forum invites producers, funds, sales agents and broadcasters looking to structure cross-border packages at a time when co-production has become essential for financing and circulation.
This platform is deepening BrLab’s role as a connector not only of talent but of the institutional and industrial players that can actually get films made.
Flagship Labs and Audience Design
The program’s backbone remains BrLab Features, focused on fiction features from Latin America plus Spain and Portugal. 12 projects will receive mentorship on script, direction, production and distribution from a roster of regional heavyweights. Longtime backer Programa Ibermedia, a partner since the first edition, will once again offer participation grants to selected teams.
Running in parallel, BrLab Rough Cut caters to fiction and documentary features in the editing stage from across the Ibero-American world, pairing each project with an editing tutor and a small group of peers to help fine-tune the cut and position the film for festivals, sales and distribution.
After an initial phase centered on Brazil, BrLab’s Audience Design program returns with a broader remit, now open to the whole of Latin America and the Iberian Peninsula. Inspired by methodologies Sampaio first encountered at TorinoFilmLab, the workshop helps teams think strategically about audiences from development onwards, mapping core and secondary viewers and plotting release paths that can combine festivals, theaters, platforms and alternative circuits.
“In Brazil everyone talks about ‘creating new audiences,’ but for years people have become disconnected from our own cinema — they’re simply not educated to see themselves on screen,” Sampaio explained. “That’s why we need spaces like BrLab, where Latin American narratives and histories can be developed and protected, even as we keep one eye on the market, because being represented on screen is a right.”
Kids Lab in Recife
The biggest new innovation now announced for 2026 is BrLab Kids, a new workshop dedicated to film and series projects for children and young audiences, which will unspool in Recife. The initiative responds to what Sampaio sees as a chronic lack of specific public policy and institutional support for kids content in Brazil and much of Latin America.
“If children don’t grow up watching Latin American stories, they won’t feel connected to our history and our cinema when they become adults,” he argued.
Projects selected for BrLab Kids will receive tutorship from writers specialized in young audiences, including Janaína Tokitaka and Gabriella Mancini, alongside pedagogical consultants. Recife-based producer Nara Aragão will oversee production mentoring.
For Sampaio, the kids strand is closely linked to the audience-design push, offering a space to tackle the challenges of family titles competing with U.S. studio fare while trying to build a loyal local audience for regional stories.
Green Initiative With Petrobras
Backed for the first time by Petrobras as presenting partner and lead sponsor, BrLab’s 15th edition will also launch a sustainability push. Curated by pioneering green-production specialist Ariane Ferreira, the lab has assembled Think Tank BrLab Petrobras, together with Cinema Verde Festival, an initiative to adapt emerging international eco-standards to Latin American realities and to encourage local institutions to integrate environmental criteria into film funding.
Sampaio points to new European reports and incentive schemes around greener film and TV production as a reference, but stresses that Latin America is starting from a different baseline. The aim, he says, is to convene the industry around practical steps that can be progressively adopted in the region.
“In many cases, the only real green practices in our region are happening on big international streamer shows that arrive with their own protocols,” he says. “If we can pilot ideas in the audiovisual sector, that can also inspire changes in other parts of society.”
Co-Production Hub in a Rebounding Brazil
BrLab’s 15th edition comes as Brazilian cinema experiences renewed momentum. After years of funding paralysis, minority co-production schemes have been revived and Brazil is once again fast consolidating as a sought-after partner on major Latin American projects, often in combination with European finance.
“Today, foreign projects can come to BrLab to find Brazilian minority co-producers,” Sampaio notes. “When we launched, Ibermedia was practically the only co-production avenue. Now there are multiple funds, and the lab has become a natural meeting point.”
Audience design session at BrLab 2019
Bella Tozini
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A strong earthquake took place off the northern coast of Japan Monday afternoon, prompting the Japan Meteorological Agency to put out a tsunami alert in the area.
The quake, registering a preliminary magnitude of 7.5, occurred off the coast of Sanriku in northern Japan at around 4:53 p.m. local time, at a depth of about 6 miles below the sea surface, the agency said.
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A television screen shows a news report on Japan Meteorological Agency’s tsunami warning, saying it expected tsunami waves of up to 3 meters (9.84 feet) to reach large coastal areas in northern Japan after an earthquake struck off the northeastern coast of Japan, in Tokyo, Japan April 20, 2026 (REUTERS/Issei Kato)
A tsunami of around 2.6 feet was identified at the Kuji port in the Iwate prefecture while a tsunami of 1.3 feet was recorded at a different port in the prefecture, the agency indicated.
The Iwate prefecture put out non-binding evacuation advisories for those living in 11 towns.
A tsunami of as high as 10 feet could strike the region, the agency indicated.
RUSSIAN VOLCANO ERUPTS FOR FIRST TIME IN CENTURIES AFTER MASSIVE EARTHQUAKE STRIKES KAMCHATKA PENINSULA
A policeman picks his way through the debris looking for bodies in Rikuzentakata, Iwate prefecture, on March 22, 2011, after the devastating March 11 earthquake and tsunami. (TORU YAMANAKA/AFP via Getty Images)
A powerful 9.0 magnitude earthquake and tsunami in 2011 wreaked havoc in Japan, leaving over 22,000 dead and compelling nearly 500,000 people to flee their homes, most of them because of tsunami damage.
TRAVELERS MUST PAY FEE, PASS SCREENING BEFORE VISITING POPULAR DESTINATION UNDER NEW RULE
In this satellite view, the Fukushima Dai-ichi Nuclear Power plant after a massive earthquake and subsequent tsunami on March 14, 2011 in Futaba, Japan. (DigitalGlobe via Getty Images via Getty Images)
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Around 160,000 fled their residences due to radiation from the Fukushima Daiichi nuclear power plant — around 26,000 have not come back because they resettled somewhere else, their hometowns are still off-limits, or they harbor concerns regarding radiation.
The Associated Press contributed to this report
Bulgaria’s former President Rumen Radev, an EU critic who has called for renewing ties with Russia, hailed a “victory of hope” on Monday after his Progressive Bulgaria (PB) coalition topped the polls in Sunday’s election, the eighth such parliamentary vote in five years.
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Many voters see Radev, a former fighter pilot, as the only person capable of giving the corruption-plagued Balkan nation a fresh start.
The 62-year-old has presented himself as a defender of the lowest earners in the EU’s poorest country as he walks a tightrope on European issues.
He has hailed the benefits Bulgaria has reaped from EU membership while calling for dialogue with Russia as its full-scale invasion of Ukraine rages into a fifth year.
“Bulgaria is in a unique position, because we are the only EU member state that is both Slavic and Eastern Orthodox,” Radev, who was president for nine years, said recently.
“That should be used … and we really can be a very important link in this whole process, which I am sure will sooner or later begin, to restore relations with Russia,” he added.
Last year, as president, he called for a referendum on Bulgaria’s entry into the eurozone, saying the Balkan country was not ready to join. Yet his proposal failed and Sofia adopted the joint European currency on 1 January.
Radev has also slammed military aid to Ukraine and the EU, trying to turn its back on Russian oil and gas.
“Geographically, economically, in terms of resources and as a market, we need to rebuild those relations,” he insisted.
For sociologist Parvan Simeonov, Radev is hard to figure out, like many leaders in the region who, “depending on the visiting delegation, choose whether or not to fly the Ukrainian flag in the background.”
Radev insists he embodies distrust of the country’s elites and oligarchs, denying any links to them.
A graduate of the elite US Air War College, he later served as the head of the Bulgarian Air Force.
He entered politics in 2016 and later won a presidential election to the largely ceremonial post.
Born in 1963 in the southeastern town of Dimitrovgrad, the austere and reserved man lacks the polish of seasoned communicators.
When he vows to regulate public tenders through AI or to reform the much‑criticised judicial system, he sometimes gives the impression of reciting a memorised text.
Yet he won over some liberal pro-European voters when he openly supported protesters at anti-corruption rallies in 2020.
Radev walked out of the presidential palace with his fist raised to join the protests that ultimately toppled conservative Prime Minister Boyko Borissov a year later.
Radev was re‑elected head of state in 2021 with two-thirds of the vote.
Late last year, Radev once again backed anti-corruption protesters, and when the last government resigned in December, he stepped down as president to run in the election.
Radev’s left-wing conservative movement, Progressive Bulgaria, brings together a plethora of figures including military officers, former socialist officials and athletes, and the union leader of the country’s main arms manufacturer, which has boomed from supplying Ukraine’s army.
Radev is campaigning to combat social inequalities and promote budgetary discipline without calling for radical change, said Simeonov.
His promises of a return to stability appeal to voters tired of facing election after election.
Married with two children and intensely patriotic, Radev also wooed voters with a modest lifestyle and his defence of what he calls family values.
A campaign video shot in a village shop that went viral showed Radev soothing the grocer, upset over rising prices and Bulgaria’s entry into the eurozone.
Sunday’s election follows five years of near-permanent crisis in which no government has survived a full term.
Instead, the country has cycled through caretaker administrations, fragile coalitions and short-lived alliances that have often collapsed amid scandal.
Public trust has all but evaporated. Voter turnout, once a barometer of democratic engagement, has entered a state of chronic decline.
This prolonged instability has unfolded against a backdrop of deepening internal divisions and mounting external pressure.
Russia’s full-scale invasion of Ukraine has exposed a stark fault line running through both society and the political class, one that continues to define the national conversation.
And yet, paradoxically, Bulgaria has, in this same period, taken major steps forward in its European integration — joining Schengen and adopting the euro — often without a functioning government or even a passed state budget.
Meanwhile, delays in reforms have slowed access to EU recovery funds, raising the risk of losing billions.
More than 60% of the votes had been counted by Monday morning, according to the Central Electoral Commission, putting Radev’s PB in the lead with around 45%, an absolute majority of at least 132 seats in the 240-seat parliament.
The outcome of the election is set to not only shape Bulgaria’s domestic trajectory but will also be closely watched across the EU, as the bloc fears further instability in any of its member states.
NEW YORK (AP) — Oil prices rose in early trading Sunday as a standoff between Iran and the U.S. prevented tankers from using the Strait of Hormuz, the Persian Gulf waterway that is crucial to global energy supplies.
The price of U.S. crude oil increased 6.4% to $87.90 per barrel an hour after trading resumed on the Chicago Mercantile Exchange. The price of Brent crude, the international standard, climbed 5.8% to $95.64 per barrel.
The market reaction followed more than two days of lifted hopes and dashed expectations involving the strait. Crude prices plunged more than 9% Friday after Iran said it would fully reopen the strait, which it effectively controls, to commercial traffic.
Tehran reversed that decision and fired on several vessels Saturday after President Donald Trump said a U.S. Navy blockade of Iranian ports would remain in effect. On Sunday, Trump said the U.S. attacked and forcibly seized an Iranian-flagged cargo ship that allegedly tried to get around the blockade. Iran’s joint military command vowed to respond.
Sunday’s higher prices wiped out much of the declines seen Friday, signaling renewed doubts about how soon ships will again transport the vast amounts oil the world gets from the Middle East.
The US-Israeli war against Iran, now in its eighth week, has created one of the worst global energy crises in decades. Countries in Asia and Europe that import much of their oil from the Gulf have felt the most impact of halted supplies and production cuts, although rapidly rising gasoline, diesel and jet fuel prices are affecting businesses and consumers worldwide.
Asked when he thought U.S. motorists would again see gas cost less than $3 a gallon on average, Energy Secretary Chris Wright said prices at the pump might not go down that much until next year.
“But prices have likely peaked, and they’ll start going down,” Wright told CNN’s “State of the Union” on Sunday.
The price of crude oil — the main ingredient in gasoline — has fluctated dramatically since the U.S. and Israel attacked Iran on Feb. 28, and as Iran retaliated with airstrikes on other Gulf states. Crude traded at roughly $70 a barrel before the conflict, spiked to more than $119 at times, and previously closed Friday at $82.59 for U.S. oil and $90.38 for Brent.
Industry analysts have repeatedly warned that the longer the strait is closed, the worse prices could get.
A fragile, two-week ceasefire between the U.S. and Iran is set to expire Wednesday, while escalating tensions in the Strait of Hormuz puts the fate of new talks to end the war into question.
Even if a lasting deal to reopen the Strait of Hormuz emerges, analysts say it could take months for oil shipments to return to normal levels and for fuel prices to go down. Backed-up tanker traffic, shipowners concerned about another sudden escalation, and energy infrastructure damaged during the war are factors that could impede production and shipment volumes from returning to pre-war levels.
A gallon of regular gas cost an average of nearly $4.05 a gallon in the U.S. on Sunday, according to motor club federation AAA. That’s about 8 cents lower than a week ago, but far higher than $2.98 before the war.
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