BELLINGHAM, Wash. — Firefighters in the West are scrambling as new wildfires threaten communities in Oregon, California and Washington, with at least one Oregon fire so large that it is creating its own weather.

Interstate 84 in eastern Oregon was closed in both directions Tuesday between Ontario and Baker City as flames from the Durkee Fire advanced toward the roadway in multiple locations. On Tuesday afternoon, the Oregon Department of Transportation also closed the eastbound lanes of I-84 from Pendleton to Baker City.

The Federal Emergency Management Agency on Monday night authorized the use of federal funds to help with firefighting costs for the lightning-caused blaze, which had scorched nearly 375 square miles (971 square kilometers) as of Tuesday afternoon.

The Durkee Fire was threatening homes in and around the communities of Durkee, Huntington and Rye Valley, as well as the interstate, cell towers and power infrastructure in the area.

Stephen Parker, a meteorologist with the National Weather Service in Boise, Idaho, said the Durkee Fire showed such extreme fire behavior on Saturday, Sunday and Monday that it began creating its own weather system with a “pyrocumulus cloud.”

“That can happen when a fire becomes plume-dominated,” Parker said. “It’s like a thunderstorm on top of the fire, generated by the heat of the fire.”

The pyrocumulus cloud allows the smoke and ash from the fire to travel much higher in the air than it would typically go, he said. If there is enough moisture in the air above the fire, the pyrocumulus cloud can also generate rain and lightning, potentially causing new fire starts in the region.

There were lightning strikes in the region on Monday night, but there were also other thunderstorms in the area, making it impossible to tell which weather system was responsible for the storm, Parker said.

Tuesday morning was free of pyrocumulus clouds, Parker said, but they tend to form later in the day.

“I don’t see any pyrocumulus developing yet today. But I would not be surprised if we got a fourth day out of it,” he said.

Several new fires ignited in that area Monday because of severe weather that included lightning and strong wind gusts, the Baker County Sheriff’s Office said in a Facebook post.

“Within minutes of the first lightning strikes, reports then came in of visible flames,” the post read.

Multiple fires have scorched more than 1,093 square miles (2,830 square kilometers) in Oregon, with nearly 180 square miles (466 square kilometers) torched in the past 24 hours, authorities said.

Parts of the West have also been in the grip of a heat wave, including record-breaking triple-digits temperatures, for days.

A fire in the Columbia River Gorge that started late Monday forced urgent evacuations around the town of Mosier, Oregon, and the entire town of about 400 people was ordered to be ready to leave at a moment’s notice on Tuesday.

In central Washington, a fire that sparked Monday near Natches prompted mandatory evacuations while another near Bickelton also forced evacuations and threatened a natural gas plant.

“This is shaping up to be another monster fire year in the Pacific Northwest, and it’s just mid-July,” Ed Hiatt, Pacific Northwest Assistant Fire Director for Operations at the U.S. Forest Service, said Tuesday in a news release.

Millions of acres of national forest lands across Oregon and Washington are continuing to see record- breaking dry timber conditions on both sides of the Cascade Mountains with no “wetting” rains for more than six weeks in areas from far southern Oregon to the eastern part of the state and north into central Washington, according to the news release.

Fire crews from across the country were coming to the region to help, Hiatt said.

Oregon Gov. Tina Kotek earlier this month declared an “extended state of emergency” until October because of the increased risk of wildfires.

“I urge all Oregonians to follow the instructions and evacuation levels issued by emergency officials,” she said at the time, while also urging people to subscribe to emergency alerts, to have an evacuation plan, prepare a go-kit, and stay aware of changing conditions.

Near the California-Nevada border, a series of lightning-sparked wildfires in the Sierra forced the evacuation of a recreation area, closed a state highway and was threatening structures Tuesday in several communities southwest of Portola, which is about 50 miles (80 km) northwest of Reno.

Nearly 200 children and staff at a summer camp near Portola voluntarily evacuated on buses back to their homes Sunday night in the Reno-Sparks area.

Heat waves and historic drought tied to climate change have made wildfires more challenging to fight in the American West. Scientists have said climate change has made the region much warmer and drier in the past 30 years and will continue to make the weather more extreme, and wildfires more frequent and destructive.

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Associated Press writers Rebecca Boone in Boise, Idaho, and Scott Sonner in Reno, Nevada, contributed to this story.

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The play features an all women and non-binary cast to share one of Shakespeare’s Roman tragedies with audiences

By Cameron Aalto, Ashland.news

“Coriolanus,” one of Shakespeare’s most rarely produced plays, hits the stage Tuesday, July 23, in the Oregon Shakespeare Festival’s Thomas Theatre. 

Directed by Rosa Joshi, the play tells the story of a powerful yet starving population and a war-hero turned politician. In his attempt to be made consul, he offends the civilian plebeians and is rejected not only by the population, but also tribunes who exiled him from Rome.

The Roman tragedy is described by Joshi in an email interview as “a complex story with a complicated central character. Coriolanus is not clearly sympathetic but also not a clear villain who you can ‘love to hate.’ He’s a war hero with a deep sense of integrity on his way to the highest political office in the state — the hitch is that he has to beg for it from the common people, and he despises the common people. And he can’t hide it like the other politicians in the play do.”

When asked why people should attend the show, Joshi shares, “the production is infused with stylized movement that supports the story telling” which can be seen through “(a) mob that is a ‘hydra,’ soldiers storming a city, actors transforming before your eyes into different characters.” She describes the production as “visually dynamic and highly physical,” and adds that “the ensemble of actors who make the play are amazing — the virtuosity of their performance, I think, will captivate an audience.”

Joshi explains that the depth of Coriolanus’ character is one of the reasons that she decided to direct the play: “at the same time, Coriolanus is a fascinating character who has real vulnerability, humanity and depth — and that is what really draws me to this play. There’s no easy answers and I find that absolutely entrancing.”

Originally approached to direct the show by Portland Center Stage, Joshi writes that the small cast size and themes of leadership applicable to contemporary circumstances were additional motivations: “I was approached to do this play initially by Portland Center Stage as a workshop exploring if we could do it with a small cast. That was exciting as it invited a level of theatricality that is compelling to me. And I’m always interested in plays that examine the nature of leadership. I think in a democracy it is always essential for us to explore what we want in our leaders. It’s what keeps (Shakespeare’s) history plays alive and relevant to me as a contemporary American citizen.”

The plays official description states that its “themes of ambition and delicate democracy … will particularly resonate during an election year.” When asked about the parallels that viewers might see, Joshi explains, “I’m always thinking about how a classic play that is centuries old will connect with a contemporary audience. I think the politics of ‘Coriolanus’ will resonate with (the) audience. While Coriolanus is definitely the central character, this is also the story about a down-trodden populace manipulated by ambitious, duplicitous politicians who are in turn threatened by a revered but unpredictable war hero. The politicians in the play don’t love the people, but they know how to hide their disdain in order to stay in power.”

She states that “the circumstances (of the play) and the political dynamics are definitely familiar” and that “(u)ltimately it’s a story for me about the fragility of democracy itself. Does democracy work? And this felt like an approach that would speak to who we are in the world today.”

In a unique approach, “Coriolanus” will feature a full cast of women and non-binary actors. The production, presented by OSF and Portland Center Stage, is also partnering with Upstart Crow Collective.

Upstart Crow Collective reimagines classical plays by “producing racially diverse casts of women and non-binary people.”

Joshi states that “the choice of cast is very intentional. It comes from a desire to create more opportunities for women and non-binary people in the Western classical canon and also to examine how we experience these stories when these actors occupy the stage. We don’t change the gender of the characters on stage, we focus on playing the truth of character and on telling the story. And then when you do this, things that we ‘take for granted’ get thrown up into the air and we start to question the ‘norms’ of gendered behavior.”

In addition to this, Joshi says that the opportunity of an all-woman and non-binary cast provides the opportunity “… to see incredible actors take on roles they don’t normally have access to playing. And it opens up who can tell these stories. It allows young women and non-binary people to imagine themselves in these classic plays in new ways. And it (allows) all of us to experience how truly expansive Shakespeare can be — how the plays can hold all of humanity inside them.”

The eight-person cast of Coriolanus “telling this epic story we get to engage with (is) a kind of theatricality that I love,” said Joshi. Some actors will play both characters with power and characters without, “senators turn into citizens on stage on a dime,” she says. Because of this, Joshi explains that viewers can see each character’s humanity: “when you have the people in power played by the same actors as the common people, (…) a certain shared humanity comes through. The oppressors literally become the oppressed right before your eyes. It’s the kind of storytelling that I find thrilling and that can only happen in the theater — where an audience leans in and actively engages their imagination to create the world.” 

“Coriolanus” is scheduled to run from July 23 to Oct. 13 with preface events offered by OSF at Carpenter Hall.    

To order a ticket, click here.

Ashland.news intern Cameron Aalto is a recent graduate of Southern Oregon University. Email him at aaltoc@sou.edu.