Denver, CO
Paint the Town Bright, Local Artists at Bright Space Murals Brings Light to Denver Communities — The Denver VOICE
Story by Ethan Clark
Photos by Giles Clasen
Art is one of the most meaningful parts of Denver’s identity. From the various art districts and museums to the sculptures at the Convention Center, art has defined how people see Denver almost as much as the mountains that serve as the city’s backdrop. While most of Denver’s art scene is confined to specific places that require people to go out of their way to see, one art form breaks the mold and brings color and life to even the most unimportant places: murals.
Murals are a unique medium, as they offer a degree of freedom that other art forms lack. They can be found on the sides of shops to attract customers, in schools to convey a warm, welcoming environment to students, and in businesses, neighborhoods, and communal spaces.
In an interview with Denver VOICE, Denver-based artists Andreas Kremer and Reina Luna, the co-founders of Bright Space Murals, discussed how they use art to bring the community together.
THE ARTISTS BEHIND BRIGHT SPACE MURALS
Andreas Kremer and Reina Luna, who are partners, created Bright Space Murals to bring art to businesses, schools, or anyone else interested in enhancing their surroundings. Kremer, originally from Maryland, moved to Colorado to pursue his love of snowboarding. He spent a winter working at Keystone Resort before moving to Denver to work for Never Summer, a popular snowboard brand. Reina Luna, who was born and raised in Denver, has been a massage therapist for over seven years and has had a passion for art for decades. She and Kremer met through a mutual friend after the COVID lockdowns ended and the world began to reopen.
Kremer became interested in painting murals after watching the YouTube channel Ten Hundred, and his job at Never Summer offered him the opportunity to paint one of his own.
According to Kremer, he was inspired to paint an ugly, rusting shipping container outside the Never Summer factory, wanting to make sure the first thing people entering the factory saw was more visually appealing. He said that he had never made anything like this before, but drafted a design to show the owners — who were impressed — and they gave him the chance to try.
Kremer said the project was difficult, but turned out to be a great success and launched his career as a muralist. Luna, who helped with Kremer’s first mural, was daunted by the challenge this project presented.
“I was way out of my comfort zone, and I had no idea how we were going to do this, but [I told him] if you want to do this, I will help you out,” Luna said. “It turned out really good, and I was really proud of the hard work.”
“These murals are really not for us, they’re for either this space or this community, or the area where we’re leaving it,” Kremer said.
“The murals [are] an extension of us to the community, sharing our own creative effort in a space that’s public for everyone to enjoy and interpret in your own way,” Luna said.
Since creating their first mural, Kremer and Luna have continued painting murals for anyone interested in their art. They also host workshops with local high schools, including George Washington High School and Prep Academy. During these workshops, students design and make the mural with their guidance.
DENVER — A lieutenant with Berthoud Fire who was injured after he was struck head-on by a wrong-way driver in Denver last month is making progress, according to a Tuesday update.
The wrong-way driver, identified as 25-year-old Kevem Dos Santos, was killed in the May 17 crash inside the barrier-separated HOV lanes on Interstate 25.
Ken Bradley, the Berthoud Fire lieutenant, was traveling to work when the crash occurred. He was transported to the hospital with serious injuries.
The crash left Bradley with multiple fractures in both legs, fractures to his left arm, a dislocated right shoulder, several broken ribs, and a collapsed lung.
Bradley’s family said he is now able to get in and out of his wheelchair on his own. But he faces additional surgeries this week to reconstruct his ankles and feet.
His family thanked the more than 800 donors who have contributed $85,000 to his GoFundMe and said he remains in good spirits.
Police have not said how Dos Santos managed to access the gate-controlled HOV lanes, leaving many questions unanswered.
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Denver will reimburse developers working on reviving the Rossonian Hotel up to $15.5 million in sales and property taxes after the council approved the urban development proposal during its meeting Monday.
The decision comes after Denver Urban Renewal Authority found that the site was “blighted,” meaning there are unsafe living or working conditions and environmental contamination.
DURA recommended the city allow “tax increment financing,” or TIF, to remediate those problems and get the project off the ground.
“This tax increment financing is one of the final pieces that makes the Rossonian possible. Without it, this project does not happen,” said Paul Books, one of the owners of the building. “But with it, we are working through the last remaining steps to break ground this summer.”
The project, in the Five Points neighborhood, is part of the Welton Corridor Urban Redevelopment Plan. The six-parcel property is in the namesake intersection of Welton, 27th and Washington streets.
The building, once called the Baxter Hotel, was a popular event space for jazz performances between the 1930s and 1950s. Performers such as Duke Ellington, Ella Fitzgerald and Billie Holiday took the stage there. It is on the National Register of Historic Buildings. The building has been vacant since the 1990s.
Palisade Partners, who purchased the property in 2017, plan to build 126 hotel rooms, a restaurant and an event space. They will also construct a new 8-story building between the Rossonian and the Hooper building as part of the redevelopment.
“We’ve concluded that the project does require assistance in order for it to be delivered as it has been contemplated,” said Bill Pruter, executive director of DURA.
Tax-increment financing, which is essentially a tax break or subsidy, allows developers to freeze how much is paid in property or sales taxes at a base level for up to 25 years, and then reinvest what would be paid above that back into certain elements of their projects.
For this project, the developers will be able to reinvest up to $15.5 million — which would otherwise go to the city’s bank account — into their project.
The city will reimburse the tax dollars for specific project costs mostly related to rehabilitation of the building. That includes up to $6.7 million on the plumbing and HVAC work in the new building and up to $2.3 million on the visible structure of the Rossonian Hotel.
The city will also reimburse up to $155,000 for “project art,” according to a presentation from DURA. DURA requires that 1% of the project’s costs be spent on art.
The tax freeze will last until the $15.5 million is reimbursed or in 25 years, whichever comes first.
“This project will bring new life to one of the most important corners in our neighborhood while preserving one of Denver’s most iconic cultural landmarks,” said Norman Harris, executive director of the Five Points Business Improvement District.
The total project is expected to cost $101 million and to be completed in 2028.
A roster move the Denver Broncos made back in March to clear cap space has come to fruition, as linebacker Dre Greenlaw’s post-June 1 designation release has taken effect.
As it turns out, the Broncos did gain more cap space with the move. While it appeared that the Greenlaw release had already been accounted for on sites such as Over The Cap, it actually had not.
Broncos’ Cap Space Grows
Instead, it turns out the $18.8 million in cap space the Broncos had prior to June 1 did not account for Greenlaw’s release. The Broncos now have more cap space than before, with $25.7 million available with his release in effect.
This means the Broncos have less need to cut players simply to create cap space. They can afford to keep the players they have on the roster until training camp starts, then make roster decisions based on what happens in the preseason.
The additional cap space will also help with accommodating any extensions the Broncos decide to give to players with expiring contracts. Players such as wide receiver/returner Marvin Mims Jr. and cornerbacks Ja’Quan McMillan and Riley Moss are among the younger players who might be in line for extensions, depending on how the Broncos value them and what they are seeking in a new deal.
Not to mention veterans, like backup quarterback Jarrett Stidham and left guard Ben Powers, both of whom are entering a contract year.
Potential for More Cap Carryover
The cap space also helps with the potential for more salary-cap carryover heading into 2027. Right now, the Broncos are projected to have just $2 million in cap space, but that does not account for carryover.
If the Broncos are wise with how they manage the cap in the coming months, they could carry over a significant amount of cap space into 2027. That alone will help alleviate the team’s cap situation next year.
Some might wonder whether the Broncos try to make another big move before training camp, but doing so would mean giving up cap space or draft capital that could be useful when it comes to improving the roster in 2027. We can’t rule out a trade, of course, but the added cap space doesn’t guarantee a trade is coming.
But the good news is the Broncos will be in a better cap position than before. We’ll see what moves come next and how that impacts cap space.
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