San Francisco, CA
A Sultry San Francisco Wedding in Creams and Scarlets
When we ask newlyweds to think back on what they wanted most for their big day — and we’ve interviewed hundreds of them over the years — the most common response is “For it not to feel like a wedding!” Gathering with old friends and eating mini grilled cheeses in formalwear to celebrate love feels more special these days than ever, even downright miraculous. And the betrothed have never been less attached to the old wedding handbook — or the need to please their great-aunt. So in a flurry of pampas grass and perfectly mismatched-to-match bridesmaid dresses, how do you pull off a non-cookie-cutter affair? For the answers, we decided to interrogate the cool couples whose weddings we would actually want to steal, right down to the tiger-shaped cake toppers.
Here, we spoke with San Francisco–based couple Jazelle Prado, a radio producer turned esthetician who also dabbles in the floral industry, and Lucas Liu, who works in interior textile sales. Though initially averse to being the center of attention and considering eloping, the pair’s love for the creative process won out, and they wed in two of their city’s most eye-catching, century-old establishments: the soaring City Hall and Tosca Café, a sexy jewel box of a spot with maroon leather seating. Their 80 guests ate steak, watched a fantastical Guillermo del Toro movie, and — if they were lucky — toasted the couple in a hidden lounge overlooking the space.
Jazelle: We wanted to elope originally. I didn’t know if I could be in a room with 100 people and have everyone spectate. The thought was a little cringe.
Lucas: We didn’t want to cater to the masses. Jazelle and I have a different bandwidth and energy. We’re very much reserved, invitation-only kind of people.
Jazelle: But we love to see ourselves as designers and we love curating our own spaces. We thought, Okay, then, let’s do something just super tasteful.
Lucas: Initially, we just wanted a cool place to do this festive function with our select friends and family. Eighty people max seemed sensible.
Jazelle: We didn’t really have any place in mind, but once I got my dress, I was able to figure out, Okay, what should a space look like with this dress on? I was totally feeling myself in that dress. I really liked how my body looked in it. I decided to wear gloves because that felt very glam. It was a vibe. It was sexy. I wanted the wedding to feel very sultry.
Lucas: I met Jazelle in 2018. We matched on Tinder. We connected so well on everything. It’s honestly insulting to try to put in words or force people to hear what I hear when I’m with Jazelle. It’s crazy. It’s just magic.
Jazelle: I had just graduated college. We met in May; I was moving to Chicago in June. I was like, This will be nothing. After that first date, we saw each other every day. I needed to be around him. Right before I left, he told me he loved me. I got in the car to drive cross-country with my mom and talked about Lucas the whole ride there.
Lucas: It’s like the worst drug. It literally ruins families and shifts continents and starts wars.
Jazelle: We were long-distance for a year, and then I moved back home and we moved in together. It’s just been fun ever since. He asked me to marry him on February 27, 2022. The ring is less traditional. He gave me a Padparadscha sapphire in a lotus, rose-gold setting. The sapphire is this amazing scarlet, burnt-orange color.
Lucas: Jazelle has always been fascinated with the City Hall building here in San Francisco. It has breathtaking architecture and lighting. We’d have it there and then do a little procession, whether walking or in cars, to a banquet hall or whatever. We checked a few places out, and the one that left the deepest impression was Tosca.
Jazelle: Tosca feels very “the mob’s watering hole.” This place is historic. It was built in 1919, and it was even in Mrs. Doubtfire. What captivated me was the interior design, with the checkerboard floors and this patinaed bar. On top of that, the food is amazing. When we toured the space, the staff were making it really easy. I was like, I’m going to vibe with these people.
Lucas: And the location — it’s in the heart of North Beach, on a gorgeous street, Columbus Avenue, that runs straight down to the Fisherman’s Wharf. The neighborhood is so rich in art, history, and culture. You see the cable cars going around. It’s the best of San Francisco. We just kept imagining, “It’s happening here.”
Jazelle: My dress was the first one I tried on, a local brand called Kamperett. I had just turned 30, and I was like, I’m in the best shape right now and I’m going to feel so confident in the dress. My mom said, “That is a slit, Jazelle.” Yeah, it looks like that for my husband, not for you! It was this yummy cream/shell color. With my dress and my ring and Tosca, that’s how I ended up choosing our color palette: scarlet flowers with the creamiest rose I could find. I did all the flowers for my wedding. I think I had a $500 flower budget, which is so rad.
Lucas: I had a Suitsupply tuxedo that was initially supposed to be for another wedding or gala I didn’t go to that ended up being a superspreader event. We wanted it to be cohesive with everything and classic.
Jazelle: Because City Hall is a public space, you can have ceremonies with up to ten people and don’t need to ask permission. But if you’re going to have a set amount of people and you want chairs and a reserved space, it’s a lot of emails to the clerk’s office. We wanted a reserved area because I wanted it to feel ceremonial without that religious factor, and I wanted the lighting to be on point. We had the “mayor’s balcony,” all marble with a beautiful view of the city and the staircase.
Lucas: The parameters were tight: “You can have this many flowers; if there’s any music, it has to be approved by this office and you have to keep it under an hour, and your hour starts upon the chairs being set up.”
Jazelle: Those are things where I had to be a bit more inventive. Can I get away with a ukulele player? I just said it was my cousin. Lucas is Polynesian, and I felt it would be really beautiful to have a ukulele play during our procession.
Lucas: We had a friend strum that Ronettes track, “Be My Baby,” as we were walking out, and the Beatles song “And I Love Her” on the way back. It ended up being June 23, a Friday, and as we got closer, we were like, “Wait, that’s Pride weekend. It’s going to be crazy in there.” But it was the coolest thing; the halls were just buzzing because everyone was having a pop-up wedding in every corner. Everyone looked their best and so happy. Everyone was sharing it.
Jazelle: City Hall was so loud. Everyone who came to our ceremony didn’t hear anything Lucas and I were saying, but I actually kind of loved that because that left me and Lucas in our own bubble. He heard me and I heard him, and that’s obviously all that mattered.
Lucas: Jazelle’s aunt Monica officiated for us. She did an excellent job speaking in front of everyone in English and Spanish.
Jazelle: She’s everyone’s auntie, and she just loves love. If I could think of the person who’s the most supportive of Lucas and me, it was naturally her. When we presented the idea to her, she was over the moon. I never really imagined myself getting married in the church. I come from a very traditional Mexican family and grew up pretty Catholic, and Lucas also has Latin roots; his father’s side is from Samoa, which can be a more religious culture. But we definitely decided that was not the route we wanted to go, with all due respect.
Lucas: Our dog was there. We knew we wanted her involved. She was such a good scout all day, going through all the people. We knew it was going to be a challenge, but we pushed and it ended up being great.
Jazelle: She did so well. She’s a Shiba named Lion. I sent a picture of her to a graphic artist, Indira May, who made this cute illustration of her that we put on matchboxes with the date and our initials. On the back was a QR code to our wedding playlist.
Lucas: At Tosca, there was a cocktail hour. They brought out nice caviar and oysters and did it up. As that was happening, Jazelle and I were taking our photos all around the neighborhood at golden hour. We circled back and transitioned into sitting down, talking, and having little toasts. I don’t think I was even watching what I was shoving into my mouth, there were just plates in front of me. There was steak, a burrata salad, and they saved a lot of caviar for us.
Jazelle: They brought us everything, salad and pasta, and there was a choice between steak and salmon. I remember eating while watching Lion on the camera on my phone, because she was at home. I was multitasking because she’s my baby. I need to make sure she’s good!
Lucas: Our friend Miguel from Chicago spoke, and our friend Norma. My friend Darren was a little hyper from inebriation and he had a good time speaking for a while. Jazelle’s brother sang.
Jazelle: I decided to serenade Lucas with an Aretha Franklin song, “Call Me,” because the beginning of our relationship was based around the phone. We were calling each other constantly. I didn’t sing it on a microphone; I just mouthed the song and twirled around him, basically. The space was very small and the music was very loud. I made the playlist, so the DJ just played that and MCed.
Lucas: We wanted to put something on the projector that was inside that main area while the music’s going. We were thinking we’d choose something simple and color-focused. The movie that came to mind was The Shape of Water. The space was very primary-color dominant, and the movie has teal and blue tones that would make everyone spiral a little harder into this vacuum. We were trying to mix it up, like if you weren’t dancing, and you were tired and wanted to zone out. We wanted it to be a very comforting, enveloping space for the silly people we love.
Jazelle: I didn’t want the traditional cake-cutting photos, but dessert was olive-oil cake with mousse. There was another tucked-away room where we had a photo booth and a dessert/coffee space, if the more mature guests wanted to get away from the music and chaos.
Lucas: We rented an older, retro-looking photo booth. Did we want a bunch of little props? No. Black-and-white, sepia-toned photos.
Jazelle: We originally wanted to make an Irish exit, because I didn’t want to kiss everyone and say good-bye at the end of the night. I didn’t want to be pulled away; I wanted to be by Lucas’s side. If I’m going to be spectated, this is how I’m going to be spectated. Sorry if it comes off grumpy. I love everyone so much, but I’m letting you have this open bar, this music. Enjoy the time, and this is how you can spectate. We ended the night in the chef’s lounge and decompressed and drank some Champagne. We told some of our close friends we were upstairs, and we hung out with them and took photos and talked about the night until everyone left. There was no after-party. I just wanted to be with Lucas. We were on cloud nine.
Jazelle and Lucas met on Tinder in 2018 and married last June in San Francisco.
Photo: Sincerely Sini
Their Shiba Inu, Lion, accompanied them to their ceremony at City Hall.
Photo: Sincerely Sini
Of their love, Lucas says, “It’s honestly insulting to try to put in words or force people to hear what I hear when I’m with Jazelle. It’s crazy. It’s just magic.”
Photo: Sincerely Sini
Jazelle set out to enjoy the creative process of wedding planning as much as possible. “I just didn’t want to be the type A bride who stresses.”
Photo: Sincerely Sini
Since they wanted a larger group at City Hall, they had to register their wedding and follow some parameters around décor and music.
Photo: Sincerely Sini
They were assigned the “mayor’s balcony,” which overlooks the grand staircase.
Photo: Sincerely Sini
Jazelle’s aunt Monica officiated. “If I could think of the person who’s the most supportive of Lucas and me, it was naturally her.”
Photo: Sincerely Sini
Given the cavernous space and the other weddings happening at the same time, guests couldn’t really hear the ceremony, which was just fine by the couple.
Photo: Sincerely Sini
Jazelle accessorized with sheer black gloves, while Lucas opted for a sleek black manicure.
Photo: Sincerely Sini
After the ceremony, the newlyweds took photos around Ocean Beach, the same neighborhood where they got engaged.
Photo: Sincerely Sini
Jazelle’s unconventional engagement ring, which features a deep-orange Padparadscha sapphire, was a major source of inspiration for the day’s aesthetic.
Photo: Sincerely Sini
Their reception was held at Tosca Café, an Italian restaurant that first opened in 1919.
Photo: Sincerely Sini
They loved Tosca for its look and its multiple discreet side rooms, like the one where they hid away to have Champagne and appetizers.
Photo: Sincerely Sini
The room even featured a little window overlooking the restaurant where they could spy on guests. “I loved that,” says Jazelle. “It felt like a getaway, and very royal.”
Photo: Sincerely Sini
The restaurant recently underwent a big renovation that maintained the mahogany bar and vinyl checkerboard floors.
Photo: Sincerely Sini
“Tosca feels very ‘the mob’s watering hole,’” the bride remarked.
Photo: Sincerely Sini
Several loved ones spoke while the party dined on burrata salad, meatballs, cacio e pepe, steak, salmon, and more.
Photo: Sincerely Sini
Lion made another appearance, this time in illustrated form on matchboxes scattered on the tables.
Photo: Sincerely Sini
Jazelle arranged all of the flowers herself.
Photo: Sincerely Sini
“I don’t think I was even watching what I was shoving into my mouth,” Lucas recalls. “There were just plates in front of me.”
Photo: Sincerely Sini
After dinner, there was dancing to a playlist Jazelle made. At the same time, a projector descended, showing The Shape of Water.
Photo: Sincerely Sini
In another tucked-away room, an old-school photo booth spit out sepia-tone keepsakes.
Photo: Sincerely Sini
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A vegetation fire was burning in northern Napa County Monday afternoon northeast of Angwin.
Cal Fire said the Hardin Fire began at about 2:40 p.m. in the area of Hardin Road and Pope Canyon Road, east of Chiles Pope Valley Road.
The fire had burned 55 acres as of 3 p.m.
A status report at 3:45 p.m. said that crews were making good progress on the fire and that there were no evacuation orders at this time.
As of 5:10 p.m. forward progress of the fire had been stopped, and containment was at 35%.
The cause was under investigation.
San Francisco, CA
A Leak of San Francisco Police Drone Footage Exposes the New Reality of Urban Surveillance
Just after noon on a Saturday last month, a Skydio X10 quadcopter hovered about 200 feet over a San Francisco apartment complex, watching police chase a man hiding behind a parked car. The target of this manhunt lay down on the pavement, apparently unaware that he remained in full view of the flying eye overhead. The 5-pound drone had, in fact, already followed him across the city, zooming in on his black SUV’s license plate, keeping the vehicle locked at the center of its video frame until he pulled over. Now it watched the police as they closed in and surrounded him.
As the officers approached, the man adjusted his hiding spot, moving to the other side of the parked car. At that moment, however, another Skydio drone zoomed in on his location, one of four Skydio quadcopters that had followed the man in just the prior hour. This one had been called away from a nearby McDonald’s, where it had been watching two people who’d exited the suspect’s car a few minutes earlier—and now began watching him from a second angle.
Within seconds, three officers converged on the man, two pointing weapons at him, then tackled him as half a dozen more police arrived on the scene. Police records provided to WIRED by the San Francisco Police Department show the entire street-and-sky response followed from what the SFPD described as an alleged “auto boost/strip” incident—the suspected theft of car parts or another object from a vehicle.
This glimpse of modern drone-enabled police surveillance, including the highly sensitive video of the man’s physical takedown, wasn’t voluntarily released by the SFPD—which, like most US police departments, rarely releases drone videos even in response to public records requests. Instead, it was accidentally livestreamed onto the open internet via Skydio’s website. That’s where two security researchers, Sam Curry and Maik Robert, discovered that the SFPD was leaking all of the real-time footage from five of its surveillance drones, including both color and thermal imaging, accompanying location metadata, and the drone pilots’ names and email addresses, to anyone who merely found the public web address where the videos were hosted.
Curry and Robert say they reported their discovery to Skydio around two days after discovering it, and it was quickly taken offline. By then, though, the researchers had watched police carry out what appeared to be multiple arrests and searches as well as tracking cars and individuals from the sky, all visible at a fully public web address.
“There’s a certain trust given to the police to use these things correctly,” says Curry. “When you’re watching a drone feed live, you can look into dozens of different apartments, you can see police zooming in on people, you can see arrests. The fact that all of this was exposed feels like a really big issue from a privacy perspective.”
The leaked feed of video captures two forced detentions—whether any actual arrests were made is unclear from the footage—a police visit to an apartment in a high-rise apartment building, and an apparent search of an alley populated with homeless people, as well as numerous other more ambiguous instances where police used drones to surveil individuals, vehicles, or buildings. While the feed remained live, Curry and Robert began archiving the public stream of data and videos and later shared the results with WIRED.
The archive Curry and Robert captured offers a detailed record of SFPD drone operations over about 48 hours in mid-June. It includes 60 videos from 20 separate flights, with each mission recorded from three feeds: a color camera, a thermal camera that renders people as heat signatures, and a third view from the drone’s rooftop dock. WIRED analyzed all 20 color videos with software that detects people, vehicles, and other objects in images. The review found that the cameras had filmed hundreds of people and vehicles across the 20 flights. In a single frame, as a drone hovered over a downtown intersection, the software counted 34 people crossing the street or standing on the sidewalks. Across all of the videos the footage showed clear faces of dozens of people.
Together, the videos amount to more than three hours of aerial color footage and roughly the same amount of thermal footage. The archive also includes second-by-second telemetry logs for every flight—more than 5,000 GPS points in all tracing over some 44 miles—recording each drone’s latitude and longitude, altitude, speed, heading, and battery level from takeoff to landing. Six SFPD pilots’ names and email addresses also appear across the logs.
The San Francisco Giants conclude this four-game series against the Colorado Rockies this afternoon from Oracle Park.
Taking the mound for the Giants will be right-hander Trevor McDonald, who enters today’s game with a 5.46 ERA, 3.99 FIP, with 50 strikeouts to 20 walks in 59.1 innings pitched. His last start was in the Giants’ 9-3 loss to the Toronto Blue Jays on Tuesday, in which he allowed eight runs on 11 hits and one walk in two and a third innings.
He’ll be facing off against Rockies right-hander Michael Lorenzen, who enters today’s game with a 6.46 ERA, 4.83 FIP, with 72 strikeouts to 35 walks in 92 innings pitched. His last start was in the Rockies’ 4-3 win over the Los Angeles Dodgers on Tuesday, in which he allowed three runs (two earned) on six hits with five strikeouts and three walks in six innings.
Who: San Francisco Giants vs. Colorado Rockies
Where: Oracle Park, San Francisco, California
Regional broadcast: NBC Sports Bay Area
Radio: KNBR 680 AM/104.5 FM, KSFN 1510 AM
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