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Gordon Monson: Utah football introduces itself to the Big 12 the only way the Utes know how

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Gordon Monson: Utah football introduces itself to the Big 12 the only way the Utes know how


Big games come around every so often in the regular season, usually in the latter part of the fall, but perhaps the biggest game for Utah fell upon the Utes in a hurry on Saturday afternoon, the 21st of September, against an opponent they hadn’t played since the year World War II ended, in a stadium in which they’d never played, for the early advantage in a league in which they’d never played.

They say the first time anyone or any team does anything, it’s the hardest.

Well. Try it with a backup freshman quarterback. How hard could it be? Not as difficult as you might have thought. In fact, let’s say it all plain here: On Saturday, despite Utah’s circumstances being unique, their foe being novel, their setting being odd, their consequence being new, the Utes kicked … how should we say this? … fanny. That’s a nice enough word for the one-sided violence that occurred.

The only familiar thing for them was the outcome, a 22-19 win, this particular one over Oklahoma State, which happened to be their first official Big 12 game and their first official victory in that conference. Oh, and also there was that one other bit of familiarity: the way they achieved it.

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The Utes not only beat the 14th-ranked Cowboys, they beat them up, stood over them with their arms clenched and folded, like Cassius Clay over Sonny Liston, their heads bobbing, laughing at their opponent’s pain. Ignore those last two touchdowns and 2-point conversions by OSU. OK, in a game in which the Utes were conservative throughout, they got too conservative in the last fistful of minutes, when they led, 22-3, but we’ll get to that in a minute. The game was all but done by then, the triumph tucked away.

In that overall manner, then, the new guys, who a whole lot of people figured would be the best team in the Big 12, took a huge step forward in turning those guesses into reality at Boone Pickens Stadium, transforming the abnormal to the normal … their normal.

For them to do all of that, to win the way they did, without Cam Rising, the single player so important to them, the quarterback who warmed up beforehand but could not go when the lights turned green, suffering still from a shrouded injury to his throwing hand, was most — or mostly — impressive.

They depended on the fundamentals and foundations upon which Utah football has been built under Kyle Whittingham — punch-you-in-the-mouth offense and club-you-in-the-chin defense.

Utah linebacker Johnathan Hall (3) and safety Tao Johnson (15) tackle Oklahoma State running back Ollie Gordon II (0) in the second half of an NCAA college football game Saturday, Sept. 21, 2024, in Stillwater, Okla. (AP Photo/Mitch Alcala)

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If Big 12 teams remained skeptical about Utah’s ability, fresh out of the namby-pamby Pac-12, to take victory against them by roughing them up, they got a puffy eyeful here.

How so? That Ute resistance held Oklahoma State, a team that had been averaging better than 300 yards passing and triple digits rushing, to a mere 48 yards on the ground and 237 through the air, much of those gains coming on the back of desperation in the back half of that aforementioned fourth quarter, when only a miracle would give the Cowboys life.

At game’s end, Whittingham stared into a camera and correctly said: “We didn’t need to make it as dramatic as we did at the end.”

But drama mattered a whole lot less than a full press of physical football.

Utah’s attack was nowhere near as explosive as it could have been had Rising played. Since he didn’t, offensive coordinator Andy Ludwig pulled back on the reins, opting for conservative play-calling, what with Isaac Wilson under center, from start to finish. Frequently, the Utes ran on first down, ran on second down, and put Wilson in something of a vice, counting on him to pick up first downs on precisely executed third-and-5-type situations. At times, Ludwig opted instead for a run on third down, too, and if that failed, the Utes situationally went for it on fourth down.

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It wasn’t the most scintillating brand of ball, but before anybody and everybody complains too loudly about that, which should be complained about some, especially with what happened late, remember those three Ute turnovers in the initial half, and the fact that Oklahoma State went through early periods when it appeared as though the Cowboys had little chance to move the ball consistently against the real stars of this game — those Utah defenders.

We’ll give Ludwig a pass, but not an A-grade, on his slow-plow approach.

Before we get to that defense, folks can appreciate what Micah Bernard did for Utah’s cause here. He rushed for 182 rugged yards, repeatedly battering through the OSU defense, and all Ute backs combined for 249 yards, which should shine a light on the big’uns up front who graded proper road, enabling Utah to possess the ball for a majority of minutes.

The Utes’ defensive players, though, were the ones who best represented to its new conference not just what Utah football is, but what it’s mostly about, what it’s been about, what it is about — lightning jabs to the noggin, body shots to the belly, bruises all around.

Utah running back Micah Bernard (2) runs past Oklahoma State defensive end Obi Ezeigbo (33) in the first half of an NCAA college football game Saturday, Sept. 21, 2024, in Stillwater, Okla. (AP Photo/Mitch Alcala)

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Hello, Big 12, welcome to football with taped knuckles, heavy gloves and nasty-bad intentions.

Beyond questions on this initial occasion about whether the back end of Utah’s D could interrupt Oklahoma State’s pass game or the front end could slow running back Ollie Gordon or whether the Utah attack could move the ball, with or without Rising on the field, was a much more significant, comprehensive question: Relative to top-end teams in the Big 12, how would these pompous newcomers from out yonder somewhere, from the other side of the Wasatch, measure up on the road in their first confrontation with an established league opponent?

Turns out, the strangers in a strange land responded to that question by measuring up just fine, even without their team leader, without their most important player, the fellow with the Captain Jack Sparrow getup, the wherewithal and charisma to fire up his crew on offense and defense, the one who is bound to heal soon. The daunting question remains for the rest of the Big 12: How formidable will these strangers be when Cam Rising returns, when the offensive engine revs, when Whittingham and Ludwig turn Rising and the rest of their guys loose, when Utah football is whole again? He will return, that is, right?

Editor’s note • This story is available to Salt Lake Tribune subscribers only. Thank you for supporting local journalism.



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Kentucky Wildcats set to host Utah transfer Terrence Brown on visit

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Kentucky Wildcats set to host Utah transfer Terrence Brown on visit


Kentucky basketball continues to stay aggressive in the transfer portal, hosting Utah transfer guard Terrence Brown for a visit, according to Matt Jones of KSR, as the Wildcats look to rebuild their backcourt heading into next season.

Brown, a 6-3, 175-pound point guard, is coming off a standout year in which he averaged 19.9 points, 3.8 assists, and 2.4 rebounds per game. He shot 45.3% from the field and 32.7% from 3-point range while starting all 32 games and playing over 31 minutes per contest.

There is already a connection between Brown and Kentucky, as he previously played alongside former Wildcat forward Ansley Almonor during the 2023-24 season before Almonor transferred to Kentucky the following year.

Kentucky’s interest in Brown comes as the program looks to reload at the guard position following multiple departures, including Jaland Lowe, Denzel Aberdeen, Jasper Johnson, and Collin Chandler. Head coach Mark Pope and his staff have made it a priority to evaluate all options, with Brown emerging as a serious candidate after a recent phone conversation between the two sides.

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The Wildcats have also hosted other guards like Zoom Diallo, and currently, Rob Wright is on campus.

Brown’s visit is part of a busy stretch for Kentucky, with several other notable transfer targets expected to make their way to Lexington, including Alex Wilkins, Donnie Freeman, Jalen Cox, and Magoon Gwath.



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Utah delays imposing fee for wildfire mitigation program

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Utah delays imposing fee for wildfire mitigation program


The Utah Legislature tried to address the unaffordability or, for some, unavailability of home insurance last year.

The state created a program to inspect “high-risk” properties statewide and charge those properties a fee.

Its start date was supposed to be Jan. 1, but now lawmakers are giving state and local officials an extra year to implement it. House Bill 41, which Gov. Spencer Cox signed in March, moves the start date to Jan. 1, 2027.

Bill sponsor Rep. Thomas Peterson, R-Brigham City, says that’s to give time for cities and counties to petition the state to add or remove properties from the fee area.

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“[The Division of] Forestry, Fire and State Lands has said they will work with the cities and counties to amend their maps, if it’s indeed justified,” the representative said during a House committee hearing.

The program targets properties with buildings in the “high-risk wildland-urban interface,” or WUI, meaning those that straddle wilderness and development. The Division of Forestry, Fire and State Lands has a map classifying certain properties as high-risk WUI.

That’s the map local governments can petition to amend this year.

Those properties will pay a fee into the new Utah Wildfire Fund, which is supposed to offset fire-related costs. The fee pays for inspections to make sure property owners are being firewise and maintaining their land.

The fee is expected to range from $20 to $100 annually, depending on the size of buildings on a given property and risk level. The state forester has more information on an online FAQ page.

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This Utah Family Retreat Takes Its Elevated Design Cues From the Alpine Surroundings

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This Utah Family Retreat Takes Its Elevated Design Cues From the Alpine Surroundings


as hard as it is to say goodbye to a special place where you’ve made countless memories, letting one good thing go can invite something even better to take its place. When one Chicago-based couple welcomed their first grandchild, they knew that it was time to part ways with their former Victory Ranch, Utah, retreat and expand into a custom-built home in nearby Kamas, which was designed to grow with their family.

With Jennelle Butera of Bloum Design Co. helming the design, every area of the expansive new homestead was tailored to suit the needs of a full, bustling household, with curated design choices that seamlessly coordinate with the majestic mountainous terrain on full display in nearly every room.

To give the space an artful signature all its own, Butera commissioned numerous custom accents. “We love working with local artisans,” she says. “We layered in pieces that feel deeply personal, from a solid walnut dining table with brass butterflies to a gunmetal kitchen hood and blackened steel fireplace surround.”

“We layered in pieces that feel deeply personal.”

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Though incredibly spacious and airy, the entire interior still has a warm and inviting feel, making it a natural home base for the entire brood to gather. From an intimate breakfast nook just off the main living area to a family room that’s ready for anything—from game night to cocktail hour—to a primary bathroom that could rival the most luxurious five-star spa, this is the ultimate entertaining home, sure to host countless reunions and gatherings in the years to come. And crucially, the space doesn’t feel cordoned off from the gorgeous natural world outdoors, but very much a part of it.

FAST FACTS

Designer: Jennelle Butera, Bloum Design Co.

Location: Kamas, Utah

The Space: A five-bedroom, six-bathroom home across 8,200 square feet

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ENTRYWAY

Guests are greeted by subtle artistic touches.

Lucy Call

Wall paint: Revere Pewter, Benjamin Moore. Console: Greg Palombo. Stool: RSCollection. Rug: Utah Rugs. Flooring: Eco Outdoor.

An entryway needs to make a memorable first impression, and the one in this home, anchored by a distinctive custom walnut console table, is so much more than a simple pass-through. “This entry vestibule serves as an artistic moment,” Butera says. There’s subtle beauty to appreciate underfoot as well, as the dappled pattern of the natural stone pavers is used both indoors and out, providing a seamless visual transition.


THE GREAT ROOM

A comfy, calming space that lives up to its name.

Living room featuring a large green couch, coffee table with decorative items, and expansive windows overlooking a mountainous landscape.
Lucy Call

Rug: Armadillo & Co. Couches: Montauk Sofas. Coffee table: The Future Perfect. Chairs: Verellen. Floor lamps: Vaughan Designs.

Walking into the great room, visitors are struck by two distinct features: expansive panorama windows that showcase sweeping mountain vistas and a sumptuous seating area that practically begs sitters to stay awhile and appreciate the view. The deep olive green Montauk sofas were hand-selected not just for their gorgeous color and plush silhouette, but because they feel like a dream. “The clients even took a special trip to the Chicago showroom to personally sit-test them,” Butera quips.


DINING AREA

Gilded accents add polish to everyday meals.

Contemporary dining area with large windows and mountain views
Lucy Call

Table: Project Sunday. Chairs: Maiden Home. Rug: Utah Rugs. Light: Apparatus. Bar shelving: Handmade Industries.

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Adjacent to the central seating zone is the dining area; at its heart is a custom-fabricated walnut table with cozy mohair-upholstered chairs that offer plenty of spots for dinner party guests to perch.

“Warm and chocolate tones were chosen to complement the natural landscape,” Butera says, and the effect is the total embodiment of—dare we say—quiet luxury. A sophisticated dry bar awaits service nearby, resplendent in its gleaming wallcovering by Alchemy Helio 3.0.


BREAKFAST NOOK

This bonus room is the go-to spot for quiet contemplation.

Modern dining area with colorful artwork and floral centerpiece.
Lucy Call

Banquette: Teerlink Cabinets. Table: Greg Palombo. Chairs: Maiden Home. Pendant: The Urban Electric Co.

For those in-between moments throughout the day, this light-filled breakfast nook, grounded by a custom ash wood table and banquette, offers a casual, quiet corner. “This intimate, everyday space allows them to enjoy the view while sitting with coffee or tea,” Butera says. It’s also the client’s preferred workspace.”


KITCHEN

Soft moodiness pervades in this hyper-efficient cooking hub.

Modern kitchen with dark cabinets and marble countertops.
Lucy Call

Countertops: Bianco Superior. Pendants: Allied Maker. Stools: Thomas Hayes Studio. Cabinet hardware: Ashley Norton. Backsplash tile: Bespoke Studio.

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“The kitchen showcases a curated interplay of dark and light,” Butera says. Subtle shifts in tone and mood are exemplified through the rich oxidized rift oak cabinetry, which contrasts against the smoky zellige tile backsplash. Crowning the range is a custom gunmetal hood, which Butera calls “the kitchen’s striking focal point.”

The space’s organizational flow was also meticulously mapped out through specialized, streamlined storage to ensure maximum efficiency while also allowing room for beauty. The client’s precious collection of pottery, handmade by her mother, holds court above the cook space in the glass-door upper cabinets.


FAMILY ROOM

A casual escape designed for off-hours enjoyment.

Modern living room featuring a sofa, chairs, and decorative elements.
Lucy Call

Rug: Antrim. Couch: American Leather. Chair: Younger + Co. Side table: Moe’s Home. Floor lamp: Visual Comfort.

On the lower level, this entertaining zone ups the casual quotient, offering ample storage space for the household to stash games, books, and other off-the-clock accoutrements. Ever ready for all hosting needs, the space includes an oxidized rift oak bar and kitchenette. “The bar was intentionally designed to be camouflaged and sleek,” Butera notes. It also alleviates the need to run upstairs for a refill.


BEDROOM

Relaxed refinement takes center stage.

bedroom with textured walls
Lucy Call

Wallcovering: Fromental. Pendant light: Visual Comfort & Co. Bed: Lawson-Fenning. Bedding: Boll and Branch. Rug: Rosemary Hallgarten.

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corner of bedroom
Lucy Call

Cabinet hardware: Colonial Bronze. Rug: Overland Sheepskin. Closet sconce: The Urban Electric Co.

Waking up is never hard to do in this primary bedroom, which Butera calls “a zen-inspired sanctuary for enjoying the mountain views from bed.” She extended the serene tonal and textural palette to this calming space, adding a watercolor-inspired wallcovering to the room’s feature wall and extending it into the nearby boutique-inspired changing area.


PRIMARY BATHROOM

An everyday sanctuary replete with spa-level luxury.

Modern bathroom with a double sink, wooden cabinetry, and decorative elements.
Lucy Call

Countertop material: Crema Marfil. Sconces: The Urban Electric Company.

corner of bathroom
Lucy Call

Shower tile: Silver Wave. Shower fixtures: Newport Brass.

“This primary bathroom is a spacious sanctuary, flooded with natural light,” Butera says. Layers of materiality—limestone floor tiles, a marble sink countertop, a white oak custom vanity—read as a naturalistic extension of the alpine atmosphere just outside.

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GUEST ROOM

This home-away-from-home practically guarantees sweet dreams.

Contemporary bedroom featuring a bed, artwork, and natural lighting.
Lucy Call

Wall paint: Card Room Green, Farrow & Ball. Pendant: Visual Comfort. Rug: Armadillo. Bed: Maiden Home. Nightstand: Maiden Home.

This entire home was designed with five-star hospitality in mind, so the guest rooms were certainly not an afterthought. “The main-level guest bedroom is a warm and welcoming space designed to make family and guests feel at home,” Butera says. The room’s biophilic-inspired sage, almond, and mauve hues cocoon the sleeper to put the mind at ease, while a lantern-like pendant from Visual Comfort & Co., aptly named “Paper Moon,” hangs overhead.


About the Designer

Jennelle Butera of Bloum Design Co. has been creating thoughtful spaces for over a decade. In each aspect of her projects, Jennelle and her team seek connection and collaboration with both their clients and their creative partners to create homes that are truly a team effort and reflect each contributing point of view.


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