Lifestyle
At the Legacy Museum, facing America’s racist past is a path, not a punishment
Bryan Stevenson stands beside jars that hold dirt collected from sites where Black people were lynched. He is the founder of the Equal Justice Initiative and the author of Just Mercy: A Story of Justice and Redemption.
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Equal Justice Initiative
In his second term, President Trump has ordered the removal of monuments, plaques and exhibitions related to slavery, and the history of racial injustice in the U.S. Meanwhile, human rights lawyer Bryan Stevenson has been working to ensure evidence of America’s painful past is not erased.
Stevenson’s nonprofit, the Equal Justice Initiative, opened the Legacy Museum in Montgomery, Ala., in 2018, to chronicle slavery and racism in America. A new exhibit, which is both located in and called Montgomery Square, begins in 1955 with the boycott of Montgomery’s segregated buses and ends 10 years later with the marches from Selma to Montgomery for voting rights.
Stevenson describes Montgomery’s buses as “places of real peril” during Jim Crow. Black people were prohibited from sitting in the first 10 seats of the bus, which were reserved for white riders only. Additionally, Black people had to pay in the front of the bus, then go to the rear to board — hoping that the bus driver didn’t take off without them. In 1950, a Black World War II veteran named Hilliard Brooks was shot and killed by police after he argued with the driver as he attempted to board a bus.

“Black people couldn’t avoid [the buses] because they had to get to work; they had to go to the homes where they served as maids and cooks and domestic workers,” Stevenson says. “And it did make the bus this very unique space for how racial apartheid, how segregation and Jim Crow manifested in the lives of virtually every Black person in the community.”
Stevenson says he’s not trying to “punish America” by talking about slavery and lynching. Rather, he says, confronting oppression is a path toward liberation.
“There is an America that is more free — where there’s more equality, where there is more justice, where there less bigotry — and I think it’s waiting for us,” he says. “But I don’t think we can … create that America while we remain burdened by this history that too many refuse to talk about, too many refused to acknowledge.”
Stevenson is the founder of the Equal Justice Initiative, which represents children and adults illegally convicted or unfairly sentenced. His 2014 memoir, Just Mercy, was adapted into a film starring Oscar-winning actor Michael B. Jordan.
Interview highlights
On meeting civil rights activists Rosa Parks and Johnnie Carr

After a couple of hours, Mrs. Parks turned to me, and she said, “OK, Bryan, tell me what you’re trying to do.” And I told her about our work trying to represent people on death row. I said, “We’re trying to challenge wrongful convictions. We’re trying to challenge this legal system that treats you better if you’re rich and guilty than if you were poor and innocent. We’re trying to represent children. We’re trying to do something about bigotry and poverty and people who are mentally ill. We’re trying to change the way we operate these jails and prisons.”
I gave her my whole rap. And when I finished, she looked at me and she said, “Mm, mm, mm, that’s going to make you tired, tired, tired!” And that’s when Ms. Carr leaned forward and she put her finger in my face. She said, “That’s why you’ve got to be brave, brave, brave.” And Ms. Parks grabbed my hand and said, “Will you be brave?” And I said, “Yes, ma’am.”
A monument in Montgomery Square pays tribute to the Black women who led the Montgomery bus boycott.
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Equal Justice Initiative
On the march from Selma to Montgomery
We’ve been doing this project where we interview people. … Amelia Boynton Robinson was almost killed by horses and police officers. Lynda Blackmon Lowery said she got hit and she passed out. And for 40 years, she assumed that she passed out because she hit her head on the ground. And then when they uncovered documentary footage, she realized that she passed out and she was in that condition because after she fell, she was beaten by state troopers over and over again on the head. But she insisted on getting out of the hospital and being ready for the next march.

I think it’s the courage, it’s commitment, it is the tenacity, the acculturation to do things that most people would never choose to do. We recently lost Dr. Bernard Lafayette, an extraordinary leader who was tasked with organizing much of what happened in Selma. He told me, he said, “Bryan, we were prepared to die.” … And I don’t think people appreciate the extraordinary courage it took. … People were beaten and battered. And I just think to confront that kind of threat, with no protection, without an army, with no weapons, takes an extraordinary courage that I feel like we have to access again if we really want to create a more just world, and I think that’s the discovery that I’m really inspired by.
On documenting nearly 6,500 lynchings that took place in the U.S. — 2,000 more than had previously been documented
The detailed work of going into these communities and uncovering archive references and newspaper references was something that no one had undertaken. And so we spent five years combing through these records. … We now have identified 6,500 lynchings of Black people in this country between 1865 and 1950. I do think it says something again about how we have failed to investigate this really important period of American history. …
We’ve got instances where a man was lynched because he didn’t call a police officer, “sir.” Somebody didn’t step off the sidewalk when white people walked by. A Black man went to the front door of a white person’s house, not the back door. So many people were lynched, because they passed a note. They were Black men passing notes to white women. … One Black woman in Kentucky was lynched because they couldn’t find her brother. So they used her as a proxy for this Black man who had been accused of something. And when you understand that this practice, this terror violence, was about tormenting and traumatizing and reinforcing this racial hierarchy, you begin to think of this differently.
“The monuments are at eye level, and then the ground shifts and they raise up, and you are standing underneath these six-foot, corten steel monuments that identify all of these people, and it unnerves a lot of people,” Stevenson says of the Legacy Museum’s memorial to lynching.
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Equal Jutice Initiative
On what truth and reconciliation looks like
The first thing is that for truth and justice, truth and reconciliation, truth and restoration, truth and repair, I think the first we have to acknowledge is that those things are sequential. You can’t get the beautiful “R” words, like redemption and reconciliation and restoration and repair, unless you first tell the truth. As a lawyer, I can tell you that you’ve got to have the truth of what happened at the crime scene and the state understands this. They want to put all of the evidence in, because that’s what’s going to allow the jury to make an informed decision about culpability. And we’ve never really done that. And so I think this process of truth-telling has to shape what we do.
In South Africa, after the collapse of apartheid, they committed space for the victims of apartheid to give voice to their harm. They even created space for the perpetrators to give a voice to the regret. You go to Germany, the villain of the 20th century, and you can’t go 200 meters without seeing markers and monuments and memorials dedicated to the harm of the Holocaust. They’ve made truth-telling a necessity. No student in German can graduate without demonstrating a detailed knowledge and understanding of the Holocaust. They require it. And the result of that is that there are no Adolf Hitler statues in Berlin. There are no monuments or memorials to the Nazis. We’ve never done that in this country. In fact, we’ve done the opposite.
Monique Nazareth and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.
Lifestyle
You know the Mayflower. What about the White Lion? Here’s the story of ‘Two Ships’
Just in time for a contentious 250th anniversary of the United States of America, historian David S. Reynolds’ latest book, Two Ships, helps us realize that any country that couldn’t agree on its own origin story is destined for divisive times.
Two Ships is about the complicated, conjoined legacy of the landings of the Mayflower, which carried the Pilgrims to Plymouth, Mass., in 1620, and the White Lion, which arrived in Jamestown a year earlier, bringing the first enslaved Africans to Virginia.
As Reynolds demonstrates, it’s not so much the facts of these two voyages, as it is the meanings ascribed to them, that made them such a powerful metaphor for two conflicting visions of American identity.
To simplify, the Mayflower’s passengers were separatist Puritans, dissenters to the reign of the English king, James I. As the United States developed, the Mayflower was credited with carrying the seeds of a radical democracy to the New World, one in which all men (in theory, at least) were equal before God.
In contrast, the European settlers of Jamestown were Royalists, also known as Cavaliers. Loyal to the monarchy, they believed in a strict hierarchy.
But the meaning of the images of the two ships shifted depended on who was invoking them and when. Not surprisingly, the metaphor was deployed most vigorously during the Civil War. In abolitionist speeches and writings, the White Lion or the “Slave-Ship,” as it was commonly called, was condemned for infecting America with the “plague-spot” of slavery.
Reynolds says that Frederick Douglass resorted to the “two ships” metaphor frequently, while Lincoln avoided it, hoping to preserve a unified ship of state. Meanwhile, Southern descendants of Cavaliers invoked the Mayflower to emphasize the intolerance and “cruel, persecuting” character of the Puritans. In a comment that resonates for our own times, Reynolds says:
It didn’t matter to the South that … by the mid-nineteenth century, the North had become a kaleidoscope of religious denominations, …, few of which resembled the faith of the Plymouth colonists. Distortion is intrinsic to cultural memory, especially when amplified by sectional or political bias. For Southerners, the Mayflower had brought Puritanism, which had yielded fanatical movements like abolitionism, now a dire threat to the Union.
In a brief-but-fascinating digression into the unpredictable power of literary fiction, Reynolds observes that the South’s fondness for Nathaniel Hawthorne’s anti-Puritan novel, The Scarlet Letter, and, even more, for the medieval historical romances of Sir Walter Scott, bolstered its nostalgia for a largely-imagined feudal society.

Reynolds quotes the always-quotable Mark Twain, no fan of Scott’s, as saying that Scott “did measureless harm; more real and lasting harm, perhaps, than any other individual that ever wrote …”
Two Ships is a dazzling survey of some three centuries of American history through a close reading of a metaphor. By the 1890s, Reynolds says, the interpretive tide had turned again: “Southern and Northern whites, feeling threatened by people of color and by an array of European immigrants, were retreating to a cocoon of racial solidarity that Mayflower celebrations helped reinforce.”
By the later-20th century, the image of the Mayflower was depoliticized and commercialized into Pilgrim hats and Black Friday sales. The powerful metaphor of the two ships receded into the mist.
Seven years ago, however, the 1619 Project piloted the White Lion — “The Slave-Ship” — back into view and anchored it at the center of debates about slavery’s place in the national story. The 1619 Project has been faulted for its historiography, and it does lie outside of the chronological boundaries of Reynolds’ book; still, it seems too momentous a reappearance of the White Lion not to at least acknowledge in this book.
That criticism noted, I think reading Two Ships would be an excellent way to observe this particular Fourth of July. It’s wise for all of us to have a more informed awareness of how Americans have understood, misunderstood and, often, flattened each other into stereotypes. Or, as Ernest Hemingway, one of the Mayflower Pilgrims’ more cynical descendants, might say in response to that sentiment: “Isn’t it pretty to think so?”

Lifestyle
A historically hot Paris Fashion Week photographed with a kid’s camera
I took a kid’s camera to Paris Fashion Week, because was it ever really that serious? Yes and no. This men’s season happened during one of the hottest weeks in France’s recorded history, which inspired that specific brand of collective hysteria brought on by living through yet another unprecedented moment together — taking over our brains and ruining our plans to wear boots — and a grander reflection on what we were doing there and why. The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week. If the world is ending, you might as well swim in dirty water and have fun doing it, no?
As far as the shows went, there was the coastal stoner energy of Tokyo-based Auralee — brightly colored leathers and furry flip-flops — that reminded me of the low-key elegance of hanging out in Southern California. At the Rick Owens show, Rick-heads made minimal weather-restrictive tweaks to their usual uniforms — platforms, leather, ground-grazing garments — making you appreciate the beauty in that level of ascetic dedication. Louis Vuitton built a literal beach as its runway, complete with sand and a giant wave that felt like a mirage: Is this a heat-induced hallucination or yet another buzzed-about set design under men’s creative director Pharrell Williams? At the Dries Van Noten show, there was an ice-cold beer fridge and popsicles, a chic and inspired detail only rivaled by a collection that was a breath of fresh air during a week where I Googled the symptoms of heat stroke more than once. The Willy Chavarria show was air-conditioned, pumped with Xinú perfume and felt expensive. Sven Marquardt, a Berlin photographer and Berghain’s most famous bouncer, was sitting in front of me, which I took as an incredibly good omen. The painted blue feet and Oakley collab sunglasses at the Kiko Kostadinov show felt auspicious as well.
A look from the Auralee show.
There were conversations floating around about how apocalyptic it felt sitting at a fashion show in over 100-degree Fahrenheit weather, our backs soaked, our minds dizzied, when the industry is responsible for something like 10% of global greenhouse gas emissions. The cognitive dissonance contributed to the thickness in the air that week.
At the Comme des Garçons show, called “If the War Were to End..,” models danced and ran and skipped out onto the runway for the finale, soundtracked by the joyous sound of children singing “You’re So Good to Me” by the Langley Schools Music Project. In that moment, we were happy, we were clapping, we might have even been hopeful. Humans have the capacity to hold a lot — a fan in one hand while attempting not to completely melt in the front row, and a fantasy that there might still be a future where we get to wear those leopard-print Dries shoes we fell in love with on the runway.
The moments before the Comme des Garçons show.
Comme des Garçons show attendees.
Comme des Garçons, head-to-toe.
The Comme des Garçons show.
The Dries Van Noten show.
A chic and inspired detail at the Dries Van Noten show: ice-cold beer.
Scenes from the ERL presentation.
The Kiko Kostadinov show.
Tapping in from Louis Vuitton beach.
Quavo at the Louis Vuitton show.
Scenes from after the Louis Vuitton show.
Scenes from the Louis Vuitton show.
Scenes from the Nahmias x Puma dinner at Gigi Paris.
Scenes from the On X Online Ceramics rave.
At Silencio to see Venezuelan DJ and producer Safety Trance.
The Willy Chavarria show.
Scenes from Willy Chavarria.
The throngs of teenagers doing back flips into the Canal Saint-Martin and playing soccer in the street set the mood for the week.
Lifestyle
After weeks of speculation, Taylor Swift, Travis Kelce wed in New York
Taylor Swift and Travis Kelce of the Kansas City Chiefs, pictured at a basketball game in May, announced their engagement in August 2025.
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Gregory Shamus/Getty Images
NEW YORK — Taylor Swift and Travis Kelce are officially married.
After three years of dating, The pop icon and Super Bowl-winning football player, both 36, tied the knot in New York, according to a statement from Swift’s publicist, Tree Paine.
There were neither bridesmaids nor groomsmen. “Instead, her brother Austin Swift served as Taylor’s Man of Honor and Jason Kelce was Travis’ Best Man. The ceremony joined both families together,” Swift’s publicist said in the statement released Friday evening.
The ceremony was officiated by comedian and a friend of the couple, Adam Sandler, the statement added.
The singer’s rep said that the couple was dressed in Christian Dior Haute Couture.
“The bride and groom’s wedding ceremony looks have been created by Christian Dior Haute Couture. They are designed by Jonathan Anderson, Creative Director of Dior Women’s, Men’s and Haute Couture Collections, in close collaboration with the Bride and Groom,” the statement said. “This is the designer’s first couture wedding dress for a world-renowned celebrity. Their shoes were custom made by Christian Louboutin and the bride wore Cartier jewelry.”
Security around the event was intense, so it remains unclear if the wedding was charming, if a little gauche. But the night before the ceremony the 20,000-person stadium was bathed in a lavender haze.
Details gleaned from a city permit obtained by The Associated Press, showed details of a “special event at MSG” scheduled to begin Friday evening and running overnight Saturday.
As speculation built, fans began gathering in front of the stadium ahead of the expected wedding, despite the couple’s efforts to keep details of the celebration under wraps.
Superfans and sleuths appeared to have their hunches confirmed on Friday, as dozens of black cars dropped off elegantly dressed guests outside of Madison Square Garden in New York City.
Lisa Benham and her daughter, Zara, posed for selfies outside the Garden. They’re visiting from England and both told NPR they’re huge Swifties.
“I just remember always listening to her,” said Zara Benham, age 17. The women said they’ve followed all the ins and outs of Swift’s romance with Travis Kelce, a tight end with the Kansas City chiefs.
“I’m thrilled for her. I love it. I love the whole story,” gushed Lisa Benham, 47, who says she became a fan after her daughter dragged her to a Swift concert. “I’m pleased for them, really pleased for them.”
A woman wearing a white veil stands outside Madison Square Garden in New York City on July 3, 2026. Taylor Swift and Travis Kelce’s official wedding plans are tightly under wraps, but New York is bracing to host the celebrity marriage of the year.
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CHARLY TRIBALLEAU/AFP
Swift has a massive global platform, and a tendency to pull back the curtain on her personal life in song lyrics and the occasional documentary. But the shared little about her wedding plans since she and Kelce announced their engagement last August.
“You would think that I had been the type of person who would have obsessed over the idea of a wedding my whole life, but I actually never thought about what I would ever do or what I would want until I met the person,” Swift told the U.K.’s Heart Radio in October, while promoting her last album The Life of a Showgirl.

In the months since, speculation mounted over where and when the wedding would take place. In recent weeks, the theories all pointed in the same direction: New York City’s Madison Square Garden on July Fourth weekend.
Swift loves a good Easter egg, and her fans have been known to crack at least some of them successfully. That appears to have been the case with her wedding, even as some wondered for days whether it was merely a high-profile ruse.
Swift and Kelce celebrate the Kansas City Chiefs’ Super Bowl victory in Feb. 2024.
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John Locher/AP
A recap of their romance
Swift and Kelce began dating in the summer of 2023, during the first year of her record-breaking Eras Tour.
The Kansas City Chiefs tight end admitted on a July 2023 episode of New Heights — the podcast he co-hosts with his brother, retired NFL player Jason Kelce — that he had tried to meet Swift after one of her shows in the area.

“I was a little butt-hurt I didn’t get to hand her one of the [friendship] bracelets I made for her,” Kelce said. “I wanted to give Taylor Swift one with my number on it.”
Swift later told Time she thought that call-out was “metal as hell.”
Within months, she was attending his games — most famously, the 2024 Super Bowl his team went on to win. He was spotted in the crowd — and even onstage — at many of her shows the next year.
Fans got a peek into their chemistry when Swift appeared on New Heights last August to announce her 12th studio album, The Life of a Showgirl (which she said was heavily influenced by their relationship). She said she and Kelce bonded in part over similarities in their careers, in which they both “entertain people for three-plus hours in NFL stadiums.”

Less than two weeks later, Swift announced their engagement on Instagram, with photos of a flower-filled backyard proposal and a massive diamond ring. In an episode of The Graham Norton Show a few months later, Swift deflected questions about her wedding planning but joked about inviting “anyone I’ve ever talked to.”
Sleuths had been eyeing Madison Square Garden
Speculation about a July 3rd wedding at MSG reached new heights this month.
Part of that was through the process of elimination: Swifties descended on Watch Hill, R.I. — where Swift owns a seaside estate — on June 13, but tabloid reports of a ceremony there proved unfounded.
But there also seemed to be a paper trail leading to Manhattan.
New York City Mayor Zohran Mamdani seemed to drop a hint while talking to reporters in June.
“We are used to big events, and we are incredibly excited for this one,” Mamdani said, referring to the World Cup. “We know it coincides with the Knicks Finals run. We know it coincides with July Fourth, America 250, Taylor Swift’s wedding all happening at the same time.”
Forklifts and trucks were spotted outside Madison Square Garden in New York on Tuesday, as speculation about a weekend wedding grew.
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Leonardo Munoz/AFP via Getty Images
Then, The New York Times reported that an event company obtained permits for a gathering of up to 1,000 people at Madison Square Garden on July 3rd (and a smaller event the day before). It also cited unnamed sources with details about plans for street closures in the area, later confirmed by City Hall spokesperson Dora Pekec to Reuters.
CBS News shared video this week of trucks unloading “garden party” themed equipment outside the venue earlier this week. And the venue’s online event calendar is suspiciously empty until July 7.
Mamdani appeared to double down Tuesday, while speaking to reporters about the forthcoming heat wave.
“My recommendation to all New Yorkers is to stay inside and stay cool, and if you happen to be getting married at Madison Square Garden you will be staying inside and staying cool, and I think it’s a good example to set for the city at large,” he said with a smile.
This isn’t the first celebrity wedding celebration to take place at MSG. Sly Stone married actress Kathy Silva there in June 1974. As Stone wrote in his memoir, he was talking to his A&R liaison at Epic Records, Stephen Paley, about wanting to marry Silva, and one of them jokingly suggested he do so before an upcoming show.
“I could do a gig, get paid, and get married at the same time. ‘Go, go, go,’ I told him. He went and went fast,” Stone wrote, adding, “Steve wanted everyone to wear gold to keep the shine high.”
According to a New York Times report at the time, the two married in front of nearly 23,000 people, at a ceremony that turned into a full-fledged Sly and the Family Stone concert.
A closer look at Swift’s engagement ring from the 55th Annual Songwriters Hall of Fame Induction and Awards Gala in New York last month.
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Kena Betancur/AFP via Getty Images
Why New York, and why now?
Madison Square Garden, which can hold nearly 20,000 people, may seem like a surprising choice for a singer who prizes her privacy.
But Emma Fitzsimmons, one of the New York Times reporters covering the wedding, told NPR last week that it makes sense for privacy and security reasons.
“It’s sort of this locked box where paparazzi can’t get inside,” she said. “There’s not going to be helicopters overhead. She can release photos of the event and her dress, which we’re all very curious to see, on her own terms.”
Swift, who owns a sprawling Tribeca compound, is famously a fan of New York City. She even has a song about it: “Welcome To New York,” on the album 1989, inspired by her relocation to the city.
And she has a well-documented love of Fourth of July. Over the years, many photos have emerged — some on Swift’s own Instagram — of the star celebrating the holiday weekend in Rhode Island with friends and fireworks.
And it’s not lost on Swifties that she met Kelce shortly after the holiday in 2023, which she celebrated with girlfriends and shared photos of on Instagram.
“Happy belated Independence Day from your local neighborhood independent girlies,” she captioned the photo. “See you tonight Kansas Cityyy.”
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