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Q&A With French Montana

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Q&A With French Montana


In order to succeed in the competitive world of rap music, more than just talent is required. It takes perseverance, dedication, and a bit of luck. French Montana is an artist who embodies all of these qualities perfectly. Through his unique blend of catchy beats and smooth rhymes, Montana has built a strong reputation for himself, starting from humble beginnings in Morocco and reaching the heights of hip-hop success. Despite facing numerous challenges and setbacks along the way, he has persisted and is now recognized as one of the genre’s most prominent and influential figures. But how exactly did he gain recognition in the hip-hop community? Good question.

French Montana, whose real name is Karim Kharbouch, was born on November 9, 1984 in Casablanca, Morocco. He is the child of Abdel Kader Kharbouch and Khadija Guled. During his upbringing, he enjoyed playing soccer and listening to rap music in his family home. In the mid-1990s, Kharbouch and his family moved to the South Bronx in New York City, where he attended both elementary and high school. Despite balancing his studies at Roosevelt and Lehman High Schools, he also worked to support his family. Although his parents decided to return to Morocco, Kharbouch’s mother chose to stay in the country with her children.

Parenting is a significant source of inspiration for Montana, who is skilled in Arabic, French, and English. Previously, he owned Selena Gomez’s property in Calabasas, CA, and lived in Pequannock Township, NJ. His marriage to Deen Kharbouch took place in 2007, but they separated in 2012 and officially divorced in 2014. The couple has a son born in October 2010. 

In June 2018, Montana became an American citizen. He has had tigers as pets and currently has a pet monkey named Julius Ceasar due to the Roman’s fondness for unusual animals. French Montana began his career as a battle rapper in the early 2000s under the name Young French. He co-founded the popular DVD series Cocaine City with his friend Cams. Despite being shot in the head outside a recording studio in the Bronx in 2003, French Montana persevered and released his first mixtape, French Revolution Vol. 1, in 2007. He also worked on mixtapes like Coke Wave and Coke Wave 2 with rapper Max B. He formed a joint venture with Maybach Music Group in 2012 and signed with Bad Boy Records. French Montana has collaborated extensively with producer Harry Fraud throughout his career and has released numerous successful mixtapes and studio albums, including Excuse My French and Jungle Rules. His financial success has been boosted by hit singles like “Pop That” and “Unforgettable.” 

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Due to his versatility, French Montana’s career experienced a significant advancement. His breakthrough came in 2011 with the release of “Shot Caller,” which gained considerable exposure on New York radio stations. This led to Diddy inviting French to collaborate on the official remix. French Montana also partnered with Maybach Music Group and signed with Bad Boy Records in 2011. In 2012, French Montana, along with Rick Ross and Drake, recorded the hit song “Stay Schemin.” His debut studio album Excuse My French included the popular track “Pop That” featuring Ross, Drake, and Lil Wayne, released in 2013. Additionally, in 2014, he collaborated with Jennifer Lopez on the successful single “I Luh Ya Papi.” 2018 saw French Montana team up with Drake for the Platinum-certified single “No Stylist” and release the song “Famous” with Adam Levine. The following year, he went on a successful tour and launched his third studio album, Montana, which included the hit “Writing on the Wall” featuring Cardi B, Post Malone, and Rvssian.

French worked with Pop Smoke, Tory Lanez, and Jack Harlow on the track “Twisted.” Montana received favorable feedback for his song “Double G” with Young Thug and his album Coke Wave 4 in 2021. He continues to release new music and collaborate with various artists while being at the height of his career.

French Montana has received many awards and honors during his career. In 2013, he was honored with BET Hip-Hop Awards for Best Collaboration, Duo, or Group for “Pop That” and in 2014 for Best Club Banger for “Don’t Panic.” He also won an iHeartRadio Music Award in 2016 for Hip Hop Song of the Year for “All the Way Up.”

French Montana has been recognized for his achievements with nominations for various awards, such as a Grammy Award for Best Rap Album in 2015 for his album Excuse My French and a Grammy Award for Best Rap Song in 2016 for “Pop That.” He also received an MTV Video Music Award for Best Hip-Hop Video in 2013 for the same song. Not only that, but French Montana has also been acknowledged as one of the top and most impactful rappers, being featured on lists like Complex’s 50 Best Rappers of All Time and Billboard’s 100 Greatest Hip-Hop Artists.

Music Connection: From Morocco, Africa to the Mecca of hip-hop to being internationally known as rap’s top collaborative artists, take us back to the beginning when you first got started in this rap game.

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French Montana: I came from Africa in ’96, I was 13. I didn’t speak no English, no nothing so, I remember dropping my first Cocaine City DVD in 2003. There was always a hurdle that didn’t let us jump in the game. It was always that door locked in our face. It wasn’t always about talent because everybody in New York raps. Everybody in New York wants to make it to hip-hop. The game is 99 percent hard work and 1 percent talent. It’s because you have to find a way to get into the game; that’s not normal like how the average person thinks. So you gotta be like 12 steps ahead of the game. Back then, there was a lot of artists that in order for them to be seen or heard, they had to be signed to DJs. It was this guy SmackDVD that just came out with DVDs and me and my guy was sitting down watching it one day. We was like, “Yo, we know all the drug dealers, we know all the rappers. Why don’t we just go and just film and put me in the middle of it, exactly how the DJs do it.” DJs used to put out iike a Fab freestyle in the middle of it. By the time you hear the third mixtape, you will be like, ”damn, who is this kid?” That was a way for me to go through the window into the hip-hop game. People were looking for me after the third Cocaine City DVD. I kept on making music from like 2003 until like 2008. That’s when I met Max B, around 2007-2008. The rest was history after that. I was more knowledgeable of the game. I knew the business a little better. I been through all of the ups and downs. I learned how to make music, doing the Cocaine City DVDs independently. There was a lot of downfalls and a lot of experience, and by the time I met Max B, we were the first ones to do CDs/DVDs. I took the Cocaine City DVDs and turned them into mixtape series with me and Max B. So we dropped Coke Wave 1, 2, and 3. By the time we dropped Coke Wave 3, there wasn’t no car in New York not bumpin us. 

MC: Speaking of Max B, what does he mean to the rap game (to you).

FM: He’s the wave god. He’s the culture. He’s somebody that is ahead of his time; from sing rap to swag. Everything to slang. I feel like he was so far ahead of the game, that people are just now catching up. 

MC: What’s the state of Max B?

FM: He’s ready to come home. 

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MC: Tell us about the collaboration you did with Bad Boy and Maybach music.

FM: So after Max B gets locked up, I become like the most blackballed artist in the industry. I ended up getting with DJ Holiday for this mixtape called Casino Life. Then I locked in with Harry Fraud, and I still wasn’t signed. Then I dropped, “Shot Caller.” Once I dropped this record, everything connected. All that was missing was that hit single. And the mixtapes connected with the singles. The singles connected with the lifestyle. The lifestyle connected with the streets. It was one big snowball effect. And that’s when Ross hit me up. Then I went to go see Ross. And Ross was trying to sign me, but he really didn’t have the money to give me. So he said, ”Lets call Puff and grab the money from him. And we can do a deal all 3 of us.” 

MC: To me, you’re like the Quentin Tarantino of hip-hop because you collaborated with The Weeknd, Lil’ Baby, Drake, Kanye West, just to name a few. How did you make these collaborations happen?

FM: Honestly, I just love music. I don’t feel like there’s enough hustle in the world that can get people that don’t do things for money that work with you, you know? I feel like when I first got Drake on a record, it wasn’t my record. Ross just invited me to the studio to work with him on the Rich Forever mixtape. I just went in there and did a verse and a hook. Then Ross asked Drake to be on his album, and Drake just so happen to pick the song that I’m on. He said that the hook and the singing parts were crazy. I follow my ears; and I follow a feeling that I have. If it doesn’t move my soul, I can’t [make it]. Because the moment you start shaking your head that you don’t like something, there’s gonna be something in me that’s gonna say, “Yeah, I don’t like it either.” Like when I met up with Kanye, he got me my first Grammy nomination, as a producer. Or even working with Khaled. I go see Khaled, I do a hook. Next thing you know Khaled will hit me like, “Yo, Jay-Z just put a verse on it.” So I was just blessed to work with the biggest artists in the game, just by laying down music and letting them do whatever they want to do with it. I feel like I always had a gift like that. The hardest video I had to do was putting Nas and Kanye together; after they both been in the game for so long. And here comes French Montana to get them both on a record together. Then after that, they went to do their first album together. But that came through me; they met through me. 

MC: Tell us about 10K Projects and the handful of artists that you signed.

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FM: Shout out to Kenzo B, shout out to Dthang, free Max B, Forever Chinx, shout out the Coke Boys. It’s the movement. There’s a bunch of brothers that get together to make some powerful music. So we got Coke Boys 7 droppin next, after my album [Mac & Cheese 5]. Shout out to 10K; we just did the new deal, Coke Boys Entertainment with Dthang. And it’s a beautiful thang. 

MC: When it comes to collaborations, especially when you’re on the road, what type of technology do you use to accommodate for yourself and for other artists?

FM: Sony mic and my computer. Pro Tools. That’s about it. I don’t try to make it too complicated. 

MC: Tell us about your humanitarian efforts happening in Nigeria and Uganda. And how do you pay it forward. 

FM: Uganda, Makoko, Morocco, Bronx, the list goes on. This is just part of being African and making it out the Motherland; going back to see how much our lives affect them. Basically, helping the people that can’t help themselves. Especially, mothers and kids. Knowing that healthcare, it shouldn’t be a privilege, it’s a right. Just making sure that, you come to these peoples’ aid, if you have a chance to. We gonna continue to work towards that. Shout out to Global Citizens. Shout out to everybody that played a big part. I was like the first global ambassador, as far as artists. I was the first rap artist to “ring the bell.” It was a beautiful experience. And I hope that I can be able to do more. 

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MC: Speaking of Africa, where in Africa have you performed?

FM: I performed in South Africa and north Africa. I haven’t performed in Uganda or Nigeria, but I’m looking forward to it. 

MC: You’re the number 1 streamed African artist with over 40 billion streams. How does that make you feel?

FM: I don’t even care about things like that, you know? Having a diamond record or having three or four platinum albums, mixtapes, honestly, I’m blessed to have this sense of music; that’s instilled in me. Every time I tap into it, something magical happens. That’s something that nobody can take away from me. I made it out of nowhere with just that. It’s faith and believing in my ear; believing that I have a gift. I feel like I can walk in anywhere, just be able to stand out on my own because I can hear something and I can feel something towards something that nobody else can. That’s how I worked my way to Africa here. And into some of these big positions that I’m in. That’s how I was able to buy my mother a house and help people, and just continue to strive. And have a decade long career; and continue to rise. Get better and better. When you’re blessed with things like that, you shouldn’t take them for granted. 

MC: Where does your work ethic come from?

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FM: It comes from being an immigrant. It comes from a place that we don’t get the same opportunities. Watching my mother sacrifice, my father lose everything. It comes from a sad place. It’s nothing wrong with it. It comes from experience. Experience is the best teacher you know? They say “broke parents, make strong kids.” Rich parents, you know, you know what they say. So I’m glad that I was able to see my family have it, then not have it. They made me who I am as a man. 

MC: Tell us about your autobiographical documentary, For Khadija.

FM: That’s droppin this June;, if I’m not mistaken. It’s a story about an immigrant mother with her kids and what she had to sacrifice and have faith and deal with obstacles. She didn’t know English, she didn’t know nothin. She believed her kids deserved the best, and you know, French Montana was made during those difficult times. 

MC: Who are your top five artists of all time? 

FM: Marvin Gaye, 2Pac, Biggie, Max B, Chinx.

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MC: What’s one piece of advice you would give to an up and coming artist and/or an artist struggling in the music game?

FM: Believe in yourself. And don’t put your career in other people’s hands. You wanna be mad at yourself for making the wrong decision, or happy with yourself for making the right ones. Always look out for yourself to help yourself. And that’s what it is. Your best teacher is going to be experience. And have faith, and one thing that’s better than anything, that I can ever tell you is, pray. Pray and hustle.

QUICK FACTS

French was born in Morocco, Africa, but later grew up in the South Bronx, NY.

French speaks Arabic and French fluently. 

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French debuted his studio album, Excuse My French in 2013.

French is a huge philanthropist; actively involved in charitable initiatives, specifically healthcare organizations and underprivileged communities. 

French is a loving father.

French has a fragrance line called Angels’ Share.

Photos by Zay Jones

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Frontier Conference women: MSU-Northern, Montana Western pull upsets to advance to semifinal round

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Frontier Conference women: MSU-Northern, Montana Western pull upsets to advance to semifinal round


BUTTE — MSU-Northern and Montana Western pulled a pair of upsets Saturday at the Butte Civic Center to wrap up the quarterfinal round of the Frontier Conference women’s basketball postseason tournament.

The fifth-seeded Skylights started the day with a red-hot shooting performance to down No. 4 Rocky Mountain College 82-74. Western, the sixth seed, used a third-quarter surge to defeat No. 3 Carroll College 65-56.

MSU-Northern (17-11) and Western (14-13) now advance to Sunday’s semifinal round, where the Skylights will play No. 1 seed Dakota State at noon and the Bulldogs will face No. 2 Montana Tech at 2:30 p.m.

MSU-Northern 82, Rocky Mountain College 74

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MSU-Northern sizzled in the first quarter, making seven 3-pointers to take a double-digit lead, and put together a crucial third-quarter run to get past Rocky and advance to the semifinal round.

Becky Melcher splashed four 3s in the first 10 minutes, and Taya Trottier, Canzas HisBadHorse and Shania Moananu added one apiece as the Skylights built a 29-13 lead. Melcher scored 14 first-quarter points and finished with a game-high 30 on 10-of-19 shooting (7 of 15 from 3-point range). She added 11 rebounds, a blocked shot and three steals to her stat line.

Rocky battled back to tie the game at 36-36 in the second quarter on a Brenna Linse basket, but MSUN responded with consecutive triples from Trottier and Melcher and took a 44-38 lead into halftime. The Bears eventually stole the lead back in the third quarter following a 9-0 run capped be an Isabelle Heggem bucket.

But the Skylights again answered — this time with a 13-2 run to take a 60-51 lead. MSUN led 66-59 going to the fourth and wouldn’t trail the rest of the way. The Skylights trailed for less than two total minutes of the game.

As a team, MSUN made 14 of 26 3s in the game. Ciera Agasiva was 3 for 3 from behind the arc, and Trottier was 2 for 3. Trottier had 18 points, eight rebounds and six assists, while Agasiva had 13 points.

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Paige Wasson led Rocky (20-9) with 29 points but was 0 for 10 on 3-point attempts. Heggem had a double-double of 21 points and 12 rebounds.

Montana Western 65, Carroll 56

After neither team led by more than five points in the first half, Western broke open a 25-25 tie game by outscoring Carroll 20-9 in the third quarter.

Bailee Sayler scored 10 points in the quarter, including making two 3-pointers, to help the Bulldogs take control. They led 45-34 going to the fourth, and Carroll wouldn’t get closer than six points the rest of the way.

The Fighting Saints were just 18-of-65 shooting (27.7%) for the game.

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Sayler scored an efficient 22 points on 7-of-8 shooting. She was 2 for 3 from 3-point range and 6 for 7 at the free throw line. The Missoula native also had nine rebounds.

Isabella Lund added 16 points for the Bulldogs, and Keke Davis had 11 points and 11 rebounds.

Carroll (19-10) was led by Kenzie Allen with 12 points. Willa Albrecht and Meagan Karstetter scored 11 points apiece for the Saints.





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Women who made agriculture work in Montana

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Women who made agriculture work in Montana


Recently, I was asked to talk about what it is like to be a female rancher.

I was flattered to be asked, but I don’t know the answer.

I do know what it is like to be a human rancher and I know that I admire many women who also are ranchers.

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In fact, 36 percent of the farmers and ranchers in the U.S. are women and they manage almost half of America’s ag land.

Globally, we produce more than half of all food.

In Montana, we all benefit from amazing female leaders in agriculture.

If you want to know about improving soil health or the rewards of raising sheep, talk to Linda Poole in Malta.

If you want to learn how to organize a grassroots rancher’s organization and effect meaningful change, talk to Maggie Nutter in Sunburst.

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Trina Bradley of Dupuyer will look you in the eye and tell you everything you need to know about the impacts of grizzlies on her ranch life.

Colleen Gustafson, on the Two Med, graciously hosts and educates non-ranchers for months at a time without strangling them, all while maintaining every fence, buying every bull and killing every weed on her ranch.

Adele Stenson of Wibaux and Holly Stoltz of Livingston find innovative solutions to ranching challenges and then — even harder — find ways to share these innovations with hard-headed, independent cusses who want to do it our own way.

In fact, I’ve noticed that often women seek novel innovations to deal with a ranching challenge.

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If a man happens to be around, she might even run it past him.

It’s rubber band ranching – stretch with an idea, contract to assess it, then stretch again to implement it.

Long ago, my friend Michelle and I promoted the One Good Cow program at the Montana Stockgrowers Association meeting.

We asked cattle producers to donate one cow to ranchers who had lost so many in blizzards and floods that year.

As we stood on stage in a room full of dour, silent men, I remember finding the one person I knew and asking what he thought.

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Just as he would bid at a livestock auction, he barely nodded his approval.

We ended up gathering more than 900 cows from across the nation and giving them to 67 producers.

One Good Cow was a good idea.

Now I don’t seek approval for my ideas so sometimes my rubber band doesn’t contract to assess one before I stretch into action.

That’s how I got myself into producing shelf-stable, ready-to-eat meals made with my beef and lamb.

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This is a good idea, too.

I hope.

I wonder if it is easier to ranch as a woman in some ways.

Society pressures men to know all of the answers all of the time, but If I mess up, I try to learn from my mistake and move forward.

When Imposter Syndrome hits or we can’t find a solution to an unsolvable problem – the effects of climate change, commodity markets or competing demands from family – secretly faking it until we make it gets lonely.

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The downward spiral of loneliness and the pressure to be perfect can lead to suicide.

Male ranchers kill themselves 3.5 times more often than the general public.

Female ranchers kill themselves, too, just a little less often.

I’m fortunate to have good friends who love me even when I’m far from perfect.

We laugh together, they remind me that I have a few good attributes even when I forget, they tolerate my weirdness and celebrate little successes.

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They stave off loneliness.

They know all ranchers try our best, we appreciate a little grace, and a warm fire feels good to our cold fingers.

Lisa Schmidt raises grass-fed beef and lamb at the Graham Ranch near Conrad. Lisa can be reached at L.Schmidt@a-land-of-grass-ranch.com.



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Montana cowboys help build trauma ranch for Israeli soldiers

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Montana cowboys help build trauma ranch for Israeli soldiers


The hills of the northern Judean Desert will soon turn yellow and dry. For now, they are covered in green bloom, dotted with bursts of purple and yellow wildflowers, butterflies hovering above them. From a hilltop in the Binyamin region, where Ruthy and Haim Mann run their therapeutic horse ranch, the view opens wide: the Moab Mountains to the east, the Binyamin hills to the north, Wadi Qelt plunging dramatically toward the Jordan Valley and the northern Dead Sea. At moments, when the haze lifts, Herod’s winter palace can be seen in the distance on the other side of the wadi.

Biblical history feels at home here. Philistines and Crusaders, Babylonians and Hasmoneans, Assyrians, Byzantines and Seleucids all passed through. Joshua, Saul and Jonathan fought nearby. David hid in these hills. On one of the mountains opposite us, the Good Samaritan once passed, refusing to ignore a wounded man lying by the roadside and bandaging his injuries.

The desert has seen much. But a band of real-life cowboys from Montana, pointed boots, wide-brimmed hats and oversized belt buckles, is new even for this landscape. But a band of cowboys who wear Tzitzit (fringed ritual garment), bless bread with the Hebrew “hamotzi,” keep Shabbat and study the weekly Torah portion, though they are devout Christians, is new for me as well.

They define themselves as Christian Zionists. Not an official denomination, more a small, independent current on the margins. They have no church of their own. “But it’s growing,” said Zach Strain.

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When I ask Yoss, short for Yosef, Strain and Jedidiah Ellis why they wear blue Tzitzit attached to their belts, Yoss quotes the Book of Numbers, Chapter 15, Verse 39. “That’s the longest I’ve heard him speak since they got here,” Haim Mann jokes.

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רותי וחיים מן, בעלי החווה

Ruthy and Haim Mann, the ranch owners

(Photo: Alex Kolomoisky)

On a recent Monday morning, the small group of five men and three women is already at work. Bethany Strain and Lily Plucker haul wheelbarrows of stones, Lily’s three-month-old son, Jethro, strapped to her chest. Her husband, John Plucker, the group’s unofficial leader, builds the wooden ceiling of what will soon become a resilience and support center for soldiers coping with PTSD at the edge of the ranch.

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Yoss and Jedidiah work on the stone wall of the riding arena. Promise Strain washes laundry by hand facing the desert view. Eliora Ellis saws a wooden beam. Zach, who stands nearly 6-foot-7, reinforces the stable fence. They work in near silence, focused, as if fulfilling a commandment.

By profession, Zach trains horses and riders for the film industry, primarily for Westerns, and has appeared in some of them himself. He worked on the TV series “Yellowstone.” When I try to draw him into Hollywood gossip about Kevin Costner, but since there is a biblical injunction against gossip, all I can get out of him is that the horses on the series were the finest and most expensive available. They are reserved, almost shy. They speak sparingly. They appear unaccustomed to social company. Montana is about 18 times the size of Israel with roughly one-tenth its population. The nearest neighbor can be miles away. In the photos they show me, each home looks like it could have stepped straight out of the cast of “Little House on the Prairie”, except for one detail: a giant Star of David mounted on the Strain family home.

All of them are related. Zach, Yoss and Promise Strain are siblings (the fourth brother, Ezekiel, left yesterday). Jedidiah and Eliora are married. Yoss is married to Bethany, John Plucker’s sister. Plucker is married to Lily. It is their last day in Israel, and they seem determined, more than anything, to make the most of every remaining moment. This is their last day, though not their first visit. For most of them, it is their fourth or fifth trip, and never a vacation. They come to work.

Ruthy and Haim Mann, the ranch owners, are Israeli cowboys in their own right. Boots, hats and wide brims included. Haim, a lawyer by training, also carries a handgun. They live in the settlement of Alon, part of a cluster of three Jewish communities northeast of Jerusalem, which includes mixed, religious and secular residents living side by side. “It works beautifully,” Haim says. The population is largely middle-class.

Indeed, although several flashpoints of the Israeli-Palestinian conflict, including Khan al-Ahmar, lie not far from here, this specific area, located in Area C of the West Bank, is quiet and calm. Not quite Montana, but they manage with what they have.

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רוכבים על רקע מרכז הטיפולים החדשרוכבים על רקע מרכז הטיפולים החדש

Riding against the backdrop of the new treatment center

(Photo: Alex Kolomoisky)

Both are remarried. Together they have two daughters, along with four children from Haim’s previous marriage and two from Ruthy’s, and they are grandparents to five grandchildren. Thirteen years ago, they founded a small therapeutic horse ranch. (“We’ve always loved horses,” they say). Ruthy handles treatment, working with teens with autism, motor and social challenges and trauma. Haim manages the horses. Five years ago, they were told to evacuate their original site. “We gave service to the whole community and got a punch in the stomach in return,” Ruthy said. With assistance from the Settlement Division, they relocated to the current hilltop. Haim closed his law office, Ruthy left her job at the Biblical Zoo in Jerusalem, and they committed fully to the ranch, which officially opened to the public about six months ago. Five dunams, 13 horses and a sweeping biblical landscape. Beyond routine therapy for local youth, the ranch increasingly served teens who had left the ultra-Orthodox community, including girls who were victims of sexual abuse, “even at ages 12 and 13”, sometimes within their own families.

About two years ago, they began hosting a joint Passover Seder for dozens of such teens. “The at-risk girls,” Ruthy says, “taught us a great deal about treating trauma.” That knowledge, regrettably, soon became urgently necessary. When war broke out after the October 7’s Hamas massacre, activity at the ranch halted. Ruthy began treating evacuees from southern Israel housed in Dead Sea hotels. “Everything there was terrible,” she says. At first, the therapy sessions were held in the hotels, without horses, using smaller animals instead. Over time, families began coming to the ranch to ride. “We started with 20 families. Within a month, 150 were coming,” she said.

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Soon after, soldiers began arriving, some physically wounded, others psychologically scarred. “It started with soldiers who rode with us as kids,” Haim said. “They enlisted, went to fight and were injured. They came back to us to rehabilitate, to regain control over their lives.”

The Manns speak about the female and male soldiers who came, about the visible and invisible wounds, about trauma and post-traumatic stress. Tears well up in their eyes more than once. In mine, too. The fact that I pushed the subject aside for months does not mean it disappeared. Suddenly, the stories from the war resurface. You can feel the weight pressing on your chest. The word got around. An injured friend brought another wounded friend to the ranch, “until we realized we needed to build something new here,” Haim says. The existing ranch could not meet the scale or the specific needs. The couple decided to establish a separate resilience center for soldiers, to be named after Omer Van Gelder, a former rider from the area who was killed in Gaza in June 2025. The center is steadily taking shape, John Plucker is currently standing on its roof, and they plan to launch a crowdfunding campaign soon to complete the project.

The need, they say, is immense while the supply is limited. Many soldiers from the West Bank have been killed or wounded, disproportionately to their share of the population. “But in all of the West Bank,” Ruthy says, “there isn’t a single ranch like this. There is a resilience center in Binyamin, but not everyone is suited to sitting in a closed room talking to a therapist about their feelings. It’s also a community that is less inclined to ask for help. Still, many people need precisely this kind of therapy, with horses, out in nature.”

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בונים תקרת עץ ביום האחרון בארץבונים תקרת עץ ביום האחרון בארץ

Building a wooden ceiling on their last day in Israel

(Photo: Alex Kolomoisky)

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Demand is surging. “We feel the shockwaves of the psychological injuries from the war starting to hit with tremendous force,” Ruthy said. “It’s not just ripples. It’s a tsunami.” Everything mental health experts warned about during the war, that once it ended and there was no longer anything to suppress or conserve strength for, a major wave of psychological casualties would follow, is unfolding before the Manns’ eyes. “You feel it everywhere,” Haim adds. “In rising divorce rates, in pent-up violence. We know that what isn’t treated today will worsen tomorrow. The country has to confront this by building more resilience centers, otherwise we’ll be carrying it for years. “And it’s not like the trauma of October 7 is going to disappear anytime soon. We’ll be living with it for years.”

“There are other injuries that aren’t being talked about enough,” Ruthy says. “For instance, girls who were already in very difficult circumstances before October 7 and had just started to rebuild their lives, only for the war to shift attention elsewhere and leave them sidelined.” There are also many patients with older wounds and traumas that resurfaced, but there isn’t enough time, enough therapists or enough resources to reach them.” The sound of a bell rings out to announce lunch. The group gathers in the ranch’s main building for a modest meal of white rice and a tough steak. They recite a blessing over the food and eat in silence.

Haim Mann says the connection with the Montana Cowboys began in November 2023, less than a month after the October 7 massacre, when a group of Montana ranchers arrived in Israel to help local farmers, more precisely, farmers in the West Bank. The initiative was organized by HaYovel, founded by the Waller family, themselves Christian Zionists, who came to Israel about 20 years ago, settled in the Har Bracha area and began bringing other Christian Zionist volunteers to work in the region.

Word of the group’s arrival reached Haim as well. “I wanted to thank them, in my name and on behalf of the Jewish people. I offered them a day of horseback riding in the area. They came here and fell in love. We fell in love with them, too.” The group stayed at the ranch for three months, building everything by hand. “They were like a miracle for us,” Haim says. “We didn’t have a dime.” This latest visit, about a month long, focused entirely on constructing the new center.

Zach first visited Israel in 2014. This is his fourth trip. “It was very important for me to come help, to build and strengthen Israel,” he said. “Israel is the light of the world, maybe even the foundation of the world. I don’t know how to explain it, but when you’re here, you feel it.”

What does it mean to be a Christian Zionist?
“Some people call us that. Maybe it’s accurate,” he said. “We don’t have definitions.”

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How do you define yourself?
“We don’t spend much time defining it. We’re somewhat different. We just go by the Bible. We’re not part of any church. It’s not really a movement. Nobody knows us. It started with our family, and people joined.”

I watch a video of a Shabbat meal at the family home in Montana: Kiddush over wine, Sabbath songs and a reading of the weekly Torah portion. They look a bit like the Amish. “We are not evangelicals”, he insisted. “We’re not trying to convert anyone. And I don’t even understand why I would need to convert anyone.” “We’re not evangelicals,” Bethany says as well, “but we’re fairly close to that.”

Zach, have you noticed a change in Israel compared to your previous visits?
“Since the war, I think people have come to see more clearly how deep and destructive evil can be. In America, it’s created a serious division. Many think Israel shouldn’t exist. That’s what’s being taught in schools today. They don’t know what’s happening here.”

That’s what they’re teaching in schools?
“We didn’t attend public schools,” he says. “Our parents pulled us out because they were teaching us lies.”

Zach also refers to John Plucker as the group’s unofficial leader. “I go where John tells me,” he explains. The fact that Plucker is 12 years younger does not seem to matter. The Strain and Plucker families have known each other for years and are closely connected. Two of the Plucker daughters are married to two of the Strain sons.

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“‘Unofficial leader’ is a good definition,” agrees John Plucker, 27.

Are you really a cowboy?
“Yes. That’s how I grew up, on a traditional ranch with horses and cattle and everything. Today I’m an independent contractor and run a construction company. There’s not much money in ranching. It’s more of a lifestyle. I want to work a few more years and buy some land.”

Plucker does not define himself as a Christian Zionist. “I’m just a regular Christian,” he says. “But I see Israel the same way they do, and we believe the same things, so maybe I am a Christian Zionist? I don’t know. Honestly, I don’t really care.”

4 View gallery

הבוקרים בשדות מונטנההבוקרים בשדות מונטנה

The cowboys in Montana fields

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(Photo: Courtesy)

So why did you come?
“The Strains have been coming for years, and they convinced me. We all love Israel very much. The first time I was here was after COVID, and it was incredible. HaYovel brought us. They believe God gave this place to the Jewish people. Here I learned a lot about redemption. You can see it happening in real time. It’s powerful. You learn much more here than just by reading the Bible.”

The last time he came was in November 2023. “They brought us to work in Shiloh, harvesting olives. The moment I came to the ranch, I fell in love, even though there was nothing here yet. My background is ranching and horses, so this suited me much more than picking olives, which is a pretty strange job, honestly. We didn’t hesitate to return, even though our baby had just been born.

“I see what they’re doing here with the young men and women who come for therapy. They give them purpose. They turn something negative into positive. It really brings redemption into people’s lives. I’m glad to be part of it. I already want to come back again. Staying in one place for a long time, building relationships, that’s a blessing.”

When I ask about politics, the group responds with puzzled looks, as if they had never even heard of Trump.“We’re simple ranchers,” Plucker said. “These things don’t interest us. We’re aligned with conservative views, but I don’t really understand politics. I’m here for the Jewish people. Politics may be important here, but not for us.”

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By midday, the horses are released ahead of the afternoon’s therapy sessions. I meet Aviv, Sinai, Negev, Pele, Pazit, Milky and Moshe, a large black horse. I do not ride, but standing beside them, something shifts. A horse is a wonder. Sinai, a horse, or perhaps a mare, I didn’t check, walks toward me and looks straight into my soul. We share a quiet moment.

What is it about horses?
“A horse is a spiritual animal,” Ruthy said from atop Negev. “Every encounter with a horse exposes the soul. The horse immediately senses your frequency. If you’re tense, it’s tense. If you’re calm, it’s calm.”

“What allowed horses to survive for 80 million years is extreme sensitivity,” Haim said. “They are alert to fear, to anxiety. They feel your heartbeat, your breathing. A horse is a perfect mirror for someone living with PTSD. When a person jumps at the sound of a motorcycle and shifts into survival mode, the horse shifts just as quickly. And when you calm down, the horse calms down with you. It forces you to lead, not with force, but with quiet confidence.”

Ruthy sees symbolism as well. “A horse is an open, unburdened space. The entire archetype of the horse is about strength and success, getting back on the horse, being on top of things. That’s also our therapeutic philosophy: to reconnect with that life force, to climb back into the saddle even after the hardest falls. It restores a sense of control to people who have lost all control over their lives.”





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