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Trump Will Remake D.C.’s Culture in His Image

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Trump Will Remake D.C.’s Culture in His Image


The last time Donald Trump won the presidency, there was a lot crowing in Washington’s beau monde about how the new administration would upend the city’s social life. D.C. has never been a particularly friendly town, but in 2016, its residents decided to take a harder stand than usual. The capital’s hostesses linked arms against any top Trump officials seeking invitations to their homes. The region’s restaurateurs, though expected to serve everyone, vowed to make a night on the town for Republicans as unpleasant as possible. And those in chattering classes remarked with much glee that at no point in the city’s recent history had the place been so socially divided.       

The result was that, rather than integrate into Washington life, as staffers and officials from every other presidential administration have, Trump’s coterie was forced to build its own parallel society. Soon, largely undeveloped neighborhoods—Navy Yard and the Wharf prominent among them—became hot spots for young staffers. And no wonder. Those places fit well with Zoomer taste: new construction, rooftop pools, parking everywhere. Meanwhile, more senior officials colonized Kalorama, on the grounds that it was just like Georgetown, but even more insulated from the hateful public eye. 

Eight years later, the situation is pretty much the same. D.C. exists as two parallel societies stuck within the bounds of late 2016. On one side, the greater part of the city is trapped in an Obama-nostalgia doom loop: Le Diplomate still dominates the scene on Fourteenth Street. The establishments of Dupont Circle are still celebrating Obergefell vs. Hodges as if the decision were just handed down last week. And, in Shaw, you can still find the odd “Chicago” bar, a tribute to the 2008 Obama campaigners who have long since left the neighborhood. 

The Trump version of D.C. is no more vital. Those shiny buildings on the river are still obliviously humming along, worlds unto themselves. Mission in Navy Yard is still a hot bar with a certain sort of person, despite, or because of, its vulgarity. Shelly’s Back Room over by the White House has lost none of its luster, in large part because it is one of the only places in the capital that allows the public to smoke inside. The only major change in this world’s social setting from the first Trump presidency is a loss: the Trump International Hotel, which closed down shortly after the president’s inglorious departure in 2021. I can’t say I regret it: Every time I visited in those four years—whether for a gala, dinner, or some other evening event—I was always struck by how hollow, cavernous that main hall was.  

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How did the city get stuck in 2016 for so long? Typically, each president makes a mark on Washington’s local culture that survives his tenure, usually in the neighborhoods where his staffers settle. Bill Clinton brought in the crew that made Adams Morgan a hip area. George W. Bush oversaw the revival of Georgetown and Glover Park. And Barack Obama’s team gentrified the historically black neighborhoods around U Street. (Obama himself liked D.C. so much that he still lives here.) Trump, as I have said, built his own fantasy version of the city. 

But something funny happened when Joe Biden took office in 2021. Rather than making his own mark on the city, here, as in so many other things, Biden was like a ghost, and the D.C. continued to function as if he were never here at all.

There are a few possible explanations for the cultural hole. The first is the fact that Biden was elected and took office during a pandemic. He famously campaigned out of his home in Delaware—where he spent much of his presidency anyway—and did not arrive in D.C. with an army of staffers looking for places to live. The second is related to the first: Hardly anyone in the federal government goes into the office anymore, meaning that there is little incentive to form a distinctively Bidenesque after-hours culture. And the third reason is the hazy temporality that surrounds all things Biden. No one was ever going to stick around for him.

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Now that Trump is back for round two, everything will change. Once again, the city will renew itself. There is no stopping it now. There is no Resistance to lock the Trump administration out of polite society. For better or worse, Trump will remake Washington, D.C. in his image.





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New AAPI-led Jaemi Theatre Company launches in DC

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New AAPI-led Jaemi Theatre Company launches in DC


Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.

Jaemi Theatre Company co-founder and playwright Youri Kim

Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”

“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.

BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.

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Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.

For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.

About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.





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San Francisco Ballet cancels upcoming performances at Kennedy Center

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San Francisco Ballet cancels upcoming performances at Kennedy Center


Sunday, March 1, 2026 6:36AM

SF Ballet cancels upcoming performances at Kennedy Center

SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.

The company is scheduled for a four-day run in Washington D.C. in May.

Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season

Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.

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That led several artists to cancel scheduled performances.

A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”

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97-year-old World War II veteran honored virtually at home

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97-year-old World War II veteran honored virtually at home


At 97, Veteran Harley Wero wasn’t up for a trip to the nation’s capital, so volunteers from the Western North Dakota honor flight brought the trip to him. Wero, his wife Muriel and their daughter Jennifer got to experience Washington, DC, without ever leaving their home.

Web Editor : Sydney Ross

Posted 2026-02-28T15:57:08-0500 – Updated 2026-02-28T15:59:05-0500



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