Denver, CO
Q&A — Denver Jazz Fest Founders Don Lucoff and Dave Froman Talk Bringing Jazz to the People of Denver – 303 Magazine
On Thursday, April 3rd, the inaugural Denver Jazz Festival kicks off. Jazz has long held space in Denver, the city’s history tied to that of the genre. Now, Denver Jazz Festival seeks to celebrate that history with a weekend-long festival featuring some of the most important jazz musicians working today, including Bill Frissell, Ghost-Note, Isaiah Collier, Ganaya, and many more. The festival is also something of a celebration of Denver music as a whole, as it will be spread out across 12 of the Front Range’s most beloved venues, including Cervantes’ Masterpiece Ballroom, Dazzle, Nocturne, and the Boulder and Fox Theatres. The festival hopes to highlight the genre in all its glory, from the traditional to the very non-traditional, so whether you’re a jazz scholar or are first getting into the genre, this weekend is a perfect time to immerse yourself in jazz in all of its many variations.
303 Magazine spoke with Denver Jazz Festival founders Don Lucoff and Dave Froman about the festival’s inception, their love of jazz, Denver’s ties to jazz music, what fans new and old can expect and much more.
READ: Venue Voices — Nocturne Jazz & Supper Club Highlights the History of Jazz in Five Points
303 Magazine: Hello! I usually like to start these off by having you introduce yourself and tell me what it is you do in your own words.
Don Lucoff (DL): I moved to Denver full time about seven years ago but traveled here annually in the early 90s for several years during the formative years of Jazz Aspen Snowmass, supporting the efforts of my longtime friend Jim Horowitz. Although my core career as a jazz professional is in marketing and began nearly 40 years ago, I still love getting behind the mic, as I spent my college and post-college
time as a jazz DJ and curated jazz shows at my alma mater, San Diego State. Even before that, I presented Larry Fine of the Three Stooges fame at my high school. I knew from that point I was destined for show business. Along the way, I have promoted jazz from Istanbul to Panama, Detroit to the Caribbean, and ran the Portland Jazz Festival for a decade, and briefly served as President of Vail Jazz just prior to COVID.
Dave Froman (DF): I wear a number of hats. In the course of a day, you might find me at an interactive event introducing jazz to 100 third-graders, performing on stage at Dazzle with an 18-piece big band, on site at a commercial property that requires attention, or, more often than not, in front of my computer in my home office for the past 30 years at 8,500 feet in the foothills west of Denver.
303: Tell me about your experience with jazz music. When did you first notice the music, and how has it affected you throughout your life and career?
DF: My love of jazz dates back to the first time I was introduced to this amazing art form in junior high school. I played trumpet in the jazz band and have never stopped. Currently, I perform with the Metropolitan Jazz Orchestra — an 18-piece big band — in addition to Blue Sky Jazz Collective, a post-bop modern jazz quintet. As a college senior, I produced the First Annual UC Santa Barbara Invitation Jazz Festival and decided that this would be my path in life. Sixteen years ago, I took the helm of Gift of Jazz, a Denver-based nonprofit. For the past 30 years, it’s been our mission to enrich the Front Range community with jazz education and performance programming for all ages. Denver Jazz Fest is in many ways the culmination of my life’s work to date.
303: Denver Jazz Fest seems poised to become a new Denver tradition. Can you tell me about the festival’s inception? Do you have an ultimate goal for the festival?
DL: David and I met at Dazzle when he presented a tribute to Alan Hood on behalf of Gift of Jazz. It was clear to both of us that Denver was one of the rare exceptions of an American major city without a national jazz festival that also supported the local artists and jazz education. The reasoning was clear: Denver boasts an award-winning 24-hour jazz radio station, a year-round jazz club with clever and creative programming, and an abundance of private and public jazz education programs in and around the Front Range region.
303: In addition to celebrating jazz, the festival seems to be a celebration of Denver itself. The festival is spread out over 12 very different but equally important venues in terms of Denver’s thriving
musical ecosystem. Can you tell me a little about why you chose the venues you did?
DF: From the outset, it’s been our intention to create an event that is inclusive of the vibrant jazz
community here. To that end, we spent the first year of our planning process meeting and creating partnerships with all the stakeholders that are involved in presenting and supporting jazz in the Front
Range on a year-round basis. We wanted everyone to feel a part of this – certainly the clubs, but also the
artists, radio stations, nonprofits and halls of jazz education. The selection of 12 venues was also in keeping with the goal of appealing to the broadest possible demographic of listeners.
303: From dueling pianos at Charlie Brown’s to upscale nights at Dazzle or Nocturne to sweatier, more raw experiences at Meadowlark jazz nights, the genre has long made its mark on this city. Can you
talk a little bit about the history of jazz in Denver?
DF: While I’m no expert on the subject, we all know Five Points was the Harlem of the West. As bands traveled from Chicago to Los Angeles, they found in Denver a community that welcomed them —
providing hospitality and great venues like the Rossonian Hotel and Casino Ballroom (now Cervantes’
Masterpiece Ballroom) which hosted the likes of Duke Ellington, Count Basie, Benny Goodman, B.B.
King and Ray Charles. The Roxy was a black-owned movie theater going back to the 30’s. Louis
Armstrong and Billie Holiday both performed there. And I’d be remiss if I didn’t give a shout-out to
bassist Charles Burrell, who broke color barriers as the first black artist to perform in a major symphony
orchestra. Charles, a mainstay of the jazz scene here for decades, recently celebrated his 104th birthday
and he’s still going strong!
303: As far as the artists go, they range from the traditional to the very non-traditional. This seems to me to appeal to a wide-ranging audience of jazz fans while also seeking to draw new appreciators into the genre. Can you talk about finding the balance between the new and the old, the traditional and the non-traditional? And how does that thinking apply when planning such a festival?
DL: In order for live jazz to continue its cultural relevancy, the music needs to grow and continually re-invent itself. Denver presenters, both non-profit and for-profit, do a commendable job of offering incubator venues to PACs, standing only ballrooms, piano lounges, galleries, and other creative environments that draw distinctively supporting audiences. We feel it’s our job to collaborate and curate within this ecosystem.
303: Do you have any artists in particular you’re personally excited for?
Lucoff – Jazz Festivals for the jazz fan and casual listeners are about the joy of discovery. We are offering highly skilled players of many jazz facets for wide musical tastes. I speak with people coming in from out of town and they are looking to hear what is best represented here by the local players. Well, they won’t be disappointed. We have jazz royalty here: Art Lande, Ken Walker, Eric Gunnison, among others, performing and a special player, Rico Jones, who is making his mark now as a New York City resident. Our two most cherished nationally recognized artists with deep Denver ties are Dianne Reeves (her first Denver show since 2018) and the indefatigable Bill Frisell. Our timing is also perfect to have a new voice on saxophone: Isaiah Collier will be making his Denver debut. You will hear a lot about him, and in a decade will say to your friends, “I saw him at Dazzle in 2025. You missed something special.”
303: Finally, what else would you like the people to know about Denver Jazz Fest? What can attendees expect?
DF: It’s often been said that “the house of jazz has many rooms”. Denver Jazz Fest is offering an
opportunity to peek into many of them with an unmatched variety of music over four days. From
straight-ahead jazz played at the highest level, to explorations that push the boundaries, from great
vocalists to exciting instrumentalists, a mambo orchestra to dance to and some amazing jam bands. I’m
personally having a hard time figuring out how to take it all in!
Get tickets to Denver Jazz Fest here!
Denver, CO
‘The math just doesn’t work’: Little India to close in West Highland
Little India will close its West Highland location in the coming months, owner Simeran Baidwan told BusinessDen.
It marks the end of a five-year run at the corner of 32nd Avenue and Lowell Street for the local Indian chain.
“We opened to preserve jobs because we didn’t have enough revenue,” he said of the pandemic days when restaurants were struggling.
The 3496 W. 32nd Ave. store helped keep dozens of chefs and servers in Baidwan’s “Little India family,” he said. Those workers will now have the opportunity to work at his other restaurants.
“Five years later, the question isn’t whether people love the food,” he continued. “It’s whether independent restaurants can survive the compounding pressures and expenses, especially in Denver.”
Baidwan, who opened the first and still-running Little India at Sixth and Grant alongside his parents in 1998, singled out rising minimum wage, insurance, delivery fees and credit card processing fees as factors contributing to the closure.
“I think what it is, is a Denver restaurant industry story, it’s not just our one restaurant story,” he said. “I think what’s happened, in this day and time, is that life has become really expensive. There’s no margins. The math just doesn’t work.”
Being in the Highlands was also a factor, Baidwan said. The desirable location comes with high rent as well as skyrocketing property taxes he’s been responsible for. Add in dwindling consumer spending and Baidwan said his hand was forced.
“Busy doesn’t always mean profitable,” he said. “A lot of people look through the window and assume the restaurant is good, and we have the several locations too. But it just isn’t like that anymore.”
Baidwan said there’s no plan to close his three other locations, in Cap Hill, Central Park and off Downing Street near the University of Denver. But that doesn’t mean he hasn’t been making tweaks.
At the original store off Sixth, he started operating 24/7 about eight months ago, something he’s thinking about for his other neighborhood restaurants. He’s also added entertainment, like jazz music and dancing, to help get more customers through the door.
Baidwan himself has also returned to the floor as a server — the first job he had at his parent’s store. But having the owner-operator model is difficult for his sprawling Little India empire since he can only be in so many places at once.
“The closure is about sustainability, to sustain what we have. It’s not surrender,” he said “It’s not that we’ve lost the passion of what we do so well. I mean, who does a vindaloo better than Little India?
“We’re really proud of what we built there, and this isn’t about failure,” he continued. “It’s about the reality that the economics of independent restaurants has changed dramatically.”
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Denver, CO
How Denver’s Ballpark District now has ties to Chicago’s Wrigleyville
DENVER — A new Rockies season is on deck, with the team’s first game of the 2026 campaign set for Friday night in Miami. The home opener is next Friday at Coors Field.
It’s also a new season for the Ballpark neighborhood’s General Improvement District (GID) and its street ambassadors.
PREVIOUS COVERAGE:
Those ambassadors, dressed in maroon shirts and jackets, patrol the streets around Coors Field and the Ballpark neighborhood. They are tasked with helping with cleaning, maintenance, security, outreach to those experiencing homelessness, and general hospitality for neighbors and visitors.
How Denver’s Ballpark District now has ties to Chicago’s Wrigleyville
This week, Denver7 spoke with Kate McKenna, who stepped in as the GID’s executive director last summer. McKenna said while she works in the office, the district has six full-time ambassador employees through programming partner block by block. She said the team patrols the area year-round, but adds staffing for big events like St. Patrick’s Day and Rockies home games.
McKenna comes to Denver from a similar role in Wrigleyville, the iconic neighborhood outside Wrigley Field in Chicago. She said that serves as a source of inspiration for the future, but adds that Denver’s ballpark neighborhood has its own unique advantages.
“All of our businesses are independently-owned and operated,” McKenna told Denver7. “There is no chain, there is no commercial sort of large entity here in Ballpark that you’re going to see… To have a true small, hyper-local-owned economy is what really sets this district apart, both in Denver and then nationwide.”
Even after the Rockies set a franchise record with 119 losses in 2025, McKenna said the on-field product does not make the District’s job harder.
“I like to think win or lose, they’re the best neighbor you could possibly have, regardless of their season,” McKenna said. “They continually have one of the highest attendance rates for home games, as well as walk-up ticket sales.
McKenna said there continues to be good conversations between the district and local businesses. Property owners pay a fee based on property value that goes into the GID’s annual budget.
“Folks are coming out. Folks are patronizing local businesses. They’re bringing their families down here, and they’re enjoying their time, which is all you can really ask for in terms of community… Bringing people together is at the core of what we’re doing here.”
Denver7 | Your Voice: Get in touch with Ryan Fish
Denver7’s Ryan Fish covers stories that have an impact in all of Colorado’s communities, but specializes in covering artificial intelligence, technology, aviation and space. If you’d like to get in touch with Ryan, fill out the form below to send him an email.
Denver, CO
State says video shows Denver assisted living center took 13 minutes to find, begin CPR on resident; “He didn’t have a chance”
A state investigation has found that a Denver assisted living facility took 13 minutes to locate a resident who collapsed and begin CPR — failures regulators say placed all residents in “immediate jeopardy.”
The Colorado Department of Public Health and Environment concluded that The Argyle assisted living facility violated multiple rules in connection with the January death of 73-year-old Robert Dutkevitch. The violations were classified at the CDPHE’s most serious level, indicating 125 Argyle residents were at immediate risk of harm, according to the agency.
The findings stem in part from the facility’s own surveillance video system, which captured the events leading up to Dutkevitch’s death. CBS Colorado obtained copies of the same videos reviewed by state investigators.
According to police reports, video footage, interviews and the state investigation, Dutkevitch — who used a wheelchair — went outside to a designated smoking patio at about 8:30 p.m. on Jan. 6. Roughly 2 minutes later, the video shows him slumping forward and falling from his wheelchair onto the ground. He remained there for about 8 minutes before another resident noticed him and alerted staff. Surveillance footage shows several staff members arriving at the patio and determining Dutkevitch had no pulse. However, investigators say staff did not begin CPR immediately, waiting approximately five additional minutes before attempting lifesaving measures.
In total, 13 minutes passed from the time Dutkevitch collapsed to the start of CPR.
State investigators cited the delay as a critical deficiency, noting that trained staff are required to provide CPR promptly. According to Denver police call logs obtained by CBS Colorado, one staff member told a 911 operator she did not want to perform chest compressions because she had the flu.
After CPR was finally initiated, Denver Fire personnel arrived and continued lifesaving efforts for approximately 30 minutes before Dutkevitch was pronounced dead.
The death was later classified as natural, with acute coronary syndrome and atherosclerosis listed as the immediate causes, according to the death certificate.
Colorado investigators finds monitoring problems
The state investigation also found problems with how the facility monitored its outdoor smoking area.
A surveillance camera was positioned on the patio, but The Argyle said the video feed was not continuously monitored. State regulations require that designated smoking areas “shall be monitored whenever residents are present.”
According to the report, the facility administrator acknowledged there was “no official process” in place to monitor the area. The administrator told investigators he was unaware of the regulation and said the facility did not have enough staff to continuously monitor the patio.
The department concluded the facility failed to meet CPR requirements because it “failed to require all staff certified in CPR to provide CPR services promptly.”
Investigators found gaps in training and preparedness. One staff member was described in the CDPHE report as “unaware of how to respond,” while others said they had not been trained on what to do if a resident becomes unresponsive.
“I did not respond very well, I’m sorry,” one staff member told investigators.
CPR delay leaves widow devastated
Dutkevitch’s widow, Sharon Dutkevitch, said the delay in care has left her devastated.
“My heart aches. I cry every night,” she said. “Every second that went by, he didn’t have a chance that way. I wish I had been there to help him.”
After watching the surveillance video, she questioned why staff did not act immediately.
“I don’t understand why caregivers stand around and do not give him CPR,” she said. “Those people are standing around him doing nothing to help him. That’s what really hurts.”
She believes her husband might have survived if CPR had been started sooner.
“You’re losing brain cells every second that goes by without CPR,” she said.
Dutkevitch had been a resident at The Argyle since 2022 and, according to his wife, generally liked living there. He had several health conditions, including high blood pressure and cognitive decline.
He also had written directives on file stating that he wanted life-saving measures, including CPR, performed in an emergency.
Anita Springsteen, an attorney representing Sharon Dutkevitch, said the response by staff fell far short of expectations.
“They took so long to respond and didn’t seem to be aware there was an emergency going on,” Springsteen said. “Once they were aware, they lingered around and didn’t do anything, didn’t immediately give CPR, didn’t do the things you would think a facility like that — with trained staff — would do on an immediate basis.”
Springsteen said a lawsuit is likely.
“It seems like there was a window in there where something could have been done — he could have been saved,” she said.
The state issued an immediate $2,500 fine and ordered The Argyle to correct multiple deficiencies related to the case.
A spokesperson for the facility said those issues were addressed by Feb. 12 and that the “immediate jeopardy” designation was lifted that day.
The Argyle challenges some of state report’s conclusions
Since Dutkevitch’s death, the facility says it is no longer accepting residents who smoke and now closes its outdoor smoking patio each night at 10 p.m.
The Argyle administrators declined an on-camera interview request from CBS Colorado. In a written statement, administrators said they take resident safety and regulatory compliance “extremely seriously” and have implemented additional training, communication protocols, and oversight measures.
The facility said some conclusions in the state report are being challenged.
Argyle officials maintained that staff members who were CPR-certified responded promptly once they became aware of Dutkevitch’s condition, contacted emergency services immediately, and followed instructions from 911 operators.
The Argyle also defended its training practices, saying it maintains comprehensive onboarding and ongoing instruction in CPR certification and emergency response procedures, and is reinforcing those processes.
Regarding the “immediate jeopardy” designation, the facility said it does not reflect the overall safety and care provided and noted it was lifted shortly after the state required the addition of an “Unresponsive Resident Policy.”
The facility also disputed findings related to monitoring the smoking area, stating that regulators agreed a camera system could be sufficient for monitoring during discussions about the rule.
A spokesperson for the Colorado Department of Public Health and Environment said the investigation is continuing.
“The investigation of Argyle Living Residence is still ongoing,” said spokesperson Alexandrea Kallin. “Until it’s complete, we cannot provide any additional information. Investigations vary in their complexity and can take some time to complete.”
Sharon Dutkevitch said she chose to speak publicly in hopes of preventing similar incidents.
She said she wants accountability and change — “so no one else goes through this.”
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