Connect with us

San Francisco, CA

Review: Van Morrison leans into his blues roots at San Francisco show

Published

on

Review: Van Morrison leans into his blues roots at San Francisco show


Before he was a genius, Van Morrison was a professional, and he’d probably take the latter as a higher compliment. Morrison came up in the world of Irish showbands — a regionalized variant on the jazz big band, a relic of a time when there was more money in live music than today, and a commitment that entails practice as a lifestyle. This work ethic is the most useful way to explain how he was able to write perfect songs like “Here Comes the Night” as a teenager — and, if the legends are true, improvise the songs on 1968’s masterpiece “Astral Weeks” more or less on the spot.

Anyone who knew the first thing about Morrison knew they were unlikely to hear any of those songs at his exclusive engagement at San Francisco’s Chapel on Monday. This was the launch party for his new album, “Somebody Tried to Sell Me a Bridge,” which is entirely in a blues idiom; Morrison’s father had one of the biggest record collections in Ireland, and the eventual Van the Man grew up immersed in blues, R&B and classic soul. This is still the music dearest and truest to his heart, and though he’s an infamously erratic live performer, the chance to be immersed in this music allowed him to coast on a kind of cool professionalism.

The setlist leaned obscure, and he sounded best on faster numbers like Eddie Vinson’s “Kidney Stew Blues” and Marie Adams’ “I’m Gonna Play the Honky Tonks.” The most unconventional cover, a slowed-down version of Fats Domino’s “Ain’t That a Shame,” gave him an opportunity to indulge in the perverse repetitions of words that so enthralled rock critics in the 1970s, when Morrison was in his live prime. On recordings like “Listen to the Lion” from 1974’s definitive live album “It’s Too Late to Stop Now,” these repetitions felt like his way of channeling a universal, Bardic Celtic subconscious. These days, it feels more like one of his moves.

“I used to live here,” he repeated at one point, emphasizing his Bay Area roots, but the rich vein of Marin new age and Theosophic thought that came to full flower on his ‘80s records was not relevant to this set. Here was the Belfast boy, drunk on blues.

Advertisement

A more evident connection to Morrison’s Marin years was the presence of John Allair, one of Marin County’s earliest rockers and one of the few people alive today who can be said to have played with Fats Domino in his prime. Now in his mid-80s, he’s a damned good organist, and not just for his age. Rising from his seat to solo, he was often more visible than Morrison, who stalked among his musicians, giving stage directions and generally seemed more comfortable at the center than at the front.

Allair’s presence also reinforced the idea that this show was a living link to a pre-Beatles era when putting on a great show was more important than being a genius, when musicians came to the blues through Sonny Boy Williamson rather than Led Zeppelin, when the average artist would put more of a premium on practice than on the druggy surrendering to cosmic visions that became associated with great rock music in the mid- to late ‘60s. An announcer began the set by announcing, “Ladies and gentlemen, Van Morrison.” When was the last time you went to a set with an announcer? Usually rock bands dim the lights, trudge glumly onstage and hope you’ll cheer. A lot was gained when rock ‘n’ roll became art rather than dance music, but a lot was lost.

Morrison is 80 years old, thinner than the pink-suited popinjay who graced the Band’s “Last Waltz” stage with Rockette high kicks. If there wasn’t much of the “Astral Weeks” wonder boy in Morrison’s set, there wasn’t much of the cantankerous side, either; aside from a brusque request to turn the mic up, his bubble of contentment remained un-popped throughout the show. When he encored with the garage-rock standard “Gloria,” just in case you forgot he wrote it, it felt like a gift from this most uncompromising artist: a rare glimmer of genius amid the professionalism, and maybe a reward to the audience for not shouting for it.

Morrison performs at 7 p.m. Monday and Tuesday at the Palace of Fine Arts at 3301 Lyon St. in San Francisco. Admission is $277 and up. Go to palaceoffinearts.org.

Advertisement



Source link

San Francisco, CA

Oakland man faces hate crime charges for Castro District attack

Published

on

Oakland man faces hate crime charges for Castro District attack


SAN FRANCISCO (KRON) — San Francisco District Attorney Brooke Jenkins announced multiple hate crime charges, as well as assault and vandalism charges against an Oakland man for an incident that happened in the Castro District last month.

On Thursday afternoon, Hans Haken pleaded not guilty to one felony count of assault with a deadly weapon, one count of assault with force likely to cause great bodily injury, one count of vandalism, one count of hit-and-run, and one count of reckless driving.

Prosecutors also allege each of the felony assault counts was a hate crime.

“In San Francisco, we have zero tolerance for any hate, hateful acts, certainly that cross the criminal line, and we will do everything that we can to protect our residents from these types of incidents,” said Jenkins at a Thursday afternoon news conference.

Advertisement

It was on May 16, around 5:30 p.m., when prosecutors say Haken spray-painted a homophobic slur on the wall next to Chartreuse by Roje, a gay-owned floral boutique in San Francisco’s Castro District.

“It was a reminder that even though we’re here in Castro, San Francisco, we live in this well-protected bubble that we have created very passionately and strongly, that that can still happen,” said Jeffrey Dumlao, the owner of Chartreuse by Roje. “If anything, that is what’s scary, that it happened here in broad daylight of all times.”

Dumlao says his store had already closed by that time, but Justin Donnelly, who lives above the store, heard the spray-painting and came down to confront the man and tell him to stop. 

“He just became very agitated,” Donnelly said.  “I tried to remain calm and just tell him, like, sir, you know, I don’t, I don’t, I’m not involved in any of that. I’m just, I live here, right, and this is, this is my home, and you know, this is vandalism.”

Donnelly says when he took a picture of Haken’s license plate, Haken got in the car and tried to run him over. Then, prosecutors say he got out of the car and punched Donnelly in the jaw while uttering homophobic slurs.   

Advertisement

“I’m definitely doing a lot better than I was. It’s been, I don’t know, a month or so,” Donnelly said.

He says the incident has shaken him, but he’s been lifted up by the community’s support and law enforcement.

“A lot of people have said, ‘oh my god, I can’t believe something like this could happen in San Francisco, of all places.’ And the fact is that something like this can happen anywhere, but in San Francisco, we don’t stand for it, and we deal with it, so, so that makes me feel good,” Donnelly said.

In announcing the charges, Jenkins pointed out the climate in this country has become more hostile to the LGBTQ community. She says that makes it even more important for elected officials to protect that community, just like they do every other community.

Advertisement



Source link

Continue Reading

San Francisco, CA

Morning Report: McKivitz Highlights Special Connection to SF 🗞️

Published

on

Morning Report: McKivitz Highlights Special Connection to SF 🗞️


McKivitz Sends Clear Message on 49ers Future: ‘I Want to Be on That 10-Year Wall’

As Colton McKivitz enters his seventh season with the 49ers, he has his sights set on a milestone that represents trust and commitment to the organization: reaching the organization’s 10-year wall and joining a list of names that includes legends Joe Montana and Bryant Young.

George Kittle Catches FIFA World Cup Action | Off the Field

The 2026 FIFA World Cup is underway, and tight end George Kittle is showing his support for Team USA. Following the 4-1 USA win over Paraguay, Kittle shared his excitement on social media tweeting “4 is good right?”

Advertisement

5 Things to Know: Offensive Lineman Enrique Cruz Jr.

The Chicago native adds size, athleticism, and versatility to the 49ers competitive offensive line room. Here are five things to know about Enrique Cruz Jr.



Source link

Continue Reading

San Francisco, CA

Artwork quilt unveiled at San Francisco dirt alley that was mistakenly bought at auction

Published

on

Artwork quilt unveiled at San Francisco dirt alley that was mistakenly bought at auction


In the fall of 2025, CBS News Bay Area first brought you the story of a Sunset couple that had the winning bid for a piece of property next to their home. They thought they were getting the duplex next door. Instead, they got a small patch of land known as Dirt Alley.

This story has many chapters, but it ended with a community celebration.

The final chapter in the story of Dirt Alley was written Wednesday night as they unveiled the tiles of artwork on the pavement.

“I’m very happy today,” JJ Hollingsworth said. “It’s just amazing that these artists that I’ve been working with and sold the alley to have come through with this incredible art.”

Advertisement

JJ Hollingsworth was the original property owner. She took out $25,000 from her retirement to pay for this parcel in a city auction. She thought she got a bargain for the duplex next door. When she found out it was actually the alley, the stress led to health problems and a lot of anxiety.

“I’m trying to forget, but I caused all this,” she said. “That’s what happened. I caused all this.”

Then came an email that would help her get out of the Dirt Alley nightmare. A group of friends from San Francisco was interested in buying this 82-foot-long alley.

“I know she was really stressed out when she first bought this and kind of didn’t know what she was going to do with it,” Theo Bleier said. “It’s really lucky. We were going to buy a different parcel, and we lost the auction. It was more than we wanted to spend. We felt really lucky the coincidence worked out, and we were able to help out JJ.”

The new owners then had the idea of laying an artwork quilt on the pavement and took submissions online.

Advertisement

“I think we had about one million people visit the website at least,” owner Patrick Hultquist said. “1.2 million, I think is the number of people that visited the website.”

The tiles with the most votes made it onto what is now called Notion way.

“Now, it’s not an official name of the street. It’s an unofficial name, but we did get an official-looking sign,” he said.

JJ Hollingsworth, who is a music composer, wrote a ballad called Notion Way for the special occasion. What started as a horrible mistake ended up bringing the community together.

“It’s really beautiful,” neighbors Tom Goslinga & Nesha Niezrecki said. “It’s how culture gets created in a lot of ways. People kind of being creative with an interesting situation. It’s really cool.”

Advertisement

While Hollingsworth is grateful for how this story ended, she says she learned a valuable lesson from this whole experience.

“Read the fine print and ask a lot of questions,” she said. 

Advertisement



Source link

Continue Reading
Advertisement

Trending