Metaphor: ReFantanzio is one of 2024’s best games racking up a stack of Game Awards including best RPG, best art direction, and best narrative. But one category in which Metaphor particularly stood out was its music. The soundtrack, produced by Shoji Meguro – the long-time music director of the Persona series, is one of the outstanding achievements in video game music this year, particularly its battle theme which became a viral hit. In an interview with The Verge, Meguro talked about his work on the Metaphor soundtrack including what went into what is perhaps the coolest piece of video game battle music ever made. 

Meguro, known for his work producing the pop-y, jazzy vibes of the Persona soundtracks, acknowledged that Metaphor’s heavy orchestral / choral sound is not something Persona fans would expect from him and definitely outside his own wheelhouse. He said in order to effectively change gears from Persona to Metaphor, he had to relearn classical music theory.

“But that’s what makes creating this score so exciting,” he said. “When I was first told about Metaphor: ReFantazio, I was told it would be an epic, high-fantasy RPG. And immediately I heard the sound of great orchestras playing and thought this might be an opportunity to write songs I’ve never really written before, which excited me greatly.”

In developing the music for Metaphor, Meguro said that he wanted to evoke a classical, fantasy experience but feature a unique twist that he said fans have come to expect from Atlus games. That twist became what Meguro called a “spiritual musical style” that defines the soundtrack, particularly the battle music.

As it was nominated for Game of the Year, Metaphor’s music made an appearance during this year’s Game Awards.

If you’ve spent any amount of time on gaming social media this year, you’ve probably seen tons of posts talking about Metaphor’s battle music. For a battle theme it goes extremely hard, with one version starting off with an orchestra-backed choir singing with the kind of gusto you’d expect for a meeting with Sephiroth, not something that plays during every minor encounter in the game. Then, somehow, the song goes even harder with the addition of a Japanese monk chanting in a rapid-fire cadence that could go toe-to-toe with Eminem. To further elevate the songs, the chants were written in an original language inspired by Esperanto, a language that was invented in 1887 and designed to be used as an internationally universal secondary language. 

But finding the right voice for the job wasn’t easy. “I was looking for a specific type of voice that could sustain a fast rhythm while reading Esperanto-inspired scripture,” Meguro said. 

His search led him to YouTube, where scrolling through performances was how he found a monk named Keisuke Honryo performing in Nam Jazz Experiment, a musical group that combines jazz with the recitation of traditional Buddhist sutras. “It was so great, I immediately made [Honryo] an offer and luckily he accepted and was happy to be a part of this game.”

But there’s a reason why Metaphor’s battle music is so arresting and it’s not just because of the musical stylings of a Japanese monk chanting in an invented language inspired by another invented language. Meguro had to reframe his thinking in developing the soundtrack, leading to the creation of something truly unique that changes how players perceive the game.

“I’ve always considered game scores to be similar to UI elements, constructs that exist solely to service the player,” Meguro said. “Although the score has to capture the atmosphere of the story for the user, it’s worth reminding ourselves that this music is not actually playing directly within the world the characters are in.”

Meguro explained that in conversations with the game’s director Katsura Hashino, the two discussed ways to connect what players are hearing to what the characters are hearing as well.

He said the thought experiment allowed them to “approach the music composition through a different lens.” The idea wound up implemented in the game itself. In Metaphor’s opening hours, the player’s sidekick casts a spell that allows them to hear music as they roam about the world and, inevitably, get into fights.

That moment dramatically changes the context of all of Metaphor’s music, especially its battle themes. Taking those songs from fun bits of ambience for solely players and turning them into something the characters experience too, explains why the songs go hard as they do. Every fight for us is one more event on the way to the credits, for the characters it’s life or death and it makes sense that the music they hear as they fight for their lives, reflects that gravity. 

Meguro used Metaphor’s music to bring the players further into the game and he’s delighted by how well his work has been received. The two battle songs, called “Warriors in Arms” and “Warriors in Valor” instantly resonated with players, inspiring memes and even animated shorts. 

“That brings me so much joy that fans are responding enthusiastically to the music of Metaphor,” Meguro said. “It’s an honor to get that kind of reaction.”

The year 2024 has been another very good one for wireless earbuds. We’ve reached a point where every tech giant is firing on all cylinders. Apple’s AirPods Pro, Samsung’s Galaxy Buds 3 Pro, and Google’s Pixel Buds Pro 2 are each fantastic in their own right and fairly comparable in the features they offer. Are there advantages depending on which you pick? Sure. Samsung’s new voice controls are super convenient. Google wins out on comfort. And Apple’s new hearing health features really level up what we expect from consumer earbuds. But in terms of everyday performance, they’re all within spitting distance of each other. 

As for over-ear headphones, Sonos introduced its long-rumored Ace headphones this year. Their marquee trick, TV Audio Swap, is the ability to receive audio from a Sonos soundbar for private listening — a good example of a brand trying to muster a unique selling point in a competitive market, while Apple, Samsung, and Google are laser-focused on interplay within their own respective ecosystems. (Of course, Sonos’ headphones were all but forgotten in the avalanche of controversy brought on by the company’s overhauled mobile app.)

But this year has reinforced that you don’t need to spend big to find great value. Apple brought active noise cancellation to its less expensive AirPods 4. With the Nothing Ear and budget-priced Ear (a), Nothing proved yet again that it can compete with long-established earbud makers — and outdesign many of them. Style-wise, it’s hard to choose between the flashy yellow of the Ear (a) or Beats’ candy red Solo Buds, but Nothing gives you more for your money than Apple’s brand. 

2024 also saw Jabra make an exit from the consumer earbuds market. The company spent years producing worthy alternatives to the AirPods and other products back during the early waves of true wireless earbuds, but Jabra lost its momentum and failed to meaningfully stand out with its more recent Elite earbuds. The Elite 10 Gen 2 are excellent by all accounts but hard to recommend when they represent the end of the line.

As for where the category is headed, earbuds are quickly evolving into devices with a purpose that extends well beyond audio consumption. Apple’s AirPods Pro 2 now offer a powerful trifecta of hearing health features: you can wear them as hearing protection, take a test to gauge your own hearing loss, or use the earbuds as clinical-grade over-the-counter hearing aids. I’d expect we’ll see other industry heavyweights like Sony, Samsung, and Google bring similar capabilities to their own future buds — perhaps as soon as next year. 

Fitness tracking is another area where we’ll continue to see earbuds offer new advantages. Heart rate tracking is becoming relatively common, and the next-generation Powerbeats Pro, due early in 2025, are rumored to include the useful feature.

As for the new year, Sony’s long-popular 1000X series is due for a refresh. The 1000XM6 earbuds (and headphones) seem like a lock for 2025. I think the same is true of the next AirPods Pro; Apple will reportedly release a redesigned third-gen pair sometime next year. On the other hand, with Samsung and Google having both released new models in the last six months, I wouldn’t expect much from them in the near future. 

For you audiophiles out there, 2025 is likely to see the introduction of more earbuds that can wirelessly stream lossless audio as Qualcomm’s most advanced chips start to proliferate across new products from various brands — potentially including Sennheiser, Bose, and others. As for other features, I’m curious to what extent earbud makers will tap into AI chatbots. Google’s Pixel Buds Pro make it possible to carry on entire conversations with Gemini Live. Will other brands look to provide a similar experience with different AI platforms? 

The new year is certain to get off to a busy start right out of the gate, with headphones and earbuds from dozens of brands expected at CES 2025. Hopefully there’ll be some genuine surprises among the bunch.

Photography by Chris Welch / The Verge