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How the Miami Herald Got the Epstein Documents

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How the Miami Herald Got the Epstein Documents


Last week, a judge began to release hundreds of pages of previously sealed court documents related to Jeffrey Epstein. Speculation about the anticipated contents abounded, with various corners of the internet hyping a presumed “Epstein client list” naming high-profile associates of the disgraced financier and convicted sex offender. Yet most of the names revealed in the filings—including Donald Trump and Bill Clinton—were already publicly known. That there was no smoking gun list of stars tied to Epstein’s trafficking of minors seemed, for some, to be the biggest takeaway. Take The New York Times’ write-up, which noted that while “the documents “appeared to add a bit more context” to Epstein’s relationship with powerful men, “they provided little, if any, new fodder for conspiracy theorists who remain fixated on Mr. Epstein’s dealings more than four years after his death.”

The Miami Herald’s Julie Brown, however, has a different perspective. “It is all part of the story,” she says, of “our criminal justice system and how we allow rich, famous, influential people to manipulate” it—a story she has been trying to tell for years. Brown is the reporter who, in a three-part investigation in 2018, questioned the 2008 plea deal that allowed Epstein to avoid federal charges and identified dozens of victims who accused Epstein of seeking and paying underage girls for sex. Her reporting returned Epstein to the spotlight and helped prompt his 2019 arrest. “It’s missing the point if all you want is names of famous people,” she says. “It’s about understanding the web of human trafficking and sex trafficking in our country.”

In recent days, the Herald has reported that the records contained “several full depositions that had not previously been public, subpoenas, witness lists, and court motions.” Among them was a June 2016 deposition by a girl whose name was redacted and was about 16 or 17 when she was lured to Epstein’s room. “I was just there, and all of a sudden something horrible happened to me,” the girl recalled, explaining that she was vague on details because she “worked very, very hard to not recall anything specific about my sexual encounters with this person as one of his victims.” Another new revelation was testimony given by a witness, Johanna Sjoberg, who worked for Epstein for five years and said she once overheard him on the phone talking about the hairdresser Frédéric Fekkai. “I heard him call someone and say Fekkai is in Hawaii. Can we find some girls for him?” she said. (Fekkai has denied knowing of Epstein’s conduct in the past.) The Herald also reported that the documents released “provide a deeper window into [Virginia] Giuffre’s quest to get the FBI and federal prosecutors to arrest Epstein,” including through “emails to FBI agents and a former federal prosecutor.”

The unsealed documents come from a 2015 defamation lawsuit filed against Ghislaine Maxwell—the British socialite and Epstein associate who is currently serving a 20-year sentence for her role in aiding Epstein’s abuse—by Giuffre, one of Epstein’s victims. The Herald has been fighting since 2018 to make documents in the case public. Thousands of pages of documents have been released as a result of their legal fight, and the latest batch, unsealed January 9, “are just the last of them,” says Brown. “They’ve been coming out in dribs and drabs for years now, and I think that you have to look at the totality of the information,” she says, which “is that this was a much bigger operation than just two dozen girls being sexually abused in Palm Beach.” She says the Herald was “never under the delusion that we were going to learn all these big names.” But “these documents are important to these victims. They want the truth to come out.”

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The 2015 defamation case was settled out of court in 2017, but lots of information in it remained sealed. When Brown was working on her series for the Herald, she heard from sources that “there were documents in this lawsuit that would reveal more about the scope of what [Maxwell and Epstein] were doing,” she says. “Up until then, it was really only known that the crime happened in Palm Beach and there were victims in Palm Beach.” Now, she notes, “Of course, we know that the crimes were much more expansive than that”—thanks in part, she says, to the Herald’s legal fight. “Some of the first documents that were released were the most revealing,” says Brown, “and they were released on August 9, 2019, which was the day before Epstein was found dead.” The Herald’s original motion to intervene in the case and unseal the documents, in April 2018, came at the advice of former Herald attorney Sandy Bohrer, says Casey Frank, the Herald’s investigations editor. “We don’t like to throw money at lawsuits that are likely losers, but here’s a case where our lawyer was telling us, everything I see here tells me that you ought to sue,” says Frank, who has been with the paper for more than 40 years. “You may lose at the first level, but I think you’ll win at the second level,” Frank recalled Bohrer saying. “And by gosh, we won at the appeal level.”

Herald reporters have acknowledged the limits of the unsealed records while also maintaining their value. “Though none of the records directly implicate anyone beyond Epstein and Maxwell in illegal or improper activities, witnesses—mostly young women—testified that Epstein bragged about his sexual prowess with virgins and boasted of his long list of famous acquaintances,” the Herald wrote of the latest batch of documents. That list included Trump, Clinton, Prince Andrew, and the late Michael Jackson. (Neither Trump nor Clinton are accused of any wrongdoing involving Epstein, and a spokesperson for Clinton has referred to a statement issued on behalf of the former president in 2019, which stated he had no knowledge of Epstein’s “terrible crimes.” In 2022, Prince Andrew settled a sexual abuse lawsuit brought by Giuffre, though he has insisted he never met Giuffre and denied any wrongdoing.) “As is often the case with Epstein,” Brown wrote for the Herald, the documents “included salacious but largely unproven allegations by women who have lived traumatic lives, made more difficult by their involvement with Epstein.”

I ask Brown if she thinks that Epstein’s death and Maxwell’s imprisonment have dampened the media’s interest in the story, even as mainstream publications such as the Times and Wall Street Journal have conducted investigations in recent years. “Not only the media’s interest, but, more importantly, the government’s interest,” she says. “We know the names of some of the people that helped him and who worked for him.” She acknowledges that Maxwell’s case was a “very difficult” one to prosecute. But, she adds, “It just boggles my mind that there is only one person paying the price for this horrific crime.”





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Miami, FL

‘Mufasa’ director Barry Jenkins uses his experience making ‘Moonlight’ in Miami to helm Disney prequel – WSVN 7News | Miami News, Weather, Sports | Fort Lauderdale

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‘Mufasa’ director Barry Jenkins uses his experience making ‘Moonlight’ in Miami to helm Disney prequel – WSVN 7News | Miami News, Weather, Sports | Fort Lauderdale


With millions of people living in SoFlo, there have to be a few who are going to make it big in Hollywood. Barry Jenkins is one of those few shooting stars. The award-winning director is at the helm of Disney’s newest flick — “Mufasa: The Lion King” — and he even knows our little show!

Barry Jenkins: “I know Deco Drive. I grew up in Miami. I know Deco Drive. Woo!”

Yay! We love you!

Oscar-winning director Barry Jenkins knows a thing or two about the 305 life, and now he’s the leader of the pack in Disney’s “Mufasa: The Lion King.”

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Barry Jenkins: “You know, it’s interesting. When I first read the script, I was trying to figure out how this fit with the stories I tell, and ‘Moonlight,’ which we made in Miami and is about Miami, is a perfect example.”

Barry Jenkins: “If I told you I was making a film about a child who has an almost biblical experience in water and then loses a sort of parent figure and must go on this journey and rebuild their lives, I could be talking about ‘Moonlight,’ or I could be talking about ‘Mufasa.’”

“Moonlight,” of course, is the film he directed and won an Academy Award for!

There are similarities with both films, especially with the eyes!

Barry Jenkins: “You know, ‘Moonlight,’ a very Miami movie, involves quite a few close-ups. We didn’t want to shy away from allowing the audience the same intimacy with these lions. We worked with the animators and told them, ahead of time, and told the studio, ‘This is going to be a film where, sometimes, the eyes of these characters really have to communicate nonverbally.’”

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Teamwork makes the dream work, and Barry feels Mufasa’s coming-of-age journey.

Barry Jenkins: “It takes a village to raise a child. That was my experience of growing up in our wonderful city, Dade County, the 305.”

OK, what’s your favorite place to eat, like ever?

Barry Jenkins: “Mandolin Aegean Bistro, this little tiny, like this little Mediterranean restaurant. Just on the edge of the Design District. I remember when it was like five tables, and now it’s like this massive courtyard patio. But still, you go in, and the flavors are the same. Get some of that grilled octopus and some plantains. So yeah, I love Mandolin; I highly recommend it.”

“Mufasa: The Lion King” is now playing in theaters.

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Copyright 2024 Sunbeam Television Corp. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

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Should Miami Heat Have Concerns About Kevin Love’s Age?

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Should Miami Heat Have Concerns About Kevin Love’s Age?


Age catches up with all of us at one point or another, and Kevin Love is no different.

Through 14 games, Love averages 6.4 points, 4.7 rebounds, and 1.3 assists on 36.9 percent shooting and 36.7 percent from three-point range.

The 36-year-old has had a rocky and inconsistent start to his 17th NBA season. His athleticism is all but gone, but the championship veteran is a clever and crafty veteran who uses his size well. Unfortunately, this has led to a few games where he has shown his value offensively. In the games he’s played thus far, he averages 2.5 attempts on two-point shots and 3.5 from three-point range. In games when his perimeter shot is not falling, Love’s offense is replaceable and potentially worth using other options on the team.

His defense on most nights is even worse. During the season, he is averaging 0.9 steals and 0.1 blocks. These numbers were not much better in his previous seasons with the Miami Heat, but he was much more mobile and able to switch onto most big men for several possessions and hold up reasonably well. Now, he nearly gets scored on every possession and cannot defend post-up attempts from anybody.

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Love is playing 11.8 minutes a game and only has one game within the last eight, where he’s played at least 15 minutes. It looks more likely the Heat’s first-round pick, Kel’el Ware, will deserve those minutes as the season progresses. Ware has dominated in the G-League, averaging 18.5 points, 10 rebounds, and 2.5 assists on 55.2 percent shooting and 33.3 percent from three-point range. Best of all, Ware is averaging 3.5 blocks per game.

Bryan Townes is a contributor to Miami Heat On SI. He can be reached at btownesjr@gmail.com or on X @bryantownesjr11. Follow our coverage on Facebook.  



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Women's Basketball: Miami blows out Nevada in Maui, 84-53

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Women's Basketball: Miami blows out Nevada in Maui, 84-53


MAUI, Hawaii – Haley Cavinder recorded her second consecutive double-double with a 25-point, 12-rebound performance, and the University of Miami women’s basketball team shot an exceptional 60.0 percent from the field and 47.1 percent from behind the arc en route to a dominant 84-53 victory over Nevada (5-7) to open the Maui Classic. With the victory, the Hurricanes (10-1, 1-0) improved to 10-1.

Haley Cavinder was sensational yet again for Miami, as she dropped a game-high 25 points on 11-16 shooting from the field, including 2-4 from behind the arc, and grabbed a game-high 12 rebounds and dished out a game-high seven assists.

Cameron Williams poured in 14 points and grabbed seven rebounds, Natalija Marshall chipped in 12 points, and Darrione Rogers scored 11 points as four Miami players reached double figures in the contest.

Miami was tremendous on both ends of the court, as they recorded season-high clips of 60.0 percent shooting from the field (33-55) and 47.1 percent from behind the arc (8-17) while limiting Nevada to just 39.3 percent shooting from the field and 28.0 percent from behind the arc. The Canes dominated the glass, outrebounding Nevada 33-21, and Miami outscored Nevada in the paint, 44-24.

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The Canes also had a season-low seven turnovers, as they cared for the basketball exceptionally. After falling behind 13-11 late in the first quarter, Miami reeled off a 4-0 run to end the stanza, as they held a 15-13 lead entering the second period. The Canes opened the second quarter of an 8-0 run, extending the lead up to 10 points at the 6:54 mark in the period. Miami continued their dominant play, leading 39-26 at halftime.

The Canes were sensational in the third quarter, as they shot 66.7 percent from the field and 50.0 percent from behind the arc, outscoring Nevada 24-12 to take a 63-38 lead into the final period.

Miami cruised over the last 10 minutes, earning the 31-point victory over Nevada to open the Maui Classic. The Canes will return to the court Friday evening, as they are set to face Oregon State at 11 p.m.

Courtesy of Miami Athletics



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