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The case for 4K Blu-ray in a world of streaming

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The case for 4K Blu-ray in a world of streaming

A decade-plus into the streaming revolution, you’d be forgiven for thinking physical media has had its day. Late last year, Best Buy announced it would no longer be selling DVDs and Blu-ray, just months after Netflix got out of the disc rental market that kick-started its business. According to a 2021 report from the Motion Picture Association, global physical media sales more than halved between 2017 and 2021, falling from $14.9 billion in 2017 to $6.5 billion in 2021.

But more recently, 4K Ultra HD Blu-ray has been making headlines for a very different set of reasons. The 4K Blu-ray release of Christopher Nolan’s Oppenheimer promptly sold out at major retailers just weeks after its director stood onstage to proudly talk about the amount of care and attention that the team was putting into it. Aside from new releases, there’s also been a steady flow of older titles coming to the format. James Cameron is currently in the midst of rereleasing films including Titanic, Aliens, and The Abyss on 4K discs, and last year, Disney reissued Cinderella and Snow White and the Seven Dwarfs

“It’s such a good time to get into it right now”

It’s probably too early to claim that 4K Blu-ray is leading a vinyl revival-style resurgence of physical media. But these headlines piqued my interest as someone who fondly remembers building a respectable DVD collection as a teenager. “It’s such a good time to get into it right now,” Jeff Rauseo, whose Films At Home YouTube channel specializes in reviewing physical media releases, tells me. “It’s getting a lot of traction.”

So what do I have to gain by re-embracing physical media and getting into 4K Blu-rays? And where should I even start?

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Nolan suggests there are at least two different benefits to a 4K Blu-ray disc: AV quality and ownership. “I’m known for my love of theatrical and put a lot of effort into that, but the truth is, the way the film goes out at home is equally important to me,” the director said at a screening last year. “In the case of Oppenheimer, we’ve put a lot of care and attention into the Blu-ray version but also in particular the 4K UHD version and trying to translate the photography and sound that we formatted for the IMAX format, the 70mm releases, and putting that into the digital realm for a version that you can buy and own at home and put on a shelf so no evil streaming service can come steal it from you.”

This ownership aspect is the most indisputable benefit of owning a 4K Blu-ray. Licensing deals mean streaming service lineups are in constant flux, and that’s before you get into the likes of Disney culling first-party titles like Willow from its own Disney Plus service. Even digital titles bought outright aren’t totally safe, as we saw when Sony threatened to pull Discovery content its customers had purchased through the PlayStation Store (even if it didn’t go through with it in the end) or the forthcoming shutdown of the Funimation app and website.

What’s particularly nice about owning a 4K Blu-ray is the sense that it has a good chance of being the final physical release a film might get. Cas Harlow, AVForums’ lead 4K Blu-ray reviewer, doesn’t think he’s going to have to replace all his 4K Blu-rays with 8K discs anytime soon like he had to do with VHS, DVDs, and Blu-rays in the past. “If they do 8K you’re edging past what you can justify,” he says. “We’re talking about [4K Blu-ray] as being probably the end physical format, the final physical format.”

Another advantage 4K Blu-ray discs have is the sheer amount of data they can hold, which allows for a much higher bitrate and, hence, higher-quality picture and audio than a typical compressed stream. But experts I spoke to agreed that at least some of these benefits are less clear-cut than they originally were, as both internet speeds and compression technologies have improved.

“The final physical format”

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In a worst-case scenario, like the original broadcast of the Game of Thrones’ season 8 episode “The Long Night,” the benefits of having a high-quality 4K disc can be obvious. When most people watched the episode, the comparatively low bitrates of broadcast and streaming squeezed out a lot of the finer detail and even created visual artifacts. “It had these gray squares and all this compression happening. It was really hard to make out what was going on,” Rauseo recalls. But watch the same episode with the higher bitrate of a 4K Blu-ray, and the difference is stark (ahem). “I have the 4K disk that if you put that in, it’s like, ‘Oh, that’s what they were trying to do. That’s the vision. That’s what they saw when they were editing and mixing this.’ TV and streaming just couldn’t handle that with compression.”

But compare a good quality 4K stream with a 4K Blu-ray on a regular TV, and the difference can become difficult to spot. TV reviewer Vincent Teoh, of the YouTube channel HDTVTest, says he personally can’t tell the difference between a disc and a streaming service like Sony’s Bravia Core, which has a bitrate of up to 80Mbps.

“When you have a well-mastered movie that is streaming at a high bitrate from Apple TV or whatever, I think most consumers generally wouldn’t be able to tell the difference,” Teoh says. John Clancy, who runs the Movie Collector YouTube channel, argues you really need a projector and a large screen to get the best out of a 4K disc and that, at regular TV sizes, the differences between physical and streaming can be “a little academic.”

It’s a different story when it comes to sound. “In terms of the dynamic range and compression, the 4K Blu-ray will always trump any streaming service out there,” Teoh says. You might not notice the difference from your TV’s built-in speakers, he admits, but it should be apparent when played through any half-decent soundbar or AV receiver.

Aside from the objective benefits, the collectors I spoke to talked about having an almost emotional attachment to their discs. “There’s just something about human nature and collecting and just having a representation of who you are,” says Rauseo, who estimates he has around 2,500 movies in his collection, including roughly 600 4K Blu-rays.

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“I think most consumers generally wouldn’t be able to tell the difference”

That’s where smaller boutique Blu-ray labels have been able to carve out a niche for themselves with deluxe packages that can often include additional collectibles like books and art cards in the box. Harlow points toward Second Sight Films’ recent rerelease of The Texas Chain Saw Massacre as a key example of this trend. “What you’re getting there is a classic film that perhaps no one expected to hit 4K, let alone look great in 4K, that’s been given a loving and not controversial restoration and put in a lavish box set,” he says. According to market research firm Circana, the market for collector’s editions like these rose 85 percent to reach $80 million in the 12 months ending March 2023, and boutique label Arrow Films recently told Variety that its US sales increased 72 percent between 2020 and 2021.

Rauseo likens this trend to vinyl, where smaller boutique labels are serving a niche that major studios seem less and less interested in. Alongside Second Sight and Arrow Films, he cites Vinegar Syndrome, Shout! Studios, the Criterion Collection, Umbrella Entertainment, and Via Vision as some of the most interesting labels operating today.

As I quickly found out, if you ask five different physical media fans for the best discs to start a 4K Blu-ray collection, you’re likely going to get five very different answers. So consider the discs listed below an interesting spread of titles that show off what the format has to offer, rather than a definitive ranking of the best of the best. Other frequently recommended 4K releases include Lawrence of Arabia; 2001: A Space Odyssey; The Shining; Blade Runner (The Final Cut); Blade Runner 2049; and interestingly enough, the modern remake of Murder on the Orient Express (which might look a little out of place on this list of cinematic greats, but being shot on 65mm means the 2017 film looks “fabulous,” Clancy says).

Before we get into the recommendations themselves: a quick note on 4K Blu-ray players. If you’ve got a modern game console with a disc drive, whether that’s a PS5, Xbox Series X or S, or even something older like the Xbox One X or S, then you already have an entry-level 4K Blu-ray player on your hands. But stepping up to a standalone model can come with advantages including support for standards like Dolby Vision and a nicer interface based around a traditional TV remote rather than a gamepad. There have also been reports of game consoles and lower-end 4K players having other minor playback issues and struggling to play larger-capacity 100GB discs.

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If you’re going dedicated, then the go-to recommendation tends to be the Panasonic DP-UB820. Rauseo says there are lower-cost models in Panasonic’s lineup with cheaper build quality and without Dolby Vision, and Sony has a competing model called the UBP-X800M2, but the Panasonic DP-UB820 ticks basically all the boxes.

Tom Cruise in Top Gun: Maverick.
Image: Paramount Pictures

Top Gun: Maverick

For an example of a modern release that shows off the best the 4K Blu-ray format has to offer, multiple people I spoke to recommended Top Gun: Maverick. “You’re going to be looking at something like that for a demo disc,” Harlow says, pointing to the film’s 6K source material as a key reason for its amazing 4K presentation. “I would think that that’s a good suggestion to someone if they want to pick up one title and go, ‘Yeah, this is what the format is all about.’”

“For a combination of both picture and sound quality, it’s very difficult to beat Top Gun: Maverick,” Teoh says.

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Second Sight’s rerelease of The Texas Chain Saw Massacre.
Image: Second Sight

The Texas Chain Saw Massacre

If Maverick shows off what 4K Blu-ray is capable of with pristine source material, Second Sight’s 2023 release of The Texas Chain Saw Massacre shows what’s possible at the other end of the spectrum. It’s a film “that you never expected to ever look good, that you never expected to have in 4K, landing in a gorgeous box [and] looking spectacular,” Harlow says. Although the limited-edition box set is now out of print, the standard release is still readily available.

Rauseo points out that this isn’t the first time the film has been released on 4K Blu-ray, but Second Sight’s version benefits from a cleaner presentation versus Dark Sky’s US release. If you’re prepared to pay the shipping cost, it’s also a great example of the benefits of 4K Blu-ray’s broad lack of region locking.

Nolan’s use of large-format cameras in films like Dunkirk make for fantastic 4K Blu-ray releases.
Image: Warner Bros.
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Dunkirk

If I weren’t careful, I could have ended up with three or more disc recommendations on this list from Christopher Nolan, a director famous for his love of large film formats like IMAX, which Clancy says will often make for the best-looking 4K discs.

“If you look at any of [Nolan’s] last five films,” Clancy says, whether that’s The Dark Knight Rises, Interstellar, Dunkirk, Tenet, or Oppenheimer, “you’d be hard pushed to find any 4K disc that looks better than any of them. If you start with the best, you end up with the best no matter how you shrink it down.”

While Dunkirk is my personal favorite of the bunch, Oppenheimer, or any number of the director’s films, would make great entries in any 4K Blu-ray collection.

Numerous classic films like Jaws have received beautiful rereleases on the modern format.
Image: Universal Pictures
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Jaws

Jaws might not have been shot on a large-format film, but for Rauseo, it’s a great example of a film that everybody’s seen but that few will have seen in this sort of detail. “You put that [disc] in and it’s the full 4K restoration at its highest quality,” Rauseo says. “This is without any compression. It’s pristine.”

The Ten Commandments

While a lot of proponents of 4K Blu-ray focus on resolution and detail, Clancy recommends the 1950s classic The Ten Commandments as a film whose colors are the real star. “If you want to see the best Technicolor on 4K, have a look at The Ten Commandments,” Clancy says. 

The movie was shot on VistaVision, a film format that debuted in the 1950s that involved shooting horizontally onto 35mm film rather than vertically, resulting in a larger frame size and more detail. But in Clancy’s view, the biggest strength of this release is its rich colors. “You’ve got that rich Technicolor,” he says, “The blackest blacks, the reddest reds, the most light. Well, it was larger than life colors.”

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The Warner Bros. collection includes 30 discs spanning the studio’s century in existence.
Image: Warner Bros.

Honorable mention: Warner Bros. 100th Anniversary Studio Collection

Is it cheating to include a massive box set on a list of great starter discs for a 4K Blu-ray collection? Probably. Is it annoying that the Warner Bros. 100th Anniversary Studio Collection isn’t readily available in North America and retails for the eye-watering sum of £300 (around $381) in the UK? Firmly, yes. But if you’re prepared to spend the money importing it, then Harlow thinks the recent Warner Bros. box set is a great starting point for a new collector.

Highlights from the set include classics like Citizen Kane, 2001: A Space Odyssey, and The Shining, through to modern audio-visual delights like Mad Max: Fury Road.

“You’re getting a broad spectrum of films that should, arguably, be in everybody’s collection,” Harlow says. “There’s going to be 10 that you would never probably pick up, but you ought to have… and you ought to watch. And there’s going to be 10 which are absolutely on your list. And then there’s going to be 10 which you’re very happy to have.”

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I don’t think I’m ever going to have the same relationship with 4K Blu-rays that I once had with DVDs as a teenager. For starters, a lot of the films and TV shows that I’d want to buy (The Wind Rises, Ida, Succession, Fight Club, Zodiac) simply aren’t available in 4K, and it’s difficult to know if they ever will be. And when streaming offers such easy and often affordable access to practically every modern title, it’s hard not to use it to watch a new film that you’re not sure you’ll ever return to.

And yet, I want to find space for at least a few 4K Blu-rays on my shelves. Partly because, yes, I want to know I’m seeing and hearing them at their best. But I also want to make space for my favorite films in a very literal sense. After a decade of renting and streaming, I’ve got little more than a chaotic page of notes in Notion and my own terrible memory to remind me what my favorites have been. Maybe a shelf full of discs will help me change that.

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Trump administration bars former EU official and anti-disinformation and hate researchers from US

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Trump administration bars former EU official and anti-disinformation and hate researchers from US

On Tuesday, the Trump Administration followed through on a threat of retaliation targeting foreigners who are involved in content moderation. The State Department announced sanctions barring US access for former EU commissioner Thierry Breton, as well as four researchers, while issuing an intentionally chilling threat to others, with Secretary of State Marco Rubio claiming, “The State Department stands ready and willing to expand today’s list if other foreign actors do not reverse course.”

One of the researchers the State Department says is banned and now deportable, is Imran Ahmed, who runs the Center for Countering Digital Hate (CCDH), an organization aimed at identifying and pushing back against hate speech online that Elon Musk tried and failed to censor with a lawsuit that was dismissed in early 2024. In his decision, Judge Charles Breyer wrote that X’s motivation for suing was to “punish CCDH for CCDH publications that criticized X Corp. — and perhaps in order to dissuade others.”

The other researchers include Anna-Lena von Hodenberg and Josephine Ballon, leaders of HateAid, a nonprofit that tried to sue X in 2023 for “failing to remove criminal antisemitic content,” as well as Clare Melford, leader of the Global Disinformation Index, which works on “fixing the systems that enable disinformation.”

The press release announcing the sanctions is titled “Announcement of Actions to Combat the Global Censorship-Industrial Complex,” the claimed target of Republicans like House Judiciary Committee leader Jim Jordan, as they’ve worked against attempts to apply fact-checking and misinformation research to social networks. Earlier this month, Reuters reported the State Department ordered US consulates to consider rejecting H-1B visa applicants involved in content moderation, and a few days ago, the Office of the US Trade Representative threatened retaliation against European tech giants like Spotify and SAP over supposedly “discriminatory” activity in regulating US tech platforms.

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Android Sound Notifications help you catch key alerts

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Android Sound Notifications help you catch key alerts

NEWYou can now listen to Fox News articles!

Staying aware of your surroundings matters. That includes hearing smoke alarms, appliance beeps or a knock at the door. Still, real life gets busy. You wear headphones. You get focused. Sounds slip by. That is where Android Sound Notifications help. This built-in accessibility feature listens for key sounds and sends an alert to your screen. Think of it as a gentle tap on the shoulder when something important happens.

Although it was designed to help people who are hard of hearing, it is useful for anyone. If you work with noise-canceling headphones or often miss alerts at home, this feature can make a real difference.

Now, if you use an iPhone, here’s how Apple’s Sound Recognition can alert you to alarms and other key sounds on your device. 

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Android Sound Notifications alert you when important sounds happen around you.  (Kurt “CyberGuy” Knutsson)

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What Sound Notifications do on Android

Sound Notifications use your phone’s microphone to listen for specific sounds nearby. When it detects one, it sends a visual alert. You will see a pop-up, feel a vibration and may even see the camera flash.

By default, Android can detect sounds like:

  • Smoke alarms
  • Fire alarms
  • Sirens
  • Door knocks
  • Doorbells
  • Appliance beeps
  • A landline phone ringing
  • Running water
  • A baby crying
  • A dog barking

That range makes the feature practical at home or at work. Even better, you control which sounds matter to you.

Why this feature is worth using

Here is the simple truth. You cannot hear everything all the time. Distractions happen. Headphones block sound. Focus takes over. Sound Notifications fill that gap. While you stay locked into a task, your phone keeps listening. When something important happens, you still get the message. As a result, you worry less about missing alarms or visitors. You gain awareness without extra effort.

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How to turn on Sound Notifications

Getting started only takes a minute. Note: We tested these steps on a Samsung Galaxy S24 Ultra running the latest version of Android. Menu names and locations may differ slightly on other Android phones, depending on the manufacturer and software version.

  • Open the Settings app
  • Go to Accessibility
  • Tap Hearing enhancements
  • Select Sound Notifications
  • Turn the feature on

Turning on Sound Notifications only takes a few taps in Android’s Accessibility settings. (Kurt “CyberGuy” Knutsson)

When you enable Sound Notifications for the first time, Android will ask how you want to start the feature. Choose the option that works best for you:

  • Tap the button in the quick settings panel
  • Tap the Accessibility button
  • Press the Side and Volume Up buttons
  • Press and hold the Volume Up and Volume Down buttons for three seconds

After you select a shortcut, Click Ok.  Then, Sound Notifications will start listening in the background.

ANDROID EMERGENCY LIVE VIDEO GIVES 911 EYES ON THE SCENE

If you do not see the option, install the Live Transcribe & Notifications app from the Play Store. You can enable Sound Notifications from there. Once active, your phone listens for selected sounds and alerts you when it detects one. 

Choose which sounds trigger alerts

Not every sound deserves your attention. Thankfully, Android lets you fine-tune alerts.

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Settings may vary depending on your Android phone’s manufacturer

  • Go back to Settings
  • Tap Accessibility
  • Click Hearing enhancements
  • Tap Sound Notifications
  • Click Open Sound Notifications. This opens the actual Sound Notifications control screen.
  • On the Sound Notifications screen, tap Settings or the gear icon in the top corner
  • Tap Sound types

You will now see the full list of detectable sounds.

  • Toggle on the sounds you want alerts for, such as smoke alarms or doorbells
  • Toggle off sounds you do not want, like dog barking or appliance beeps, if they are not important to you

You can choose exactly which sounds trigger alerts, helping you avoid unnecessary interruptions. (Kurt “CyberGuy” Knutsson)

Check the sound history log

Sound Notifications keep a log of detected sounds. This helps if you were away from your phone and want to see what happened.

You can also save sounds and name them. That makes it easier to tell the difference between your washer finishing and your microwave timer.

The log adds context, which makes alerts more helpful.

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Teach your phone custom sounds

Android does not stop at presets. You can train it to recognize sounds unique to your space.

Maybe your garage door has a distinct tone. Maybe an appliance uses a nonstandard beep. You can record it once, and your phone will listen for it going forward. To add a custom sound:

Settings may vary depending on your Android phone’s manufacturer

  • Open Sound Notifications
  • Tap the gear icon
  • Select Custom sounds
  • Tap Add sound
  • Hit Record

Record a clear 20-second clip. The better the audio, the better detection works later.

Customize how alerts appear

By default, Sound Notifications use vibration and the camera flash. That visual cue is helpful for urgent alerts. However, not every sound needs that level of attention. You can adjust how alerts appear based on importance.

Settings may vary depending on your Android phone’s manufacturer

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  • Open Sound Notifications
  • Open the gear icon
  • Tap Ways to be notified
  • From there, choose which alerts vibrate, flash or stay subtle

This flexibility keeps the feature working for your routine.

Your privacy stays on your phone

It is reasonable to question constant listening. Here is the key detail. Sound Notifications process audio locally on your device. Sounds never leave your phone. Nothing gets sent to Google. The only exception is if you choose to include audio with feedback. That design keeps the feature private and secure.

Take my quiz: How safe is your online security?

Think your devices and data are truly protected? Take this quick quiz to see where your digital habits stand. From passwords to Wi-Fi settings, you’ll get a personalized breakdown of what you’re doing right and what needs improvement. Take my Quiz here: Cyberguy.com.

Kurt’s key takeaways

Android Sound Notifications quietly solve a real problem. They help you stay aware when your ears cannot. Setup is fast. Controls are flexible. Privacy stays intact. Once you turn it on, you may wonder how you lived without it.

What important sound have you missed lately that your phone could have caught for you? Let us know by writing to us at Cyberguy.com.

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How Last Samurai Standing adds kinetic action to the Battle Royale formula

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How Last Samurai Standing adds kinetic action to the Battle Royale formula

Last Samurai Standing begins with a familiar premise. Desperate samurai dispossessed by the restoration of the emperor enter into a deadly game for a life-changing cash prize — all for the entertainment of anonymous elites. Unlike its inspirations Battle Royale and Squid Game, however, Last Samurai Standing’s violence is chaotic, fast-paced, and kinetic, though it hides a careful choreography that makes the series a more electric proposition than its predecessors.

Viewers have Junichi Okada to thank for that. As well as starring in and producing Last Samurai Standing, he serves as the series’ action planner. Many will be familiar with the results of an action planner’s work — sometimes called an action director, elsewhere a “coordinator,” and even “choreographer” — though perhaps not what the role entails. In the case of Last Samurai Standing, it’s a role that touches on nearly every aspect of the production, from the story to the action itself.

“I was involved from the script stage, thinking about what kind of action we wanted and how we would present it in the context of this story,” Okada tells The Verge. “If the director [Michihito Fujii] said, ‘I want to shoot this kind of battle scene,’ I would then think through the content and concept, design the scene, and ultimately translate that into script pages.”

The close relationship between the writer and director extends to other departments, too. Though an action planner’s role starts with managing fight scenes and stunt performers, they also liaise with camera, wardrobe, makeup, and even editorial departments to ensure fight scenes cohere with the rest of the production.

Image: Netflix

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It’s a role which might appear a natural progression for Okada, who is certified to teach Kali and Jeet Kune Do — a martial art conceived by Bruce Lee — and holds multiple black belts in jiujitsu. Though the roots of his progression into action planning can be traced back further, to 1995 when he became the youngest member of J-pop group V6.

“Dance experience connects directly to creating action,” he says. “[In both] rhythm and control of the body are extremely important.” Joining V6 at the age of 15, that experience has made Okada conscious of how he moves in relation to a camera during choreography, how he is seen within the structure of a shot, and, critical to action planning, how to navigate all of that safely from a young age.

That J-pop stardom also offered avenues into acting, initially in roles you might expect for a young pop star: comic heartthrobs and sitcom sons. But he was steadily able to broaden his output. A starring turn in Hirokazu Kore-eda’s Hana followed, as did voice acting in Studio Ghibli’s Tales From Earthsea and From Up on Poppy Hill. A more telling departure was a starring role in 2007’s SP, in which he played a rookie in a police bodyguard unit, for which he trained for several years under shootfighting instructor Yorinaga Nakamura.

“What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”

In the years since, Okada has cemented himself as one of Japan’s most recognizable actors, hopping between action starring roles in The Fable to sweeping period epics like Sekigahara. Those two genres converge in his Last Samurai Standing role of Shujiro, a former Shogunate samurai now reduced to poverty, working through his PTSD and reckoning with his bloodthirsty past in the game. These days, it’s less of a concern that the character butts up against his past idol image, he suggests. “What I care about is whether audiences feel that ‘this man really lives here as a samurai.’”

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For Okada’s work on Last Samurai Standing, as both producer and action planner, that involved lacing high-octane but believable action with the respect for history and character studies of the period dramas he loves. “Rather than being 100 percent faithful to historical accuracy,” he adds, “my goal was to focus on entertainment and story, while letting the ‘DNA’ and beauty of Japanese period drama gently float up in the background.”

A focus on what he defines as “‘dō’ — movement,” pure entertainment that “never lets the audience get bored” punctuated — with “‘ma,’” the active emptiness that connects those frenetic moments. Both can be conversations, even if one uses words and another communicates dialogue through sword blows. This is most apparent when Shujiro faces his former comrade Sakura (Yasushi Fuchikami) inside a claustrophobic bank vault that serves as a charnel house for the game’s less fortunate contestants.

“The whole battle is divided into three sequences,” Okada says. The first starts with a moment of almost perfect stillness, a deep breath, before the two launch into battle. “A fight where pride and mutual respect collide,” he says, “and where the speed of the techniques reaches a level that really surprises the audience.” It’s all captured in one, zooming take with fast, tightly choreographed action reminiscent of Donnie Yen and Wu Jing in Kill Zone.

So intense is their duel that both shatter multiple swords. The next phase sees them lash out in a more desperate and brutal manner with whatever weapons they find. Finally, having fought to a weary stalemate, the fight becomes, Okada concludes, “a kind of duel where their stubbornness and will are fully exposed” as they hack at each other with shattered blades and spear fragments.

A still image from the Netflix series Last Samurai Standing.

Image: Netflix

It’s a rhythm that many fights in Last Samurai Standing follow, driven by a string of physical and emotional considerations that form the basis of an action planner’s tool kit: how and why someone fights based on who they are and their environment. Here it is two former samurai in an elegant and terrifyingly fast-paced duel. Elsewhere we see skill matched against brutality, or inexperience against expertise.

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“I define a clear concept for each sequence,” Okada says, before he opens those concepts up to the broader team. From there, he might add notes, but in Last Samurai Standing, action is a collaborative affair. “We keep refining,” he says. “It’s a back-and-forth process of shaping the sequence using both the ideas the team brings and the choreography I create myself.”

There is a third factor which Okada believes is the series’ most defining. “If we get to continue the story,” he says, “I’d love to explore how much more we can lean into ‘sei’ — stillness, and bring in even more of a classical period drama feel.”

As much of a triumph of action as Last Samurai Standing is, its quietest moments are the ones that stay with you. The charged looks between Shujiro and Iroha (Kaya Kiyohara) or their shuddering fright when confronted with specters of their past. Most of all, Shujiro watching his young ward, Futaba Katsuki (Yumia Fujisaki), dance before a waterlogged torii as mist hovers. These pauses are what elevate and invigorate the breathless action above spectacle.

The pauses are also emblematic of the balance that Last Samurai Standing strikes between its period setting and pushing the boundaries of action, all to inject new excitement into the genre. “Japan is a country that values tradition and everything it has built up over time. That’s why moments where you try to update things are always difficult,” Okada says. “But right now, we’re in the middle of that transformation.”

That is an evolution that Okada hopes to support through his work, both in front of and behind the camera. If he can create avenues for new generations of talent to carry Japanese media to a broader audience and his team to achieve greater success on a global stage, “that would make me very happy,” he says. “I want to keep doing whatever I can to help make that possible.”

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The first season of Last Samurai Standing is streaming on Netflix now, and a second season was just confirmed.

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