Technology
MrBeast co-wrote a book with James Patterson

MrBeast teamed up with Alex Cross author James Patterson to co-write a thriller novel with Squid Game-like elements, according to a report from Deadline. The upcoming book, which doesn’t have a title yet, has reportedly fetched eight-figure bids for the publishing rights.
The book’s logline, which reads, “Players fight to survive deadly tests held in dangerous locations around the world, as they battle to become ‘The One,’” sounds exactly like something the popular YouTuber, whose real name is Jimmy Donaldson, would be involved in.
MrBeast has leaned into the Squid Game genre as of late, with many of his viral YouTube videos revolving around various games and challenges, like pitting 100 kids against 100 adults, and having a YouTuber battle royale. He most recently worked with Amazon’s Prime Video to debut the competition reality show Beast Games, which had contestants compete for $5 million in reportedly questionable conditions.
Sources tell Deadline that the film and TV rights to the novel are also already being shopped. Patterson has become known for collaborating with authors like Candice Fox, Maxine Paetro, JD Barker, and others. He even worked with former President Bill Clinton to pen the book The President Is Missing.

Technology
Love, Death, and Robots keeps a good thing going in volume 4

At its best, Netflix’s Love, Death, and Robots creates the same feeling as picking up a collection of sci-fi short stories. You don’t always know what to expect, and not everything is brilliant, but you’re guaranteed to experience something interesting. That was especially true of volume 3 of the animated anthology, which offered nine shorts, all of which were excellent. The latest volume doesn’t quite hit the same heights, nor does it have a singular standout episode like “The Very Pulse of the Machine,” but it’s still a strong offering.
What volume 4 does do well — and it’s something that’s a strength of LDR as a whole — is offer a wide variety of tones and styles. There are still the dark, violent, and hyperreal episodes that are so closely associated with LDR, like “Spider Rose,” a follow-up to last season’s “Swarm,” which tells a cyberpunk story about a woman consumed with revenge who ends up finding it with the help of a very strange creature. There’s also “The Screaming of the Tyrannosaur,” in which trained warriors fight to the death in front of rich dignitaries and royalty, all while racing on dinosaurs. In a strangely inspired bit of casting, the death races are hosted by MrBeast.
But the show also continues to push beyond classic, darker science fiction. There’s a lot of comedy here, for instance. One episode is a confessional for smart devices like connected toothbrushes and toilets, which complain about how horrible it is to serve humans. Another follows a cat intent on world domination, who finds the perfect accomplice when its owners bring home a robotic assistant. And if you enjoyed last season’s “Night of the Mini Dead,” there’s a sequel that similarly turns an alien invasion into a cutesy diorama of death and destruction.
And while the show still skews heavily toward CG animation, there are a pair of great 2D episodes, as well. “How Zeke Got Religion” is pure Heavy Metal and is a story about a group of WWII soldiers who end up fighting a demonic monstrosity summoned by the Nazis. It’s filled with copious amounts of blood and gore and a truly terrifying monster that’s all hands, mouths, and screams. That’s joined by “400 Boys,” a wild and kinetic post-apocalyptic action story about a world filled with warring gangs that join together to fight a group of towering, naked babies that are simply called “boys.”
Volume 4 takes a few fun risks, as well. “Golgotha” is the show’s first fully live-action short, a simple story about a priest, an alien invasion, and a resurrected dolphin who might be the messiah. Like the best of LDR, the episode is satisfying on its own, but it also leaves you wanting to see and learn much more about its world. Not all the episodes are quite so successful. “For He Can Creep” is a fine-if-forgettable tale of a cat fighting Satan, while “Can’t Stop” is an impressive-looking music video that turns the Red Hot Chili Peppers into marionettes but feels pretty out of place amid the rest of the season (and LDR as a whole).
But even the worst episodes of volume 4 are still interesting, and that’s the promise of Love, Death, and Robots, really. Streaming services have helped usher in a new wave of sci-fi anthologies, which have ranged from prophetic and impactful to completely unnecessary. LDR might be the most consistent modern example of the form. It’s funny, violent, and surprising — and almost never boring.
Volume 4 of Love, Death, and Robots is now streaming on Netflix.
Technology
Jeff Bezos backs radical $20,000 small electric pickup truck

Jeff Bezos is backing a bold new venture that’s positioning itself to disrupt the electric vehicle space: Slate Auto. It’s a startup that has unveiled a simple, modular electric pickup truck called the Slate Truck. It’s priced at $20,000 after federal EV incentives, a concept some would consider radical and even inconceivable.
The Slate Truck’s base model defies industry norms by stripping down to essentials, with no power windows, no touchscreen and a minimalist dashboard.
However, at the same time, it offers a range of customization options, allowing buyers to transform it into a five-seat SUV.
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Image of the exterior of the Slate Truck. (Slate Auto)
Slate Truck by the numbers
The Slate Truck is a compact electric pickup, measuring 174.6 inches in length, 70.6 inches wide excluding mirrors and 69.3 inches tall, making it more than 20 inches shorter than a Ford Maverick and reminiscent of classic pickups like the 1985 Toyota truck. It rides on a 108.9-inch wheelbase and features a five-foot bed that is slightly longer and wider than the Maverick’s, offering 37 cubic feet of cargo space. The truck is powered by a single rear-mounted electric motor producing 201 horsepower and 195 lb-ft of torque, delivering rear-wheel drive only and accelerating from 0 to 60 mph in about 8 seconds, with a top speed near 90 mph.
AMERICA’S SMALLEST EV TRUCK PROTOTYPE HAS ARRIVED
Buyers can choose between a standard 52.7 kWh battery with an estimated 150-mile range or an optional 84.3 kWh pack for up to 240 miles of range. Charging is flexible, with an 11 kW onboard AC charger and DC fast charging up to 120 kW through a NACS connector, allowing a 20% to 80% charge in about half an hour. The Slate Truck has a maximum payload capacity of 1,433 pounds and can tow up to 1,000 pounds, making it practical for everyday hauling needs.
Safety features include traction control, electronic stability control, automated emergency braking, forward collision warning with pedestrian detection and up to eight airbags, with the company targeting a five-star NCAP safety rating. The curb weight is about 3,600 pounds.

Specific details of the Slate Truck. (Slate Auto)
AMERICA’S SMALLEST EV TRUCK PROTOTYPE HAS ARRIVED
Funding and mission
Slate Auto, founded in 2022, secured $111 million in funding from Bezos and other investors, including Mark Walter, the controlling owner of the Los Angeles Dodgers. The company aims to disrupt the EV market by making electric trucks accessible to budget-conscious consumers. This is a stark contrast to an industry dominated by high-priced models.

The exterior of the Slate Truck. (Slate Auto)
TESLA’S CYBERTRUCK GETS A MILITARY MAKEOVER WITH A TACTICAL TWIST
Slate Truck manufacturing strategy
Slate Auto’s production is set to begin in Warsaw, Indiana, at a repurposed paper facility, an unconventional approach to manufacturing. The company is betting on affordability and modularity to carve out a niche in the EV market and is looking to challenge industry giants like Tesla and Ford. Maybe with Bezos’ backing, Slate Auto can redefine what an affordable EV looks like.
DATA REMOVAL DOES WHAT VPNS DON’T: HERE’S WHY YOU NEED BOTH

An illustration of the Slate Truck’s customization options. (Slate Auto)
EXPLORING HYDROGEN-POWERED VEHICLES FOR THE FUTURE OF TRANSPORTATION
Customization options
One of Slate’s standout features is its extensive customization. Starting as a minimalist two-seater, the Slate Truck can be transformed into a five-seat SUV with an add-on kit that includes rear seats, a roll cage and airbags. Buyers can choose from over 100 accessories, including roof racks, cargo storage, all-terrain tires and lift kits. The vehicle’s exterior can be wrapped in different colors and designs instead of painted, allowing owners to easily change its look or even do it themselves with a DIY kit. This modular, build-it-your-way philosophy makes the Slate Truck feel like a rolling Lego set, appealing to both everyday drivers and enthusiasts who want a personalized EV experience.
TESLA LAUNCHES LOW-PRICED MODEL Y MUSK CALLED UNACCEPTABLE AS FORD, VW ENTER SEGMENT

The Slate Truck. (Slate Auto)
When will the Slate Truck be available?
Reservations for the Slate Truck are open for a refundable $50 deposit. Customers should expect deliveries to start in late 2026. You can go to the Slate Auto website to reserve yours by clicking on this link.
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The exterior of the Slate Truck. (Slate Auto)
Kurt’s key takeaways
Slate Auto’s approach to building a simple, modular electric pickup truck at an affordable price could shake up the EV market. Its focus on practicality and customization, backed by Jeff Bezos, offers a fresh alternative to pricey, tech-heavy trucks. With production starting in Indiana and deliveries expected in late 2026, the Slate Truck may well redefine what an affordable EV looks like.
Would you consider buying a Slate Truck, with its minimalist design and customizable features? Why or why not? Let us know by writing us at Cyberguy.com/Contact
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Technology
Netflix’s ad tier is growing really fast — and that means more ads

Amy Reinhard, Netflix’s president of advertising, said the streaming service has “the most engaged audience anywhere,” with subscribers on its ad-supported tier spending an average of 41 hours per month on the service.
The new ad formats are part of Netflix’s in-house advertising platform, which is now live in the US after arriving in Canada. It plans to bring the platform to all 12 countries with ad-supported plans by June. “The foundations of our ads business are in place,” Reinhard said. “And going forward, the pace of progress will be even faster.”
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