Denver, CO
Q&A — Denver Jazz Fest Founders Don Lucoff and Dave Froman Talk Bringing Jazz to the People of Denver – 303 Magazine
On Thursday, April 3rd, the inaugural Denver Jazz Festival kicks off. Jazz has long held space in Denver, the city’s history tied to that of the genre. Now, Denver Jazz Festival seeks to celebrate that history with a weekend-long festival featuring some of the most important jazz musicians working today, including Bill Frissell, Ghost-Note, Isaiah Collier, Ganaya, and many more. The festival is also something of a celebration of Denver music as a whole, as it will be spread out across 12 of the Front Range’s most beloved venues, including Cervantes’ Masterpiece Ballroom, Dazzle, Nocturne, and the Boulder and Fox Theatres. The festival hopes to highlight the genre in all its glory, from the traditional to the very non-traditional, so whether you’re a jazz scholar or are first getting into the genre, this weekend is a perfect time to immerse yourself in jazz in all of its many variations.
303 Magazine spoke with Denver Jazz Festival founders Don Lucoff and Dave Froman about the festival’s inception, their love of jazz, Denver’s ties to jazz music, what fans new and old can expect and much more.
READ: Venue Voices — Nocturne Jazz & Supper Club Highlights the History of Jazz in Five Points
303 Magazine: Hello! I usually like to start these off by having you introduce yourself and tell me what it is you do in your own words.
Don Lucoff (DL): I moved to Denver full time about seven years ago but traveled here annually in the early 90s for several years during the formative years of Jazz Aspen Snowmass, supporting the efforts of my longtime friend Jim Horowitz. Although my core career as a jazz professional is in marketing and began nearly 40 years ago, I still love getting behind the mic, as I spent my college and post-college
time as a jazz DJ and curated jazz shows at my alma mater, San Diego State. Even before that, I presented Larry Fine of the Three Stooges fame at my high school. I knew from that point I was destined for show business. Along the way, I have promoted jazz from Istanbul to Panama, Detroit to the Caribbean, and ran the Portland Jazz Festival for a decade, and briefly served as President of Vail Jazz just prior to COVID.
Dave Froman (DF): I wear a number of hats. In the course of a day, you might find me at an interactive event introducing jazz to 100 third-graders, performing on stage at Dazzle with an 18-piece big band, on site at a commercial property that requires attention, or, more often than not, in front of my computer in my home office for the past 30 years at 8,500 feet in the foothills west of Denver.
303: Tell me about your experience with jazz music. When did you first notice the music, and how has it affected you throughout your life and career?
DF: My love of jazz dates back to the first time I was introduced to this amazing art form in junior high school. I played trumpet in the jazz band and have never stopped. Currently, I perform with the Metropolitan Jazz Orchestra — an 18-piece big band — in addition to Blue Sky Jazz Collective, a post-bop modern jazz quintet. As a college senior, I produced the First Annual UC Santa Barbara Invitation Jazz Festival and decided that this would be my path in life. Sixteen years ago, I took the helm of Gift of Jazz, a Denver-based nonprofit. For the past 30 years, it’s been our mission to enrich the Front Range community with jazz education and performance programming for all ages. Denver Jazz Fest is in many ways the culmination of my life’s work to date.
303: Denver Jazz Fest seems poised to become a new Denver tradition. Can you tell me about the festival’s inception? Do you have an ultimate goal for the festival?
DL: David and I met at Dazzle when he presented a tribute to Alan Hood on behalf of Gift of Jazz. It was clear to both of us that Denver was one of the rare exceptions of an American major city without a national jazz festival that also supported the local artists and jazz education. The reasoning was clear: Denver boasts an award-winning 24-hour jazz radio station, a year-round jazz club with clever and creative programming, and an abundance of private and public jazz education programs in and around the Front Range region.
303: In addition to celebrating jazz, the festival seems to be a celebration of Denver itself. The festival is spread out over 12 very different but equally important venues in terms of Denver’s thriving
musical ecosystem. Can you tell me a little about why you chose the venues you did?
DF: From the outset, it’s been our intention to create an event that is inclusive of the vibrant jazz
community here. To that end, we spent the first year of our planning process meeting and creating partnerships with all the stakeholders that are involved in presenting and supporting jazz in the Front
Range on a year-round basis. We wanted everyone to feel a part of this – certainly the clubs, but also the
artists, radio stations, nonprofits and halls of jazz education. The selection of 12 venues was also in keeping with the goal of appealing to the broadest possible demographic of listeners.
303: From dueling pianos at Charlie Brown’s to upscale nights at Dazzle or Nocturne to sweatier, more raw experiences at Meadowlark jazz nights, the genre has long made its mark on this city. Can you
talk a little bit about the history of jazz in Denver?
DF: While I’m no expert on the subject, we all know Five Points was the Harlem of the West. As bands traveled from Chicago to Los Angeles, they found in Denver a community that welcomed them —
providing hospitality and great venues like the Rossonian Hotel and Casino Ballroom (now Cervantes’
Masterpiece Ballroom) which hosted the likes of Duke Ellington, Count Basie, Benny Goodman, B.B.
King and Ray Charles. The Roxy was a black-owned movie theater going back to the 30’s. Louis
Armstrong and Billie Holiday both performed there. And I’d be remiss if I didn’t give a shout-out to
bassist Charles Burrell, who broke color barriers as the first black artist to perform in a major symphony
orchestra. Charles, a mainstay of the jazz scene here for decades, recently celebrated his 104th birthday
and he’s still going strong!
303: As far as the artists go, they range from the traditional to the very non-traditional. This seems to me to appeal to a wide-ranging audience of jazz fans while also seeking to draw new appreciators into the genre. Can you talk about finding the balance between the new and the old, the traditional and the non-traditional? And how does that thinking apply when planning such a festival?
DL: In order for live jazz to continue its cultural relevancy, the music needs to grow and continually re-invent itself. Denver presenters, both non-profit and for-profit, do a commendable job of offering incubator venues to PACs, standing only ballrooms, piano lounges, galleries, and other creative environments that draw distinctively supporting audiences. We feel it’s our job to collaborate and curate within this ecosystem.
303: Do you have any artists in particular you’re personally excited for?
Lucoff – Jazz Festivals for the jazz fan and casual listeners are about the joy of discovery. We are offering highly skilled players of many jazz facets for wide musical tastes. I speak with people coming in from out of town and they are looking to hear what is best represented here by the local players. Well, they won’t be disappointed. We have jazz royalty here: Art Lande, Ken Walker, Eric Gunnison, among others, performing and a special player, Rico Jones, who is making his mark now as a New York City resident. Our two most cherished nationally recognized artists with deep Denver ties are Dianne Reeves (her first Denver show since 2018) and the indefatigable Bill Frisell. Our timing is also perfect to have a new voice on saxophone: Isaiah Collier will be making his Denver debut. You will hear a lot about him, and in a decade will say to your friends, “I saw him at Dazzle in 2025. You missed something special.”
303: Finally, what else would you like the people to know about Denver Jazz Fest? What can attendees expect?
DF: It’s often been said that “the house of jazz has many rooms”. Denver Jazz Fest is offering an
opportunity to peek into many of them with an unmatched variety of music over four days. From
straight-ahead jazz played at the highest level, to explorations that push the boundaries, from great
vocalists to exciting instrumentalists, a mambo orchestra to dance to and some amazing jam bands. I’m
personally having a hard time figuring out how to take it all in!
Get tickets to Denver Jazz Fest here!
Denver, CO
Former Denver Bronco Craig Morton, who became the first quarterback to start Super Bowl for 2 franchises, dies at 83
Craig Morton, who spent 18 years in the NFL and became the first quarterback to start the Super Bowl for two franchises — the Dallas Cowboys and Denver Broncos — has died. He was 83.
Morton died Saturday in Mill Valley, California, the Broncos confirmed through his family.
Morton is one of only four QBs to start the NFL’s biggest game with two organizations. The other three — Peyton Manning, Tom Brady and Kurt Warner — all ended up with at least one win. Morton’s only Super Bowl ring came as a backup.
His first Super Bowl start was in a turnover-plagued Super Bowl V to end the 1970 season — a 16-13 loss by the Cowboys to the Colts. Morton threw the Cowboys’ first touchdown pass in a title game.
Seven years later, and after an unsuccessful stint with the New York Giants, Morton led the Broncos to a matchup against his former team. He threw for 39 yards and four interceptions before getting pulled for Norris Weese in a 27-10 loss, which marked the first of four straight Super Bowl defeats for Denver.
Known for his strong arm, Morton turned in a college football Hall of Fame career at California, where he played for coach Marv Levy and assistant Bill Walsh. Morton went fifth in the 1965 NFL draft to the Cowboys. Oakland also took him in the 10th round of the AFL draft.
He joined a Cowboys team coached by Tom Landry that had veteran Don Meredith at QB. Morton played in four games that season. He then split time with up-and-coming Roger Staubach in 1970-71, the year the Cowboys went to their first Super Bowl.
The next season, Morton and Staubach also split time — at some points, even alternating every play. But ultimately, it was Staubach who took over the starting job, then led the Cowboys to the Super Bowl and a 24-3 win over Miami. Staubach was the MVP of that game and it wasn’t hard to imagine the end of Morton’s time in Dallas.
The Cowboys dealt their backup to the Giants in 1974 for a package that included a pick Dallas would use to take defensive lineman Randy White, who became a Super Bowl MVP and Pro Football Hall of Famer.
Morton struggled in New York, but enjoyed a renaissance after getting traded to Denver before the 1977 season — the season that put the Broncos on the map.
The veteran QB became the final piece for a Broncos team under a new coach, Red Miller, who inherited a strong defense that would become known as the Orange Crush.
Morton led the Broncos to a 12-2 record and playoff wins over the Steelers and Raiders. He famously spent the week in the hospital with a hip injury before spearheading the win over rival Oakland.
Four years later — and after the Broncos had toyed unsuccessfully with finding his replacement — Morton teamed with a new coach, his former Cowboys teammate Dan Reeves. In 1981, Morton threw for 3,195 yards and 21 TDs, both career highs (he matched his best mark in TDs).
He retired after starting three games in the strike-shortened 1982 season. Denver would trade for John Elway, who supplanted Morton as the franchise’s most famous and revered No. 7.
Morton threw for 27,908 yards over his career with 183 touchdowns and 187 interceptions. Morton ranked in the top 20 all-time in yards passing and TD passes when he retired following the 1982 season.
He was voted into the Broncos’ Ring of Fame in 1988, along with two other standouts from that ’77 team — Haven Moses and Jim Turner.
Denver, CO
Broncos Ring of Famer Craig Morton, who led Denver to first Super Bowl, dies at 83
Craig Morton, a Broncos Ring of Fame quarterback who played professionally for nearly two decades, died Saturday at his home in Mill Valley, Calif., at the age of 83.
Morton’s family confirmed his death through the organization, which announced the news on Monday.
Morton led Denver to its first Super Bowl appearance in 1977, quarterbacking the team best known for its ferocious Orange Crush defense. That season, at the age of 34, Morton earned the league’s comeback player of the year award and sparked a six-season run with the Broncos.
“He was our leader that year that we went 12-2, the first year he came to Denver,” fellow Broncos Ring of Famer and former safety Steve Foley told The Post. “It was a magical season. He was just tough as nails.”
Morton was hurt throughout the playoffs and Foley said the quarterback was in the hospital before the AFC Championship Game, when the Broncos beat the Oakland Raiders, 20-17, and advanced to their first Super Bowl appearance.
“I don’t know how he even suited up,” Foley said. “He was black and blue and yellow all over his hip. … Man, he came out and had a great game. He was just tough.
“And what a gem of a guy. Oh, yeah. He had the best heart.”
Morton was the first quarterback to lead two different teams to the Super Bowl, taking the Cowboys there in 1970 before later leading the Broncos.
Morton was born in February 1943 in Michigan, but graduated from high school in California and played quarterback in college at Cal. He also played baseball in college. He was selected No. 5 overall by Dallas in the 1965 NFL Draft, five years before the AFL and NFL merged.
Early in his career, Morton started for Dallas over Roger Staubach before Staubach eventually took over the job.
Morton, though, engineered a long and successful career in pro football.
He played in 207 career games over 18 seasons, including 72 games (64 starts) for the Broncos from 1977-82. Morton was 41-23 as a starter and threw for 11,895 yards for Denver.
“He had a confidence about himself. Kind of a swagger,” Foley said. “Our offense picked up when he arrived. We just knew he could win. He brought that to the team. And man, he had an arm. Oh, yeah. He had a gun.”
Morton was inducted into the Broncos Ring of Fame in 1988 as part of a three-man class along with Haven Moses and Jim Turner. Four years later, he was enshrined in the College Football Hall of Fame.
Morton’s tenure in Denver helped put the Broncos on the map.
“Absolutely, it did,” Foley said. “It made everybody wake up and say, ‘Who is this team on the interior of the United States?’ Unless you played on the East Coast or West Coast, you weren’t getting much coverage.”
Foley said he last saw Morton in the Champions Club at Empower Field during a game sometime in the past two seasons and said he remembered thinking, ‘Man, he looks great.’” Players from the Orange Crush era were surprised and saddened, then, to learn of the quarterback’s passing.
“It’s a little bit shocking,” Foley said. “He was a beautiful guy.”
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Denver, CO
The hippo had to go, but the Denver Zoo slashed its water budget
Rocky Mountain sandhill cranes battle warmer conditions due to drought
Wildlife biologist Jenny Nehring and farmer Rob Jones talk about Sandhill cranes and their impact on the San Luis Valley.
DENVER — Zoos are of necessity big gulpers of water, a fact that has some zookeepers in the drying American West working to rapidly upgrade efficiency and reduce unnecessary irrigation or leaks.
Denver Zoo, formally known as the Denver Zoo Conservation Alliance, has rapidly reduced its demands on threatened and declining water sources, including the Colorado River.
Among the upgrades is a sea lion water filtration system that allows most of the water to be cleaned and reused each time the pool is drained. That’s saving more than 8 million gallons a year, zoo sustainability director Blair Neelands said. “You can get in there, scrub it with a toothbrush and refill it with the same water,” she said.
Similar upgrades to an African penguin showcase reduced its water use by 95% by largely eliminating what’s sent down the drain. (Like a backyard swimming pool, though, these tanks sometimes still need to be drained and refreshed with new water to reduce mineral buildup.)
“The biggest thing for us is swapping from dump-and-fill pools to life-support systems,” Neeland said.
Another biggie is replacement of a 50-year-old water main with funding of about $3 million from the city. There’s no way of knowing how much that pipe had leaked over the years, but Neeland suspected it was more than a million gallons a year. The savings should become apparent as the zoo tracks its water use over the next few years.
Creating hippo-sized water savings
When The Arizona Republic visited in 2025, the zoo was on the cusp of eclipsing a goal to reduce its water use by half of what it had been in 2018. The zoo had used 80 million gallons in 2024, or about 219,000 a day, a 45% reduction in just a handful of years. Much of the savings had come in the form of smarter irrigation practices and use of drought-tolerant native plants where possible. The landscaping also pivoted to recycled “purple pipe” water from the city, which owns the zoo’s land, restricting potable water to areas where animals really need it.
“When people hear ‘recycled water,’ they get worried about cleanliness and hygiene,” zoo spokesman Jake Kubié said. “But it’s safe for the animals, and it’s not their drinking water.”
Getting past the water conservation goal would mean draining the pool where Mahali the hippo spent most hours lurking with just his eyes, ears and snout visible to visitors. Because he spent so much time in the pool, the water needed daily changes. It amounted to 21 million gallons a year, not to mention water heater bills that drove the cost to $200,000 a year, according to zoo officials. They estimated that Mahali used as much water as 350,000 four-person households.
“This facility is outdated,” Kubié said. “Some day this will become a huge saver of water.”
That day came before year’s end, and it indeed brought a tremendous savings. The zoo shipped Mahali to a new home (and a potential mate) at a wildlife preserve in Texas and drained the pool one last time. Ending the daily change-outs shaved more than a quarter of the zoo’s entire water usage from the previous year. It put the zoo significantly beyond its goal.
Denver Zoo’s water savings are part of a broader waste- and pollution-prevention effort aimed at being a good neighbor in uncertain times, Neeland said.
“Water savings and drought is top of mind for anyone who lives in the Western United States,” she said.
In Phoenix, a different mix of animals
That’s true of the Phoenix Zoo, as well, where zookeepers must maintain landscaping and animal exhibits in a city that baked under 100-degree-plus high temperatures for a third of the days last year. The zoo creates a “respite in the desert,” spokeswoman Linda Hardwick said, but has no hippos, penguins, grizzly bears or many of the other species that would require big water investments for outdoor swimming or cooling.
“We really specialize in animals that will thrive in the temperatures here,” Hardwick said.
The Phoenix Zoo uses most of its water on landscaping. After a consultant’s 2023 irrigation assessment, the staff centralized irrigation scheduling under a single trained technician and employed technologies including weather-based controllers and smart meters. Salt River Project awarded $70,000 in grant funds for the upgrades and several thousand more for training.
The zoo uses about 189,000 gallons a day, she said. That represents a 17% reduction from 2023, or 20% when adjusted for the year’s particular weather and evapotranspiration demand.
Brandon Loomis covers environmental and climate issues for The Arizona Republic and azcentral.com. Reach him at brandon.loomis@arizonarepublic.com.
Environmental coverage on azcentral.com and in The Arizona Republic is supported by a grant from the Nina Mason Pulliam Charitable Trust.
Follow The Republic environmental reporting team at environment.azcentral.com and @azcenvironment on Facebook and Instagram.
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