The play features an all women and non-binary cast to share one of Shakespeare’s Roman tragedies with audiences
By Cameron Aalto, Ashland.news
“Coriolanus,” one of Shakespeare’s most rarely produced plays, hits the stage Tuesday, July 23, in the Oregon Shakespeare Festival’s Thomas Theatre.
Directed by Rosa Joshi, the play tells the story of a powerful yet starving population and a war-hero turned politician. In his attempt to be made consul, he offends the civilian plebeians and is rejected not only by the population, but also tribunes who exiled him from Rome.
The Roman tragedy is described by Joshi in an email interview as “a complex story with a complicated central character. Coriolanus is not clearly sympathetic but also not a clear villain who you can ‘love to hate.’ He’s a war hero with a deep sense of integrity on his way to the highest political office in the state — the hitch is that he has to beg for it from the common people, and he despises the common people. And he can’t hide it like the other politicians in the play do.”
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When asked why people should attend the show, Joshi shares, “the production is infused with stylized movement that supports the story telling” which can be seen through “(a) mob that is a ‘hydra,’ soldiers storming a city, actors transforming before your eyes into different characters.” She describes the production as “visually dynamic and highly physical,” and adds that “the ensemble of actors who make the play are amazing — the virtuosity of their performance, I think, will captivate an audience.”
Joshi explains that the depth of Coriolanus’ character is one of the reasons that she decided to direct the play: “at the same time, Coriolanus is a fascinating character who has real vulnerability, humanity and depth — and that is what really draws me to this play. There’s no easy answers and I find that absolutely entrancing.”
Originally approached to direct the show by Portland Center Stage, Joshi writes that the small cast size and themes of leadership applicable to contemporary circumstances were additional motivations: “I was approached to do this play initially by Portland Center Stage as a workshop exploring if we could do it with a small cast. That was exciting as it invited a level of theatricality that is compelling to me. And I’m always interested in plays that examine the nature of leadership. I think in a democracy it is always essential for us to explore what we want in our leaders. It’s what keeps (Shakespeare’s) history plays alive and relevant to me as a contemporary American citizen.”
The plays official description states that its “themes of ambition and delicate democracy … will particularly resonate during an election year.” When asked about the parallels that viewers might see, Joshi explains, “I’m always thinking about how a classic play that is centuries old will connect with a contemporary audience. I think the politics of ‘Coriolanus’ will resonate with (the) audience. While Coriolanus is definitely the central character, this is also the story about a down-trodden populace manipulated by ambitious, duplicitous politicians who are in turn threatened by a revered but unpredictable war hero. The politicians in the play don’t love the people, but they know how to hide their disdain in order to stay in power.”
‘Coriolanus’ event at Bloomsbury on Sunday To learn more about the play with translator Sean San José, adapter and director Rosa Joshi, and president and co-founder of Play on Shakespeare Lue Douthit, join Bloomsbury Books for their conversation and book signing of “Coriolanus.” The event will take place from 4 to 5 p.m. Sunday, July 28, at Bloomsbury Books. For more information, click here.
She states that “the circumstances (of the play) and the political dynamics are definitely familiar” and that “(u)ltimately it’s a story for me about the fragility of democracy itself. Does democracy work? And this felt like an approach that would speak to who we are in the world today.”
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In a unique approach, “Coriolanus” will feature a full cast of women and non-binary actors. The production, presented by OSF and Portland Center Stage, is also partnering with Upstart Crow Collective.
Upstart Crow Collective reimagines classical plays by “producing racially diverse casts of women and non-binary people.”
Joshi states that “the choice of cast is very intentional. It comes from a desire to create more opportunities for women and non-binary people in the Western classical canon and also to examine how we experience these stories when these actors occupy the stage. We don’t change the gender of the characters on stage, we focus on playing the truth of character and on telling the story. And then when you do this, things that we ‘take for granted’ get thrown up into the air and we start to question the ‘norms’ of gendered behavior.”
In addition to this, Joshi says that the opportunity of an all-woman and non-binary cast provides the opportunity “… to see incredible actors take on roles they don’t normally have access to playing. And it opens up who can tell these stories. It allows young women and non-binary people to imagine themselves in these classic plays in new ways. And it (allows) all of us to experience how truly expansive Shakespeare can be — how the plays can hold all of humanity inside them.”
The eight-person cast of Coriolanus “telling this epic story we get to engage with (is) a kind of theatricality that I love,” said Joshi. Some actors will play both characters with power and characters without, “senators turn into citizens on stage on a dime,” she says. Because of this, Joshi explains that viewers can see each character’s humanity: “when you have the people in power played by the same actors as the common people, (…) a certain shared humanity comes through. The oppressors literally become the oppressed right before your eyes. It’s the kind of storytelling that I find thrilling and that can only happen in the theater — where an audience leans in and actively engages their imagination to create the world.”
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“Coriolanus” is scheduled to run from July 23 to Oct. 13 with preface events offered by OSF at Carpenter Hall.
To order a ticket, click here.
Ashland.news intern Cameron Aalto is a recent graduate of Southern Oregon University. Email him at aaltoc@sou.edu.
PORTLAND, Ore. — A man accused of killing several women and dumping their bodies in the Portland area was arraigned Wednesday on a fifth murder charge.
Jesse Calhoun’s defense attorney entered a not guilty plea on his behalf in a Portland courtroom where victims’ family members were present. The hearing, during which Calhoun remained silent, came after he was indicted last week on the most recent second-degree murder charge over the death of Ashley Real, 22, in 2023.
Calhoun has now been charged with five counts of second-degree murder for five victims, along with four counts of abuse of a corpse. The victims’ bodies were found over multiple months in early 2023, sparking concern at the time that a serial killer might be targeting young women in the region.
Calhoun was previously indicted in the deaths of Kristin Smith, 22; Charity Perry, 24; Bridget Webster, 31; and Joanna Speaks, 32.
He remains in custody at the Multnomah County Detention Center. His defense attorneys declined to comment.
Real, Perry, Webster and Smith were found in northwestern Oregon, while Speaks was found near an abandoned barn in southwestern Washington. Their bodies were found in a roughly 100-mile radius, including in wooded areas and in a culvert.
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Jose Real, Ashley Real’s father, was in tears as he spoke with reporters after the hearing. He recalled memories of watching her grow up and playing with her brother.
“I never thought or imagined that my family would experience something like this,” he said through a Spanish interpreter. “She had a heart of gold.”
Masciell Real, Ashley’s sister, also spoke through tears.
“I think being in that courtroom today and being able to see him, and know that he is behind bars now, it takes the weight off my shoulders knowing that he isn’t around and free to cause any harm to any other women out there,” she said. “But it also doesn’t take away the fact that my sister isn’t here anymore.”
Relatives of other victims were also present.
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“We’ve all experienced the worst thing that could ever happen to you, and it’s incredibly hard to see one of the other families hurt the way we do,” said Melissa Smith, mother of Kristin Smith.
Jose Real previously told The Associated Press that he had called police in November 2022 after his daughter showed up crying at his Portland home, saying she had been choked by Calhoun. She had marks on her throat, he said, and he took her to a hospital.
Real said at the time that an initial police report was taken but that the case was then transferred to a different jurisdiction and it was difficult to reach those overseeing it. Details of the attack were first reported by The Oregonian/OregonLive.
His daughter’s body was found in May 2023 by a man who was fishing in a pond southeast of Portland.
Calhoun was arrested in June 2023 on unrelated parole warrants and then indicted in 2024 and 2025 in the other four women’s deaths. The initial indictment came weeks before Calhoun was due to be released from state prison, where he was returned in 2023 to finish serving a four-year term for assaulting a police officer, trying to strangle a police dog, burglary and other charges.
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He was initially released in 2021, a year early, because he helped fight wildfires in 2020 under a prison firefighting program. Gov. Tina Kotek revoked the commutation in 2023 when police began investigating him in the deaths.
The University of Oregon’s Board of Trustees voted Tuesday to approve a $1.55 billion operating budget for the next fiscal year.
But they asked university leadership to return with an amended proposal by Dec. 15, when more details about future budget cuts will be known.
FILE — The Board of Trustees recently approved next year’s budget for the University of Oregon. The vote comes several weeks after the school’s president announced that he wants the university to reduce its annual budget as revenues and out-of-state enrollment decline.
Brian Bull / KLCC
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The vote comes several weeks after University of Oregon President Karl Scholz announced that he wants the school to reduce its annual budget by around $65 million.
At a trustees meeting Monday, Scholz said the estimated budget shortfall for next year is just around $23 million. But he said out-of-state enrollment is below historical norms for the second year in a row, and it’s unlikely to bounce back.
“One year can be an aberration. Two years is a pattern,” said Scholz. “And I believe we have to treat it as a new reality.”
Scholz said in May that discussions about the budget would happen over a six-month period. He said no final decisions about cuts would be made over this summer.
On Monday, UO Senate President Dyana Mason told trustees that the Senate had approved a new process to allow for community feedback in the cost-cutting process.
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Mason said the provost will work with the deans on budget proposals, finding “clear rationale” for why programs are considered for elimination.
The provost would then bring those proposals to the Senate Committee for Academic Modifications—which includes staff, faculty and students—for feedback.
Once the plans are nearly finalized, the Senate could then hold a period for public comment.
Mason told trustees that a six-month timeline is better than the three months that frustrated some staff last year, but she recommended taking however much time is necessary.
“The worst situation would be rushing forward to make decisions without appropriate evidence, data, feedback from the people that are most in the know about the impact on our students,” said Mason.
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UO’s Board of Trustees Chair Steve Holwerda said that every week that university delays the decisions could cost them millions of dollars.
Nathan Wilk is a reporter with the KLCC newsroom.This story comes to you from the Northwest News Network, a collaboration between public media organizations in Oregon and Washington.
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Oregon’s juvenile justice system has been reshaped in recent years by a sweeping reform law that changed how the state handles minors accused of serious crimes.
Senate Bill 1008, which took effect in 2020, ended automatic transfers of juveniles into adult court and eliminated life without parole sentences for juveniles. The law also created “second-look” hearings and established parole eligibility after 15 years for certain offenders who committed crimes before turning 18.
To help explain the law and its impact, KVAL’s Frannie Pedersen put together a timeline video tracing the history of Senate Bill 1008, from the passage of Measure 11 in 1994 to the reforms that later reshaped Oregon’s juvenile justice system.
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The video breaks down how the law changed, why lawmakers pushed for reform, and how SB 1008 continues to influence Oregon’s justice system today. Viewers can watch the full video for a detailed timeline and explanation of the changes.
