Austin, TX
49 Winchester at The Far Out Lounge & Stage in Austin, TX – Loud Hailer Magazine
Virginia-based alt-country powerhouse 49 Winchester lit up The Far Out Lounge and Stage in Austin with a soulful, high-energy performance.
49 Winchester is made up of six members of which include Isaac Gibson (vocals/guitar), Bus Shelton (guitar), Chase Chafin (bass), Noah Patrick (steel guitar), Tim Hall (keys), Justin Louthian (drums). They have been making music together for over a decade and have released five full-length studio albums. Their most recent is Leavin’ This Holler (2024). The band has supported big names like Turnpike Troubadours, Whiskey Myers, Tyler Childers, and Luke Combs. In December, their latest single, “Miles To Go,” was featured in the hit TV series Yellowstone.
Starting the night, before the sun had time to set, was Austin-based “ya’llternative” band, June Shine. The band is made up of six members. J.R. Chambers (lead vocals/guitar) started June Shine when he was 15 years old. After moving to Austin, he was joined by members Jonah Calvo (fiddle), Richard Carter (guitar), Dair McFarland (bass), Finn Dickens (keys), and Bryce Weston (drums). During their cover of “Whipping Post,” originally by The Allman Brothers Band, drummer Dickens performed an insane drum solo. They closed with their most Spotify-streamed song, which happens to be a cover of “Jersey Giant” by Tyler Childers. This young and talented band is headed in a successful direction.
After June Shine, The Back Forty took to the stage. They opened their set with a cover of Willie Nelson’s “Whiskey River.” The University of Texas Austin-based band performed gracefully together while delivering covers of country classics. They played songs such as “Mama Tried” by Merle Haggard and “Take It Easy” by the Eagles. They also performed originals, like “Santiago Cigarettes.” Before their cover of “In My Arms Instead” by Randy Rogers Band, the lead singer told the crowd to grab someone close because they were going to slow it down. After seeing their melodic set, it’s safe to say The Back Forty is a need-to-see.
At about 9:15 PM, headliner 49 Winchester began their awaited set. They opened with a fan favorite, “Annabel” from their 2022 album release Fortune Favors the Bold. They also performed other songs from the album like “Hillbilly Daydream” and “Damn Darlin’.” After a few songs, Gibson thanked the crowd for not being on their phones, saying it’s nice to see everyone’s face without them holding a phone above their head. The raspy vocals of Gibson enthralled the audience as they performed “It’s A Shame” from III (2020). They also performed a new unreleased song called “The Lesson.” After more heartfelt lyrics and alt-country rhythms, 49 Winchester closed with “Sunday Afternoon” before returning for a two-track encore, closing definitely with “Tulsa” and “Hillbilly Happy.”
49 WINCHESTER
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THE BACK FORTY
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JUNE SHINE
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FAR OUT LOUNGE & STAGE
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Austin, TX
SXSW 2026 Day 4 Photos: Highlights from Austin’s Music Festival
SXSW 2026 continued its run with another exciting day of live music across Austin, Texas, as Day Four brought together a mix of rising artists and standout performances. From packed venues to intimate showcases, the festival once again delivered a dynamic range of sounds and styles.
Photographer Kirk Stauffer captures the energy of Day Four through a collection of live performance moments that highlight the diversity and creativity of SXSW. From high-energy sets to more intimate performances, these images reflect another memorable day at one of the world’s premier music festivals.
Take a look at some of our favorite moments from Day Four of SXSW 2026.
TTSSFU SXSW 2026 Photos – Live at Mohawk
TTSSFU returned to the stage at Mohawk during SXSW 2026 with another electrifying performance. Known for a bold sound and commanding presence, their set brought high energy and intensity to one of Austin’s most iconic venues.
Panic Shack SXSW 2026 Photos – Live at Mohawk
Panic Shack brought a fun, high-energy punk performance to Mohawk during SXSW 2026. With infectious energy and a playful stage presence, their set kept the crowd engaged and added to the electric atmosphere of the venue.
Saige Davis SXSW 2026 Photos – Live at Antone’s
Saige Davis delivered a soulful and engaging performance at Antone’s during SXSW 2026. With expressive vocals and a strong stage presence, her set created a memorable moment in one of Austin’s most historic music venues.
Better Joy SXSW 2026 Photos – Live at Marlow
Better Joy performed at Marlow during SXSW 2026, delivering an engaging set that blended indie sensibilities with an upbeat and vibrant sound. Their performance added to the diverse lineup of artists showcased throughout the festival.
Zoe Tan SXSW 2026 Photos – Live at Las Perlas
Zoe Tan took the stage at Las Perlas during SXSW 2026 with a performance that blended style and substance. With a strong presence and engaging sound, her set contributed to the vibrant energy of the venue.
Hana Lili SXSW 2026 Photos – Live at Swan Dive
Hana Lili delivered a captivating performance at Swan Dive during SXSW 2026, blending indie pop melodies with heartfelt songwriting. Her set created an intimate connection with the audience and highlighted her growing presence as an emerging artist.

Stay tuned for Day 5 SXSW 2026 coverage from Guitar Girl Magazine, including additional photo galleries and artist spotlights from Austin.
Austin, TX
Austin music leaders rethink the idea of ‘selling out’ as business support becomes a necessity
More than 60 years after Willie Nelson brought the hippies and the rednecks together at the Armadillo World Headquarters and helped forge Austin’s identity as the “Live Music Capital of the World,” the city continues to enjoy an outsized influence on the global music scene.
Maggie Phillips, music supervisor for Deep Cut Music, attributes this in part to Austin’s isolation, both geographically and economically, from the music industry hubs in New York, Los Angeles and Nashville.
“We don’t have the business influencing bands as much as we do on the coasts,” she said Saturday during a panel at the inaugural KUT Fest. “And because of that, I feel like the art, the music, that people make here is art for art’s sake and music for music’s sake, and it has a very DIY, punk attitude toward creating.”
As rising costs and massive growth change the city’s demographics, how Austin can continue to be a welcoming place for musicians — and keep them here — are becoming increasingly important questions for city leaders and people in the industry.
“I think our city is going through a bit of an identity crisis,” musician Alejandro Rose-Garcia, who goes by Shakey Graves, said, pointing to parallels in changes in the city and the music business. “All the arts are going through a bit of an identity crisis. When I was growing up, ‘selling out’ was a hill to die on. Now, that’s changed. The reality of the situation is that musicians can’t just sit back and play music all the time; you have to be a self-marketing machine.”
Isak Kotecki for KUT News
Preserving that rich history of creative freedom while navigating the new realities of making a living in the arts here is the mission of the city’s new Arts, Culture, Music, and Entertainment Department. Director Angela Means said she wants the city to be a conduit for artists to connect with the new businesses and industry moving to Austin.
To have an environment where creatives thrive, she said, there needs to be support systems for artists as well as collaboration with all of the parties who want to call Austin home.
While nobody in attendance was thrilled with the idea of a Tesla Stage at The Continental Club, the panelists all recognized the need for financial support for music to remain a fixture in Austin. Longtime Austin City Limits Executive Producer Terry Lickona tried to imagine ways these partnerships could work.
“I wouldn’t complain, say, if a local Austin-based startup tech company that was successful wanted to give back in a way by supporting the music scene by putting their name on a stage without messing with the creative side of things,” he said, “or taking away from the history or legacy of what was there to begin with.”
Means said the city recognizes the difficulty in managing corporate influence in creative spaces, but still believes it’s one of the best ways to protect the artists and venues that make Austin so unique.
“Where is that fine line, and is there a model that will work for Austin, Texas?” she asked. “It will absolutely have to include partnering with our business community to be sustainable.”
Austin, TX
Dell Technologies board approves changing legal home to Texas
The Dell Technologies logo is prominently displayed at the company’s pavilion during the Mobile World Congress in Barcelona, Spain, on March 5, 2026.
ROUND ROCK, Texas – Dell Technologies is looking to make some changes.
Its Board of Directors unanimously approved Monday to change the legal home of Dell Technologies from Delaware to Texas. The change is pending a vote by stockholders later this year.
What they’re saying:
According to a release, the redomestication would align Dell Technologies’ state of incorporation with its roots and long-standing center of operations.
The company was founded in Austin in 1984 and its global headquarters, chairman and chief executive officer, and the largest concentration of its U.S. workforce are all based in Texas.
“From my dorm room at the University of Texas in 1984 to our headquarters today in Round Rock, Texas has given Dell what every great company needs to grow — extraordinary talent, world-class research universities, and a business environment that lets us build for the long term,” said chairman and CEO Michael Dell in a release. “Texas is where Dell has innovated, expanded, and invested for more than four decades, and bringing our legal home to Texas reflects what we’ve been building here all along.”
Texas Gov. Greg Abbott celebrated the news on social media, saying: “Welcome home, @Dell. For over 40 years, Texas has been where @MichaelDell built and innovated. Now, Dell Technologies is bringing its legal home to Texas. This is what happens when job creators and innovators are welcomed, not punished. More businesses are sure to follow.”
What’s next:
The change, if approved by stockholders, will not affect business operations, management, strategy, assets or employee locations.
Stockholders will have a chance to vote on the redomestication at the 2026 annual meeting on June 25.
Dig deeper:
This move comes after Michael and Susan Dell became UT Austin’s first-ever billion-dollar supporters.
The Dells announced a new investment in the university in late April, which represents one of the largest-ever philanthropic commitments to any U.S. university.
The Source: Information in this report comes from Dell Technologies and Gov. Greg Abbott’s office.
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