Park Chan-wook’s 12th feature-length movie, No Other Choice, begins with Man-su (Lee Byung-hun) as a proud patriarch at the barbecue, a vision of the platonic ideal domestic life he will spend most of the movie defending. In the long middle where life is lived, the movie offers its audience mirth and pathos and deep social critique. Also: murders. After being laid off from a paper company, Man-su realizes that his best chance at getting hired for his next job is to knock off the three other qualified candidates.
Technology
Apollo the robot joins Mercedes-Benz assembly line production
You just knew this was coming. No doubt, you’ve heard about the staffing shortages in factories. And guess what? The solution seems to be robots.
At Mercedes-Benz Manufacturing in Hungary, they’ve swapped out some of their human workers for humanoid robots right there on the factory floor. These futuristic robots are produced by Apptronik, a Texas-based company.
Mercedes-Benz and Apptronik have teamed up to explore how these robots can lend a helping hand to their human counterparts. The goal? To tackle staffing challenges during the manufacturing process.
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Apollo, the humanoid robot at a Mercedes-Benz factory. (Apptronik)
The humanoid robot workmate
The humanoid robots are called Apollo. Standing at a height of 5 feet 8 inches and weighing in at 160 pounds, Apollo mirrors the proportions of a human worker. Its mission? To collaborate seamlessly with its human counterparts while tackling physically demanding tasks.
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Apollo the robot works at a Mercedes-Benz factory. (Apptronik)
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The robot’s strength and agility
Apollo’s powerful arms can lift up to 55 pounds at a time, making it a valuable asset in an assembly line environment. Its swappable battery ensures a runtime of approximately four hours per pack, enough to keep it going through a productive shift.
Apollo the humanoid robot does work in a Mercedes-Benz factory. (Apptronik)
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Is the robot safe?
Apollo’s unique force control architecture allows it to operate safely alongside humans. Think of it as a collaborative robot, not an industrial behemoth. No need to barricade off sections of the factory; Apollo integrates seamlessly into existing spaces.
Apollo the robot works on a car at a Mercedes-Benz factory. (Apptronik)
MORE: THIS HUMANOID ROBOT IS NOW CAPABLE OF FULL CONVERSATIONS
The robot’s applications in manufacturing facilities
Apollo’s first task? Logistics. It shuttles parts to the production line, ensuring workers have what they need to assemble vehicles. So, for example, Apollo delivers assembly kits while simultaneously inspecting components. Later in the process, Apollo takes on another critical role: delivering totes of kitted parts. These neatly organized containers contain everything necessary for specific assembly steps.
Apollo the robot at a Mercedes-Benz factory. (Apptronik)
How the robot is bridging the labor gap
Mercedes-Benz faces a common challenge: finding reliable workers for physically demanding, repetitive, dull tasks. That’s where Apollo comes in and bridges the gap. The company says these robots allow them to automate tasks and free up skilled employees to focus on higher-value work. They say it’s a win-win for productivity and job satisfaction. However, it’s unclear how many robots will be used at their factories.
A close-up of Apollo the humanoid robot on a Mercedes-Benz factory floor. (Apptronik)
Robots on the assembly line
But Mercedes-Benz isn’t the only player in this game. Earlier this year, BMW made waves by partnering with California-based Figure to put its robots to the test. The star of the show? Figure’s 01 robot, currently hard at work in BMW’s U.S. factories located in Spartanburg, South Carolina.
Kurt’s key takeaways
Both Mercedes-Benz and BMW are still fine-tuning their approach, figuring out how best to leverage these robots. The goal? To automate those tricky, unsafe or downright tedious tasks that have traditionally fallen on human shoulders. From delivering and inspecting parts to working alongside skilled workers, these robots are poised to revolutionize the assembly line.
Is this a step in the right direction, or is this just another way to replace human jobs with automation, potentially leading to job displacement? Let us know by writing us at Cyberguy.com/Contact
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The FBI is warning about a disturbing scam that turns family photos into powerful weapons. Cybercriminals are stealing images from social media accounts, altering them and using them as fake proof of life in virtual kidnapping scams.
These scams do not involve real abductions. Instead, criminals rely on fear, speed and believable images to pressure victims into paying ransom before they can think clearly.
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FACEBOOK SETTLEMENT SCAM EMAILS TO AVOID NOW
Scammers steal photos from public social media accounts and manipulate them to create fake proof of life images that fuel fear and urgency. (Kurt “CyberGuy” Knutsson)
How the fake kidnapping scam works
According to the FBI, scammers usually start with a text message. They claim they have kidnapped a loved one and demand immediate payment for their release. To make the threat feel real, the criminals send an altered photo pulled from social media. The FBI says these images may be sent using timed messages to limit how long victims can examine them. The agency warns that scammers often threaten extreme violence if the ransom is not paid right away. This urgency is designed to shut down rational thinking.
Signs the photo may be fake
When victims slow down and look closely, the altered images often fall apart. The FBI says warning signs may include missing scars or tattoos, strange body proportions or details that do not match reality. Scammers may also spoof a loved one’s phone number, which makes the message feel even more convincing. Reports on sites like Reddit show this tactic is already being used in the real world.
Why this fake kidnapping scam is so effective
Virtual kidnapping scams work because they exploit emotion. Fear pushes people to act fast, especially when the message appears to come from someone they trust. The FBI notes that criminals use publicly available information to personalize their threats. Even posts meant to help others, such as missing person searches, can provide useful details for scammers.
Ways to stay safe from virtual kidnapping scams
The FBI recommends several steps to protect yourself and your family.
- Be mindful of what you post online, especially photos and personal details
- Avoid sharing travel information in real time
- Create a family code word that only trusted people know
- Pause and question whether the claims make sense
- Screenshot or record proof of life photos
- If you receive a message like this, try to contact your loved one directly before doing anything else.
Staying calm is one of your strongest defenses. Slowing down gives you time to spot red flags and avoid costly mistakes.
How to strengthen your digital defenses against virtual kidnapping scams
When scammers can access your photos, phone numbers and personal details, they can turn fear into leverage. These steps help reduce what criminals can find and give you clear actions to take if a threat appears.
1) Lock down your social media accounts
Review the privacy settings on every social platform you use. Set profiles to private so only trusted friends and family can see your photos, posts and personal updates. Virtual kidnapping scams rely heavily on publicly visible images. Limiting access makes it harder for criminals to steal photos and create fake proof-of-life images.
Limiting what you share online and slowing down to verify claims can help protect your family from panic-driven scams like this one. (Jaap Arriens/NurPhoto via Getty Images)
2) Be cautious about what you share online
Avoid posting real-time travel updates, daily routines or detailed family information. Even close-up photos that show tattoos, scars or locations can give scammers useful material. The less context criminals have, the harder it is for them to make a threat feel real and urgent.
3) Use strong antivirus software on all devices
Install strong antivirus software on computers, phones and tablets. Strong protection helps block phishing links, malicious downloads and spyware often tied to scam campaigns. Keeping your operating system and security tools updated also closes security gaps that criminals exploit to gather personal data.
The best way to safeguard yourself from malicious links that install malware, potentially accessing your private information, is to have strong antivirus software installed on all your devices. This protection can also alert you to phishing emails and ransomware scams, keeping your personal information and digital assets safe.
NEW EMAIL SCAM USES HIDDEN CHARACTERS TO SLIP PAST FILTERS
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4) Consider a data removal service to reduce exposure
Data brokers collect and sell personal information pulled from public records and online activity. A data removal service helps locate and remove your details from these databases. Reducing what is available online makes it harder for scammers to impersonate loved ones or personalize fake kidnapping threats.
While no service can guarantee the complete removal of your data from the internet, a data removal service is really a smart choice. They aren’t cheap, and neither is your privacy. These services do all the work for you by actively monitoring and systematically erasing your personal information from hundreds of websites. It’s what gives me peace of mind and has proven to be the most effective way to erase your personal data from the internet. By limiting the information available, you reduce the risk of scammers cross-referencing data from breaches with information they might find on the dark web, making it harder for them to target you.
Check out my top picks for data removal services and get a free scan to find out if your personal information is already out on the web by visiting Cyberguy.com
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5) Limit facial data in public profiles
Review older public photo albums and remove images that clearly show faces from multiple angles. Avoid posting large collections of high-resolution facial photos publicly. Scammers often need multiple images to convincingly alter photos. Reducing facial data weakens their ability to manipulate images.
6) Establish a family verification plan
Create a simple verification plan with loved ones before an emergency happens. This may include a shared code word, a call back rule or a second trusted contact. Scammers depend on panic. Having a preset way to verify safety gives you something steady to rely on when emotions run high.
7) Secure phone accounts and enable SIM protection
Contact your mobile carrier and ask about SIM protection or a port-out PIN. This helps prevent criminals from hijacking phone numbers or spoofing calls and texts. Since many fake kidnapping scams begin with messages that appear to come from a loved one, securing phone accounts adds an important layer of protection.
The FBI warns that these virtual kidnapping scams often begin with a text message that pressures victims to pay a ransom immediately. (Getty Images)
8) Save evidence and report the scam
If you receive a threat, save screenshots, phone numbers, images and message details. Do not continue engaging with the sender. Report the incident to the FBI’s Internet Crime Complaint Center. Even if no money is lost, reports help investigators track patterns and warn others.
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Kurt’s key takeaways
Virtual kidnapping scams show how quickly personal photos can be weaponized. Criminals do not need real victims when fear alone can drive action. Taking time to verify claims, limiting what you share online and strengthening your digital defenses can make a major difference. Awareness and preparation remain your best protection.
Have you or someone you know encountered a scam like this? Let us know by writing to us at Cyberguy.com
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Adapted from Donald Westlake’s novel The Ax, No Other Choice captures — most delightfully and cathartically — the perpetual and unsolvable anxiety of living under an economic system built around extracting surplus value from its workers. Or the dark irony that if a corporation makes a person redundant, it is strategy; if a human does the same, it’s a crime.
With this film, not to mention his earlier works like Oldboy and The Handmaiden, Park establishes himself as a director who understands intimately that tragedy and comedy cannot be separated. Here, it’s the tragedy that life must be lived, that we ought to work at all, that so much in this life in fact depends on this work, set against the comedy of how somebody like Man-su sets about solving this impossible riddle for himself.
The Verge spoke with Park about his relationship to his source material, artificial intelligence, and how he recovers after wrapping a picture.
This interview has been edited and condensed.
The Verge: Have you ever been fired from a job?
Park Chan-wook: That’s never happened to me, mercifully. Those kinds of things actually happen quite often in our industry. I’ve been fortunate enough to avoid that fate, but there have been many times when I’ve been afraid of being let go. While working on any project, invariably comes a time when differences in opinion form between the studio or the producers. In that instance, whenever I stubbornly stick to my original position, I do so knowing I am exposing myself to that kind of danger.
And when a movie comes out and it doesn’t do well, then comes the fear that I won’t be able to find a job again, or that I won’t be able to raise funds for my next project.
But also that fear isn’t something that accompanies you after you get your report card from the box office exclusively. All throughout the filmmaking process, it stays with you, that fear. It stays with you from the initial planning stages of a movie. And then if the movie doesn’t do well, that fear sharpens, and it never goes away. It is near to you always.
At the screening I attended, you said you first encountered the source material, the Donald Westlake novel The Ax, via your love of the movie Point Blank, which you cite as your favorite noir. Do you remember how you discovered the movie, and are there other Westlake novels you are curious about?
Point Blank is a film directed by John Boorman, a British director, and I watched it for two reasons. The first is that I’ve always liked John Boorman. The first Boorman film I ever saw was Excalibur.
Second, I’m a fan of the actor Lee Marvin. Because Point Blank was a collaboration between a director I like and an actor I also like, I had always wanted to see it. But accessing the movie was difficult in Korea for a long time, so it was only later that I got to watch it.
As for Westlake, surprisingly not too many of his books are in translation. That The Ax was translated into Korean was itself an anomaly. And so I’ve only read a few of his books.
You’ve been trying to make No Other Choice for 16 years. You also said you tried going through Hollywood first. How come?
Since the novel was written with an American setting, I naturally thought making it into an American film would be the best option. At that time, I had already made Oldboy, Thirst, Lady Vengeance, and Stoker, and so making a movie in America was not intimidating.
What was the most common feedback you received in these early years?
In 2010, we secured the rights and began actively pursuing the project. Initially, we met with French investors. Although it was to be an American movie filmed in America, we met with French investors thanks to Michèle Ray-Gavras, wife of [director] Costa-Gavras, who was among our producers, and through her we contacted various studios, from France to the United States.
Starting then, I continued receiving offers that were slightly less than what I wanted, which is why I could not possibly accept them.
As for notes from the studios, beyond anything, they doubted whether the audience would believe that Man-su would resort to murder because he lost his job. They wanted to know how I was going to bring the audience along.
Other than that, people’s senses of humor varied slightly. Some said this part isn’t funny. Others said that part isn’t funny. We faced some challenges.
You mentioned there are Easter eggs strewn about the movie and I am curious about them. You mentioned that the oven mitt Man-su uses during his attempted murder can be seen later back in his kitchen. A Christmas stocking from the same scene can be seen in a family photo in the background. What other such details are there to look out for?
I can’t guarantee that the framed photo with the Santa Claus costume can be seen properly. We did place it on set during filming. In fact, we gathered the entire family, dressed them up and took pictures specifically for that framed photo. But I don’t know if it is actually visible in the final movie. It will definitely, however, be in the extended cut that I’m preparing for the Blu-ray release.
And rather than considering it an Easter egg, it might be more accurate to consider it part of creating a believable world for the actors. So that once the actors enter that world, they feel like they can more easily become their characters. And for there to be that trust and sense of a stable reality, the better it is to attend to props or anything else spatially. The more consideration, the better.
AI shows up at the end of the movie, which I imagine was not part of the original idea you had when you began the project. When did you know to add AI to the film?
Had this been made into an American film, such a plot point would not have been available. It was only because the process took so long that the issue could be incorporated.
Any director making a movie about employment, or unemployment rather, would be remiss to not mention AI. Moreover — and this was important for me — by the end, Man-su’s family catches on to what he has done in the name of the family. Of course, Man-su isn’t entirely sure if they know, but the audience knows. The very thing he does for his family will be the thing that leads to its collapse. All of his efforts are for naught, which echoes the situation with AI.
He painstakingly eliminated his human competitors to secure a job. But what he confronts at his new workplace is a competitor more formidable than any mortal. Meaning Man-su likely won’t last long before AI takes over. He will lose his job, yet again, at which point, what was it all for? What were the murders for? This too can be seen as a colossal wasted effort.
Therefore, the introduction of AI technology from a creative perspective was a great addition to the movie.
How do you feel about the use of AI in film? Would you use it in your own work? I am sensing the answer is “no.”
I hope that never happens.
It’s not easy for young film students out there. And if there were a technology that allows them to make their own movies at a reduced cost, in a way that could not have been possible before, who could stop them? It would not be possible to tell them not to.
What is the question No Other Choice is asking?
Those who have arrived at the middle class, those who have become accustomed to a certain way of life, and it wasn’t inherited, they obtained it of their own accord — for that class of people, giving all that up would be very difficult. Slipping from that station would be challenging to accept. I would certainly find it difficult to accept.
Of course, that doesn’t mean I am going to commit murder — three, no less — but it’s an impossible situation.
“My child desperately needs private cello lessons. Not only that, it’s a vital part of them becoming an independent adult.” Giving that up would be staggeringly hard. I am imagining what I might be capable of in such a scenario.
I wanted to create a space in which people might ask themselves that question. Not to simply criticize Man-su, but to ask themselves, what if, what might happen, if there was such a person in such a situation? It’s an exercise in imagination.
What was the most difficult time in your career and how did you recover from it?
When my first two films failed at the box office. Before I made JSA, the period between the first film and the second film, and between the second film and the third film, was most difficult. I had no choice but to make the rounds with my screenplay — not unlike how Man-su does with his resume — looking for producers and studio executives. Often I was rejected. That was a tough time.
By then I had married and had dependents and so I resorted to film criticism to make a living. Being a film critic is a great profession, but it was not what I wanted, so I suffered. What’s more, I wanted to be making my own movie, but instead I was reduced to analyzing other people’s movies. If I watched an excellent movie, I would be filled with envy. The reality that demanded I live like that seemed to also be mocking my pain, a kind of taunting. But I had no other means of surviving.
What will you work on next?
Actually, I have two projects that are already prepared. I have a script for a Western that has been written and revised several times. There is also a sci-fi action film for which I haven’t written the script yet, but I put together a fairly involved treatment for.
How do you recover after filming a movie?
Luckily, I am traveling with Lee Byung-hun at the moment. I might drink a glass of wine with him. He is rather serious about wine, and so if I drink with him, I am bound to drink something good.
Have you any deep and profound advice for young filmmakers?
In film school, you might learn certain lessons from your instructors. You might also learn from directors who are already successful. If you are a fan of genre, you might study the convention of your chosen genre.
That is all very well, but before anything, the first order is to really have your own voice. And to examine yourself honestly. And to tell the story that comes spontaneously from within. In my opinion, spontaneity is the most important thing. Not to say “this is popular,” or “people like this,” but what is the true thing that comes from your own and inner self? Follow that thread with sincerity.
Of course it’s easy for me to say this — anybody can say it — but putting it into practice is another thing entirely.
No Other Choice is in select theaters December 25, 2025, with a wider release planned in January.
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Instagram is rolling out a new tool called Your Algorithm that gives you direct control over the videos that fill your Reels tab. Your interests shift as time moves on. Now your feed can shift with you in real time.
Instagram says this new feature uses AI to help you see the topics that shape your Reels and tune them with a few taps. It has already started rolling out in the United States and will roll out globally in English soon.
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5 SOCIAL MEDIA SAFETY TIPS TO PROTECT YOUR PRIVACY ONLINE
Why Instagram created Your Algorithm for Reels
Instagram wants your feed to reflect what you care about right now. Your Algorithm gives you a clear view of the topics Instagram thinks you like and then lets you adjust them while you watch Reels.
First, click on the Reels icon. It looks like a play button inside a rounded rectangle at the bottom of your screen.
Instagram’s new Your Algorithm tool gives you a clear view of the topics shaping your Reels feed. (Cyverguy.com)
How to see and control your Reels algorithm
When you watch a Reel, look for the small icon in the upper right corner. It looks like two lines with hearts.
Tap that icon to open Your Algorithm. From there, you can guide your feed by using three controls.
1) See your top interests
At the top of the screen, you will see a list of topics Instagram believes match your interests. This gives you a snapshot of what shapes your Reels.
2) Tune your preferences
You can type in topics you want to see more or less of. Your Reels feed updates based on those changes. You can also choose what you want to see less of by tapping Add, then entering a topic you want Instagram to reduce in your feed.
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3) Share your algorithm
If you want to show friends what topics shape your feed, tap the Share to Story option on the Your Algorithm screen. Instagram will open a Story preview. Then tap Your Story to post it or Close Friends if you want a smaller group to see it.
Instagram says this is only the start. The company plans to bring the same level of control to the Explore tab and other parts of the app soon.
Instagram rolls out a new “Your Algorithm” feature in the United States that uses AI to let users adjust the topics shaping their Reels feed in real time. (Cyberguy.com)
What this means to you
This update puts you in charge of the content you spend time with. Instead of hoping the algorithm reads your signals, you can now tell it what you want. That means fewer random videos and more topics that reflect your current interests. It can also help you discover fresh creators who match what you enjoy right now.
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Instagram introduces a new “Your Algorithm” tool that lets users adjust the topics influencing their Reels feed using AI as the feature begins rolling out in the United States. (AP Photo/Eugene Hoshiko)
Kurt’s key takeaways
Your Algorithm gives you a new level of control that feels long overdue. It makes Reels more personal and reduces the guesswork that often shapes social feeds. As this expands to more parts of Instagram, your experience may feel more intentional and less overwhelming.
What topics do you plan to add or remove first with Your Algorithm? Let us know by writing to us at Cyberguy.com
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