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At lyrics trial, Don Henley recounts making Eagles classic

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At lyrics trial, Don Henley recounts making Eagles classic


Handwritten “Hotel California” lyrics at center of lawsuit

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Handwritten “Hotel California” lyrics at center of lawsuit

00:42

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Seated in a New York courtroom witness box, Don Henley opened a large brown envelope Tuesday and paged through the aging yellow sheets of a legal pad.

“Well, it’s got two song titles written on the top,” he explained when asked what it contained. ” ‘After the Thrill is Gone’ and ‘One of These Nights.’”

Then came another envelope and pad, and another, and one more. They bore 1970s drafts of lyrics to two other Eagles hits, “The Long Run” and “The Sad Cafe.” The four pads were in what Henley identified as his handwriting and occasionally that of band co-founder Glenn Frey.

It was the first glimpse in court of some of the physical pages at the heart of a trial involving Henley’s decade-long effort to reclaim handwritten drafts of lyrics to songs, including the megahit “Hotel California.”

After spending Monday telling the New York court about topics ranging from Eagles songwriting to his past personal troubles, the Eagles co-founder underwent further questioning Tuesday from lawyers for three collectibles experts who are on trial.

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Henley was asked about the writing of “Hotel California” and how he didn’t notice for decades that the handwritten pages were missing. He was also queried about his past cocaine use – retorting that he was no “drug-filled zombie” – and even about a $96 limousine bill from 1973.

Hotel California Lyrics Trial
Musician Don Henley returns to court after a break in New York, Tuesday, Feb. 27, 2024. 

Seth Wenig / AP


He continued to insist that he never voluntarily parted with handwritten sheets from work, including the Eagles’ 1976 release “Hotel California,” the third-best-selling album ever in the U.S.

“I believed that my property was stolen,” Henley said.

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The album produced one of rock’s most enduring hits, the song “Hotel California,” credited to Frey, Henley and guitarist Don Felder. Henley recalled that Felder provided a “very basic” tape with guitar chords and a drum-machine beat. Frey and Henley worked from that to craft the lyrics, and three guitarists – “four, if you count the bass” – contributed to the recording, Henley said.

A prosecutor objected that the questions weren’t relevant, but Judge Curtis Farber let them continue.

“I don’t know the relevance, but it’s interesting,” the judge said to laughter from the courtroom audience. Farber will decide the verdict, as the defendants chose not to have a jury.

In 2016, “CBS Mornings” co-host Gayle King asked Henley about the meaning of “Hotel California.”

“Well, I always say, it’s a journey from innocence to experience. It’s not really about California; it’s about America,” Henley said. “It’s about the dark underbelly of the American dream. It’s about excess, it’s about narcissism. It’s about the music business. It’s about a lot of different. … It can have a million interpretations.”

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“‘Sex, drugs and rock ‘n’ roll’ is not revelatory”

The defendants – Edward Kosinski, Craig Inciardi and Glenn Horowitz – are charged with scheming to conceal the lyrics pages’ disputed ownership and sell them despite knowing that Henley claimed they had no right. The defendants have pleaded not guilty to charges including conspiracy to criminally possess stolen property.

They are not accused of actually stealing the roughly 100 legal-pad sheets. Horowitz bought them in 2005 from writer Ed Sanders, who had worked with the Eagles decades earlier on a band biography that never got published. Horowitz later sold the documents to Inciardi and Kosinski, who then started putting pages up for auction in 2012.

Sanders isn’t charged with any crime. He hasn’t responded to messages about the case.

Henley bought back four pages of “Hotel California” song lyrics from Kosinski and Inciardi in 2012. He also went to authorities then, and again when more pages – some from the hit “Life in the Fast Lane” – turned up for sale in 2014 and 2016.

At the trial, Henley has testified that Sanders was allowed to view the pages, and nothing more.

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Henley said Monday that he didn’t give permission for the “very personal, very private” lyrics drafts to be removed from his property in Malibu, California, though he acknowledged that he didn’t recall the entirety of his conversations with the writer in the late 1970s and early 1980s.

In a tape of a 1980 phone call that was played in court, Henley said he’d “try to dig through” his lyrics drafts in order to aid Sanders’ book.

But Henley said Tuesday that “there is no tape or document anywhere where I say, ‘Mr. Sanders, you’re free to keep these items in perpetuity, and you’re free to sell them.’”

Sanders’ 1979 book contract with the Eagles said that material they provided him was their property. Defense lawyers have suggested that Henley is making a criminal accusation out of a clause in a contract that they say Kosinski, Inciardi and Horowitz knew nothing about.

“The idea that the items were stolen from your barn was perhaps an overstatement, fair to say?” defense attorney Stacey Richman asked Henley. He replied that he didn’t know.

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The defense also has sought to show that the Eagles provided Sanders with copious insider material. Lawyer Jonathan Bach noted that Henley’s property caretaker shipped Henley a box; its contents weren’t listed.

Attorney Scott Edelman pointed to the 1973 car-service receipt, which authorities said they found when searching Sanders’ home. According to testimony, someone typed “Don Henley’s offending limousine bill” on the slip, and Henley filled the margins with hand-written comments that weren’t read aloud in court.

The defense also has questioned how clearly the rock star remembers whatever he told Sanders during the book project, which spanned a tumultuous and fast-living time for Henley.

The Eagles broke up in 1980, and Henley was arrested that year after authorities said they found a 16-year-old girl naked and suffering from a drug overdose in his Los Angeles home. He was sentenced to probation and a $2,500 fine after pleading no contest to a misdemeanor charge of contributing to the delinquency of a minor.

He wrote to a probation officer that “my environment has led me to accept drugs as a part of everyday life” and that cocaine had bolstered his courage “to write songs and put my innermost feelings and emotions on public display,” according to a letter presented in court. In the undated letter, he said he was giving up drugs.

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Asked whether he had been using “a significant amount of cocaine” before his arrest, Henley replied: “Significant?”

“You know, ‘sex, drugs and rock ‘n’ roll’ is not revelatory,” he said in a voice that grew increasingly hoarse as testimony went on. At one point, prosecutors gave him a throat lozenge.

He said he used cocaine “intermittently” throughout the 1970s but he was always lucid when performing or doing business.

“If I was some sort of a drug-filled zombie, I couldn’t have accomplished everything I accomplished before 1980 and after 1980,” Henley said.

In his 2016 interview with Gayle King, Henley said the band was indeed living “life in the fast lane” in the 1970s.

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“Yeah… Everybody was doing it. It was the ’70s,” Henley said. “It was what everybody was doing, which doesn’t make it right necessarily. And you know, looking back on it, there’s some regrets about that. We probably could have been more productive … although we were pretty productive, considering.”


Don Felder plays “Hotel California” at the Met

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Mysterious puzzle on California building finally solved

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Mysterious puzzle on California building finally solved


At first glance, it looked like a decorative art installation. Look closer (much, much closer), and you may have realized the spinning circles at the top of Adobe’s headquarters in downtown San Jose were a puzzle waiting to be solved.

After three years of playing on repeat, the code has been finally cracked. Software engineer Brian Vincent solved the semaphore this spring, Adobe announced, staring at and analyzing the circles’ rotations until he ultimately realized it was conveying an image from the “Birth of Venus” painting by Italian Renaissance painter Sandro Botticelli.

A semaphore is a way to send a visual message. It can be done with waving flags, fire or flashing lights. Think of Paul Revere’s famous example, when he used lanterns to signal the British were coming.

In the case of the San Jose Semaphore, there are four circles that can each appear in four positions, making a total of 256 possible combinations between them. The puzzle first debuted in 2006, transmitting a message on a loop. The circles take a new position every 7.2 seconds.

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This version of the puzzle has been playing repeatedly since May of 2023, waiting for someone to figure out its message.

“I wanted to create a code that was impossible for me to solve,” said its creator and artist Ben Rubin.

The semaphore puzzle is seen on the Adobe building in downtown San Jose as codebreaker Brian Vincent walks by. (Photo: Adobe)

The first-ever San Jose Semaphore from 20 years ago broadcast the full text of the novel “The Crying of Lot 49” by Thomas Pynchon. The second was broadcasting an audio file instead: the the famous Neil Armstrong quote “One small step for man, one giant leap for mankind.”

This puzzle, the third in the semaphore’s history, was transmitting a visual medium: a small segment of a Renaissance painting.

How is that possible? Well, it turns out it’s extremely complicated. It took years for someone to solve it, after all.

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In the simplest terms, the circles were essentially transmitting a code for colors in the pixels of a digital image. Vincent spent years agonizing over the four circles’ rotations until he finally discovered the solution. It was a code for one small rose from the “Birth of Venus.” (Hear more about how Rubin crafted the tricky puzzle and how Vincent cracked the code in the video at the top of this story.)

“Birth Of Venus” by Sandro Botticelli (1445 – 1510), one of the most important Italian painters and draftsmen of the early Renaissance. (Photo by: Bildagentur-online/Universal Images Group via Getty Images)

“I want to say that the difficulty level on this puzzle is probably perfect,” Vincent said. “In some ways it seems a little bit simple, but at the same time it takes a lot of work and a lot of effort, and it stands for years before anyone solves it.”

Now that the code has been cracked, it’s time for a new puzzle. A fourth semaphore is planned for the San Jose building, Adobe said. Whoever solves the next one will get a two-year subscription to Adobe Creative Cloud and major bragging rights.



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Should billionaires pay a wealth tax? California will be a big test.

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Should billionaires pay a wealth tax? California will be a big test.


Widening income inequality and a growing number of U.S. billionaires is supercharging the political debate around wealth taxes, at both the national and local level. Democratic lawmakers and candidates, including some from the party’s energized democratic socialist wing, are promising to impose new levies on the über-wealthy should they win control of Congress, citing both fiscal and moral imperatives. Many blue states and cities are exploring similar measures, even as critics warn of high-income residents fleeing to lower-tax red states.

A key test will come this fall in California, where voters will decide whether to impose a one-time 5% tax on the state’s billionaires. The Golden State has a history of pioneering policy ideas via ballot initiatives.

Supporters say the ballot measure, sponsored by a healthcare workers union, would generate needed funds to cover rising healthcare costs for low-income people. Critics – including Democratic Gov. Gavin Newsom – say it could decimate the state’s tax base by driving wealthy people away. Opposition groups, funded in large part by Google co-founder Sergey Brin, have spent over $100 million to try to defeat the initiative. They are backing two counterinitiatives that would undercut the billionaire tax and that will also appear on this November’s ballot.

Why We Wrote This

With the top 1% holding nearly one-third of household wealth in the United States, efforts to impose new levies on the wealthy have been gaining traction. A key test will come this fall in California, where voters will decide whether to impose a one-time 5% tax on the state’s billionaires.

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“What happens in California is going to determine the course of what happens in this country on this issue,” said California Rep. Ro Khanna, who supports the billionaire tax, on a call with reporters last month. “This fight is defining, for what type of Democratic Party we’re going to be.”

Taxing the rich has long been a familiar refrain among Democrats. Vermont Sen. Bernie Sanders has been calling for wealth taxes for decades, and President Joe Biden proposed a billionaire tax in 2024. With the top 1% holding nearly one-third of household wealth in the United States, efforts to impose new levies on high-net-worth individuals have been gaining traction.

Katie Godowski/MediaPunch /IPX/AP

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Vermont Sen. Bernie Sanders holds a “Tax the Rich” Rally at Lehman College in New York City, March 29, 2026.

In Washington state, which historically has not had an income tax, legislators this spring passed a 9.9% tax on incomes over $1 million. Opponents there are mobilizing behind a referendum to repeal the measure, which appears headed for the November ballot. Maine’s governor this spring signed into law a new income tax surcharge on incomes exceeding $1 million, and legislatures in Minnesota and Rhode Island have passed similar measures.

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In New York, Mayor Zohran Mamdani won a historic victory last fall with a campaign that promised to impose new taxes on the wealthy while making life more affordable for ordinary New Yorkers. While New York legislators have not moved ahead on Mr. Mamdani’s biggest tax proposals, in May they passed a tax on second homes worth more than $1 million.



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Exclusive: Paramount weighs leaving California over Warner Bros. rift

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Exclusive: Paramount weighs leaving California over Warner Bros. rift


Paramount has made repeated entreaties to Bonta to strike a deal that would allow its merger with Warner Bros. to close.

The studio proposed a firm commitment, via a consent decree, to produce 30 films annually, with a 45-day theatrical release window and a 90-day streaming window, alongside promises to keep both Paramount and Warner Bros. lots open in California, the people said.

Privately, Ellison and other Paramount executives have expressed frustration at Bonta’s refusal to engage, and have pointed to the commitments around content spending — some $30 billion annually — and employment that would flow into California. Already, the region has faced a production exodus to other states — even to Canada — with thousands of entertainment jobs lost in recent years. Ellison and his executives have said that the combined Warner Bros.-Paramount would create jobs in California, helping to stymie that outflow.

But Paramount believes Bonta’s office has rebuffed its overtures, creating what one Ellison adviser said is an “inhospitable” environment for Paramount to operate in. If Bonta sues, the adviser said, the state’s hostility would push the company over the edge.

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Bonta’s office did not respond to a request for comment. Last month, he told MSNOW that there were “red flags in the air everywhere,” and that he was “concerned about job loss and prices being increased.”

In a statement, Paramount said, “We continue to engage constructively with the remaining few regulators around the world still considering the merger, including State Attorneys General, and are prepared to address any legitimate antitrust issues.” It added: “We are confident this transaction raises no such concerns, as demonstrated by the dozens of antitrust authorities around the world that have carefully reviewed the transaction.”



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