Hawaii
Largely unseen Hawaii men's basketball team readies for debut in Rainbow Classic
HONOLULU — Time to pull back the curtain.
At last, the Hawaii men’s basketball team will perform live in front of its primary audience as it opens the 2024-25 regular season against NAIA school Life Pacific in the Outrigger Rainbow Classic at SimpliFi Arena at Stan Sheriff Center on Friday night.
This year’s preseason was unusual in that it did not feature an exhibition in its home venue. UH played Hawaii Hilo on the Big Island and Chaminade on Maui. Neither game was televised or live streamed, and only the Hilo game was broadcast on the radio.
UH held a “Rainbow Madness” introductory event in the Sheriff last month but it did not feature any up-and-down action.
It all contributed to an sense of mystery for a roster that was heavily rebuilt from the 20-14 squad that bowed out in the Big West semifinals in March.
UH brought in four Division I transfers to help provide an immediate impact from the loss of its top six scorers, including an All-Big West second-teamer at forward in Justin McKoy and two career 1,000-point scorers in Noel Coleman and Bernardo da Silva. There are three more international additions and two high school graduates who made the direct leap.
“The sooner you know, the better,” 10th-year coach Eran Ganot said to a question of his preferred lineup on Tuesday. “With this team, I’d say we’ve been experimenting more. We don’t want to make quick judgments when guys are still getting comfortable. But a group has emerged and I feel like we have some key guys coming off the bench to create a spark. There’s still some competing going on.”
UH, which is set to join the Mountain West as a full member in 2026-27, will attempt to overcome expectations and earn the program’s first postseason appearance since Ganot’s first season in 2016-17. The Rainbow Warriors were picked to finish seventh in the Big West coaches preseason poll.
The starting lineup will feature, at minimum, four players either new to the roster or unused to having their name read out to the crowd in pregame introductions.
That level of transition was apparent in the team’s preseason results. UH committed 54 turnovers and won by a combined eight points in the two games against local Division II teams.
Point guard, while always crucial, is the position to watch as the Rainbow Warriors find their way. Sophomore Tom Beattie is getting the first crack at the job, though UH has employed Houston Christian transfer Marcus Greene, freshman Aaron Hunkin-Claytor and walk-on-turned-scholarship guard Kody Williams at the position.
Ganot is fond of pairing point guards together in the backcourt, a la JoVon McClanahan and Juan Munoz last year.
“You want to have guys emerge. You don’t want to have a revolving door,” Ganot said.
Beattie, a 6-foot-5 New Zealander who made a name with his hustle plays last season, acknowledged his 12 turnovers against five assists in the exhibitions and said that he is still learning how to operate the offense while guarding opponents’ best perimeter player on defense. But, he added, he is up for the challenge.
The team’s giveaways, which happened on anything from inbounds passes against the press, in the open court and in the halfcourt, are “just things we can’t have,” Beattie said.
“I feel like it was just our sloppiness,” Beattie said. “Not making a firm pass, not being strong with the ball. The ball was taken from our hands probably five times in that Hilo game.”
The only returning starter, wing Ryan Rapp, missed both exhibitions with a hand injury and is questionable to play in the three-games-in-four-days round-robin tournament. Williams missed the Chaminade game but is available.
Rapp and Beattie were recently named co-captains.
The Rainbow Classic, while a storied piece of the program’s history, has been an inconsistent presence on the UH schedule in recent years. It was left off in 2020 due to the COVID-19 pandemic and in 2023 due to difficulties filling out the field.
San Jose State (0-1) of the Mountain West and Pacific (1-0) of the West Coast Conference lead off the tournament at 4:30 p.m. preceding UH’s opener.
“We’re a lot like everybody right now, so it’ll be a lot of new faces for all the teams, learning about each other on the fly and how quickly we can make those adjustments in real time,” Ganot said.
The inclusion of Life Pacific marked the third time in the last five editions of the Rainbow Classic that a non-Division-I team was part of the field.
Life Pacific faced five Division I opponents in the 2023-24 season and had an average margin of loss of 29.6 points. The Warriors of San Dimas, Calif., played at Loyola Marymount on Monday and lost 99-56.
Friday’s game will not officially count for Life Pacific (1-0), though it will for UH. LPU is expected to come at UH with a smallball attack; the visiting Warriors top out at 6 feet 8.
UH will likely look to leverage its size, including with 6-foot-10 sophomore Akira Jacobs at small forward. Jacobs scored 20 points on 7-for-10 shooting against a similarly undersized Chaminade lineup.
Jacobs, who played for his native Japan in the 2024 Paris Olympics, is anxious to display that he is more than a 3-point specialist.
“Last year’s experience playing the 4, it was a very valuable experience playing against stronger (players),” Jacobs said. “I think that’s really helped me now that I’ve moved back to the wing. Having more height and being physically stronger than a lot of wings, I want to use that to my advantage in the games.”
There are opportunities aplenty around up front with the losses of McKoy, da Silva and Mor Seck, the affable 7-footer who went into the transfer portal and ended up at Fresno State.
Utah Tech transfer Tanner Christensen, a 6-10, 265-pound center with a deft outside touch, was UH’s most consistent player in the exhibitions; he posted a double-double in each game. Christensen has drawn raves (and administered bruises) with his physical screen-setting to free up guards.
UH is also expected to get an instant impact from Xavier transfer Gytis Nemeiksa (pronounced NAY-MAKE-SHA), a rugged, 6-8 Lithuanian with a dour countenance.
“You guys saw the game face,” Ganot moments after Nemeiksa walked past a media scrum. “We talk a lot about ‘the look.’ We don’t have to tell him that.”
Nemeiksa started 20 games for the Musketeers, averaging 5.2 points and 4.2 rebounds.
“I expect him to follow the lead of what Kamaka (Hepa) and Jerome Desrosiers and Justin McKoy have done in the past,” Ganot said of the senior. “They’ve also had a process to go through. … But the potential’s there, the talent’s there, the desire’s there. He’s gotta stay with it.”
Along with junior Harry Rouhliadeff, UH is also expected to include Valparaiso transfer Jerome Palm in the frontcourt rotation. Palm, a vocal presence at 6-10 and 225 pounds, has enthusiastically battled the beefier Christensen on a daily basis.
“They come in and have that physicality from the get-go,” Beattie said of the bigs. “They have some of the biggest voices in the locker room. Experience, knowledge, and very smart dudes.”
SJSU went 9-23 last season and Pacific was 6-26.
Brian McInnis covers the state’s sports scene for Spectrum News Hawaii. He can be reached at brian.mcinnis@charter.com.
Hawaii
Kanakaʻole, Zane ʻohana transform Hawaiian cultural practices into captivating visual arts | Maui Now
This powerful new exhibition will feature the work of Nālani Kanakaʻole, Sig Zane, and Kūhaʻoʻīmaikalani Zane—a Hilo-based family of artists whose creative practices are deeply rooted in hula ʻaihaʻa.
Hula ʻaihaʻa is the low-postured, vigorous, bombastic style of hula that Kanakaʻole was known for as kumu hula of Hālau o Kekuhi. The hula springs from the eruptive volcano personas of Pele and her sister Hiʻiaka, characteristic of Hawaiʻi Island’s creative forces.
The Bishop Museum, the State of Hawaiʻi Museum of Natural and Cultural History, on Oʻahu is presenting “Ea Mai ʻEiwa: Patterns of Practice” in the J. M. Long Gallery beginning on Saturday, April 18, 2026.
The exhibition title references “Kūhaʻimoana,” a chant describing the migration of shark gods from Kahiki (ancestral homeland) to Hawaiʻi. “Ea Mai ʻEiwa” reflects the strength, resilience, and environmental knowledge embodied in these ancestral stories.
Bringing together new and existing works alongside botanical specimens and cultural treasures from Bishop Museum’s collections, the exhibition weaves themes of migration, community resilience, and environmental stewardship—offering insight and inspiration for today.
“This exhibition demonstrates that the gap between historic collections and contemporary art is actually a lot smaller than people think,” said Sarah Kuaiwa, Ph.D., Bishop Museum curator for Hawaiʻi and Pacific Cultural Resources. “Audiences will see how the artists use the same materials as pieces in Bishop Museum collections but in different forms. The resonance between the artist’s work with mea kupuna (ancestors) is what makes ‘Ea Mai ʻEiwa’ a uniquely Bishop Museum exhibition.”
Kuaiwa curated the group exhibitions along with co-curator, kumu hula Kauʻi Kanakaʻole, and Bishop Museum exhibit designer, DeAnne Kennedy.
The artists’ work across visual and performing arts is continually charged and sustained by hula. From Nālani Kanakaʻole’s art direction and choreography to Sig Zane’s photography and textile design, and Kūhaʻoʻīmaikalani Zane’s graphic design and immersive installations, each artist channels ʻike (knowledge, wisdom) carried through generations.
“Through repetition, deep study, and consistent practice, mastery is achieved. As practitioners of hula, the artists have continued to deepen their understanding of the natural and spiritual world, which has in turn inspired their art practices,” Kuaiwa said. “They aim to produce art in various visual media not only to educate, but to also be aesthetically celebrated and enjoyed.”
“Patterns of Practice” was suggested by Sig Zane as a way of representing how the artists hone their skills.
“‘Kūhaʻimoana,’ for me, has many layers to it,” Kūhaʻoʻīmaikalani Zane said. “On a first take, it’s a migratory chant that compares migrations to waves of ocean-navigating sharks. That metaphor sets out the tone of connectivity between our natural environment and the beings that inhabit it.”
“‘Kūhaʻimoana’ is an example illustrating metaphorical depth within Hawaiian poetry,” said Sig Zane. “The importance of navigation surfaces in day-to-day cultural practices. This archaic chant reveals nuanced content, giving us a peek into hierarchy, dualities, and familial belief systems.”
Kanakaʻole passed away in January this year, so Kauʻi Kanakaʻole hopes that “Ea Mai ʻEiwa: Patterns of Practice” reflects Kanakaʻole’s philosophy of practice and piques curiosity within people about others’ stories, history, and culture.
“She intentionally taught hula with depth of language, craft, and art form to encompass a full-on lifestyle commitment,” Kanakaʻole said. “This was her everyday; the way she learned, grew, and inspired.” “I would love for guests to leave (the exhibition) with a mixture of awe, appreciation, and curiosity.”
Highlights of the “Ea Mai ʻEiwa: Patterns of Practice” exhibition include:
- Nālani Kanakaʻole’s kite installation, “Kūhaʻimoana,” her last large-scale installation before her passing
- Botanical specimens from various locations across Hawaiʻi Island, chosen to represent their hula ʻahu (altar) and sources of inspiration the artists frequently draw from
- Uniquely colored kūpeʻe (sea snails) shells made into adornments, as well as adornments made to look like kūpeʻe shells
- Kapa (barkcloth) made from the 19th century with dynamic designs
- ʻAwa (kava, Piper methysticum) cups and kānoa (kava bowl) associated with the aliʻi
- New and archival sketches and rubylith artworks by Sig Zane from 1990 to present
- A collection of family photos from the Kanakaʻole ʻOhana
- Memorabilia and ephemera from the theatrical performance, “Holo Mai Pele” (1995-2000)
“Ea Mai ʻEiwa: Patterns of Practice” will be presented in both ʻŌlelo Hawaiʻi and English, and will be on view until Sept. 20, 2026.
For more information, visit bishopmuseum.org.
The demolition of Aloha Stadium on Oahu took a big step forward Thursday with the first section of seating pulled down from the steel structure.
Half of the elevated deck-level seating on the stadium’s makai side was severed and toppled backward as part of demolition work that began in February.
The other half of the upper makai-side seating is slated to come down Tuesday, followed by similar sections on the mauka side and both end zones, though the concrete foundations for lower-level end-zone seating are being preserved for a new, smaller stadium to rise on the same site.
A private partnership, Aloha Halawa District Partners, led by local developer Stanford Carr, is replacing the 50,000-seat Aloha Stadium, which opened in 1975 and was shuttered in 2020, with a new stadium featuring up to 31,000 seats.
AHDP is using $350 million of state funding toward the cost of the new stadium, which could be $475 million or more, and will operate and maintain the facility on state land for 30 years with a land lease.
The development team also is to redevelop much of the 98-acre stadium property dominated by parking lots with a new mixed-use community that includes at least 4,100 residences, two hotels, an office tower, retail, entertainment attractions and open spaces expected to be delivered in phases over 25 years and costing close to or more than $5 billion or $6 billion.
Earlier parts of stadium demolition work led by Hawaiian Dredging Construction Co. included removing four covered multistory spiral walkways leading to the upper level from the ground, and concourse bridges.
Demolishing the stadium is projected to be done by August, according to Carr.
Building the new facility is expected to be finished in 2029.
Hawaii
This Airbnb Tiny Home Sits on a Lava Field in Hawaii With Unbeatable Night Sky Views—and It’s a Guest Favorite
:max_bytes(150000):strip_icc()/tal-airbnb-one-off-tout-1465b3bde0864117b43761b0d1dd346e.jpg?ssl=1 "This Airbnb Tiny Home Sits on a Lava Field in Hawaii With Unbeatable Night Sky Views—and It’s a Guest Favorite")
-
Alabama5 minutes agoAlabama edge to pattern his game after 2-time Super Bowl Champ
-
Alaska11 minutes agoAlaska Senate committee advances draft capital budget, boosting funds for school maintenance
-
Arizona17 minutes agoPerson accused of making terroristic threats to medical facility in northern Arizona
-
Arkansas23 minutes agoCentral Arkansas council hands out 300 free produce bags at Saline County fresh market
-
California29 minutes agoCalifornia regulators kill charity fireworks for America’s 250th, sparking outrage
-
Colorado35 minutes agoOutgoing Colorado Buffaloes Sebastian Rancik, Bangot Dak Make Transfer Portal Moves
-
Connecticut41 minutes agoOne arrested after a multi-car crash in Naugatuck Saturday
-
Delaware47 minutes ago9 Most Scenic Drives in New Jersey