- US Treasury’s Bessent said frustrated with lack of urgency
- G7 plus India, South Korea, Australia and Mexico to attend
- China dominates critical minerals production
Washington, D.C
National World War I monument made in Englewood is unveiled in Washington D.C.
‘A Soldier’s Journey,’ the centerpiece of the nation’s World War I monument, was five years in the making in New Jersey by artist Sabin Howard
Timelapse: National WWI Monument being made in Englewood
Timelaspe: Master Sculptor Sabin Howard and his team assemble one of the panels of the National WWI Monument which is to be unveiled in Washington DC.
Tariq Zehawi, NorthJersey.com
With candles glowing and trumpets blowing, in a ceremony that combined stirring music and somber reflection, America’s World War I memorial was officially dedicated Friday night in Washington, D.C.
“The greats of the Italian Renaissance and their lineage played forward to create excellence in this memorial, and I know they are watching tonight,” said Sabin Howard, who assembled the mammoth bronze frieze over a four-year period in a 5,000-square-foot studio in Englewood.
He was speaking to the crowd of about 1,000 military veterans, politicians and the lay public, gathered at the recently created National World War I Memorial Urban Park — formerly Pershing Park — abutting the Federal Triangle in downtown Washington.
“This memorial is like a wedding ring,” said Joseph Weishaar, the architect of the project. “It is a symbol honor and fidelity and commitment that has remained vibrant for nearly a century between the nation and the men who served in the first world war.”
“A Soldier’s Journey,” the centerpiece of the nation’s World War I monument is a sculpture that tells a story.
So it was fitting that sculptor himself should be on hand, to narrate.
“This is a story of what happens to one family and one soldier when he enters into service for his country.” Howard said in a recorded narration during the presentation. “The soldier is an allegory for the United States. It explains the hero’s journey through World War I.”
In the presentation, called “First Light,” the crowd was taken, panel by panel, left to right, through the 58-foot long, 10-foot high bronze frieze.
As first one section and then another lit up, Howard — his recorded voice — told the story. The father, being handed a helmet by his little daughter, going off to war. The soldier, now one among many, in an agonizing tableau of bayonets and bombs, with fellow doughboys screaming and nurses caring for the wounded. And finally — in the last panel — the returning civilian handing the helmet back to his little daughter.
Then, after the crowd had a good look, sequentially, at the 38 figures, all the lights went up. And there it was, all complete: “A Soldier’s Journey,” dedicated on General John J. “Black Jack” Pershing’s 164th birthday, and the new main attraction in what used to be called Pershing Park on 11th Street.
It is now the National World War I Memorial Urban Park — the $40 million project of the World War I Centennial Commission (the war ended Nov. 11, 1918) and paid for largely through donations.
An appropriate setting
The sculpture itself, the largest freestanding bronze relief in the western hemisphere according to Howard, is just part of the project.
The whole square has been re-landscaped, with fountains, a reflecting pool, and berms on three sides to dampen the traffic noise and create a quiet atmosphere for contemplation. An existing statue of General Pershing by Robert White (grandson of architect Stanford White), on site since 1983, has been worked into the new scheme.
“It’s a very serene place,” said Joseph Weishaar, the architect of the park. “Especially with the fountains going. You have the roar of the water, evocative of the sounds of war.”
Memorials: North Jersey Sept. 11 memorial events remember those lost 23 years ago
It was Weishaar, winner of a design contest by the Centennial Commission for his submission “The Weight of Sacrifice,” who brought Howard on board as his sculptor of choice.
“His accomplishment is one of amazing craft,” Weishaar said. “I don’t think it’s rivalled anywhere. My role is like a jeweler making a ring. I made the ring. But Sabin is the diamond. The sculpture is the diamond. That’s the piece that everybody is going to be wowed about.”
On the reverse side of the tableau is inscribed part of a poem by Archibald MacLeish:
“Whether our lives and our deaths were for peace and a new hope
or for nothing we cannot say; it is you who must say this.
They say: We leave you our deaths. Give them their meaning.
We were young, they say. We died. Remember us.”
Howard’s sculpture, like this verse, is not jingoistic. But neither is it cynical. It invites viewers to ponder the first modern war, the “war to end all wars” that killed 116,516 Americans (40 million worldwide) in a global cataclysm that was viewed by many afterwards as a tragic, senseless waste.
“As an artist, I’m very anti-war,” Howard said. “I didn’t make a sculpture about the glorification of war. I made a sculpture about human beings that are there in a very noble and heroic act of being in service to one’s country. This is their story. It’s to honor them. And I’ve had hundreds of letters from military families saying thank you, finally, for acknowledging us. The cool part is, they’re saying thank you for your service.”
That was, in its way, heroic too.
A long term project
For five years, Howard, his assistant Charlie Mostow, and a handful of others put in long days in the Englewood studio. For hours on end, models posed, Howard sculpted, and his wife, filmmaker Traci Slatton Howard, documented.
One by one, Styrofoam “maquettes” were covered with clay to create the figures, which were then transferred through a silicon mold to wax, which in turn became the ceramic shell. These were sent over to England to be cast in bronze. For the last month, on and off, Howard has been on-site in Washington D.C., supervising as the pieces were put in place with cranes, in the setting that Weishaar created for them.
“The reassembly was incredible,” he said. “Four panels, 38 figures, and everything has to fit. If it doesn’t, what are you going to do — chop away the stone or something?”
“A Soldier’s Journey” is a monument, in more than one sense.
To all the soldiers and civilians who served and died in World War I, certainly. More, to all soldiers, in all wars (veterans of the Iraq and Afghanistan wars served as models).
But additionally, it’s a monument to an idea: Sabin Howard’s fervent belief that modern America needs a public, neo-classical art. An art that unifies rather than divides. An art that can ennoble our squares and promenades, the way Michelangelo’s and Donatello’s sculptures adorned the piazzas of Florence.
“In the Renaissance, they used to make sculptures like the David, and they would put it in the square,” said Howard, who trained in Italy and at the Philadelphia College of Art (now the University of the Arts).
Such art, he said, uplifted. “It was a symbol of rising to the occasion, as a nation, and on a citizen level,” he said. “This is the exact same damn thing. I made a sculpture with 38 figures that shows a tapestry of the United States and its variety, with women, children, Democrats, Republicans, all under one flag as Americans. We are one unified country. That’s what the sculpture is.”
African Americans, Asians and Native Americans are included among the figures (though Howard takes the liberty of showing Black soldiers fighting alongside whites; the U.S. army was then segregated).
“This is something that brings us together,” Howard said. “Most modern art brings us apart.”
Aftermath of war
Ironically, it was World War I itself, and the ensuing cynicism about war and sacrifice, that gave rise to the iconoclastic modern art movements that dominated Western culture for the last 100 years. With “A Soldier’s Journey,” Howard wants to use that same war as a jumping off place, to bring the heroic back to art. “This is an American cultural renaissance,” he said.
His next project is also in that vein: an “American Exceptionalism Arch” project in Dallas, which will probably be completed 10 years from now. It too, will uplift and ennoble. “It’s another epic sculpture, which this many figures and this amount of story,” he said.
One thing he says he learned from working with veterans during the World War I project: the notion of being “in service of.”
“I feel that my work is in service to something greater than myself,” he said. “That’s what I’m so excited about.”
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Washington, D.C
US to push for quicker action in reducing reliance on China for rare earths
Item 1 of 2 Workers transport soil containing rare earth elements for export at a port in Lianyungang, Jiangsu province, China October 31, 2010. REUTERS/Stringer/File Photo
[1/2]Workers transport soil containing rare earth elements for export at a port in Lianyungang, Jiangsu province, China October 31, 2010. REUTERS/Stringer/File Photo Purchase Licensing Rights
WASHINGTON, Jan 11 (Reuters) – U.S. Treasury Secretary Scott Bessent will urge Group of Seven nations and others to step up their efforts to reduce reliance on critical minerals from China when he hosts a dozen top finance officials on Monday, a senior U.S. official said.
The meeting, which kicks off with a dinner on Sunday evening, will include finance ministers or cabinet ministers from the G7 advanced economies, the European Union, Australia, India, South Korea and Mexico, said the official who was not authorized to speak publicly.
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Together, the grouping accounts for 60% of global demand for critical minerals.
“Urgency is the theme of the day. It’s a very big undertaking. There’s a lot of different angles, a lot of different countries involved and we really just need to move faster,” the official said.
Bessent on Friday told Reuters that he had been pressing for a separate meeting on the issue since a G7 leaders summit in Canada in June, where he delivered a rare earths presentation to gathered heads of state from the U.S., Britain, Japan, Canada, Germany, France, Italy and the European Union.
Leaders agreed to an action plan at the summit to secure their supply chains and boost their economies, but Bessent has grown frustrated about the lack of urgency demonstrated by attendees, the official said.
Aside from Japan, which took action after China abruptly cut off its critical minerals supplies in 2010, G7 members remain heavily dependent on critical minerals from China, which has threatened to impose strict export controls.
China dominates the critical minerals supply chain, refining between 47% and 87% of copper, lithium, cobalt, graphite and rare earths, according to the International Energy Agency. These minerals are used in defense technologies, semiconductors, renewable energy components, batteries and refining processes.
The U.S. is expected to issue a statement after the meeting, but no specific joint action is likely, the official added.
US URGES OTHERS TO FOLLOW ITS LEAD
“The United States is in the posture of calling everyone together, showing leadership, sharing what we have in mind going forward,” said the official. “We’re ready to move with those who feel a similar level of urgency … and others can join as they come to the realization of how serious this is.”
The official gave no details on what further steps were planned by the Trump administration, which is pushing forward to boost domestic production and reduce reliance on China through agreements with Australia, Ukraine and other producers.
The U.S. signed an agreement with Australia in October aimed at countering China’s dominance in critical minerals that includes an $8.5 billion project pipeline. The deal leverages Australia’s proposed strategic reserve, which will supply metals like rare earths and lithium that are vulnerable to disruption.
The official said there had been progress, but more work was needed. “It’s not solved,” they added.
Canberra has said it has subsequently received interest from Europe, Japan, South Korea and Singapore.
Monday’s meeting comes days after reports that China had begun restricting exports to Japanese companies of rare earths and powerful magnets containing them, as well as banning exports of dual-use items to the Japanese military.
The meeting was planned well before that action, U.S. officials said. China was still living up to its commitments to purchase U.S. soybeans and ship critical minerals to U.S. firms.
Reporting by Andrea Shalal; Editing by Michael Perry
Our Standards: The Thomson Reuters Trust Principles.
Washington, D.C
Supporters press for a DC memorial to Thomas Paine, whose writings helped fuel the Revolutionary War – WTOP News
NEW YORK (AP) — Some 250 years after “Common Sense” helped inspire the 13 colonies to declare independence, Thomas Paine…
NEW YORK (AP) — Some 250 years after “Common Sense” helped inspire the 13 colonies to declare independence, Thomas Paine might receive a long-anticipated tribute from his adopted country.
A Paine memorial in Washington, D.C., authorized by a 2022 law, awaits approval from the U.S. Department of Interior. It would be the first landmark in the nation’s capital to be dedicated to one of the American Revolution’s most stirring, popular and quotable advocates — who also was one of the most intensely debated men of his time.
“He was a critical and singular voice,” said U.S. Rep. Jamie Raskin, D-Md., a sponsor of the bill that backed the memorial. He said Paine has long been “underrecognized and overlooked.”
Saturday marks the 250th anniversary of the publication of Paine’s “Common Sense,” among the first major milestones of a yearlong commemoration of the country’s founding and the signing of the Declaration of Independence in 1776.
Paine supporters have waited decades for a memorial in the District of Columbia, and success is still not ensured: Federal memorials are initiated by Congress but usually built through private donations. In 1992, President George H.W. Bush signed bipartisan legislation for such a memorial, but the project was delayed, failed to attract adequate funding and was essentially forgotten by the mid-2000s.
The fate of the current legislation depends not just on financial support, but on President Donald Trump’s interior secretary, Doug Burgum.
In September 2024, the memorial was recommended by the National Capital Memorial Advisory Commission for placement on the National Mall. Burgum needs to endorse the plan, which would be sent back to Congress for final enactment. If approved, the memorial would have a 2030 deadline for completion.
A spokesperson for the department declined comment when asked about the timing for a decision.
“We are staying optimistic because we feel that Thomas Paine is such an important figure in the founding of the United States of America,” said Margaret Downey, president of the Thomas Paine Memorial Association, which has a mission to establish a memorial in Washington.
A contentious legacy
Scholars note that well into the 20th century, federal honors for Paine would have been nearly impossible. While Paine first made his name through “Common Sense,” the latter part of his life was defined by another pamphlet, “The Age of Reason.”
Published in installments starting in 1794, it was a fierce attack against organized religion. Paine believed in God and a divinely created universe but accepted no single faith. He scorned what he described as the Bible’s “paltry stories” and said Christianity was “too absurd for belief, too impossible to convince, and too inconsistent for practice.”
By the time of his death, in New York in 1809, he was estranged from friends and many of the surviving founders; only a handful of mourners attended his funeral. He has since been championed by everyone from labor leaders and communists to Thomas Edison, but presidents before Franklin Roosevelt in the 1930s rarely quoted him. Theodore Roosevelt referred to him as a “filthy little atheist.”
There are Paine landmarks around the country, including a monument and museum in New Rochelle, New York, and statue in Morristown, New Jersey. But other communities have resisted. In 1955, Mayor Walter H. Reynolds of Providence, Rhode Island, rejected a proposed Paine statue, saying “he was and remains so controversial a character.”
Harvey J. Kaye, author of “Thomas Paine and the Promise of America,” cites the election of Ronald Reagan as president in 1980 as a surprising turning point. Reagan’s victory was widely seen as a triumph for the modern conservative movement, but Reagan alarmed some Republicans and pleased Paine admirers during his acceptance speech at the Republican National Convention when he quoted Paine’s famous call to action: “We have it in our power to begin the world over again.”
Reagan helped make Paine palatable to both parties, Kaye said. When Congress approved a memorial in 1992, supporters ranged from a liberal giant, Democratic Sen. Ted Kennedy of Massachusetts, to a right-wing hero, Republican Sen. Jesse Helms of North Carolina.
“Reagan opened the door,” Kaye said.
An immigrant who stoked the fire of revolution
Paine’s story is very much American. He was a self-educated immigrant from Britain who departed for the colonies with little money but with hopes for a better life.
He was born Thomas Pain in Thetford in 1737, some 90 miles outside of London (he added the “e” to his last name after arriving in America). Paine was on the move for much of his early life. He spent just a few years in school before leaving at age 13 to work as an apprentice for his father, a corset maker. He would change jobs often, from teaching at a private academy to working as a government excise officer to running a tobacco shop.
By the time he sailed to the New World in 1774, he was struggling with debt, had been married twice and had failed or made himself unwelcome in virtually every profession he entered. But Paine also had absorbed enough of London’s intellectual life to form radical ideas about government and religion and to meet Benjamin Franklin, who provided him a letter of introduction that helped him find work in Philadelphia as a contributor to The Pennsylvania Magazine.
The Revolutionary War began in April 1775 and pamphlets helped frame the arguments, much as social media posts do today. The Philadelphia-based statesman and physician Benjamin Rush was impressed enough with Paine to suggest that he put forth his own thoughts. Paine had wanted to call his pamphlet “Plain Truth,” but agreed to Rush’s idea: “Common Sense.”
Paine’s brief tract was credited to “an Englishman” and released on Jan. 10, 1776. Later expanded to 47 pages, it was a popular sensation. Historians differ over how many copies were sold, but “Common Sense” was widely shared, talked about and read aloud.
Paine’s urgent, accessible prose was credited for helping to shift public opinion from simply opposing British aggression to calling for a full break. His vision was radical, even compared to some of his fellow revolutionaries. In taking on the British and King George III, he did not just attack the actions of an individual king, but the very idea of hereditary rule and monarchy. He denounced both as “evil” and “exceedingly ridiculous.”
“Of more worth is one honest man to society and in the sight of God, than all the crowned ruffians that ever lived,” he stated.
A message that continues to resonate
Historian Eric Foner would write that Paine’s appeal lasted through “his impatience with the past, his critical stance toward existing institutions, his belief that men can shape their own destiny.” But “Common Sense” was despised by British loyalists and challenged by some American leaders.
John Adams would refer to Paine as a “star of disaster,” while Franklin worried about his “rude way of writing.” Meanwhile, George Washington valued “Common Sense” for its “sound doctrine” and ”unanswerable reasoning,” and Thomas Jefferson, soon to be the principal author of the Declaration of Independence, befriended Paine and later invited him to the White House when he was president.
Paine’s message continues to be invoked by those on both sides of the political divide.
In his 2025 year-end report on the federal judiciary, Supreme Court Chief Justice John Roberts began by citing the anniversary of “Common Sense” and praising Paine for “shunning legalese” as he articulated that “government’s purpose is to serve the people.” Last year, passages from “Common Sense” appeared often during the nationwide “No Kings” rallies against Trump’s policies.
One demonstrator’s sign in Boston said, “No King! No Tyranny! It’s Common Sense.”
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Washington, D.C
DC native killed in multivehicle crash remembered for his love of photography – WTOP News
Aaron Marckell Williams, 26, was killed after being struck in a multivehicle crash following a high-speed chase in Northwest D.C. on Wednesday afternoon. A 20-year-old man was arrested and charged with first-degree murder.
While working Election Day in 2022, Sam Plo Kwia Collins Jr. drove alongside Aaron Marckell Williams to cover the evening results for the Washington Informer. As it became clear that Kenyan McDuffie would win his bid for an at-large seat on the D.C. Council, the duo rushed over to McDuffie’s victory party.
As soon as Collins Jr. parked his car, Williams “got to the front and took a very iconic photo” of McDuffie pointing at the crowd during his victory speech.
Over three years later, Collins Jr. saw the photo again on the Informer’s website and began thinking about his former colleague.
“Only to find out a couple of days later that he left us,” Collins Jr. told WTOP.
Williams, 26, was killed after being struck in a multivehicle crash following a high-speed chase in Northwest D.C. on Wednesday afternoon. A 20-year-old man was arrested and charged with first-degree murder.
To those who know him, Williams, a D.C. native, was known for his chill personality and love of photography. His Instagram page is filled with event coverage featuring hip-hop artist Pharrell Williams and former President Barack Obama.
The pair met after Williams returned to the District after graduating from the University of Miami.
His love of photography shined as they covered news events.
During downtime, Williams was very personable, Collins said, and willing to share about his background growing up in D.C. and attending a boarding school before going to Miami. While his laid-back approach may have confused some, he was not lazy, Collins said, calling his photos “quality work.”
“He just made it look very effortless, and that just spoke to his personality,” Collins said.
Williams recently chose to take a break from the Informer to focus on freelance work.
Washington Informer Managing Editor Micha Green told NBC Washington he was traveling multiple countries, including Ghana, to continue working as an “amazing visual storyteller.”
“We are heartbroken over the loss of Marckell Williams — a talented photographer, storyteller, and beautiful soul who was once part of the Washington Informer family,” the outlet wrote in a statement posted on X. “His passion for capturing people, culture, and truth will never be forgotten.”
The last time Collins recalls seeing his former coworker, Williams was taking photos at a go-go event on Marion Barry Avenue. Even though he was focused on his craft, Williams stopped for a moment to talk with his former reporting partner. The love shown at that moment, Collins said, spoke about the person Williams was.
“Being laid back in a city like this, where it gets more expensive and there’s just so much going on, that’s a feat in itself,” Collins said. “He had that spirit. He was just too good for us.”
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