As the week has progressed, Broncos Country has seen its team play one song and one song only: “Run it back”. Looking at most fan engagement out in the wild, the most common thing I’ve seen is wailing, gnashing of teeth, and rending of clothes in dark places.
Denver, CO
Denver’s UMS indie music fest is back from the dead, but in a new location
The owners of Denver’s Underground Music Showcase are reviving the indie music festival in a big way this summer, but with a major new financial partner, and in a new part of town.
Previously held along South Broadway in the Baker neighborhood, the multi-day music fest known as The UMS will take over the River North Art District, July 24-26, said Keanan Stoner, owner of the Denver-based Two Parts marketing and production company. It announced before last year’s event, however, that 2025 would be its final iteration in its longtime, South Broadway location.
The RiNo Business Improvement District will purchase a 50% stake in the event, Stoner said, valued at $250,000. That follows monthslong negotiations that began when the BID approached Two Parts early last fall about acquiring the fest. The BID’s board has also pledged $250,000 annually for UMS title sponsorship for the next three years, which will shore up the fest’s estimated $1.4 million budget — and which brings the BID’s overall investment to $1 million.
After the purchase, Stoner will transition from CEO of Two Parts to director of The UMS this year — a contract job, he said.
The festival is valuable not only for its artistic discovery but also for its commercial potential, said Terry Madeksza, executive director of the RiNo BID. She was up front about the organization’s interest in the event as an economic engine that promotes RiNo’s businesses and promotes its cultural offerings, but that remains affordable for fans, and reliable in paying bands, artists and venues what they’re worth.
She expects a number of public and private partners, from big promoters to independent businesses, to take part, but has yet to start that process of reaching out to them. BIDs are private-public partnerships that collect money from local businesses in a particular area to fund services, improve public areas, and develop economic opportunities.
“Yes, it is about the music and the festival (experience),” Madeksza said. “But it’s also about the businesses and venues that will participate, or be adjacent to music venues. If we can involve people and engage visitors while also showcasing and celebrating the arts, it can provide more exposure for RiNo.”
Two Parts has owned The UMS for several years, and last year produced its final event with nonprofit partner Youth on Record (YOR), which owned a 30% stake. As a music education organization, YOR ultimately said costs were too high to sustain the festival, forcing it to divest and refocus on its core mission, according to executive director Jami Duffy.
The retooled event is scheduled to return on its traditional weekend and with a similar format to last year, Stoner said. That includes welcoming an estimated 10,000 people per day and hundreds of mostly local and regional bands on multiple indoor and outdoor stages.
Past UMS Denver acts have included Nathaniel Rateliff (pre-Night Sweats), DeVotchKa, Dressy Bessy, and Slim Cessna’s Auto Club, as well as acclaimed national headliners such as Blonde Redhead, Amyl and the Sniffers, The Beths, Real Estate, Lord Huron, and many more.
RiNo’s BID already had money set aside for a “signature event” for 2026, Madeksza said, but didn’t have an idea for what that would be until The UMS announced its final event of South Broadway last year. Harnessing the name recognition and overall experience of the 25-year-old UMS could boost local breweries, restaurants, performance venues, galleries and boutiques in the area northeast of downtown Denver, she said.
RiNo includes large and small music venues ranging from promoter AEG Presents’ Mission Ballroom to rock clubs such as the Larimer Lounge, the jazz-forward Nocturne, Two Moons Music Hall, The Meadowlark, and others. Stoner said he did not commission an impact report on South Broadway visitation or spending during its time there, but that he hopes to do so in RiNo to gather more data.
“We have some wonderful outdoor, public spaces like Denargo or the Art Park, not just for the festival but in general, and we have the stages, so there’s an enthusiasm to tap into that naturally built infrastructure,” Madeksza said.
Those who tearfully waved goodbye to The UMS last year might be surprised by how quickly it roared back, Stoner said. But that was never the plan.
“Some people might think this was our mischievous master plan the whole time,” he said. “It was not. Truly, that week after the festival, I remember sitting there and being like, ‘It’s a coin toss if this thing ever returns. I hope it does because I still have a lot of heart in this thing, but I’m tired, and it’s not working, and we don’t have a path forward.’
“But when the (RiNo BID) approached a month or two after the fest, they said, ‘Let’s have a conversation, because we’re curious if this thing is really over,’ ” he added. “From there, we had many conversations and realized, yes, finances are a huge part of this, but it’s not just a big check from a corporate sponsor.”
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Denver, CO
Historic heat wave could bring multiple record highs to Denver next week
A historic heat wave is expected to develop across the western United States next week, sending temperatures close to 100 degrees in parts of Arizona, into the 90s in California, and well into the 80s across Colorado.
In Denver, the core of the heat arrives Wednesday, March 18, and could linger through Monday, March 23. Forecast highs climb from the lower 80s Wednesday to the mid-80s Thursday through Sunday as a strong ridge of high pressure builds across the West.
If the forecast holds, several daily record highs could fall in Denver.
Potential Denver record highs
- Wednesday, March 18: Forecast 81° | Record 82° (near record)
- Thursday, March 19: Forecast 83° | Record 81°
- Friday, March 20: Forecast 85° | Record 80°
- Saturday, March 21: Forecast 85° | Record 78°
- Sunday, March 22: Forecast 85° | Record 79°
- Monday, March 23: Forecast 76° | Record 77° (near record)
That means Denver could see four consecutive days of record-breaking warmth from Thursday through Sunday.
Average highs for mid-March in Denver are typically in the mid-50s, meaning temperatures during the peak of this stretch could run nearly 30 degrees above normal.
This kind of early-season heat can also increase fire weather concerns across parts of Colorado, especially when warm temperatures combine with dry air and gusty winds.
Denver, CO
No Bull thoughts on underwhelming Denver Broncos free agency period
At some level, I’m with you all. I honestly expected some upgrades in free agency. I like to look at what the team does and try to make sense of it at some level, so let’s dig in:
The Broncos are embracing culture
One of my favorite things about what Sean Payton has done with this team since taking over is that he’s been building the culture back up. Being a Bronco can and should mean something. Teams that feel an actual sense of brotherhood tend to be the teams that are perennial playoff contenders.
Regardless of what you might say about the roster’s talent level, I am a big believer that all the guys in that locker room are buying into the Broncos’ culture.
There is a value in keeping the team’s culture intact that is immeasurable. Bringing back together a team that showed their ability to go all the way, winning close game after close game through sheer will to make plays for each other, is a viable option.

While George Paton has mostly signed back the team we saw in 2025, it is worth noting that some guys are gone. John Franklin-Myers is now a Titan. P.J. Locke is now a Cowboy. Dre Greenlaw will be a 49er this season. While Greenlaw didn’t seem to be a great fit, Locke and Franklin-Myers will be missed.
Going back to my free agency review, I put our ILB position now at a 3, with no changes to defensive linemen (4.5) and safety (3).
The biggest talent issue we have on the roster is easily Alex Singleton. I saw him chirping about wanting to go over the All-22 with fans, and I’m not sure that’s a wise move. He’s one of the poorest pass coverage linebackers I’ve seen who’s considered a starter. The stats show that, the eyetest shows that, and quarterbacks love to throw on him. He does know this defense well. That’s the big thing he brings to the table, which keeps Vance Joseph from needing to find a new guy that can handle that aspect of the game.
The Broncos also know they need to upgrade the running back room. Plans for both Breece Hall and Travis Etienne Jr. fell through. This left them with their B-plan, which is banking on JK Dobbins staying healthy and drafting a fresh set of legs. Of all the “more of the same” moves the team made, this is one I’m pretty fond of. If Dobbins finds a way to stay healthy through the whole season, I wouldn’t be surprised if he led the NFL in rushing. He’s that good.
The Broncos are in a championship window

It is worth noting that this team was one ankle injury away from being in the Super Bowl. The roster, as it stands, can compete with any team in the NFL. Every year, Bo Nix is getting better (which should scare our opponents, honestly). This young roster is going to keep improving as well.
I’ve had tons to say about the drops of many of our wide receivers, the lack of play-making from our running backs, and some bad angles being taken by young players on our defense. Every year, they get to work on their craft. The guys who keep putting in the time will reap the rewards by eliminating mistakes in the future. Sean Payton is an excellent coach who employs excellent coaches who look to upgrade the players that play for them each and every offseason.
I don’t for a second think that the Broncos are done. I think what we’re seeing is that the team is interested in building a winning culture. While they had some excess cap space this year, they chose to reward the players who have been putting in the time with this young team instead of throwing it to guys who have been playing elsewhere.
I do think they will bring in some fresh players, but it will continue to be more of the reasonably priced free agents instead of the premier guys who sign in the first week of free agency.
As always, Payton is going to focus on bringing in smart players who can handle the systems they run. He’s also not going to bring in negative influences to the locker room.
As fans, we don’t always see eye-to-eye with what the team is doing. That is to be expected. That’s half the fun of being a fan. We get to say, “I told you so,” when moves don’t work out. We also get to say, “I guess they know more than we do,” when they do.
Hopefully, this year will see more of the latter. Hit me up in the comments and let me know what you think about our offseason so far.
Denver, CO
First Look: Acclaimed L.A. Chef Debuts Intimate Denver Chef’s Counter
“This isn’t Bar Chelou,” asserts chef Douglas Rankin, who moved to Denver last August after shuttering his two-year-old, award-winning Pasadena bistro following the fires that devastated nearby areas. Now, he’s introduced what he calls Bar Chelou’s “grown-up little brother,” Petit Chelou, a six-seat, six-course chef’s counter tasting-menu housed inside Hop Alley, at 3500 Larimer Street. “Chelou” is French slang for “weird” or “odd,” hinting at the unconventional style Rankin prefers.
The basics: The price is $125 per person, with some optional supplements, a la carte wine, cocktails and N/A drink options, and an $88 wine pairing that you should definitely opt for.
Rankin has been cooking in the space since October, when he launched a residency there, but this marks his first step toward opening a Denver brick-and-mortar.
Who is Douglas Rankin?
Before striking out on his own, the chef worked under big names such as José Andrés and Ludo Lefebvre, including a stint at Lefebvre’s tasting-menu spot, Trois Mec. “That was one of the best restaurants I’ve ever worked in. This is really kind of a return to that, but my way,” Rankin says.
During its run, Bar Chelou was named one of the best new restaurants in the country by Eater in 2023, and landed on the Los Angeles Times 101 best restaurants lists in 2023 and 2024.
“I like to get people out of their comfort zones,” Rankin notes, adding that Petit Chelou is not meant to be a serious, contemplative dining experience. Here, guests are encouraged to interact and laugh with Rankin and Sommelier Jacob Roadhouse, a familiar face to Hop Alley regulars; he brings a big personality to his role, creating thoughtful, playful pairings for Rankin’s dishes. “We’re trying to be the anti-tasting-menu tasting-menu place.”
What is Peit Chelou?
“It’s the fine-dining version of what I’ve been wanting to do for years,” Rankin says. Since arriving in August, he’s been “figuring out how things worked here,” and admits that he was “nervous about produce — but turns out, it’s way better in a lot of ways to me,” particularly thanks to our very own Willy Wonka of produce, Mark DeRespinis at Esoterra Culinary Farms, which is where Rankin is sourcing nearly all of his produce.
His move to Hop Alley resulted from a cold call when Rankin saw the restaurant’s ad for an executive chef. He and Hop Alley owner Tommy Lee hit it off right away, and while both realized that Rankin wasn’t the right fit for the executive chef role, the chef’s counter was available. “I really love being here — Tommy and I get along really great,” Rankin says. “This has just been a dream come true, couldn’t be a better landing spot.”
Now that he’s made the chef’s counter his own and is bringing Petit Chelou to life, “my plan is for it to be here until we move it somewhere else,” he adds, describing the cuisine as a French Japanese tasting menu, rooted in gastronomy with a lot of Japanese ingredients and Japanese technique. … Bar Chelou was a busy bistro, which was fun, which we still have plans to do here.” But for now, he’s focused on introducing diners to his culinary style, twelve nightly covers at a time.
Dishes will change regularly depending on what’s available from Esoterra and other local farms, and will shift with the seasons. Here’s a rundown of what we tried during a very impressive media preview this week.
Crispy potatoes
Rankin says diners can typically expect a snack to start, and ours was a throwback to a popular Bar Chelou dish. These crispy potatoes take two days to make, and the result is a creamy interior with a nice bite outside. They cover a creamy aioli and are dusted with yuzu togarashi and nori. It wasn’t a boundary-pushing beginning, but rather a bite rooted in comfort and a lovely way to ease into the meal.
Kinmedai crudo
Things ramped up quickly flavor-wise with the first course. Crudos have been everywhere, and it’s become rare to find one that stands out, but Rankin succeeded with this dish. It begins with kinmedai, a prized fish also known as golden eye snapper. It’s aged on the bone for one week before being thinly sliced and laid over the chef’s take on tonatto sauce, made with white anchovy instead of tuna, resulting in a bright, acidic edge. Tucked throughout are deposits of bright red pepper relish. The dish is finished with a peppery Italian olive oil — “I never use olive oil from Italy, so you know this one’s good,” Rankin notes — and Japanese sancho pepper, which has a slight numbing effect.
Tempura
Rankin admits he has a tempura obsession and has spent a lot of time perfecting his technique, which is apparent after you try this dish. Getting the battered and fried treatment: locally foraged hedgehog mushrooms from Canolo Farms. Flour from Japan is flown in specially for this preparation, which involves vodka and a freezer to create a glass-like tempura coating that melts in your mouth. The mushrooms are good enough to eat on their own, but this dish reaches new heights of pleasure thanks to the sauce meunière with which it’s paired, essentially brown butter emulsified with lemon and Koji for saltiness. The whole thing is topped with grated cured egg yolk, a shower of mimolette cheese, a few chamomile greens and smoked mushroom bonito made from the mushroom scraps. “Nothing is wasted,” Rankin notes.

Kohlrabi
“Vegetables are really my thing,” Rankin says. “I like transforming them into flavors you would never think they could have.” And we certainly never thought of kohlrabi as the basis of a comforting noodle dish before this meal. Rankin had been serving a different turnip dish, but when Esoterra offered up kohlrabi instead, Rankin got creative. “I’m pushing myself to use stuff from the farm and not order from any place other than local farms,” he notes. To create this dish, the kohlrabi is sliced very thin and cut into tagliatelle-like noodles by hand. The scraped pieces get juiced to form the base of the broth, which is infused with butter, nutmeg, Koji, garlic, and green and black peppercorns. The “noodles” are then gently cooked in the broth for about ten minutes before being lightly grilled, plated in the broth and topped with charred alium. “It is the essence of kohlrabi mounted with butter,” Rankin says,” and you definitely need to pick up the bowl to drink up every last drop.
Squid
Knobby, almost mealworm-like crosnes (Chinese artichoke) pair with perfectly cooked squid in this dish that plays with a lot of fun textures, including salted black sesame seeds that pop a bit as you take bites. Other flavor components include lime leaves, Thai red chiles and dill, plus kabosu, which Rankin and Roadhouse have dubbed the new yuzu, or the “new Japanese it-trus.”
Potato
The meal slows down for this course, which is like the ultimate form of the interior of a baked potato; it’s a dish that Rankin created at Trois Mec with Lefevbre. “There’s a Chef’s Table video about it and basically in the video, [Ludo] acts like he created the whole thing,” Rankin jokes (or is he…?). Here, he’s taking back some ownership of the dish, which starts with a bed of soubise (a classic, creamy French onion sauce — Rankin seasons his with white pepper). Then, peeled potatoes are steamed and riced directly on the plate, creating an ultra-fluffy texture. Brown butter, salt, an aged cheddar collab from Jasper Hill and Cabot, and bonito finish off this rich, starchy course that will have you rethinking how you treat potatoes.
Quail
“I realized when I got here that I have never done a quail dish in my life,” Rankin admits, but he’s not one to shy away from a challenge, for himself or for diners. Eating with your hands is encouraged in order to tackle this whole quail that’s marinated in shaoxing wine, Koji, ginger, garlic and local fennel fronds. Potato and tapioca starch form the gluten-free crust, and a duck reduction is painted on the bird, which is dusted with furikake and served over a sauce made with vin jaune, a French yellow wine.
Mont Blanc
The dessert is an ode to the highest mountain in the Alps and Western Europe and a winner for hazelnut fans, combining a dome of chestnut pastry cream sprinkled with marzipan. Within the dome, you’ll find candied hazelnuts, hazelnut tuiles and hazelnut foam.

Would we return?
Happily! Rankin’s excitement for this fresh start is contagious, and his food leans towards fun instead of the over-precious plates that sometimes dominate fine dining.
“I learned a lot,” Rankin says of his time running Bar Chelou. “I learned that when I had everything I wanted — I always wanted a restaurant in L.A. — I really wasn’t that happy. But when I take a look back, I try to focus on the lesson and not the loss. … Starting over sucks, but at the same time, this feels a lot more true to who I am. This is pure freedom of expression — I cook without boundaries here.”
Despite the worldly influences and tasting-menu format, Rankin aims to create comfort food through a fine-dining lens, and we’re excited to see how that vision continues to evolve in Denver.
Petit Chelou is located inside Hop Alley at 3500 Larimer Street and is open starting at 5 p.m. Thursday through Saturday, with two seatings nightly. For more information and to book a reservation, visit hopalleydenver.com and follow @petitchelou on Instagram.
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