Sports
Explained: The Champions League draw, the Swiss Model and how selection is going digital
The Champions League proper returns next month and this season it will have a brand new format.
The ‘Swiss Model’ makes its debut and, as a result, the Champions League draw tomorrow (Thursday) is going to look rather different to the eight-groups-of-four setup we’ve all become used to in recent years.
So let The Athletic take you through everything you need to know about the draw and the new look for UEFA’s flagship club competition.
First, a quick recap. What is the Swiss Model and why are there so many teams now?
The new format has a ‘league phase’ rather than a ‘group phase’. It ditches eight groups of four and crams all the competing clubs together in one massive table. The format is based on the Swiss system used in chess, and does not require every team to play all of the others.
The number of teams participating increases by four, to 36, with each participant now playing eight matches in the first phase, instead of six in previous iterations. But instead of just three different opponents twice, home and away, teams will face a different team in every game.
In total, there will be 189 matches in the competition proper, capped by the final in Munich on May 31, up from the previous 125.
UEFA hopes the new format will lead to more competitive fixtures from the off, with bigger games earlier in the tournament because teams from pot one (aka, the big names) will play each other earlier rather than largely being kept apart until the knockout phase in February and March, as happened with the previous format. It will also give teams in pot four more of an opportunity to pick up points, because they will be playing two other sides from that pot among their eight matches.
Once the league phase has been completed, which will now take until late January, the top eight sides in the table will qualify directly for a 16-team knockout round, with the other eight places decided by a newly introduced set of two-leg play-offs contested by the teams who finish between ninth and 24th in the league.
The round of 16 and beyond will now be seeded, so the teams who finish first and second in the league phase cannot face each other until the final.
This season’s lineup will be completed tonight, with four clubs winning their places via the last of seven pre-tournament play-offs.
So how does this change the draw format?
Unlike previous years, where teams were drawn into eight groups from four pots, there will be four pots of nine this year, and they will all be seeded by coefficient. A club’s UEFA coefficient is a score based on the results of teams competing in the five previous seasons of the Champions League, Europa League and Conference League.
There’s one exception to that: the only club who won’t be seeded by coefficient are the Champions League title holders, in this case Real Madrid. They will be the first side drawn.
Also, whereas last time every team was manually drawn, and there would be another manual draw to decide which group they would be put in, the draw will now be almost entirely automated.
All 36 teams will be manually drawn by someone on stage. But when a team come out of the ‘hat’, a button will be pressed and, hey presto, their eight opponents will appear. It will also say whether the team has been drawn to play at home or away (they’ll have four of each).
Each team will face two opponents from each pot, including two from the same one they are in.
This will be repeated until all 36 teams have been drawn. Every team will be drawn once but, as the process moves along, fewer sides will need to be assigned fixtures.
So can teams from the same nation face each other in the first phase now?
No. Or not this season, at least. It is no longer entirely impossible, in theory anyway. But the aim is to ensure that does not happen.
The new automated software will have to follow two UEFA rules. The first is that no club will face another from the same nation — unless there is the possibility of what is called a ‘deadlock’ situation; in other words, if it is impossible to avoid putting those teams together without stopping the draw. This is more likely to happen if one nation had a lot of clubs in the same pot, for example. But there is no risk of that for 2024-25.
The other rule is that it will only be possible to face a maximum of two teams from another association. So you won’t see Manchester City taking on all four Spanish qualifiers.
Why has UEFA gone digital?
The main reason is to save time.
UEFA says that, if the entire draw was to be completed manually, around 1,000 balls would be spread across at least 36 bowls on stage and the whole process would take more than three hours.
Even digitally, drawing pot one is still expected to take 17 minutes.
“Based on rehearsals we have done, we are expecting some 35 minutes of a draw, which is exactly what he had before,” says Tobias Hedtstuck, UEFA’s head of club competitions and calendar, speaking at the body’s briefing on the new system for the media earlier this month.
That time does not factor in the draw’s presentation and sideshow events.
No changes there yet. Sorry about that.
Who is responsible for the software?
Now for the key question. Who has been crafting this mysterious technology?
UEFA has been working on this draw process for nearly a year. The software will be provided by AE Live, which was appointed as UEFA’s partner for all UEFA draws in September 2023 and tasked with developing and testing the software.
And what, you might ask, is AE Live? Well, it’s a company that works in live sport and provides graphic and technology solutions for the industry and has offices in eight countries.
“When it comes to our experience, we have our in-house teams which have a wealth of experience delivering live services across a range of sports, such as cricket, rugby, badminton and even kabaddi,” says Dave Gill, AE Live’s chief technology officer. “But we do have a particular strength in football, across both international and domestic competitions.”
AE Live has provided draw services for more than 20 years, including for the FA Cup, to FIFA, as well as for the International Olympic Committee and CAF, African football’s governing body. “We are very well qualified to provide this draw solution and to support UEFA in this exciting new development,” Gill says.
Global financial services company Ernst and Young has also been appointed to give an “extra layer of assurance and transparency”, according to Giorgio Marchetti, UEFA’s director of football and deputy general secretary. Ernst and Young have audited and monitored the development of the software, and its personnel will also observe and report on the draw operations itself.
And what happens if this software crashes?
There are fail-safes in place should issues arise, and also to ensure the draw remains feasible and there is no ‘deadlock’ scenario. That means the software has to ensure it’s still possible to find opponents for everyone else after a team is drawn. It assesses this itself when drawing opponents for a given club.
There are also two independent external checking systems.
“The role of these checking systems is to simply confirm what has already been established: that the rules of the draw have been followed and the draw remains feasible,” said Gordon Vince, chief software architect. “This checking takes no more than a second. As a result of that, we have extra confidence that the rules are being followed and that the draw remains feasible.
“Only then are the teams ready to be revealed.”
What about cyber-attacks?
AE Live says it is taking the risk of a cyber-attack seriously and has put several protections in place to keep the draw secure.
“The draw itself will be conducted in an entirely closed environment,” Gill says. “There will be no external access from external interference for a period of time before the draw and during the draw, so there’s no DDoS (distributed denial-of-service) attack (which can overwhelm the system and cause it to fail).
“Access to our code, and our code repository, are controlled through multi-factor identification. It’s a very limited amount of people who have access to our code. We’ve just conducted some penetration testing from an external third-party provider to make sure that we are, as a business, as secure as we can be. We’ve done additional risk assessments around the increased risk around cyber-attacks.”
Surely this fancy computer will be biased against (insert your club here)?
UEFA is also trying to ensure everyone feels comfortable with a process that is not visible, which could easily lead to conspiracy chatter.
“That’s why we appointed an external company (Ernst and Young),” says Marchetti, “to confirm not only that the software has been properly set up, and is purely random while respecting the couple of rules that we have, but also to observe the implementation and application of the software, as well as the procedures on the day of the draw.”
Ernst and Young staff will produce a report after the draw. In a statement, the company said: “In our opinion, in all material aspects, the software source code of AE Live selects and allocates football teams randomly and correctly, in accordance with the league-phase digital draw procedure defined by UEFA.”
What are the worst- and best-case scenarios for each club?
The final lineup for the draw won’t be confirmed until after those final four play-off second legs tonight, so only then will we know the final pot positions and risks for each of the 36 teams.
But we do have an idea about how likely it is that a club faces the hardest possible opponents (ie, the top two sides from each pot) and vice versa.
UEFA has estimated that the probability of either happening is 0.00006 per cent. UEFA says that in the previous iteration of the group stage, that probability was 0.2 per cent.
Doing it this way should make the league phase more competitive.
When will we find out the actual fixtures?
This is a key detail for those looking to book flights and hotels as early as possible.
The dates for the fixtures are not going to be released on the same day as the draw.
That information will be announced at some point on Saturday, August 31, in order to ensure the logistical and security dilemmas of the Europa League and Conference League, UEFA’s second- and third-tier club competitions can be taken into account, too.
“The opponents are selected pot after pot, but the order in which they are displayed does not mean the order of the (match) calendar,” says Marchetti. “The calendar will be decided based on different software; based on hundreds, if not thousands of constraints that we have, such as clubs who play in the same cities, or even the same stadium.”
Each team will play one game at home and one away against sides in each pot. UEFA is aiming to have a “fair and balanced split” between Tuesday and Wednesday matches as well, but this is not guaranteed.
UEFA also wants to spread out the competition’s “top matches”, for spectacle and sporting reasons.
“The key target is that in matchday one and two, or seven and eight, you (a club) should not play two pot-one teams in a row,” says Hedtstuck. “They should spread a little bit. We will try this for all 36 teams. The new system should have a more balanced calendar. Security constraints will have to be prioritised.”
How can we follow it?
The draw will be streamed live for free on UEFA’s website as well as broadcast on their broadcasting partner networks. Those will include TNT Sports in the UK and Paramount in the United States.
When and where is the draw?
The most important detail is saved until last.
The draw is to be held at the Grimaldi Forum, an exhibition centre in Monaco, on the south coast of France, and will be conducted at 5pm BST/12pm ET tomorrow (Thursday, August 29).
The Europa League and Conference League draws, both following the same 36-team format, happen there the following day at 12pm BST/7am ET and 1.30pm BST/8.30am ET respectively.
(Top photo: Rob Newell – CameraSport via Getty Images)
Sports
Novak Djokovic beats Carlos Alcaraz at Australian Open in display of physical and tactical fortitude
Relive how Novak Djokovic won the Australian Open quarterfinal
MELBOURNE, Australia — Novak Djokovic beat Carlos Alcaraz 4-6, 6-4, 6-3, 6-4 in the Australian Open quarterfinals at Melbourne Park on Tuesday night.
The No. 7 seed prevailed over the No. 3 seed in a fever-dream of an encounter, defined by a Djokovic injury, his tactical shift as it healed, and Alcaraz’s endless and ultimately fruitless search for a spark.
After three hours and 37 minutes, Djokovic moves on to the semifinals, where he will play No. 2 seed Alexander Zverev.
The Athletic’s tennis writers, Charlie Eccleshare and Matt Futterman, analyze the match against Alcaraz and what it means for the tournament, and for tennis.
A ninth game of Alcaraz genius and Djokovic injury
Alcaraz had started the match looking nervous, and struggling to find his range. He was making errors on the first shot after both his first and second serves, and when Djokovic held serve for 4-3, it felt like he just needed to raise his intensity to steal the first set.
Instead, Alcaraz held for 4-4 before Djokovic suffered a triple whammy in the ninth game. Having chased down a drop shot to go up 15-0, he appeared to hurt himself, wincing and moving gingerly afterwards. Then the thing happened that every Alcaraz opponent dreads: he hit a highlight-reel shot. After an outrageous forehand pass up the line, the Spaniard cupped his hand to his ear and suddenly looked visibly lighter. The third blow felt inevitable for Djokovic, and sure enough a wide forehand conceded the break of serve that was coming and gave Alcaraz the chance to serve out the set.
Djokovic was forced to leave the court for a medical timeout; a couple of minutes after returning, he was a set down. In what felt like the blink of an eye, he was suddenly having to play catchup against a player who had only lost one Grand Slam match from a set up. And that was at the Australian Open four years ago, in what was his first-ever major.
GO DEEPER
Inside Novak Djokovic’s recovery – accepting outsiders, hyperbaric chambers, Jelena’s worries
Matt Futterman, Charlie Eccleshare, James Hansen
Djokovic plays Alcaraz tennis, against Alcaraz
There wasn’t any chance that Djokovic was going to go away after picking up that injury. He came out for the second set a completely different player than the one who started the match.
In the first set, he was all about conservatism, turning points into physical contests and allowing Alcaraz to make errors, as he did in the first 12 games of both sets in their gold medal match at the Paris Olympics back in August.
That was no longer a possibility once he was playing with an injury. So Djokovic morphed into a first-strike player, just as he did in the tiebreaks of that Olympic final. He went hunting for every serve, ripping from the baseline at his first chance, even serving and sneaking into the net whenever he could to finish the point quickly. Points soon started ending after three or four shots.
Facing his own gifts being turned against him, Alcaraz was caught off-guard and lost his serve in the second game of the second set, as Djokovic whaled away on two forehand returns to get a break point, then won the game on the next one. After that, it became a test of whether this strategy could keep Djokovic in the match long enough to draw even, which would give him time for some combination of adrenaline and medication to kick in. Playing a hyper-aggressive brand of tennis for three sets would be nigh impossible, especially against the master of the art.
It worked even better than he could have hoped. Not only did he steal the set he usually loses while buying time, but when the pain in his leg began to ease, he was able to catch Alcaraz off-guard and keep him guessing about which Djokovic he was going to be facing from one point to the next.
GO DEEPER
Carlos Alcaraz and Jannik Sinner are redrawing the tennis court
Matt Futterman
How two players used to playing with house money dealt with being the gambler
At the 2024 Laver Cup in Berlin, The Athletic watched a match with eight-time Grand Slam champion Andre Agassi. When analyzing the encounter unfolding in front of him, Agassi kept returning to the idea that tennis players are always seeking to keep the odds of winning in their favor. The best players become like the house at a casino, and turn their opponents into gamblers who start with things stacked against them.
Throughout his career, Djokovic has been the ultimate in applying this logic, the epitome of ‘the house always wins’. His opponents might hit the flashier shots, but ultimately they end up losing the match, because whatever they are doing proves unsustainable.
Against Alcaraz, at this tournament and previously in last year’s Wimbledon final, it’s been a surreal experience to see Djokovic thrust into the gambler role, desperately hoping his number might come up. Injuries have played a part in this on both occasions, but it’s also a reality of his now being 37 years old: not everything can be played on your terms.
What made the dynamic more interesting was that Alcaraz too was having to alter the way he normally becomes the house. His instinct is to be the protagonist and get on the front foot, even though he is also a great defender. He trusts that his brilliance will be enough to ultimately overwhelm his opponent, because it almost always is.
Djokovic’s approach Tuesday took him out of his comfort zone, and in the second set he appeared unsure as to what his best route to victory was. He was celebrating hanging in points and drawing errors, rather than whipping up the crowd after hitting a winner that had got them off their feet.
His head looked scrambled and, having been dicing with danger in several service games, Alcaraz was broken to love and Djokovic levelled the match.
By the start of the third set, Djokovic was moving more freely, which gave him the option to play both sides of the equation: house and gambler. He could drag Alcaraz into rallies and bait him into coughing up a spinny shorter ball, or blast off early. This noticeably flummoxed Alcaraz, who seemed confused about his route to victory. He never entered full highlight-reel mode; his serve, with a new, more fluid motion, couldn’t get him cheap points as it did earlier in the tournament.
By allaying his instincts and playing more conservatively, he became the gambler, as so many of Djokovic’s opponents have fooled themselves into doing in the past. This was different — Alcaraz was, at times, playing three different versions of Djokovic at once — but he couldn’t reverse the trend.
GO DEEPER
How to watch tennis with Andre Agassi – Poker analogies, meat, potatoes and intimacy
Charlie Eccleshare
Alcaraz’s search for a spark
All night long, it seemed like Alcaraz was a spark away from finding himself. Especially in the third set, when he was behind from the start and digging to come back. He went a break down, but got back on serve in the seventh game.
This was it… wasn’t it?
It was more like the opposite of that.
Alcaraz then committed three successive errors, on a volley, a forehand and a backhand. Djokovic, sensing his opponent had zero shot tolerance, went to work. He sucked Alcaraz into a 22-shot rally, then finished it with a looping forehand winner into the Spaniard’s backhand corner, not dissimilar to the one Alexei Popyrin hit against Djokovic at the U.S. Open last summer to send the crowd on Arthur Ashe into raptures and put the Serbian on notice that he was going home.
After nearly two hours of deadening the stadium to keep the vibes low and Alcaraz disengaged, he put his hand to his ear and revved up the noise.
Then Djokovic fell 0-30 down as he served for the set. Could this be the Alcaraz spark? Nope. Two more errors from him drew Djokovic even. Time to test the shot tolerance again. A 17-shot rally this time, ending with Alcaraz whacking a running forehand into the net.
Rattled, and a point away from going down two sets to one, Alcaraz let Djokovic twist him this way and that and even baulked on an easy overhead before missing a backhand volley that he shouldn’t have had to hit.
Two games, 10 points, about eight minutes of play.
Script flipped.
Matt Futterman, Charlie Eccleshare, James Hansen
The 33-shot footnote in tennis history
In what was a weird match in so many ways, there was at least an exciting finale.
Alcaraz seemed to belatedly realize his only route back into this quarterfinal was to get the atmosphere going. He had searched for that spark all night, and finally got the chance in the fourth set.
When he won a 33-shot rally to save a break point that would have left him 5-2 down and out of the match, the Rod Laver Arena finally fizzed with energy. Djokovic raged, well aware of how significant the moment could be, with both players bent double at the side of the court. Alcaraz was smiling and laughing. Djokovic was fuming.
It felt like the turning point that Alcaraz has shown the tennis world so many times in his career, when he creates a highlight and then rolls downhill. Suddenly he was grinning again, sprinting around the court, almost enjoying himself.
When he held two break points in the next game, the comeback very briefly felt like it might be on.
But back came Djokovic, fending them both off before holding serve. Two games later, he served out the match to render that 33-shot rally ultimately irrelevant.
Charlie Eccleshare
What did Djokovic say after the match?
“I just wish that this match was the final,” Djokovic said in his on-court interview. “One of the most epic matches I’ve played on this court — on any court.”
“When the medications start to release, I’ll see what the reality is tomorrow morning. Right now. I’ll just try to be in the moment and enjoy this victory,” he said of his injury.
What did Alcaraz say after the match?
“We push each other to the limit,” he said. “I think we’ve played great points, great rallies. It was really tight in the third, the fourth set.
“I’m just lucky to live this experience. I’m 21 years old. From these matches, I’m getting so much experience about how to deal with everything. I’m not going to hide.
“I’ve done great things in tennis already, but playing against one of the best in the history of our sport, these kind of matches help me a lot in the future to be better.”
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(Top photo: Fred Lee / Getty Images)
Sports
Lions losing Ben Johnson to rival Bears is big 'body blow,' Super Bowl champion says
Former Detroit Lions offensive coordinator Ben Johnson left the team to take the Chicago Bears’ head coaching job Monday.
Super Bowl champion Lomas Brown talked about what Lions fans are going through losing their top coordinator after a crushing playoff loss during a recent appearance on OutKick’s “Don’t @ Me with Dan Dakich.”
“I know it’s another body blow. You know that old game, body blow, body blow. … That was a big one yesterday,” Brown said. “All of them on talk radio, that was the subject yesterday, Ben Johnson leaving. Oh my god, you got so many fans upset at Ben about taking the Chicago job. I think it’s more, not him leaving, but more of the job that he is accepting because of how bitter rivals we are with Chicago.
“Now, we got to face him twice a year. That just made the division even harder with Ben Johnson going in there. And a lot of sentiment before he took the job was that Ben wouldn’t take that job because he knew he would have to go up against his good friend Dan Campbell twice a year. But he took it. A lot of people not happy with it around here.”
The No. 1-seeded Lions were upset by the No. 6-seeded Washington Commanders, 45-31, Saturday.
Brown said losing Johnson, especially to a division rival, and potentially other top assistants make the loss to the Commanders hurt that much more.
LIONS’ DAN CAMPBELL CONFIDENT TEAM’S SUPER BOWL WINDOW REMAINS OPEN AFTER DISASTROUS LOSS TO COMMANDERS
“A lot of people not happy with it around here, and I think that it’s, again, I just think a lot of that’s from the results of the game, and just everything that’s going on the last few days around here. It’s culminating with Ben Johnson taking the job and, d—, we’re going to lose other assistants,” Brown said.
“I mean Aaron Glenn, you talk about maybe (offensive line coach) Hank Fraley. It’s other assistants that we’re going to lose off this team. That’s why this was the year for us to get it done.”
Glenn was scheduled to interview with the New York Jets for the second time for their head coaching position Tuesday, according to NFL Network.
Tuesday’s interview will be the first in-person meeting between the Jets and Glenn.
Fraley is being interviewed for the Seattle Seahawks’ offensive coordinator position Tuesday, according to ESPN. It will be Fraley’s second interview with the team and their first in-person interview.
Brown spent 18 seasons in the NFL and was with the Lions for 11 of them. Brown was a star left tackle and made the Pro Bowl seven consecutive seasons from 1990-1996.
Brown won a Super Bowl in his final season with the Tampa Bay Buccaneers in 2002.
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Sports
Lakers get back on track against woeful Washington
Two days after the Lakers were saying it almost never would be easy, almost never came to town.
The Washington Wizards, who have won a league-low six times, were the cure for the Lakers after a loss Sunday to the Clippers exposed a number of their weaknesses. The postgame morale was low, LeBron James and JJ Redick openly discussing how their roster wouldn’t be able to organically improve an already narrow margin for error.
But with the midway point of the season here Tuesday, the Lakers played the one team in the NBA bad enough to make anyone — even the Lakers — feel like they’ve got it figured out.
The Lakers did the right things consistently over four quarters, barely being threatened before winning 111-88 in a game they desperately had to have before hosting Boston on Thursday night.
“It just starts with a very professional approach from our team,” Redick said. “That was one of our more complete games, regardless of what time of season it was or who the opponent was. Like, we just, we had a really professional approach.”
The Wizards (6-36), in the early stages of a rebuild with eyes on the top of the NBA draft, haven’t won since Jan. 1. Kyle Kuzma and Jordan Poole are their best offensive options and backup center Jonas Valanciunas and forward Corey Kispert their only other veterans, Washington fully committed to the future.
Compared to the Lakers (23-18), whose eyes are squarely on the present, that made Tuesday predictably one-sided — though the Lakers still needed to execute.
Anthony Davis had 29 points and 16 rebounds while bullying rookie Alex Sarr. James, fresh from watching his beloved Ohio State win the college football national championship Monday in Atlanta, had his ninth triple-double of the season with 21 points, 13 assists and 10 rebounds. Austin Reaves, despite a four-for-15 shooting night, still finished with 16 points and eight assists, and Dorian Finney-Smith had 16 points off the bench in just 22 minutes.
The Lakers did it by attacking the paint and finding the open player, the team scoring on more than a handful of lobs.
“It’s… just being ready to make the passes on time, on target,” James said. “And when we do that, we look pretty good.”
The biggest highlight came when Reaves found James for a lob off an offensive rebound, with the 40-year-old Lakers star dunking on Valanciunas.
“I got hype. Screaming so loud, I almost passed out,” Davis said. “I mean, it wasn’t one of his best ones, but I’ve seen better. But it was a good one.”
The Lakers held Washington to 35.8% shooting from the field and 25.6% from three and limited the Wizards to 11 points in the fourth quarter.
“We went out, we had a game plan, we executed that,” James said. “I thought defensively, we were great. We were in tune with what they wanted to do, what they tried to do. And offensively, we shared the ball, limited our turnovers. We were really good.”
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