South-Carolina
Take a sneak peek into a legendary songwriter's creative process
You may not know the name Leslie Bricusse (pronounced Brick’-us), but you very likely hum some of the songs he’s written: “Pure Imagination,” “What Kind of Fool Am I?,” “Talk to the Animals,” Superman’s theme “Can You Read My Mind,” “Goldfinger.”
And remarkably, some 60 years after his heyday, the composer-lyricist is having a moment.
In A Quiet Place: Day One, a woman who may be the last human survivor on a Manhattan infested with aliens checks her iPod and pulls up Nina Simone singing “Feeling Good.” She needs a song to express defiance and how, as her world lies in ruins, she exults in being alive. Sentiments Bricusse put to music six decades ago seem perfect.
That same song popped up on the premiere of the Netflix series Obliterated to help a bomb defuser steady his hand. And family audiences spent last Christmas singing along with “Pure Imagination,” crooned by Timothée Chalamet’s Willy Wonka to tie him firmly with the Gene Wilder original.
Bricusse often wrote lyrics for other composers’ music. He wrote “Pure Imagination” and “Feeling Good” with Anthony Newley. At other times, he wrote both music and lyrics. He was a master of many styles, all of them entertaining, and it turns out that’s every bit as true of the papers his widow, actress Yvonne “Evie” Romain Bricusse, best known for co-starring with Elvis Presley in Double Trouble, donated recently to the Library of Congress.
Mark Eden Horowitz, a senior music specialist at the Library of Congress, where the Bricusse papers join those of Leonard Bernstein, Richard Rodgers, the Gershwins and others, says that in addition to the scripts, musical scores, notes for ideas on shows that never came together, recordings and other items, what’s remarkable about this particular collection is Bricusse’s notebooks.
“Just sort of drugstore notebooks,” he says, holding one out, “but he lived his life in these things.
“They’re beautifully calligraphed, most pages are numbered and often dated and indicate where he was in the world at the time, Acapulco on November third, 1986.” And then he does these amazing calendars.”
Calendars rendered in five or six colors, and necessary because “he’s constantly working on 10 or 12 projects at a time.”
/ The Library of Congress
/
The Library of Congress
Some of those, no one’s heard of. “For a long time, chuckles Horowitz, “he was working on a musical version of Henry VIII. I swear he considered 30 different titles, one of which was The King & I & I & I & I & I.”
There are lots of fun discoveries. Bricusse’s lyrics sound so natural that it’s hard to imagine they didn’t just spring from him that way, but the notebooks are where he polished them. Take page 58 in the one where he’s working on “Goldfinger.” He has heart of gold/this heart is cold….web of sin but don’t come in. But he has too many “golden”s, so in the notebook, he’s slashed through golden, in “the man with the golden touch” and replaced it with “Midas.”
/ Library of Congress
/
Library of Congress
That turned an OK line into a classic and goes much better with the next line that he already had: “A spider’s touch.”
That’ll be a fun find for somebody’s dissertation. Mixed in with that sort of thing is marginalia about theater, movies, budgets, life … seemingly whatever was on his mind.
“He asks himself questions,” says Horowitz, “he puts down what he’s thinking, asks himself should he be thinking that? Why is he thinking this? What should he do about it?” It’s his thoughts about everything that is ideal for researchers.
Asked whether George Gershwin did something similar, Horowitz almost laughs. “No. I’ve never seen a collection with this much-organized detail.”
/ The Library of Congress
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The Library of Congress
So, it is a treasure trove, but also one in which those details are sometimes puzzling — blocks of letters, say, in some of the margins. It turns out that’s how Bricusse wrote out the melodies — not with musical notes on sheet music as most composers do, but using the alphabetical letters that represented the notes. C, A, B-flat, and so on. Horowitz figured out how to read them and how to play the melodies if asked.
These pop songs were Leslie Bricusse’s life work. The notebooks, decorated, colorized, wildly ornate, feel — perhaps inadvertently — like art, themselves.
Horowitz, noting that Bricusse’s widow is an artist and that they collaborated on some things together, agrees. “Clearly, yes, he has a sense of design, and color, and he seems to want to keep things lively and interesting and attractive.
“I think he’s an entertainer in every sense. He wants people to be bubbling joyous; I think he’s always looking for the rainbow, for the magic.”
Judging from the notebooks that have found a new home in the Leslie Bricusse Collection at the Library of Congress, he found it.
Copyright 2024 NPR
South-Carolina
Summer offer leads to EDGE Jayden Broadie’s commitment to South Carolina
South Carolina made a late entrance into Jayden Broadie‘s recruitment, but the Gamecocks made every moment count.
The three-star EDGE from Rolesville (N.C.) announced his commitment to Shane Beamer and South Carolina on July 4, choosing the Gamecocks after a recruitment that remained fluid until the final weeks.
Broadie originally planned to commit this summer before considering delaying his decision into the season. Everything changed after South Carolina offered following a standout camp performance.
His first trip to Columbia was when the offer was earned, and it immediately left an impression.
“After camp they took me on a tour and talked to me about everything,” Broadie told Rivals. “All the coaches showed me love and made me feel like I belonged there. They made me feel wanted.”
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Defensive ends coach Deion Barnes quickly became a major factor.
Barnes worked with Broadie throughout camp, spent extra one-on-one time with him before drills began and showed the type of investment the North Carolina standout wanted to see.
“He definitely pushed me hard,” Broadie said. “He pointed out what I could improve, but he also told me what I did well. I really liked how Coach Barnes really invested his time in me before camp even started. That showed his character.”
Broadie also connected with Beamer.
“I love Coach Beamer’s energy,” he said. “After they offered, he called me a few times and was fired up about me. I love how he carries himself.”
Those relationships ultimately separated South Carolina from the rest of the field.
“They made me feel like a priority,” Broadie said. “Coach Barnes was very invested in me. He told me I would have an opportunity to compete and play early. He made me feel like I could come in and make a difference on the defense.”
Playing in the SEC also appealed to Broadie.
“It is the best of the best,” he said. “You get to compete against the best competition and really see how good you are. That’s what excites me the most.”
South-Carolina
New course offers low-profile distinction in South Carolina Lowcountry
Bill Coore, Ben Crenshaw show off new Anson Point at Palmetto Bluff
The famed designers created a new course that perfectly fits its South Carolina Lowcountry environment.
BLUFFTON, S.C. – Anson Point, the latest design to open by the architectural team of Bill Coore and Ben Crenshaw, is a welcomed change of pace in today’s market of high-profile course introductions. Its subtlety and Lowcountry charms offer a sense that the course has been there for decades.
Those sensations run contrary to most recent course openings in the Southeast. The past 10 years have seen a huge boom in high-profile private golf in Florida, Georgia and South Carolina. In Florida we have seen Panther National, Apogee, High Grove, Soleta, the soon-to-open Miakka and a host of other developments. Georgia has welcomed Ohoopee Match Club and Fall Line. South Carolina has had The Tree Farm, Old Barnwell, Broomsedge, 21 Club and more come online. These offerings are all welcome additions to the golf scene, and they all feel big, bold and new.
Where those courses zig, Anson Point zags. The private course is located near the southern tip of Palmetto Bluff, a 20,000-acre waterfront development with three golf courses, a marina, two village centers, a Montage hotel and a wide selection of nature activities. The course plays inland through mostly pines and oaks before offering marshland views from multiple holes on the back nine.
Opened early this year, Anson Point wasn’t ready in time to qualify for the various 2026 course rankings within this magazine, but it’s easy to anticipate the layout landing coveted spots on the lists as enough raters play it. Palmetto Bluff’s two other courses are the Jack Nicklaus-designed May River, which opened in 2004, and the non-traditional, nine-hole Crossroads by Tad King and Rob Collins, which opened in 2024 and offers a reversible layout.
Unlike many courses within such large developments, including May River, Anson Point is void of surrounding homes. This adds greatly to the tranquility of the experience. Hats off to South Street Partners and Henderson Park, owners of Palmetto Bluff, for taking such an approach on their newest course.
“The scale and conservation ethos of Palmetto Bluff provided South Street with a unique opportunity to site Anson Point on 500 dedicated acres within which Coore and Crenshaw could design a ‘core golf course’ without any single-family homes fronting the course,” said Chris Randolph, managing partner at South Street Partners. “While direct golf frontage real estate has historically driven premium pricing that developers seek when justifying the cost of golf course and clubhouse construction, South Street believes proximity to a world-class golf experience alone should drive even higher premiums across the entirety of the community.”
This approach, which has been the model at several new courses but not all, works well for both golf and homeowners. Residents receive easy access and increased home values with the close affiliation to the course, yet they are not bothered by mowers early in the morning or golfers in their backyards. Most important, the homes don’t impact the golf.
In an era of frequently wide-open golf, Anson differs from many other new developments in that most internal holes — those away from Savannah River’s marsh with its long views toward Georgia — are framed by trees so that the longest view across the course is about 500 yards. This provides an intimate feel that showcases the subtle features incorporated by Coore and Crenshaw.
Coore spent ample time at Anson Point discovering a routing that takes golfers through the woods and out to the marsh on multiple occasions. Coore and Crenshaw associate Ryan Farrow was the on-site lead and handled much of the shaping. The green-to-tee walks are short, the fairways and greens hug the ground, the bunkering is sparse, and areas between the fairways and the woods vary based on what was there at the outset of the project. The design embraces all the features that were available, starting at No. 1.
“There was a really special little quarry area with exposed sand and mossy edges, and we sited No. 1 green right there and used that feature as our guiding light for how to best showcase the land,” Coore said. “That and the beautiful trees and marsh edges.”
There is a mixture of holes, long and short with doglegs left and right. A pair of three-hole stretches on each nine showcase the best of Anson Point.
The par-5 seventh starts wide and gently narrows all the way to the green – players have choices off the tee, on the second shot and all around the green. The long par-4 eighth looks straight in planning, but on the ground players should favor moving the ball left to right. The tiny par-3 ninth plays across a low sandy area to a green set on a diagonal from front-left to back-right.
On the back nine, the par-4 15th is drivable for many players, with a small bunker that looks greenside but is well short and must be avoided. The par-5 16th moves from right to left and is reachable for long hitters, but the hole location dictates how to attack. The long par-3 17th plays toward the marsh, starting in a narrow shoot before the hole opens up to a green with a strong flash at the back edge, all with views of Savannah some 10 miles across the water.
These are all the types of holes that would play differently day to day, and a member would learn the subtle nuances and strategies in time. If it were a resort course, Anson Point might feel a bit underwhelming, as it lacks elevation change, multiple water features and expansive bunkering. But as a member’s course, it is a shining example of the long-term relationship one would seek out.
“We worked hard to uncover and incorporate little details throughout, and I believe it is a golf course that will reveal itself over time,” Coore said. “I imagine members will like and appreciate it even more after years of play.”
At a time when golf development in the Southeast is booming, it is nice to see that a low-profile layout is still welcome in Lowcountry. Gwk
– Jay Blasi is a golf course architect based in California who writes occasional stories for Golfweek and hosts groups of Golfweek’s Best course raters around the world.
South-Carolina
South Carolina Lottery Mega Millions, Pick 3 results for July 3, 2026
Powerball, Mega Millions jackpots: What to know in case you win
Here’s what to know in case you win the Powerball or Mega Millions jackpot.
Just the FAQs, USA TODAY
The South Carolina Education Lottery offers several draw games for those aiming to win big.
Here’s a look at July 3, 2026, results for each game:
Winning Mega Millions numbers from July 3 drawing
05-09-29-47-57, Mega Ball: 16
Check Mega Millions payouts and previous drawings here.
Winning Pick 3 Plus FIREBALL numbers from July 3 drawing
Midday: 6-8-5, FB: 0
Evening: 3-5-7, FB: 4
Check Pick 3 Plus FIREBALL payouts and previous drawings here.
Winning Pick 4 Plus FIREBALL numbers from July 3 drawing
Midday: 7-0-6-6, FB: 0
Evening: 5-8-1-1, FB: 4
Check Pick 4 Plus FIREBALL payouts and previous drawings here.
Winning Cash Pop numbers from July 3 drawing
Midday: 12
Evening: 08
Check Cash Pop payouts and previous drawings here.
Winning Palmetto Cash 5 numbers from July 3 drawing
09-13-14-25-42
Check Palmetto Cash 5 payouts and previous drawings here.
Feeling lucky? Explore the latest lottery news & results
Are you a winner? Here’s how to claim your lottery prize
The South Carolina Education Lottery provides multiple ways to claim prizes, depending on the amount won:
For prizes up to $500, you can redeem your winnings directly at any authorized South Carolina Education Lottery retailer. Simply present your signed winning ticket at the retailer for an immediate payout.
Winnings $501 to $100,000, may be redeemed by mailing your signed winning ticket along with a completed claim form and a copy of a government-issued photo ID to the South Carolina Education Lottery Claims Center. For security, keep copies of your documents and use registered mail to ensure the safe arrival of your ticket.
SC Education Lottery
P.O. Box 11039
Columbia, SC 29211-1039
For large winnings above $100,000, claims must be made in person at the South Carolina Education Lottery Headquarters in Columbia. To claim, bring your signed winning ticket, a completed claim form, a government-issued photo ID, and your Social Security card for identity verification. Winners of large prizes may also set up an Electronic Funds Transfer (EFT) for convenient direct deposit of winnings.
Columbia Claims Center
1303 Assembly Street
Columbia, SC 29201
Claim Deadline: All prizes must be claimed within 180 days of the draw date for draw games.
For more details and to access the claim form, visit the South Carolina Lottery claim page.
When are the South Carolina Lottery drawings held?
- Powerball: 10:59 p.m. ET on Monday, Wednesday, and Saturday.
- Mega Millions: 11 p.m. ET on Tuesday and Friday.
- Pick 3: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Pick 4: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Cash Pop: Daily at 12:59 p.m. (Midday) and 6:59 p.m. (Evening).
- Palmetto Cash 5: 6:59 p.m. ET daily.
This results page was generated automatically using information from TinBu and a template written and reviewed by a South Carolina editor. You can send feedback using this form.
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