Louisiana

One facet of Louisiana’s public records law is never enforced • Alabama Reflector

Published

1 year ago

June 6, 2024

One facet of Louisiana’s public records law is never enforced • Alabama Reflector

Officials in Louisiana will soon be free to disregard state public records law at no risk if Gov. Jeff Landry signs into law a bill that currently sits on his desk. One expert says it will change nothing because courts have never enforced that part of the law anyway.

House Bill 768, sponsored by Rep. Les Farnum, R-Sulphur, repeals a statute within the public records law that makes the records custodian of a government agency personally liable for unreasonably withholding records or failing to respond to a public records request.

Under current law, courts can consider custodian liability when a requester sues the government agency that withheld the records. The custodian can be forced to pay a fine of $100 per day and attorney fees of the person who was denied access to the records.

Farnum’s bill repeals that provision, stating that “no person shall be liable for any penalty … attorney fees and other costs of litigation assessed for failure to comply” with the law. Instead, the government body shall be responsible for such penalties.

Some lawmakers argued public records custodians have little authority in how to respond to requests and merely serve as liaisons between the person making the request and the public official who ultimately decides whether to provide or withhold a record.

During House floor debate on the bill in April, Farnum said it is unfair to hold custodians personally liable because they “are probably very low-paid employees just doing what they’re told to do.”

Current law says differently. Such low-level employees don’t fit the definition of “custodian,” and a government agency can choose whether and whom to designate as an official records custodian. At larger agencies, it is often a division head or staff attorney. Many smaller government offices don’t have a designated custodian. If that is the case, the law defines the custodian as the head of the agency or the official who has actual control over a public record.

Also, current law provides an exception that states a custodian shall not be held personally liable if they deny a records request on the advice of an attorney representing the agency.

Rather than providing a shield for low-paid employees just following orders, Farnum’s bill would likely protect the wallets of officials at the very top who issue those orders to withhold records from the public — shifting the entire financial penalty onto taxpayers.

Some lawmakers during the floor debate pointed out that without personal liability, government officials will have little reason to follow the law when it comes to public records. But according to one public records expert, that is pretty much the situation already in Louisiana.

Scott Sternberg, a First Amendment lawyer who represents members of the Louisiana Press Association in public records disputes, said the legislation is unlikely to make things worse than they already are because courts almost never enforce the custodian liability law.

Sternberg defended The Advocate reporter Andrea Gallo, who then-Attorney General Landry sued in 2021 for filing a public records request with his office. Many critics saw the move as an obvious, if not egregious, violation of the public records law. The judge ruled against Landry but denied the reporter’s claim for penalties under the statute that Farnum’s bill is repealing.

“That’s not [a bill] that I was particularly interested in because it never happens anyway,” Sternberg said in a text message.

Farnum’s legislation sailed through the Capitol with little scrutiny in a session that saw multiple bills that threatened to weaken or repeal state public records law, most spearheaded by the governor.

Sternberg focused more on a measure from Sen. Heather Cloud, R-Turkey Creek, that would have almost entirely negated the public records law, and a proposal by Rep. Michael Melerine, R-Shreveport, that would have exempted the governor from having to follow the public records law. Neither made it through the Legislature.

Also notable was a bill from Rep. Steven Jackson, D-Shreveport, that will allow local governments to hide economic development records from the public for up to two years. That proposal passed the Legislature and is also pending consideration by the governor.

Louisiana lawmakers have gradually chipped away at the state’s public records law, adopting hundreds of changes to revoke public access to a long list of government documents since it was enacted in 1940.

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Louisiana

Louisiana State Police urge safe driving during Thanksgiving travel

Published

8 hours ago

November 25, 2025

Press Room

Louisiana State Police urge safe driving during Thanksgiving travel

MONROE, La. (KNOE) – Louisiana State Police is reminding families traveling for Thanksgiving to make driving safety a priority.

LSP said holidays are for fellowship and gratitude, not tragedies on the roadways.

State Police ask drivers whose holiday festivities involve alcohol or any substance that can alter their driving ability to make transportation plans beforehand. They recommend planning a different ride, or using a designated driver and public transportation options to prevent impaired driving.

LSP urges all drivers to wear seatbelts, saying it can make the difference between life and death. They also encouraged everyone to buckle up before the vehicle moves.

Anyone who sees reckless driving or hazardous road conditions should call LSP (*577) and report to any State Police headquarters.

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Louisiana

Louisiana actor Monti Sharp looks back at 1990s ‘Guiding Light’ role

Published

1 day ago

November 24, 2025

Press Room

More than 30 years after his Emmy-winning turn on “Guiding Light,” Monroe native Monti Sharp still remembers the moment that changed his life − when a small-town actor heard his name called on national television.

“And the winner is − Monti Sharp from Guiding Light.” The words, spoken by “The Young and the Restless” actress Kimberlin Brown at the 1993 Daytime Emmys at New York City’s Marriott Marquis Hotel, are still embedded in Sharp’s memory.

“Something shot through me and my body jerked,” he said. It took his “Guiding Light” co-star Amelia Marshall − his onscreen sister − to give him a little push toward the stage.

“It was a very surreal moment,” Sharp said. “It was just all kind of a real enchanting time. Huge surprise to me.”

From Ouachita Parish to daytime TV

Sharp, the youngest of five children born to an attorney and educator, described himself as a “ferocious reader” who spent weekends at the Ouachita Parish Library devouring books. It was there, he said, that he discovered Richard Corson’s “Stage Makeup” − the book that first opened the door to the world of theater and set him on his artistic path.

“I was just fascinated by that book and I checked it out and I kept it for quite a while until they came out a subsequent edition − third, fourth and fifth edition,” Sharp said. “I used to send away for catalogs where I could order things like nose putty and all these different things. I just wanted to try them out. I think that opened my mind up to the reality of theater.”

He spent several years on the road performing in regional theater before landing the role of David Grant on “Guiding Light.” He said he a casting director saw him in a production at The Public Theater in New York City and left a note in his mailbox alerting him about an audition she thought he should pursue.

“I think my manager or my agent at the time reached out and they scheduled the audition ,” he said. “That was a whole new audition process to me. Totally different from auditioning for theater. So I went into it with a kind of − looking back − naive view of it. I thought ‘I’m used to audition for plays. Ok’ but that process lasted a long time and eventually got to the point where we did a screen test. I showed up to the studio to do a screen with Nia Long and that was kind of interesting because I didn’t have the role but I knew I was this close. I think there was maybe two other guys there. I think Flex Alexander [and] I forget the other gentleman’s name. So I did it. I just had fun and we just really got along very well and then I went home and I just kind of forgot it because I was doing plays and other stuff.”

Sharp said his agent called and asked him to come by the office, delivering the news in person that he had won the role. Hearing he’d gotten the part was “exhilarating,” Sharp said.

Sharing the screen with Nia Long and more about Sharp’s turn in Guiding Light

Sharp’s first major storyline on “Guiding Light” centered on a forbidden romance between his character and Kat Speakes, portrayed by Long. The relationship put his character at odds with Kat’s father, Hampton Speakes, who was dating David’s sister, Gilly Grant. The storyline ultimately cemented his Emmy win.

“My character was introduced on the show as sort of this mysterious guy who no one really knew if he was a good guy or a bad guy,” he said. “Kat and I ran away together and we spent the summer on the run, trying to be in love and escape her father [and] the community who thought I was bad. That was a pretty exciting entrance. They really milked that entrance of my character and played into the mystery and all that and I think that’s what really captured people put me in the position to be nominated certainly.”

Sharp believes audiences connected with his earnest portrayal of David Grant because he approached the role with the discipline shaped by his theater background. Sharp said he was determined to do more than simply show up, tape his scenes and collect a paycheck. He wanted the work to matter, he said, and approached the role with a genuine effort to find artistic and theatrical meaning in it.

His portrayal helped cement his character’s fanbase and earned him the 1993 Soap Opera Digest Award for Outstanding Male Newcomer in addition to his Emmy. He was also named one of TV Guide’s ‘Soaps’ Sexiest Stars’ and went on to receive additional Emmy and Soap Opera Digest Award nominations.

Coming from the theater, Sharp said he and like-minded co-stars “were like magnets,” pushing one another to elevate the material beyond soap-opera conventions.

“It’s a very, very fast and very demanding workflow,” Sharp said. “Very different from any other type of work, certainly episodic television where you might be doing one script that whole week as opposed to one script per day.”

What Monti Sharp noticed about the treatment of Black daytime actors in the 90s

Sharp said the soap world of the early 1990s didn’t feature many Black actors as central characters, and issues surrounding race sometimes surfaced behind the scenes.

“There were some wild things that happened that needed to be dealt with,” he said. He approached those situations “not combative, but pretty cocksure,” a stance he believes challenged the show’s writers and producers to respond in kind.

Sharp said he began noticing that Black daytime actors weren’t getting the same visibility as white actors. Walking past newsstands, he said, he would see Black magazines featuring Black talent, but white publications almost never featured them on the cover unless they were part of a group, which he said was rare.

“There was a lot of segregation in the coverage and in the presentation of the product to the public,” Sharp said. “I recall we were doing these − because I was popular at the time − we were doing these public appearances. Go Maine for a couple of hours and sign some autographs with other people from the show and I went on one of these things at some point with a popular character from another show and we just started talking about what a gig this was and he said something like ‘Can you believe for like two hours we’re getting x amount of dollars’. I was like ‘You’re getting ‘X’ amount’. He was like ‘How much you’re getting?’ I said ‘I’m getting ‘Y’ amount’.”

Sharp said that when he questioned the pay gap, he was bluntly told that Black talent did not earn the same as white actors − even with his rising popularity and recent award wins. He recalled being told he should feel “fortunate” to be invited to fan events and was asked whether he wanted to continue, a response he described as a “gut punch.” Sharp said it was one of the first moments that ‘soured’ his relationship with the industry.

Despite his award wins, Sharp’s character’s storylines and screen began to shrink. When he said he raised questions, he was told a major story was coming − one that never materialized. He recalled speaking with one of the show’s writers who later confided that they had been fired after pushing for more material for Sharp and the actress who played his onscreen sister.

Beyond Guiding Light

Sharp’s post-“Guiding Light” career spanned daytime, film, and primetime television. He took on roles in “As the World Turns” and “General Hospital,” appeared in the film “Dead Presidents,” and made guest spots on shows ranging from “ER” and “Modern Family” to “NCIS: Los Angeles,” “How to Get Away with Murder,” and most recently “9-1-1.”

Sharp said these days, between television and film auditions, he has shifted more of his creative energy towards visual art − a passion that long sat in the background of his acting career but moved to the forefront during the pandemic.

He returned to Monroe in February 2024 to exhibit his work at the Northeast Louisiana African American Heritage Museum.

For updates on his artwork, he encourages visitors to join his mailing list at sharpartstudio.com.

Follow Ian Robinson on Twitter @_irobinson and on Facebook at https://bit.ly/3vln0w1.

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Louisiana

Over 7 million people in the U.S. have vision impairment. Here’s the parish data.

Published

2 days ago

November 23, 2025

Press Room

Over 7 million people in the U.S. have vision impairment. Here’s the parish data.

Approximately 7 million people in the United States have vision impairment, including about 1 million people with blindness.

As of 2012, 4.2 million Americans aged 40 or older have uncorrectable vision impairment. This number is predicted to more than double by 2050, according to the Centers for Disease Control and Prevention,

The U.S. has a rapidly aging population, which means more people living with diabetes and other chronic conditions, which can lead to vision loss.

In Louisiana, an average 7.4% of adults are living with a vision disability.