Washington, D.C
National World War I monument made in Englewood is unveiled in Washington D.C.
‘A Soldier’s Journey,’ the centerpiece of the nation’s World War I monument, was five years in the making in New Jersey by artist Sabin Howard
Timelapse: National WWI Monument being made in Englewood
Timelaspe: Master Sculptor Sabin Howard and his team assemble one of the panels of the National WWI Monument which is to be unveiled in Washington DC.
Tariq Zehawi, NorthJersey.com
With candles glowing and trumpets blowing, in a ceremony that combined stirring music and somber reflection, America’s World War I memorial was officially dedicated Friday night in Washington, D.C.
“The greats of the Italian Renaissance and their lineage played forward to create excellence in this memorial, and I know they are watching tonight,” said Sabin Howard, who assembled the mammoth bronze frieze over a four-year period in a 5,000-square-foot studio in Englewood.
He was speaking to the crowd of about 1,000 military veterans, politicians and the lay public, gathered at the recently created National World War I Memorial Urban Park — formerly Pershing Park — abutting the Federal Triangle in downtown Washington.
“This memorial is like a wedding ring,” said Joseph Weishaar, the architect of the project. “It is a symbol honor and fidelity and commitment that has remained vibrant for nearly a century between the nation and the men who served in the first world war.”
“A Soldier’s Journey,” the centerpiece of the nation’s World War I monument is a sculpture that tells a story.
So it was fitting that sculptor himself should be on hand, to narrate.
“This is a story of what happens to one family and one soldier when he enters into service for his country.” Howard said in a recorded narration during the presentation. “The soldier is an allegory for the United States. It explains the hero’s journey through World War I.”
In the presentation, called “First Light,” the crowd was taken, panel by panel, left to right, through the 58-foot long, 10-foot high bronze frieze.
As first one section and then another lit up, Howard — his recorded voice — told the story. The father, being handed a helmet by his little daughter, going off to war. The soldier, now one among many, in an agonizing tableau of bayonets and bombs, with fellow doughboys screaming and nurses caring for the wounded. And finally — in the last panel — the returning civilian handing the helmet back to his little daughter.
Then, after the crowd had a good look, sequentially, at the 38 figures, all the lights went up. And there it was, all complete: “A Soldier’s Journey,” dedicated on General John J. “Black Jack” Pershing’s 164th birthday, and the new main attraction in what used to be called Pershing Park on 11th Street.
It is now the National World War I Memorial Urban Park — the $40 million project of the World War I Centennial Commission (the war ended Nov. 11, 1918) and paid for largely through donations.
An appropriate setting
The sculpture itself, the largest freestanding bronze relief in the western hemisphere according to Howard, is just part of the project.
The whole square has been re-landscaped, with fountains, a reflecting pool, and berms on three sides to dampen the traffic noise and create a quiet atmosphere for contemplation. An existing statue of General Pershing by Robert White (grandson of architect Stanford White), on site since 1983, has been worked into the new scheme.
“It’s a very serene place,” said Joseph Weishaar, the architect of the park. “Especially with the fountains going. You have the roar of the water, evocative of the sounds of war.”
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It was Weishaar, winner of a design contest by the Centennial Commission for his submission “The Weight of Sacrifice,” who brought Howard on board as his sculptor of choice.
“His accomplishment is one of amazing craft,” Weishaar said. “I don’t think it’s rivalled anywhere. My role is like a jeweler making a ring. I made the ring. But Sabin is the diamond. The sculpture is the diamond. That’s the piece that everybody is going to be wowed about.”
On the reverse side of the tableau is inscribed part of a poem by Archibald MacLeish:
“Whether our lives and our deaths were for peace and a new hope
or for nothing we cannot say; it is you who must say this.
They say: We leave you our deaths. Give them their meaning.
We were young, they say. We died. Remember us.”
Howard’s sculpture, like this verse, is not jingoistic. But neither is it cynical. It invites viewers to ponder the first modern war, the “war to end all wars” that killed 116,516 Americans (40 million worldwide) in a global cataclysm that was viewed by many afterwards as a tragic, senseless waste.
“As an artist, I’m very anti-war,” Howard said. “I didn’t make a sculpture about the glorification of war. I made a sculpture about human beings that are there in a very noble and heroic act of being in service to one’s country. This is their story. It’s to honor them. And I’ve had hundreds of letters from military families saying thank you, finally, for acknowledging us. The cool part is, they’re saying thank you for your service.”
That was, in its way, heroic too.
A long term project
For five years, Howard, his assistant Charlie Mostow, and a handful of others put in long days in the Englewood studio. For hours on end, models posed, Howard sculpted, and his wife, filmmaker Traci Slatton Howard, documented.
One by one, Styrofoam “maquettes” were covered with clay to create the figures, which were then transferred through a silicon mold to wax, which in turn became the ceramic shell. These were sent over to England to be cast in bronze. For the last month, on and off, Howard has been on-site in Washington D.C., supervising as the pieces were put in place with cranes, in the setting that Weishaar created for them.
“The reassembly was incredible,” he said. “Four panels, 38 figures, and everything has to fit. If it doesn’t, what are you going to do — chop away the stone or something?”
“A Soldier’s Journey” is a monument, in more than one sense.
To all the soldiers and civilians who served and died in World War I, certainly. More, to all soldiers, in all wars (veterans of the Iraq and Afghanistan wars served as models).
But additionally, it’s a monument to an idea: Sabin Howard’s fervent belief that modern America needs a public, neo-classical art. An art that unifies rather than divides. An art that can ennoble our squares and promenades, the way Michelangelo’s and Donatello’s sculptures adorned the piazzas of Florence.
“In the Renaissance, they used to make sculptures like the David, and they would put it in the square,” said Howard, who trained in Italy and at the Philadelphia College of Art (now the University of the Arts).
Such art, he said, uplifted. “It was a symbol of rising to the occasion, as a nation, and on a citizen level,” he said. “This is the exact same damn thing. I made a sculpture with 38 figures that shows a tapestry of the United States and its variety, with women, children, Democrats, Republicans, all under one flag as Americans. We are one unified country. That’s what the sculpture is.”
African Americans, Asians and Native Americans are included among the figures (though Howard takes the liberty of showing Black soldiers fighting alongside whites; the U.S. army was then segregated).
“This is something that brings us together,” Howard said. “Most modern art brings us apart.”
Aftermath of war
Ironically, it was World War I itself, and the ensuing cynicism about war and sacrifice, that gave rise to the iconoclastic modern art movements that dominated Western culture for the last 100 years. With “A Soldier’s Journey,” Howard wants to use that same war as a jumping off place, to bring the heroic back to art. “This is an American cultural renaissance,” he said.
His next project is also in that vein: an “American Exceptionalism Arch” project in Dallas, which will probably be completed 10 years from now. It too, will uplift and ennoble. “It’s another epic sculpture, which this many figures and this amount of story,” he said.
One thing he says he learned from working with veterans during the World War I project: the notion of being “in service of.”
“I feel that my work is in service to something greater than myself,” he said. “That’s what I’m so excited about.”
Washington, D.C
DC’s baseball team faces potential DOJ probe after exec allegedly admitted to religious discrimination
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FIRST ON FOX — Washington, D.C.’s professional baseball franchise could come under Justice Department scrutiny after a viral video showed a team executive appearing to admit to his religious discrimination against a Christian player.
Rep. Lauren Boebert, R-Colo., is urging Acting Attorney General Todd Blanche and Assistant Attorney General for Civil Rights Harmeet Dhillon to investigate alleged religious discrimination against players for the Washington Nationals, according to a letter sent Thursday to and first obtained by Fox News Digital.
The letter comes after Project Veritas founder James O’Keefe published a secretly recorded video of Washington Nationals Director of Community Relations Sean Hudson saying the team does not include pitcher Trevor Williams in certain social media promotion.
He cited the player’s public criticism of another Major League Baseball franchise for hosting a drag group mocking Catholics.
Rep. Lauren Boebert, R-Colo., is urging the Department of Justice to investigate alleged religious discrimination within the Washington Nationals organization and across Major League Baseball. (Anna Moneymaker/Getty Images)
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“According to the reporting by James O’Keefe, it appears the Washington Nationals are engaged in unlawful religious discrimination,” Boebert told Fox News Digital in a written statement. “I urge the DOJ to take immediate and decisive action.”
A spokesperson for the Justice Department said they received Boebert’s letter.
“The Department is reviewing the matter and will evaluate all appropriate next steps. As always, we remain committed to enforcing federal law and protecting civil rights,” they told Fox News Digital.
A spokesperson for the Washington Nationals did not immediately respond to a request for comment.
Hudson, in the clandestine recording, pointed to Williams’ public objections to the Los Angeles Dodgers honoring the Sisterhood of Perpetual Indulgence — a drag group that dresses as nuns — during the team’s 2023 “Pride Night.
The event also drew condemnation from multiple Catholic bishops, who described it as “blasphemous.”
Trevor Williams of the Washington Nationals sits in the dugout before a game against the Seattle Mariners at T-Mobile Park in Seattle, Wash., on May 28, 2025. (Stephen Brashear/Getty Images)
Williams said he found the group’s anti-Catholic demonstration featuring vulgar caricatures of the crucifixion and sacred rituals to be “deeply offensive,” in an interview with Bishop Robert Barron last year. The professional baseball player said he made the decision with his wife to speak out even though it would put “a target on our back.”
“Baseball stadiums should be a place where everyone feels welcomed, like 100%,” Williams said in the interview. “We should all feel welcomed there. But that was clearly against one certain religion. If you don’t draw the line in the sand, who’s gonna do it?”
According to Hudson, that public criticism of the drag group’s performance later affected Williams’ opportunities at the Nationals franchise.
“Because of that we don’t use him on social [media],” Hudson told an undercover journalist in the video. “When they’re like ‘is a hot dog a sandwich’ and the players come up, we don’t ask him.”
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Boebert said she is concerned that Hudson’s admission could mean the franchise violated Title VII of the Civil Rights Act, which prohibits discrimination based on religion and other protected classes.
“Americans of faith should not face professional repercussions for objecting to the mockery of their sacred traditions,” the Colorado Republican said in the letter. “MLB’s privileged legal position should not become a license for exclusionary practices.”
“Sister Unity” and “Sister Dominia” of the Sisters of Perpetual Indulgence were honored on Pride Night before the MLB game between the San Francisco Giants and Los Angeles Dodgers at Dodger Stadium in Los Angeles on June 16, 2023. (Brian Rothmuller/Icon Sportswire)
Hudson, in the video, described himself as “far-left leaning” and nonreligious. Meanwhile, he called Williams “super Catholic.”
The Washington Nationals executive also boasted about a Communist Party poster in his office and mused about pushing redistribution of wealth and other leftist agendas during baseball games at Nationals Park in Southeast Washington, D.C.
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“What a cool opportunity for us [Nationals] to also, be a little bit of like, the voice of reason,” Hudson said. “And a lot of people will tell you when I come to a baseball game, I don’t want to think about that s–t.”
“If you’re a sports fan and we piss you off, where else are you gonna go,” he went on. “I don’t give a sh–t.”
Washington, D.C
‘Gateway to our city’: $465M grant to renovate Union Station
U.S. Transportation Secretary Sean Duffy announced Thursday hundreds of millions of dollars to help with what he says are critical structural repairs and upgrades for D.C.’s Union Station.
“It was built in 1908, over a hundred years ago, and it was the largest train station in the world when it was built,” Duffy said. “And over the course of decades, it’s become run-down,” Duffy said.
A $465 million grant aims to ensure the overall experience for those coming and going remains up to par and on track at the transit hub. It will help fast-track repairs like roof upgrades and passenger concourses, Duffy said.
The project includes the Amtrak lounge and the ticket experience.
For some travelers, alternatives to fast food are a must.
Retail, parking and office spaces will be priorities of the project to maximize the station’s revenue, as will public safety.
Already, Columbus Fountain is flowing again after being broken and dry for almost two decades.
“Now when you come out of Union Station, the gateway to our city, you’ll be met with a fountain that is beautiful and a fountain that actually works,” Duffy said.
Washington, D.C
ICE detained over 1,000 people in DC. Here’s one man’s story
Alexander Esquivel was eating breakfast in his car outside his Washington, D.C. apartment last August when, unbeknownst to him, an ICE agent approached his vehicle. Esquivel was about to leave for his cleaning job and stepped out of the car to dust crumbs off his shirt when the agent grabbed his wrist.
“He said, ‘which border did you cross?’ He asked me that repeatedly, over and over again,” Esquivel said. “I felt so many emotions: What would happen if they deported me? I’ll lose my family, my friends, everything I’ve built, I’ll lose it all in the blink of an eye, all for nothing.”
When he couldn’t provide proof of citizenship, the officer arrested Esquivel, after which he was transported to Chantilly Detention Center in Northern Virginia.
“They handcuffed us all like animals, at our waists, feet, and arms,” Esquivel said.
Esquivel migrated from El Salvador to the US almost 20 years ago, and he’s one of more than 1,100 people who were detained in D.C. in the two months following President Trump’s surge of federal law enforcement last August, according to Washington Post reporting. Like over 80 percent of those arrested, he did not have a criminal record. While Esquivel is comparatively lucky — he won his court hearing last month, allowing him to remain in the U.S. — he and his family are still among the thousands of D.C. families living in the shadow of the ongoing crackdown.
“I’m always scared, you know, because even if the police stop us, then they could call ICE agents,” said his daughter Kaylie Esquivel, a 9th grader who is U.S. citizen. Kaylie said she cried every night of father’s detention. “I have this bond with my dad that I didn’t really have with anyone else,” she said.
For his part, Esquivel still has nightmares about his incarceration. “I wake up with that trauma, thinking I’m still detained,” he said.
After Chantilly, Esquivel was transferred to Southwest Virginia Regional Jail, six hours away from D.C.. He was then moved to Farmville Detention Center near Richmond, Virginia, where he was given a yellow uniform indicating his lack of a criminal record. He said he met many people who were in the country legally or were in the process of obtaining legal immigration status.
“They took them without a justification and without reason, solely because of the color of their skin and their Hispanic features,” Esquivel said.
Many of the arrests in Washington D.C. occurred without warrants, according to The Washington Post. Last September, a Supreme Court ruling greenlit the use of racial profiling in immigration arrests nationwide.
Esquivel still thinks about the conditions of the jail. “We heard that there were worms in the food,” he said. (An October 2025 report by the National Immigration Project documented reports of worms in the food at Farmville, and detainees facing retaliation for refusing to eat).
“Everyone there was very sick — they got sick with everything, the flu, among other things,” said Esquivel, adding that people struggled to get access to medical care in detention. “The treatment was truly inhumane,” Esquivel said.
The Department of Homeland Security did not respond to request for comment.
While Alex was gone, his wife Dolores says she experienced intense fear, anxiety, and depression. “This wasn’t the life I wanted. Living in fear isn’t living,” she said.
The family received lots of support from their community during his detention, raising over $25,000 to help with his legal fees. Dolores said that while neighbors left food outside for them everyday, it was of limited comfort.
“I don’t want money, I don’t want anything, I want my husband,” she said, of how she felt during those months.
In November, after two months in detention, Esquivel was released on bail. The immigration judge cited his strong family ties and lack of a criminal record.
“It was so fulfilling, such a joy,” said Dolores of when he finally returned home. “There is nothing better than being with your husband, my husband with his daughters, with his parents. That’s the true value of life, family.”
Even while they continue to celebrate, the family worries that last month’s court win that allows him to stay could be challenged by the Department of Homeland Security. He and his family avoid leaving the house as much as possible for fear of running into immigration enforcement.
Still, Esquivel hasn’t lost hope.
“I’d tell them not to lose faith, to fight as hard as they can,” he said of what he’d tell other people facing detention. “To fight until they give their last ounce of effort, to not give up, because without a fight there is no victor.”
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