Miami, FL
Art Basel Miami Beach 2024: What To Expect At The Main Fair
From December 6 to December 8 (by-invitation private viewings on December 4 and December 5), Art Basel returns to Miami Beach for its 22nd year
Art Basel Miami Beach
It’s been an action-packed past few weeks, to say the least, but alas, December is upon us, and for anyone in Miami— or truly in the art world— it only means, Art Basel Miami Beach is here. From Friday, December 6 to Sunday, December 8 (by-invitation private viewings are held on Wednesday, December 4 and Thursday, December 5), the Miami Beach Convention Center will be home to 286 galleries, spanning 38 countries and territories, with a majority hailing from the Americas—from across the United States, Canada, Mexico, Brazil, Argentina, Colombia, Guatemala, Peru and Uruguay. This year will also see Romania and Indonesia represented for the first time. It is the first edition under the leadership of director Bridget Finn, which has seen the largest cohort of new exhibitors— 34— in over a decade; the rolling out a smaller booth option for galleries; and the re-location of Meridians— the show’s central sector dedicated to large scale projects that transcend the traditional art fair booth— to more fluidly connect the different sections on the show floor.
Here’s what to expect at the main fair’s sectors this year:
Galleries, the fair’s main sector, where the world’s leading galleries present the highest quality paintings, sculptures, drawings, installations, photography, videos and digital works, will have 229 art dealers presenting works by 20th- century masters, contemporary blue-chip artists, mid-career practitioners and emerging talents. There are seven first-time participants this year.
First-time Galleries participant Tim Van Laere Gallery, with locations in Antwerp and Rome, will showcase Romanian-born, Berlin-based painter Adrian Ghenie’s “Study of A Head (2023″)”
Adrian Ghenie/ Tim Van Laere Gallery/ Art Basel Miami Beach A resounding theme for this year are works that advocate for social change. São Paulo’s Galeria Vermelho Vermelho will present a selection of works by artists from their program, including Swiss-born, São Paulo-based photographer and activist Claudia Andujar, whose practice is dedicated to the Yanomami Indigenous peoples. A portion of profits from sales of the artist’s work will benefit Hutukara Associação Yanomami (HAY), an NGO in Brazil dedicated to the rights of Indigenous people.
Claudia Andujar/ Galeria Vermelho/ Art Basel Miami Beach
There are big changes for Meridians this year— the the show’s sector dedicated to projects that transcend the traditional art fair booth. Firstly, it will be curated for the first time this year by Puerto Rican-born, Berlin-based Yasmil Raymond, former director of Portikus, and rector of the Hochschule für Bildende Künste-Städelschule in Frankfurt, and previous curator of The Museum of Modern Art in New York. Raymond succeeds Magalí Arriola, who oversaw the sector since its introduction in 2019.
Secondly, the sector will re-locate to the south end of the show floor, surrounding the Nova and Positions sectors, which are dedicated to emerging galleries and artists, to better anchor the contemporary art section of the fair.
Meridians will feature 17 projects this year, titled “State of Becoming,” which explore themes ranging from the unexpected contingencies of democracy to the growing anxiety of climate chane on a global scale.
“La Famille dans la Joyeuse Verdure (The Family in the Joyful Green)” is a large-scale embroidery hand-stitched over a four year period, 2015 to 2019, by Argentine artist collective Chiachio & Giannone, which pays tribute to the LGBTQ community and Indigenous Guarani culture.
Chiachio & Giannone/ Ruth Benzacar Galería de Arte/ Art Basel Miami Beach Portia Munson’s “Bound Angel (2021)” installation is made from found figurines, lamps, candles, string, rope, extension cords and a wedding gown as a table cloth evoking a bound and faceless bride enveloped in discarded objects in the shape of female angels
Lance Brewer/ Portia Munson/ P·P·O·W, New York/ Art Basel Miami Beach
Nova is exclusive to Art Basel Miami Beach, and provides a platform for younger galleries to present work created within the last three years by up to three artists. There will be 21 presentations from 40 artists, including nine newcomers this year.
Korean-born, Los Angeles-based Ken Gun Min’s “Revolution is love (Will you still love me tomorrow?)” is part of his series of works inspired by his experience as a queer Asian man and exemplifying his deeply personal approach to representing the public and private spaces inhabited by marginalized communities in Los Angeles and Seoul. For Min, these sites are complicated places of tragedy, resilience and celebration.
Ken Gun Min/ Nazarian Curcio/ Art Basel Miami Beach
Positions is dedicated to solo showcases of individual emerging artists— there are 15 this year, eight of which are first time participants— allowing collectors, museum professionals, curators, critics and enthusiasts the opportunity to dive deeper into their works
Guatemela-born Paula Nicho Cúmez references heritage and memory. The tableau draws connections between humans, the land, animals, and the spiritual world. Cúmez often paints natural landscapes peopled by female figures that sometimes become the mountains. The vibrant, traditional Maya patterns of their clothing also often become their skin, a nod to Cúmez’s memory of not being allowed to wear Indigenous clothing to school as a child. Her works challenge the history of colonialism and present-tense oppression.
Paula Nicho Cúmez/ Proyectos Ultravioleta/ Margo Porres/ Art Basel Miami Beach Jesse Stecklow’s “From Ear to Ear and Back Again (2021)” is made from ear of corn, corn whisky (derived from corn), acetic acid (derived from corn alcohol), ear drops (containing acetic acid), air sampler data, silkscreen on paper. Jesse Stecklow and Sweetwater, Berlin/ Art Basel Miami Beach
Survey features projects created before the year 2000 that challenge the conventional art historical canon, with a focus on elevating little-known artistic practices. Many of the presentations shed light on overlooked women artists in the 20th century.
Bonnie Lucas, “Two Friends (1985).” The alternative Portland-based gallery ILY2, which operates out of a mall, highlights feminist art and artists. This year, the gallery will highlight American artist Bonnie Lucas, who spent decades hand-sewing abstract, low-relief assemblages from sewing tools and dollar- store items. These assemblages are at once girly, provocative, and kitschy – functioning as both critiques and celebrations of consumer goods and their relationship to femininity.
Mario Gallucci/ Bonnie Lucas/ ILY2/ Art Basel Miami Beach
Kabinett provides provides galleries tightly curated presentations displayed within their main booths.
A selection of lesser-known marble and bronze sculptures by Cuban-born, Puerto Rico based 98-year-old artist Zilia Sánchez a singular figure of Latin American Modernism and geometric abstraction, will be presented by Galerie Lelong & Co. (New York, Paris). Zilia Sánchez/ Galerie Lelong & Co./ Art Basel Miami Beach
Miami, FL
Eliott Rodriguez, former CBS News Miami anchor, announces run for Congress
Former CBS News Miami anchor and longtime South Florida resident Eliott Rodriguez announced his candidacy for U.S. Congress in Florida’s 27th Congressional District on Tuesday morning.
He will now embark on a campaign that’s centered on lowering the high cost of living, restoring accountability in Washington, D.C., and bringing people together to deliver results for families in Miami-Dade, his campaign said in the announcement.
“I didn’t plan to run for Congress,” Rodriguez said in his announcement. “But I cannot stay silent. For 48 years, you trusted me to tell the truth and listen to your stories. Today, like so many families, I am concerned that Washington is not delivering for South Florida. My parents taught me that citizenship is not just a right – it is a responsibility. And now, I am answering that call.”
Why is Eliott Rodriguez running for Congress?
In his announcement, Rodriguez explained why he decided to run for Congress. He said the decision was deeply personal.
In recent months, he said he’s spoken with families, seniors, small business owners and young people who are struggling to afford to stay in a community they love.
“South Florida has now become one of the least affordable housing markets in the United States, with families here spending more of their income on rent and mortgages than almost anywhere in the country,” Rodriguez said in his announcement.
According to the campaign, Florida’s 27th Congressional District is widely viewed as one of the most competitive battlegrounds in the country.
In the race for Congress, Rodriguez will challenge incumbent María Elvira Salazar.
Miami, FL
Actually, the Miami Dolphins’ Offseason Moves Make More Sense Than You Think
The Miami Dolphins entered free agency needing a new starting quarterback, and lacking the cap space to pay one. That was the case despite the team clearing $22.8 million by releasing wide receiver Tyreek Hill last month, with an additional $7 million in savings coming from the eventual release of pass rusher Bradley Chubb. There just didn’t seem to be enough money for the team to be active in the open market. Miami’s last front office, helmed by former general manager Chris Grier, left the new regime, led by first-year GM Jon-Eric Sullivan, in deep shit from a salary cap perspective, and many assumed the new group would spend this first offseason digging their way out of it.
When a team led by a new brain trust inherits a crappy roster and then immediately starts shedding salary, the safe assumption is that they’re preparing to tank. And before noon on the first day of the NFL’s legal tampering period, Miami couldn’t beat those allegations. After failing to garner any trade interest in quarterback Tua Tagovailoa, the team decided to release him for nothing except for a $99 million dead cap hit for the upcoming season. Moving on from Tagovailoa, who was benched last season and whose press conference missteps became a distraction, and resetting the vibes in the locker room may have been worth the cap penalty. They also traded safety Minkah Fitzpatrick to the Jets for a seventh-round pick—and though the 29-year-old may be past his prime, he’s still a very useful player who would fit in any defense. Sending him to a divisional rival in exchange for a ham sandwich and a conditional bag of chips is not a win-now move. But then Miami’s offseason took an interesting turn when the Dolphins gave quarterback Malik Willis a three-year, $67.5 million contract with $45 million in guarantees. Those are some round numbers for a passer who hasn’t played much in the NFL, and it’s not the kind of deal a team that’s actively trying to get worse would make.
Coming off the incoherence of Grier’s nine years at the helm, it’d be understandable if Dolphins fans were triggered by these seemingly mixed messages. During Grier’s tenure, Miami tried the tanking thing but ended up winning too many games to earn the top pick in the draft. (In Brian Flores’s discrimination lawsuit against the NFL, he claimed that when he was the Dolphins head coach in 2019, team owner Stephen Ross offered to pay him $100,000 per loss in order to incentivize him to lose games, but he refused.) Miami also tried the “all in” approach after hiring Mike McDaniel as head coach in 2021, trading for several big-name players over the next few seasons, including Hill, Chubb, and Fitzpatrick. Those bold moves resulted in two trips to the playoffs and zero postseason wins or division titles.
Those two extremes of roster construction are seemingly at odds, but there is a commonality between them: impatience. Tanking teams try to accelerate the process of getting bad enough to land a franchise-saving quarterback at the top of the draft. “All in” teams try to accelerate the process of going from good to great by trading away draft capital and giving up cap space for an injection of talent. The Dolphins failed at both, and now the new front office is taking a more patient approach. But before Sullivan can build up the team, he has to clean up the mess his predecessor left behind. These early moves aren’t signaling a tank or even a naive push for the playoffs; rather, they seem to be signs that Miami doesn’t want to repeat its recent mistakes.
Cutting Hill would have been an appropriate move even if the Dolphins were closer to competing for a playoff spot. He just turned 32, he’s coming off two down seasons and a major injury, and the move cleared $22.8 million in cap space. Hill didn’t seem too happy in Miami over the past two years and was entering the final year of his contract, so he was probably fine with the move, too. Chubb, meanwhile, had a $31.2 million cap hit for the upcoming season. And while he’s a solid player, he collected just 8.5 total sacks over the last two seasons and moving on from him frees up an additional $7.3 million in cap space. There’s no question the Dolphins would have been better off from a financial standpoint by keeping Tagovailoa on the roster for one more year instead of taking on a record $99 million dead cap hit and a loss of $42.9 million in 2026 cap space, but releasing him shouldn’t hurt their on-field product. Tagovailoa was dreadful throughout the 2025 season and was eventually benched for rookie Quinn Ewers—a seventh-round pick who went on to outplay the veteran QB. Beyond the cap implications, these moves give the locker room a fresh start while not really moving the needle on how competitive this team will be next season compared to last.
The Willis signing is the big question mark in all of this, but that might not affect things much either. Willis was very productive in limited action as a backup for the Packers, but he played just 302 snaps in Green Bay and was sheltered by conservative, run-heavy game plans from coach Matt LaFleur. And during his first two NFL seasons in Tennessee, he took just 92 dropbacks and wasn’t good enough to beat out Will Levis in training camp entering his third season. There’s a wide range of potential outcomes for Willis in Miami, where under new offensive coordinator/play caller Bobby Slowik, the Dolphins will be installing a new version of Kyle Shanahan’s offense. There should be plenty of overlap with the offense Willis ran under LaFleur, who coached under Shanahan in previous stops. If Willis picks up where he left off in Green Bay—where he averaged 9.2 yards per dropback—this deal will be viewed as a steal in a year or two. But if he’s bad, the Dolphins can move on quickly and inexpensively.
Willis got what is essentially a two-year, $45 million deal with a team option for a third year. That’s not a massive investment given that the salary cap is up over $300 million now. Willis’s deal will account for about 7.5 percent of that, which isn’t much more than the deal Indianapolis gave Daniel Jones (5 percent) last offseason before his redemption tour. Justin Fields is the only veteran starter from last season who’s making less money per year than Willis’s $22.5 million average. And when accounting for cap inflation, Fields’s $20 million annual salary is on par with what Willis got—and actually carries more long-term liability since the Jets included two void years on his deal. Fields will be on New York’s books through the 2029 season no matter what they do with his contract this offseason. If Miami moves on from Willis after 2027, he’ll be off the books completely.
So the Willis deal won’t prohibit the Dolphins from searching for a long-term option at quarterback. And Sullivan doesn’t strike me as a general manager who is going to be content after making the 26-year-old his first big signing.
“The quarterback position again is the most important position in sports in my opinion, certainly the most important position in football,” Sullivan said when he was introduced in January. “We’re going to invest in that position every year if we can. Now depending on where we are as a football team, it’ll be at different values, but we will draft quarterbacks every year, if not every other year because I think you have to.”
The Dolphins may have guaranteed Willis $45 million over the next two years, but his position as Miami’s QB1 could be tenuous if Sullivan sticks with that strategy. That’s the antithesis of the thinking that convinced the last front office to double down on Tagovailoa and give him the four-year, $212 million contract that put the Dolphins in their current predicament. Miami was paying a steep premium for mediocre quarterback play. At least if they get mediocre play from Willis, they will have paid an appropriate price.
Steven Ruiz
Steven Ruiz has been an NFL analyst and QB ranker at The Ringer since 2021. He’s a D.C. native who roots for all the local teams except for the Commanders. As a child, he knew enough ball to not pick the team owned by Dan Snyder—but not enough to avoid choosing the Panthers.
Miami, FL
Miami Dolphins releasing quarterback Tua Tagovailoa, team says
The Miami Dolphins are releasing quarterback Tua Tagovailoa, the team said Monday morning.
The Miami Dolphins said Tagovailoa will be released after the start of the new league year.
“I recently informed Tua and his representation that we are going to move in a new direction at the quarterback position and I will be releasing him after the start of the new league year,” Miami Dolphins General Manager Jon-Eric Sullivan said in a statement posted to X.
Sullivan went on to say that he has “great respect” for Tagovailoa as a person and player.
“On behalf of the Miami Dolphins, I expressed our gratitude for his many contributions, both on the field and in the community, during his six seasons in Miami,” Sullivan said.
Sullivan also said that moving forward, the Miami Dolphins will be focused on “infusing competition across the roster and establishing a strong foundation for this team as we work towards building a sustained winner.”
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