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‘There’s so much beauty’: artists celebrate California in the wake of tragedy

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‘There’s so much beauty’: artists celebrate California in the wake of tragedy


The California artist Dashiell Manley had been at work for over a year on the paintings he was to exhibit at Marianne Boesky Gallery’s elegant new show California Is Somewhere Else when fate intervened. In early January, he set the works to dry in his studio in Altadena – and two days later nearby Eaton Canyon was engulfed in flames, part of recent California wildfires. “My sense of security was shattered around 11pm on January 7th,” Manley told me via video interview. “I went in the studio and it was smoky, and all the paintings were wet.”

That night, Manley’s thoughts were more preoccupied with protecting his family and grabbing on to what precious mementoes he could take with him as he fled the fires. His studio was ultimately spared, but the paintings were not: smoke and other particles embedded into the still-wet surface, ruining the pieces. “I don’t know that I’ve processed that these 10 paintings that I’ve spent a year working on are gone,” he told me. “They smell like a camp fire, and there’s lead particles in the surface – I don’t want to touch them. It’s weird how they’re gone but they’re not.”

In lieu of those works, Manley is showing a suite of vibrantly colorful, intricately layered oil pieces, in which he uses a palette knife to painstakingly carve innumerable overlapping objects resembling a folding fan into the paint. Using the back of his hand for a palette, Manley works quickly, layering up color upon color on to the linen canvass.

“I go back into them multiple times, it’s a very additive and layered process,” he said. “It’s largely muscle memory and intuition at this point. I could duplicate the painting but I couldn’t tell you how.”

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Dashiell Manley’s the possible exception, plausible. Photograph: Courtesy of Marianne Boesky Gallery

The resultant pieces have a structural quality reminiscent of the layered paintings of Jay DeFeo. There are many points for the eye to access them, pleasurably wandering around throughout the intricate networks of color and texture. “I’ve always wanted to make work that has as many entry points to the viewer as possible,” Manley said.

The colors comprising Manley’s paintings are analogous to those that encompass the tones of a southern California sky from dawn to dusk: a range of blues, reds, oranges and yellows. Flecks of green are mixed in, along with veins and pops of black that provide structure and weight to the overall composition. “I’ve been struck by beauty being a counterpoint to grief,” he said. “Working on these paintings has become a kind of routine, in a good way. I noticed how meaningful that routine was for me after the Eaton fire, and how this is something I can never really stop doing.”

The Haas Brothers’ gorgeous, art nouveau Moon Towers sit comfortably alongside Dashiell Manley’s paintings in the exhibition. Nikolai Haas and his twin brother, Simon, have always felt deeply influenced by the southern California landscape and way of life. Together, they create dreamy, tactile sculptures informed by a lifelong connection to the California way of being.

California is Somewhere Else at Marianne Boesky Gallery. Photograph: Photo by Jason Wyche

“It’s just like, things come from nothing here,” Nikolai told me while musing on the feeling of being a Californian. “There’s something about the landscape and the vibe and the energy here. There’s something about California being so geographically removed from rest of the US historically, it being so difficult to get here. It’s its own kind of place.”

The Moon Towers are inspired by actual streetlights that were a common part of cityscapes throughout the 1800s but that went into decline around the turn of the century. A few such streetlights still existed in Austin in the 1990s, where the Haas Brothers spent several youthful years. Once they returned to California, they brought memories of the towers with them and began working on their own takes on the structures. “In the 90s, Austin was at the top of its alt moment,” Nikolai said. “It was a very 90s, grunge stoner culture. For us the Moon Tower is the hero of that moment in our upbringing. Going back home, we wanted to make something that signified our creative growing up.”

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Simon added: “If I could city plan Los Angeles, I’d do a lot of things, and one would be to install Moon Towers. They’re so big that they light up whole neighborhoods, but the lighting is low-key, moonlike. We’re trying to capture that feeling and pay homage to this different perspective. Moodwise we’re leaning into this dreaminess, the safety and fantasy and sheer LA of it.”

Inspired by snowbells, the pieces rise up in lithe, sinuous columns of jade green, then droop over at the top, where a lightbulb is inserted, casting a carefully chosen hue. Some of them rise up to almost 9ft in height, while others would fit comfortably on to an end table. The brothers worked carefully to find just the right temperature of lightbulb to give their sculptures a transportive glow for any who stand within their light. “We want to create an experience,” said Nikolai. “Something to take someone a little out of their reality.”

Anthony Pearson’s Untitled (Casement). Photograph: Courtesy of Marianne Boesky Gallery

The show is rounded out by Anthony Pearson’s minimalist sculpture, whose seeming simplicity belies an exacting technique that leaves the surfaces of his pieces covered in networks of densely worked texture. These are deeply meditative works that draw in a viewer’s eye with their beguiling plays of light, and that reward careful, lengthy examination. As Taney Roniger put it in The Brooklyn Rail: “the strongest unifying thread here is the sense of mystery and wonder that these works exude … [T]hese pieces encourage a shift away from discursive reason toward deeper, more intuitive reflection, and the effect is a rich contemplative experience.”

What makes California Is Somewhere Else such a remarkable success is how its works so effortlessly showcase the sublimity that lives in California – both in its landscape and its cityscape – and that is a key ingredient in the psyche of the Golden state. A place of excesses and enormities, it nonetheless inspires a sense of safety and familiarity that gives rise to fantastic flights of artistic fancy. As Manley put it: “When I feel like I’m out of my body, I go to the mountains, I have this hike with these giant rocks. I lay on these rocks, and everything that is so monumentally large in those moments becomes small. I feel small, everything becomes small. There’s so much beauty in this experience.”



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Dramatic explosion caught on video destroys homes, injures six, officials say

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Dramatic explosion caught on video destroys homes, injures six, officials say


A natural gas line leak triggered a dramatic explosion that destroyed a Bay Area home on Thursday, injuring six people and damaging several other properties.

At least one person was inside the home before it was leveled in the blast. The individual managed to escape without injury, but six others were hurt, including three who suffered serious injuries, Alameda County Fire Department spokesperson Cheryl Hurd said.

“It was a chaotic scene,” Hurd said. “There was fire and debris and smoke everywhere, power lines down, people self-evacuated from the home. … Someone was on the sidewalk with severe burns.”

The leak started after a third-party construction crew working Thursday morning in the 800 block of East Lewelling Boulevard in Hayward struck a Pacific Gas and Electric underground natural gas line, according to a statement from the utility.

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Fire crews were first dispatched to the scene at 7:46 a.m. after PG&E reported a suspected natural gas leak, Hurd said. PG&E officials were already on scene when fire engines arrived, and reportedly told firefighters their assistance was not needed, Hurd said.

Utility workers attempted to isolate the damaged line, but gas was leaking from multiple locations. Workers shut off the flow of gas at about 9:25 a.m. About ten minutes later an explosion occurred, PG&E said in a statement.

Fire crews were called back to the same address, where at least 75 firefighters encountered heavy flames and a thick column of smoke. Surrounding homes sustained damage from the blast and falling debris. Three buildings were destroyed on two separate properties and several others were damaged, according to fire officials.

Six people were taken to Eden Medical Center, including three with severe injuries requiring immediate transport. Officials declined to comment on the nature of their injuries.

Video captured from a Ring doorbell affixed to a neighboring house showed an excavator digging near the home moments before the explosion. The blast rattled nearby homes, shattered windows and sent construction crews running.

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Initially, authorities suspected that two people were missing after the blast. That was determined not to be the case, Hurd said.

“They brought in two cadaver dogs looking to see if anyone was still trapped under the rubble, and the dogs cleared everything,” Hurd said.

Brittany Maldonado had just returned from dropping off her son at school Thursday morning when she noticed a PG&E employee checking out her gas meter. He informed her that there was an issue and they had to turn off the gas to her home.

She didn’t think twice about it.

“About 45 minutes later, everything shakes,” she told reporters at the scene. “It was a big boom…first we think someone ran into our house—a truck or something—and then we look outside and it’s like a war zone.”

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The house across the street was leveled, Maldonado said. When she watched the footage from her Ring camera she said it looked as though a bomb inside the home had gone off.

“I’m very glad that no one lost their lives,” she said.

Officials with the Sheriff’s Office, PG&E and the National Transportation Safety Board are continuing to investigate the circumstances that led to the explosion.

In 2010, a PG&E pipeline ruptured in a San Bruno neighborhood, destroying 38 homes and killing eight people. California regulators later approved a $1.6-billion fine against the utility for violating state and federal pipeline safety standards.

Staff writer Hannah Fry contributed to this report

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Neil Thwaites promoted to ‘Vice President of Global Sales & California Commercial Performance’ for Alaska Airlines and Hawaiian Airlines – Alaska Airlines, Hawaiian Airlines and Horizon Air

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Neil Thwaites promoted to ‘Vice President of Global Sales & California Commercial Performance’ for Alaska Airlines and Hawaiian Airlines – Alaska Airlines, Hawaiian Airlines and Horizon Air


Thwaites will lead the strategy and execution of all sales activities for the combined Alaska Airlines and Hawaiian Airlines team. His responsibilities include growing indirect revenue on Alaska’s expanding international and domestic network, as well as expanding Atmos for Business, a new program designed for small- and medium-sized companies.

Thwaites joined Alaska Airlines in January 2022 as regional vice president in California. Since stepping into the role, Thwaites has significantly sharpened the airline’s focus and scale in key markets and communities across the state, strengthening Alaska’s position as we continue to grow in California. He will continue to be based at the company’s California offices in Burlingame. The moves take effect Dec. 13, with Thwaites also continuing to lead his current California commercial planning and performance function in addition to Global Sales.

Prior to Alaska, Thwaites worked in multiple positions within the airline industry, including a decade holding roles in London, New York, and Los Angeles for British Airways (a fellow oneworld member); most recently as ‘VP, Sales – Western USA’, where he was responsible for market development strategy and indirect revenue for both British Airways and Iberia across the western U.S.

Thwaites is originally from the United Kingdom and graduated from the University of Brighton with a double honors degree in Business Administration & Law.

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Tiny tracker following monarch butterflies during California migration

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Tiny tracker following monarch butterflies during California migration


SAN FRANCISCO (KGO) — When this monarch butterfly hits the sky it won’t be traveling alone. In fact, an energetic team of researchers will be following along with a revolutionary technology that’s already unlocking secrets that could help the entire species survive.

“I’ve described this technology as a spaceship compared to the wheel, like using a using a spaceship compared to the invention of the wheel. It’s teaching us so, so much more,” says Ray Moranz, Ph.D., a pollinator conservation specialist with the Xerces Society.

Moranz is part of a team that’s been placing tiny tracking devices on migrating monarchs. The collaboration is known as Project Monarch Science. It leverages solar powered radio tags that are so light they don’t affect the butterfly’s ability to fly. And they’re allowing researchers to track the Monarch’s movements in precise detail. With some 400 tags in place, the group already been able to get a nearly real time picture of monarch migrations east of the Rockies, with some populations experiencing dramatic twists and turns before making to wintering grounds in Mexico.

“They’re trying to go southward to Mexico. They can’t fight the winds. Instead, some of them were letting themselves be carried 50 miles north, 100 miles north, 200 miles the wrong way, which we are all extremely alarmed by and for good reason. Some of these monarchs, their migration was delayed by two or three weeks.

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According to estimates, migrating monarch populations have dropped by roughly 80% or more across the country. And the situation with coastal species here in California is especially dire. Blake Barbaree is a senior scientist with Point Blue Conservation Science. He and his colleagues are tracking Northern California populations now clustered around Santa Cruz.

MORE: Monarch butterflies to be listed as a threatened species in US

“This year, there’s it’s one of the lowest, populations recorded in the winter. And the core zones have been in Santa Cruz County and up in Marin County. So we’ve undertaken an effort to understand how the monarchs are really using these different groves around Santa Cruz by tagging some in the state parks around town,” Barbaree explains.

He says being able to track individual monarchs could help identify microhabitats in the area that help them survive, ranging from backyard pollinator gardens to protected open space to forest groves.

“So we’re really getting a great insight to how reliant they are on these big trees, but also the surrounding area and people’s even backyards. And then along the way around the coast, how they’re transitioning among some of these groves. And we’re looking for some of the triggers for those movements. Right. Why are they doing this and what’s what’s driving them to do that? So those questions are still a little bit further out as we get to analyze some more some more of the data,” he believes.

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And that data is getting even more precise. The tags, developed by Cellular Tracking Technologies, can be monitored from dedicated listening stations. But the company is also able to crowdsource signals detected by cellphone networks on phones with Bluetooth connectivity and location access activated. And they’ve also helped develop an app that allows volunteers, citizen scientists, and the general public to track and report Monarch locations themselves using their smartphones.

CEO Michael Lanzone says the initial response has been overwhelming.

MORE: New butterflies introduced in SF’s Presidio after species went extinct in 1940s

“We were super surprised to see 3,000 people download the monarch app. It’s like, you know, but people really love monarchs. There’s something that people just relate to,” says Lanzone who like many staffers at Cellular Tracking Technologies, has a background in wildlife ecology.

A number of groups are pushing to have the monarchs designated nationally as a threatened species. If that ultimately happens, researchers believe the tracking data could help put better protections in place.

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“They’re highly vulnerable to, you know, some of the different things that that that we as humans do around using pesticides and also potentially cutting, you know, cutting down trees for various reasons. Sometimes they’re for safety and sometimes it’s, you know, for development. But so having an understanding of how we can do those things more sensibly and protect the places that they need the most,” says Point Blue’s Barbaree.

And it’s happening with the help of researchers, citizen scientists, and a technology weighing no more than a few grains of rice.

The smartphone app is called Project Monarch Science. You can download it for free and begin tracking.

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