Washington, D.C
Being human in a digitally disembodied world – Washington Examiner
Clubbing on a Monday night — that’s the image that came into my mind as I was reading the great new book by Christine Rosen, The Extinction of Experience: Being Human in a Disembodied World. Rosen is a senior fellow at the American Enterprise Institute and a columnist for Commentary magazine. She is one of America’s best writers and thinkers.
The Extinction of Experience explores the way the digital revolution and the rise of the internet, the smartphone, and AI have altered our lives. Rosen appreciates the miracles of modern technology, which are useful and “fun.” She defines “technology” as “computers, smartphones, smart speakers, wearable sensors, and, in our likely future, implantable objects, as well as software, algorithms, etc.”
However, the bigger picture is that our gadgets have become obstacles to the spiritual, mental, and psychological flourishing of human beings.
“Many of our current technologies seem to view people as the problem to which devices and platforms and algorithms provide a necessary solution,” Rosen writes. “If earlier technologies were an extension of our senses, today’s technologies train us to mistrust our own senses and rely instead on technology.”
The results of this are bad, as we can no longer tolerate boredom or contemplation. We can’t experience a concert, conversation, or romantic pleasure without digital mediation.
“The extinction of fundamental human experiences creates a world where our sense of shared reality and purpose is further frayed, and where a growing distrust of human judgment will further polarize our culture and politics,” she writes. “Technological change of the sort we have experienced in the last 20 years has not ushered in either greater social stability or moral evolution. In fact, many of our sophisticated technological inventions and platforms have been engineered to bring out the worst of human nature.”
The contrast to this is the image that came into my mind as I was reading her book: dancing in a club on a Monday night in the pre-digital world. When I was in my 20s, back in the 1980s and before the digital revolution, I would sometimes go out clubbing and bar-hopping on weeknights. I worked at a restaurant in Georgetown in Washington, D.C., and for many of us in that business, our weekends were Mondays and Tuesdays.
On Monday, I would go out and hit a few favorite night spots. The crowds were small and the city quiet. You could have time with bartenders and DJs you knew to share some conversation. It was contemplative, friendly, sometimes even boring. You’d think about your life, your loves, your goals. You would talk to God. You’d dance with someone you had just met, and actually see the smile on their face. It was like an urban nightlife version of Huck Finn and Jim drifting down the Mississippi River.
That experience came to me while reading The Extinction of Experience because it touched on so many things that Rosen argues are necessary for human flourishing.
She writes, “Certain types of experience — some rooted deeply in our evolutionary history, such as face-to-face interaction and various forms of pleasure-seeking; others more recent and reflective of cultural norms, such as patience and our sense of public space and place — are fading from our lives. Many of these experiences are what, historically, have helped us form and nurture a shared reality as human beings. Mediating technologies have been a significant force behind these changes.”
Rosen devotes the entire first chapter of her book to the importance of the human face. For thousands of years, we have used our subtle and complex reading of the human face to make friends and discover a spouse, to detect danger, to lift our spirits, to laugh and cry. That primal ability is being lost as faces are now glued to cellphones. Just as young people are forgetting how to write cursive, they are losing the ability to read the human face.
CLICK HERE TO READ MORE FROM RESTORING AMERICA
I can still remember in detail the faces of all the bartenders, DJs, and a few girls I danced with 40 years ago. Today’s young digital addicts can’t remember who they met an hour ago. As Rosen notes, we marvel at “the rarity of finding someone in public space who is not immersed in a smartphone.” We suffer from a “waning ability to experience human pleasure without mediation.”
Spending a quiet Monday night in the clubs of Washington, D.C., all those decades ago gave me something I remember to this day. It gave me a fully human experience.
Mark Judge is an award-winning journalist and the author of The Devil’s Triangle: Mark Judge vs. the New American Stasi. He is also the author of God and Man at Georgetown Prep, Damn Senators, and A Tremor of Bliss.
Washington, D.C
New AAPI-led Jaemi Theatre Company launches in DC
Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.
Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”
“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.
BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.
Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.
For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.
About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.
Washington, D.C
San Francisco Ballet cancels upcoming performances at Kennedy Center
Sunday, March 1, 2026 6:36AM
SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.
The company is scheduled for a four-day run in Washington D.C. in May.
Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season
Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.
That led several artists to cancel scheduled performances.
A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”
Copyright © 2026 KGO-TV. All Rights Reserved.
Washington, D.C
97-year-old World War II veteran honored virtually at home
At 97, Veteran Harley Wero wasn’t up for a trip to the nation’s capital, so volunteers from the Western North Dakota honor flight brought the trip to him. Wero, his wife Muriel and their daughter Jennifer got to experience Washington, DC, without ever leaving their home.
Web Editor : Sydney Ross
Posted
-
World4 days agoExclusive: DeepSeek withholds latest AI model from US chipmakers including Nvidia, sources say
-
Massachusetts4 days agoMother and daughter injured in Taunton house explosion
-
Montana1 week ago2026 MHSA Montana Wrestling State Championship Brackets And Results – FloWrestling
-
Denver, CO4 days ago10 acres charred, 5 injured in Thornton grass fire, evacuation orders lifted
-
Louisiana7 days agoWildfire near Gum Swamp Road in Livingston Parish now under control; more than 200 acres burned
-
Technology1 week agoYouTube TV billing scam emails are hitting inboxes
-
Politics1 week agoOpenAI didn’t contact police despite employees flagging mass shooter’s concerning chatbot interactions: REPORT
-
Technology1 week agoStellantis is in a crisis of its own making