Meta — Fb and Instagram’s mum or dad firm — is at the moment on the heart of controversy in India, the place a neighborhood publication claims the corporate eliminated an Instagram publish on behalf of an Indian politician. Meta has since pushed again on these claims and accuses the outlet of utilizing “fabricated” proof, which can truly be the case primarily based on Meta’s rebuttals and the findings from customers on-line.
Technology
Everything you need to know about Meta’s moderation controversy in India
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It’s an unusually tough story to maintain monitor of, drawing on the nuances of Indian politics, e mail forensics, and Meta’s contentious relationship with the press. So we’ve boiled down the final week of chaos right into a easy recap of what’s occurred and why it issues.
What’s occurring right here?
On October sixth, impartial Indian information publication The Wire revealed an article about how Instagram incorrectly took down a satirical picture of a person worshipping Yogi Adityanath, the chief minister of Uttar Pradesh. The proprietor of the account, @cringearchivist, says Instagram eliminated the publish for violating its “sexual exercise and nudity” insurance policies, although it didn’t include sexual exercise or nudity.
Many had assumed the publish was flagged because of a glitch in some automated system, however The Wire mentioned this wasn’t true. An inside supply at Meta reportedly advised The Wire the corporate eliminated the publish on the request of Amit Malviya, the pinnacle of India’s ruling get together, Bharatiya Janata Occasion (or BJP), however holes in The Wire’s reporting make these allegations questionable.
Meta has since denied The Wire’s report. It accuses the outlet of spreading false data and has tried to debunk the “fabricated proof” supplied by The Wire’s supply, stating that it hopes The Wire “is the sufferer of this hoax, not the perpetrator.”
What does The Wire say occurred?
Primarily, The Wire reported that Malviya received the publish banned by utilizing particular privileges given to high-profile customers. To again up these claims, they revealed screenshots of the documentation Instagram allegedly makes use of as a part of its inside evaluation course of, which listing Malviya’s Instagram deal with, @amitmalviya, because the consumer who reported @cringearchivist’s publish. The Wire additionally states Malviya “has XCheck privileges” and that one other evaluation of the reported content material is “not required.”
The XCheck program is indisputably actual: final yr, a report from The Wall Avenue Journal revealed that Meta makes use of an XCheck, or cross-check, system that lets high-profile customers keep away from Fb and Instagram’s typical moderation processes. However The Wire’s reporting appeared to point out this was getting used for partisan political ends in India, permitting Malviya to “publish as he likes with out the foundations governing the platform making use of to him.”
What does Meta say about The Wire’s claims?
Meta responded to the allegations by saying its cross-check program “doesn’t grant enrolled accounts the ability to robotically have content material faraway from our platform.” It provides that the coverage was put in place to “stop potential over-enforcement errors and to double-check instances the place a call may require extra understanding.”
The corporate additionally pushed again on the interior report supplied by The Wire’s supply. Man Rosen, Meta’s chief data officer, says the instagram.office.com URL included within the screenshots doesn’t truly exist. “It seems to be a fabrication,” Rosen writes on Twitter. “The URL on that ‘report’ is one which’s not in use. The naming conference is one we don’t use. There isn’t any such report.”
As a way to show the legitimacy of its supply, The Wire posted a video exhibiting what the outlet claims is a part of Instagram’s inside workspace. The clip exhibits a consumer scrolling via an inventory of alleged “post-incident reviews involving VIPS” on Instagram’s backend, which The Wire says staff can solely entry via the corporate’s inside subdomain, instagram.office.com. And whereas the outlet says, “it ascertained that the video hadn’t been tampered with,” Pranesh Prakash, a authorized and coverage analyst, spots an occasion the place the cursor jumps unnaturally throughout the video.
Meta says the corporate has proof {that a} consumer made an exterior Meta Office account, altering the web page’s branding in order that it appeared to belong to Instagram. It says the account was created on October thirteenth, just a few days after The Wire’s preliminary reviews.
“Primarily based on the timing of this account’s creation on October 13, it seems to have been arrange particularly with a view to manufacture proof to assist the Wire’s inaccurate reporting,” Meta explains. “We now have locked the account as a result of it’s in violation of our insurance policies and is getting used to perpetuate fraud and mislead journalists.”
What about The Wire’s different proof?
The Wire additionally claims it has obtained an e mail despatched by Andy Stone, the coverage communications director at Meta. Within the e mail, Stone allegedly expresses frustration on the aforementioned leaked inside doc and asks to place the journalists behind the story on a “watchlist.” The Wire went as far as to confirm the authenticity of the e-mail utilizing a device referred to as dkimpy, which validates the e-mail’s DKIM (DomainKeys Recognized Mail) signature.
The protocol is meant to show that an e mail actually got here from the place it says it did, and on this case, that’s Meta’s fb.com area. The Wire posted a video exhibiting the authentication course of — that the outlet says was signed off on by two impartial safety specialists — and got here to the conclusion that the e-mail is actual.
In response, Meta mentioned that the e-mail is “faux” and that there’s no such factor as a “watchlist.” Stone additionally denies the existence of the e-mail in an announcement on Twitter. “That is utterly false,” Stone writes. “I by no means despatched, wrote, and even thought what’s expressed in that supposed e mail, because it’s been clear from the outset that @thewire_in‘s tales are primarily based on fabrications.”
Customers on the internet have poked holes in The Wire’s allegations as nicely. In a thread on Twitter, cybersecurity skilled and creator Arnab Ray discovered that the DKIM evaluation video posted by The Wire doesn’t truly show Stone himself despatched the e-mail.
As defined by Ray, “DKIM relies on a website public key,” which implies it may possibly’t show that it got here from a particular particular person; it solely exhibits that it got here from the area hooked up to a particular group, like fb.com. This leaves room for somebody with entry to the group’s e mail to spoof their tackle, making it look like the e-mail got here from Stone however actually didn’t.
Prakash also shows how straightforward it’s to create a video that makes it appears to be like as if he’s utilizing a DKIM device with a two-line shell script named “dkimverify.” Prakash made it so the “device” outputs a “signature okay” outcome no matter what’s entered, which signifies the DKIM is verified. The emails between The Wire and supposed safety specialists who verified the outlet’s DKIM authentication course of are additionally questionable. Prakash factors out that the dates on the emails don’t match up on the present and archived variations of the article, with the previous itemizing the e-mail’s yr as 2022 and the latter saying 2021.
So… what does all this add as much as?
No matter occurred, it doesn’t look good for The Wire. A method or one other, there’s mounting proof that their preliminary reviews weren’t fairly telling the entire story. Some skeptics imagine The Wire fabricated the proof solely and created a phony story in an try and smear Meta. In the meantime, others think The Wire would possibly’ve been the topic of an elaborate ruse, with somebody near Meta creating the faux proof and tricking the journalists into believing it’s actual. There are even some who assume somebody aligned with the BJP leaked the story in a deliberate effort to discredit the publication.
However wherever the confusion got here from, the purpose of reporting is to suss these items out — and that clearly didn’t occur right here.
Why is all this necessary?
Meta’s management has had a turbulent relationship with the Indian authorities, and this weird back-and-forth is barely going to make issues worse. When Fb whistleblower Frances Haugen got here ahead final yr, inside paperwork confirmed that Meta (then-Fb) largely ignored points occurring in India. In line with The New York Instances, Meta allotted 87 p.c of its funds for classifying misinformation on the platform to the US in 2019, whereas the remaining 13 p.c was unfold throughout the remainder of the world. This lack of moderation left a rash of hate speech and misinformation on Fb within the nation.
There are additionally points associated to Meta’s relationship with India’s ruling BJP political get together. In 2020, the corporate was accused of failing to take away anti-Muslim posts shared by Indian lawmaker T. Raja Singh, a member of the BJP get together. And final yr, inside paperwork obtained by The Guardian discovered that Fb allegedly allowed faux accounts linked to selling a BJP politician to stay on the platform. A current report from Al Jazeera claims Meta affords a less expensive fee for advertisements bought by politicians belonging to the pro-Hindu get together.
Correction October seventeenth, 6:08PM ET: A earlier model of the article acknowledged Pranesh Prakash is a authorized and coverage analyst on the Centre for Web and Society. That is incorrect, as Prakash is now not at this place. It additionally beforehand acknowledged that Prakash exhibits how straightforward it’s to manufacture a false outcome utilizing a DKIM device like dkimpy, when Prakash truly exhibits how one can fabricate a video that makes it appears to be like as if he’s utilizing a DKIM device like dkimverify. We remorse the error.

Technology
Analogue’s 4K N64 has been delayed again, but only by a month

The Analogue 3D has been hit with another delay, but should still be launching this summer. In an update on its preorder website, Analogue explained that it’s modern take on the Nintendo 64 “is now shipping in late August 2025,” after previously aiming for July. The company said in a separate statement that the decision was made due to the ever-changing situation around US tariffs.
“Following last week’s sudden tariff changes, Analogue 3D will now begin shipping next month,” the company explained in a post on X. “We’re absorbing the costs — your preorder price stays the same. No additional charges. Late August, the wait ends: reviews go live with everything we’ve been saving for this moment.”
Like its previous hardware, the $249.99 Analogue 3D is a modern console designed to play old games, in this case N64 cartridges. The new console can upscale classic games to 4K and includes multiple display modes to mimic the look and feel of a CRT display, and the company says that it supports 100 percent of N64 cartridges. It was originally planned for a launch in 2024, but has been hit with multiple delays since it was initially announced.
Technology
Lowering your electric bill could be floating in the ocean

NEWYou can now listen to Fox News articles!
What if the answer to cleaner energy was right out on the waves? A new green energy system is set to change how we capture clean power, and it all starts with the ocean. French startup Seaturns has designed technology that taps into the natural motion of the sea. Their water pendulum turbines are built to last, require little maintenance, and turn rolling waves into electricity. Unlike other renewable options, ocean waves offer a steady, often predictable source of power.
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Water pendulum turbine. (Seaturns)
How renewable wave energy works using a water pendulum system
Here’s how the water pendulum wave converter works. These large, yellow, floating cylinders pitch back and forth with each passing wave. Inside, the motion causes a column of water to swing like a pendulum, compressing air between two chambers and driving a turbine that generates electricity. This constant back-and-forth movement happens entirely within the hull, protecting components from corrosive saltwater and turbulent seas.
Unlike older wave converters that rely on exposed mechanical parts, Seaturns’ design is simple, reliable, and self-contained. Backed by organizations such as Bpifrance, Horizon Europe, and marine research institute Ifremer, the project has drawn support from across France’s public and private sectors.

Water pendulum turbines. (Seaturns)
Renewable wave energy turbine passes open-sea testing
Seaturns recently completed 18 months of successful offshore testing using a prototype built near Brest, France. Built at quarter-scale, the test demonstrated the system’s durability and energy efficiency under harsh marine conditions. This confirms the power-producing concept as a promising alternative to traditional energy technologies.
Historically, ocean power projects have struggled due to their complexity, cost, and vulnerability to damage. Seaturns’ design addresses these weaknesses head-on. A water pendulum is driven by the horizontal motion of wave surges, allowing it to function efficiently even in shallower waters where wave height is limited. This enables performance in shallower depths, bringing the system closer to shore. Its compact size, modular construction, and simplified deployment process make it attractive for coastal cities, offshore industries, and island communities alike.
And unlike wind or solar power, which can fluctuate with weather and daylight, wave converters can generate energy more consistently, though typically at lower output levels, even when skies are cloudy or winds are still.

Water pendulum turbine. (Seaturns)
Low-maintenance renewable wave energy designed to last
Wave energy offers enormous untapped potential. According to some estimates, global oceans could theoretically produce more than 2 terawatts of renewable electricity using wave technology. That’s enough to power a significant portion of national grids, potentially up to a third of the United States’ energy demand, if fully harnessed, though real-world output would depend on many local and technical factors. Harnessing even part of Alaska’s extensive coastline could significantly reduce fossil fuel reliance in remote communities.
Recent academic studies have highlighted the promise of pendulum-based wave energy converters. Their ability to deliver direct mechanical-to-electrical conversion, combined with structural simplicity, makes them a viable path forward for clean ocean power.
Speaking of power, want to reduce your energy bills while staying cool? Check out these smart ways to beat the heat at Cyberguy.com/KeepCool.
Also, explore the latest innovations in smart thermostat technology for your home Cyberguy.com/SmartThermostats.
Kurt’s key takeaways
Some people point out that wave energy still has its hurdles, like dealing with inconsistent wave patterns and currently lower power output compared to wind or solar farms. Even so, the Seaturns system could be a real breakthrough. Its tough design, simple upkeep, and environmental benefits make it a strong contender for future energy grids. As we keep searching for reliable and sustainable power, wave energy is starting to stand out. Now, the big question is whether creative ideas like water pendulums can help make wave power a key player in the global shift to clean energy.
Learn how to save on electricity at home at Cyberguy.com/SaveonPower.
Would you support the installation of wave energy systems like the Seaturns turbines near your local beach? Tell us why or why not. Let us know by writing us at Cyberguy.com/Contact
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Technology
Superman is a box office hit, but the hard part comes next

Over the weekend, DC Studios’ new Superman feature became this year’s third-biggest box-office debut in the US. The movie’s success is a sign that theatergoers might actually not be quite as tired of superheroes as people tend to think, and that’s particularly notable for Warner Bros., given the studio’s plan to build a new cinematic universe of DC Comics adaptations for the big screen. But making interconnected film franchises work is easier said than done. And even though Superman is putting up numbers, DC might have a much harder time doing the same with its next couple of cape movies.
Though it fell short of A Minecraft Movie’s and Lilo & Stitch’s domestic opening weekends, Superman raked in $125 million stateside and another $95 million internationally, making it WB’s strongest superhero debut since Matt Reeves’ The Batman in 2022. You can see those numbers reflected in the sheer amount of Superman hype (some of which has been weird and gross) that has overtaken social media since the movie first premiered. Because of Superman’s success, DC Studios co-CEO James Gunn is reportedly thinking about a couple of spinoff series revolving around Edi Gathegi‘s Mister Terrific and Skyler Gisondo‘s Jimmy Olsen. But before any of that comes to fruition, the studio first has to sell the public on its next two big tentpole features due out next year: Craig Gillespie’s Supergirl and James Watkins’ Clayface.
Following the disaster that became known as the DCEU, WB was in desperate need of a fresh start and a vision for how it could use DC characters in ways that audiences would actually like. That need led to the creation of DC Studios with Gunn and co-CEO Peter Safran guiding the whole endeavor. Though Gunn had worked on previous DC projects, his DC Studios’ appointment felt like a power move on WB’s part that spoke to its desire to push back against Marvel’s box-office dominance. And while it seemed a little odd that Gunn wanted to launch his new DC Universe with an animated Creature Commandos streaming series for (HBO) Max, it was easy to understand the logic behind his plan to make a new Superman the franchise’s centerpiece.
Superman has always been a pillar of the DC Comics brand and embodied much of what makes the company’s characters compelling across different mediums. In a universe full of gods, alien monsters, and supervillains, Superman represents hope and humanity at its best. He’s a near-indestructible powerhouse, but he’s also just a dork from Kansas who loves his family and believes in the importance of journalism. He’s got a bunch of superfriends, but he also has major beef with deranged billionaires who can’t wrap their minds around the concept of immigrants being people who make valuable contributions to society.
Those basic beats have defined Superman stories ever since the character first appeared back in 1938. And part of what makes Gunn’s new film so excellent is the way it weaves all of those ideas together into a colorful, optimistic joyride that feels nothing like WB’s other recent takes on the Man of Steel.
Some of Superman’s success can also be attributed to the basic fact that he’s a character whose lore most people are familiar with — something the movie acknowledges by glossing over Clark Kent’s tragic backstory and dropping you right into his life as an established superhero. But the same can’t exactly be said for Superman’s cousin, Kara / Supergirl, and B-tier Batman villain Clayface.
Thanks to CBS’s Supergirl and HBO Max’s Harley Quinn animated series, Kara and Clayface have had pretty big presences on the small screen in recent years. But the characters have always had somewhat lower profiles compared to DC’s other heroes and villains. Viewed through one lens, DC Studios following Superman up with Supergirl and Clayface reads as a calculated move to avoid following in the examples of the MCU and DCEU, which were both fleshed out with a series of features focused on the kinds of A-list characters you see on lunchboxes and bookbags. But the upcoming features also feel, at least on paper, informed by the way that studios like Marvel and Disney have gotten into the habit of expanding their genre franchises with ill-conceived spinoffs.
That’s kind of the general vibe you get from the full slate of DC Studio’s projects that are currently in development, which includes a stop-motion movie about two of Batman’s Robins, a True Detective-style Green Lantern show for HBO Max, and a feature about Bane and Deathstroke. A sequel to The Batman — which predates the DCU and exists in its own continuity — is also due out in 2027. And at some point down the line, the studio intends to introduce a new Bruce Wayne who will presumably link up with Superman and Wonder Woman (whose reboot is also in the pipeline) to form some sort of Justice League.

DC Studios
Most of DC Studios’ far-off films and series feel like the kinds of projects you would expect a studio to lead with — ones with instantly recognizable characters whose stories are well known enough to get audiences curious and excited about how they could be done differently. Milly Alcock’s Supergirl, who gets a brief and fantastic Superman cameo, seems a bit better suited to keep the franchise’s current momentum going. But given that we’re so early in this DCU’s existence, a body horror like Clayface, about an actor who becomes a murderous mud monster, feels like a tougher sell (even if Mike Flanagan is writing the script).
It’s easy to imagine Supergirl and Clayface revealing that what audiences have grown weary of isn’t comics-inspired narratives, but sprawling, interconnected franchises more concerned with growth than being made up of good movies. That energy is what dragged the MCU into its flop era and made most of Disney Plus’ Star Wars series slogs to get through, and DC Studios clearly doesn’t want to wind up in a similar position. Turning Clark’s cousin and a lesser-known DC villain into box-office juggernauts might be an even bigger challenge — but Superman at least shows that Gunn and Safran know where to start. And if the studio plays its cards right, this really might be the start of a new golden age for DC.
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