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Is NW Arkansas About to Become the Next Biking Capital of America? — Streetsblog USA

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Is NW Arkansas About to Become the Next Biking Capital of America? — Streetsblog USA


On a weekend vacation not too long ago, a few friends and I climbed to the top of a six-story building and looked out over what may soon be one of the most bikeable regions in North America.

More specifically, we’d gotten to the top of that building — known locally as the Ledger – without getting off our bikes once, thanks to a wide ramp that wraps around the entire structure and lands visitors on a rooftop patio overlooking Bentonville, Ark. with its maze of slow neighborhood streets and off-street bike trails, as well as the long sweep of the Ozark mountains reaching into downtown.

The ramp up the side of the Ledger.

The Ledger was lauded as the first “bikeable building” in the world when it was completed earlier this year, but the northwest Arkansas region it overlooks is seemingly working to become something even more novel: not just the mountain biking capital of world, as they’ve been dubbed by its local tourism office, but the biking capital of America, period, and an unlikely model for communities across the U.S.

The Ledger Building.Arkansas Money and Politics

To say that journey has been unusual, though, would be bit of an understatement. As recently as 20 years ago, bike paths barely existed anywhere in Arkansas, much less in northwestern cities like Fayetteville and Bentonville, which have historically been better known for housing the headquarters of auto-centric Fortune 500 companies like trucking conglomerate J.B. Hunt, chicken processing monolith Tysons, and Walmart. Like countless car-dominated communities around the country, though, locals say northwest Arkansas — or NWA, as some Arkansans call it —have always had a latent appetite for active transportation. They just didn’t have anywhere safe to ride.

That slowly began to change sometime around 2011, when the Walton Family Foundation and a coalition of regional governments began working together to make invest in bike infrastructure. Their efforts began with handful of single track trails for mountain bikers, eventually expanding into a $30-million matching grant from the Foundation that helped secure the federal money necessary to complete the Razorback Greenway, a massive, 37-mile multi-purpose trail connecting seven distinct cities.

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A downtown segment of the Razorback Greenway. Photo: Bike Arkansas Magazine

In the years since the initial route of the Razorback was finished in 2015, it’s grown by an additional four additional miles, and bike projects have popped up on ballot measures across the region to connect residents to that strong spine. Collectively, those efforts have snowballed into a sprawling, 500+ mile network of trails built to serve everyone from cyclocross pros to workday commuters and little kids — a pace is particularly astonishing considering that no city in the area has more than 100,000 residents, and especially when compared to the glacial progress of bike infrastructure building in larger metros.

“Being from the middle of the country, there’s [traditionally been] a lot of car-centric focus in towns like this,” said Nelson Peacock, president and CEO of the Northwest Arkansas Council, an economic development agency in the area. “But [biking] really started taking off from that Greenway. Now, in pretty much every city, whenever they do a bond issue, it’s replete with cycling: building the infrastructure, getting protected lanes, doing more to make it easier to get around. … Now, you go to the store, and you’ll see several people on a bike; even if you’re out driving, you’ll see people cycling on the trails [and you’ll see] bike shops everywhere. And I think that [ubiquity] just breeds into people that you need to give it a shot, because it’s so easy here.”

Sam Walton’s grandsons Steuart (left) and Tom Walton. Photo: Marc F. Henning, Wall Street Journal.

Of course, some critics might say that NWA’s success came too easily, and that it’s not exactly replicable in U.S. communities that don’t have access to deep-pocketed donors.

After all, the philanthropic outfit that helped fund many of the region’s trails is itself funded by the single richest family in America — yes, those Waltons, who are less known nationally for their passion for building bikable cities than for building massive parking lots outside their namesake megastores. As the popular narrative about northwest Arkansas’ cycling revolution goes, two of the outdoorsier heirs to the Walmart fortune — Sam Walton’s grandsons Tom and Steuart — developed a deep love of cycling as a sport while at college in Flagstaff, Ariz. and Boulder, Colo., respectively, and decided to bring it back to their Ozark hometown, eventually transforming the larger region into a Disneyland for their personal hobby.

Peacock says that narrative, though, drastically over-simplifies what’s actually been a complex, multi-decade biking push with many stakeholders involved besides the Walmart heirs — and that it especially ignores how residents have embraced biking for transportation and recreation alike.

The Razorback Greenway. Click here for an interactive version.

The Razorback Greenway was in the works as far back as the early 2000s, when the Walton grandsons were still teenagers, and its proponents worked hard for decades to overcome skepticism from the state DOT and some community-members to keep the project alive. In many ways, the Waltons’ biggest impact may have been simply accelerating the construction of the regional bike network by giving leaders with vision the funds they needed to design it around their constituents’ needs — and without that local buy-in, none of the trails would have probably ever broken ground.

“Obviously, the funding helps,” he adds. “But [the Walton Family Foundation] doesn’t build any trails that the cities don’t agree to maintain. … You never want to discount resources, but leadership, I think, and sharing a vision, has really been what propelled things forward.”

Northwest Arkansas is better known nationally for this type of cycling, rather than transportation cycling — but maybe not for long. Photo: Northwest Arkansas Council of Governments

Representatives from the Foundation itself stress that their bicycling initiative has always been about making life better for Arkansans with trails, events, and programs of all kinds, not building pump-track playgrounds for billionaires. Tom Walton himself has spoken openly about the importance of building “safe streets [that] make it possible for kids to get around without their parents driving them all the time,” and Peacock stresses that the Foundation doesn’t fund projects that locals don’t want or can’t afford to maintain independently. That, seemingly, hasn’t proven a problem so far; one recent study shows the NWA biking ecosystem has generated a whopping $159 million in economic impact, between tourism, the success of bicycle-oriented businesses, avoided public health costs, and other factors. (To be fair, like a lot of things in NWA, the Waltons funded the university that conducted the study.)

“It’s really been a key part of our effort to improve quality of life and continue to make Northwest Arkansas one of the best places to live in the country by making it as vibrant and inclusive as possible,” said Robert Burns, director of the Walton Family Foundation’s Home Region project. “We want people to feel comfortable getting their kids to school, to a workplace, to the store, no matter how they get around, and we want everyone to be able to [access these things] right from their neighborhoods.”

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Graphic: University of Arkansas

In addition to matching federal grants for hard construction costs, Burns says much of the foundation’s money has gone to critical (and often under-funded) “soft” costs that can make or break even the most modest bike lane — and can make the difference between a top-down project that alienates locals and one that inspires a groundswell of grassroots support.

“Philanthropy has the ability to set really ambitious goals and help our partners meet those goals, even when they’re stymied because of funding, or bringing stakeholders together,” he adds. “Philanthropy can help regions be courageous; we can help accelerate a timeline, catalyze a project with some front-end risk support, do pre-construction examination that a city might be reluctant to invest in. And we can really help expand community engagement. … We’re always looking for creative community engagement strategies beyond just, ‘Come to City Hall.’”

That community focus is a palpable dimension of the riding experience in Northwest Arkansas, even if it’s harder to capture in photographs than action shots of stunt bikers flipping off ramps in the woods. As an avowed non-mountain-biker and relative wimp, I can attest that many of the trails I rode in Bentonville and Bella Vista were relaxed, paved paths that winded their way through short stretches of placid forests and landed you straight at the doorsteps of bike-oriented coffeeshops fliers with advertisements for family bike events, or stunning (yes, also Walton-funded) museums with ample racks out front. I saw way more toddlers on Striders and elders on e-bikes than speedy athletes on hardtails‚ though, notably, natural space is so easily accessible in NWA that even the most hardcore MTB enthusiasts I spoke to had biked straight from home to a nearby trailhead, rather than loading their bikes up in a car.

A multimodal trail behind homes in downtown Bentonville. Photo: Google

That’s not to say that northwest Arkansas is exactly Amsterdam West. Most of its biggest cities rank around the 80th percentile of PeopleForBikes’ annual city ratings, and during my most recent visit, many trail segments were still under construction. Dangerous arterial roads lined with strip malls and highway ramps are still very much a reality, as are freight trucks emblazoned with the names of the big corporations that dominate the region. Bentonville technically only completed its first protected, on-road bike path last year, but many of the city’s downtown multi-modal trails perform a similar function of separating people from cars entirely, because they run through under-utilized spaces between and behind buildings where drivers aren’t permitted to travel. These routes feel humble, safe, and like something that we should theoretically be able to build in just about any neighborhood in the country, if developers would cede just a few extra feet of backyard.

Peacock acknowledges that bike infrastructure is far more politically difficult to retrofit into established U.S. cities than it is to build in growing metros that are adding 36 new residents a day and building brand new homes all the time. And with cycle-friendly cities in seriously short supply across America, he also acknowledges that places like NWA are at risk of the kind of rapid gentrification that could put biking out of reach of the people who live there today. Burns stresses that housing affordability has become another major priority for the Foundation, and that “protecting people who have been here for multiple generations” is an ongoing goal; Peacock estimates that 55 to 60 percent of people living in NWA today weren’t born there, and says that for better and worse, the region’s bike infrastructure has become a recruitment tool for corporations looking to lure workers out of the car-dominated “rat race” in big cities like Austin and L.A.

“We do have a lot of work to get some of our minority populations on the bike, to get them out riding,” he adds. (A recent report found that Hispanic riders were under-represented relative to their share of the NWA population, while Asian, Black, and Indigenous cyclists were only slightly over-represented.) “We need to do better in multiple languages to get different groups out on bikes, and we know that by doing that, everyone will be healthier and more active. And so those are some of the next steps that we’ve got to take.”

If NWA can successfully navigate those challenges, though, the region could become a model not just of how much can be done when private philanthropy sees the benefits of bike infrastructure to meet their larger goals, but how they can work together with bold, forward-thinking governments to reimagine communities quickly.

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And for Peacock, it’s already a prime example of how quickly bike culture can take root if its given the resources and visionary leadership it deserves — though he doesn’t pretend that NWA didn’t have a serious leg up.

“Northwest Arkansas has a lot of natural assets that helped spur this along the way,” he adds. “But I think you can look to us as an example of a culture shift. If you can just give everyone a little taste of what it’s like to have these alternatives, [you can show them] that you’re not stuck doing one thing all the time. [What I’d say to] any town is, ‘The next time you’re doing a bond initiative or making some investments, start small and build out from there.’ And I think over time, you’ll change the culture.”



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Arkansas

Arkansas pours it on Creighton to advance to regional final

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Arkansas pours it on Creighton to advance to regional final


Arkansas pours it on Creighton to advance to regional final

FAYETTEVILLE – The overall No. 3-seed Arkansas Razorbacks (45-13) took it to Creighton (42-15) in a 12-1 rout in the semifinal round of the Fayetteville Regional Saturday night at Baum-Walker Stadium.

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Junior southpaw Zach Root twirled a gem, posting six scoreless innings of three-hit ball with seven strikeouts while issuing only one walk.

SEC Player of the Year Wehiwa Aloy and Ryder Helfrick each went yard twice, while Cam Kozeal hit his third long ball in as many games and Logan Maxwell also recorded multiple hits. Every Arkansas hitter reached base safely at least once.

Arkansas will take on the winner of Creighton/North Dakota State in the Fayetteville Regional Final tomorrow night at 8 p.m. CT.

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Top 1st:

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Charles Davalan worked a seven-pitch at-bat against Big East Freshman of the Year Wilson Magers for a leadoff walk. Creighton nearly turned two on a grounder by Wehiwa Aloy to short, Davalan was tagged out at second but Aloy reaches after first baseman Will MacLean mishandled the throw.

Bluejays record the second out on a pop out by Logan Maxwell, then Aloy attempted to steal second and the throw was too high. Aloy hesitated and sprinted towards third, but is not able to beat the tag.

Bottom 1st:

Junior lefty Zach Root started the bottom of the frame with his first strikeout on a 1-2 count, getting Tate Gillen looking on a nasty breaking ball. Matt Scherrman knocked a single up the middle past Wehiwa Aloy, he reached first but the second Bluejay is put away at on a fielder’s choice tagging Scherrman at second. Ben North grounds out to end the inning.

Top 2nd:

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Helfrick grounded out down the third base line but a red hot Cam Kozeal continued his tear with a one-out solo oppo bomb to left field, his 15th long ball of the season and third in as many games. Magers got Kuhio Aloy swinging on a full count on the ensuing at-bat before Brent Iredale barreled a single into left and the Hogs got two runners on via a four-pitch walk that was issued to Reese Robinett.

9-hole hitter Justin Thomas Jr. knocked a single to deep short and the throw to second is bobbled resulting in the bases loading up with Hogs. Iredale comes home after Davalan is plunked on a two-pitch at-bat. The bases are left stranded after Magers got Wehiwa swinging on a full count.

Bottom 2nd:

Connor Capece nearly got Creighton on the board, but Davalan is able to get under the deep fly ball to left with the sun in his eyes. Teddy Deters took first after Root dinged hm on the foot then the Hogs almost got out of the inning, but the 6-4-3 comes up just short as MacLean beat the throw to first after Wehiwa recorded the out at second. Maxwell emphatically ends the frame on a Superman catch on the right field line.

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Top 3rd:

Right after his web gem play, Maxwell knocked a leadoff single up the middle and Ryder Helfrick lines a single through the left side to put two runners on with no outs. Kozeal tattooed a two-RBI double to right at nearly 100 MPH off of the barrel to give the Hogs a 3-0 advantage with two runners in scoring position. Magers got Kuhio swinging on an off-speed low in the dirt for the first out.

Iredale grounded out to third and Scherrman throws home in time to get a sliding Helfrick out. However, a single to right by Robinett on the next at-bat brought Kozeal home.

Bottom 3rd:

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Root completes his first 1-2-3 inning of the night, finishing the frame getting Scherrman looking for his second strikeout.

Top 4th:

Shea Wendt relieved Magers, who allowed seven hits with four strikeouts through three innings. Charles Davalan chopped to second on a first pitch swing and is out at first on the throw. Wehiwa drew a one-out, full count walk and advanced into scoring position on a wild pitch.

Maxwell went down swinging, but Wendt issued two his second and third free pass of the inning to Helfrick and Kozeal to juice the bases. Kozeal is out at second on a fielder’s choice and the Hogs leave the bases juiced for the second time.

Bottom 4th:

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Root has really settled in and starts the inning with a strikeout swinging against Nolan Sailor and then punched out the third consecutive Creighton batter on a 96 MPH 2-seamer. After sitting down six straight batters, Root issues a 3-1 walk to Capece and then Deters singled to right putting runners on first and second for the Bluejays prompting pitching coach Matt Hobbs to visit the mound. Root rebounded and got MacLean looking on a breaking ball to escape.

Top 5th:

Iredale flied out to right on a first pitch swing and the Hogs continued the streak of getting a runner on safely in each inning as Robinett jogged to first after being issued a walk. Robinett stole second after Thomas fouled out the third, then Davalan was issued a four-pitch walk with two away.

Wehiwa extended the Arkansas lead to 7-0 with a three-run bomb to left for his 19th homer of 2025 and second of May.

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Bottom 5th:

Dakota Duffalo hits back to the mound and, in a juggling act, Root collects and throws to first for the out. Kyle Hess grounds out to third then Root got Gillen looking for his sixth strikeout of the evening to sit down the side in order for the second time.

Top 6th:

Helfrick leads off the inning with a bang by smashing the Hogs’ third long ball of the night.

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Wendt retired the next two batters but issued his sixth walk to Iredale to keep the inning going. Iredale advanced to second on a wild pitch, then Robinett got a free pass to first on another walk issued by Wendt. A deep flyout to right by Thomas stranded Iredale and Robinett.

Bottom 6th:

Root records his seventh strikeout getting Scherrman looking on a 2-2 count. Wehiwa stumbled, but completed the out at first on a grounder by Sailors, but Ben North tagged Root for his first extra base hit of the night. Damage was avoided when Capece grounded right to Kozeal.

Top 7th:

Anthony Unga came on to pitch and Davalan worked a full count to draw yet another walk, then stole second. Wehiwa launched his second rocket of the evening nearly 400 feet for a two-run shot to make it 10-0, then Maxwell continued the offensive momentum with a single up the middle.

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Not to be outdone, Helfrick smacked his second long ball, also to left, for two more RBI prompting Creighton to bring Shane Curtin to the mound, who got Kozeal swinging on three pitches to record the first out.

Working around a runner on first, Curtin issued a four-pitch walk to Kuhio and struck out the rest of the side as the top half mercifully ended.

Bottom 7th:

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Fresh out of stretch time, Ben Bybee relieved Root, who tossed six scoreless innings and struck out seven. Bybee began his outing issuing a full count walk, then responded with a strikeout against McLean with a 94-MPH fastball up in the zone.

A single by pinch hitter Jack Torosian got something going for Creighton, putting runners on first and second, then a walk issued to Hess juiced the bags. The Bluejays got their first run on the board via a fielder’s choice to make it 12-1 with two away, but a flyout to Thomas in center completed the frame.

Top 8th:

The Bluejays sat down the first two Hogs before Curtin issued Creighton’s 11th free pass to Wehiwa on a four-pitch walk. At the plate pinch hitting for Logan Maxwell, Kendall Diggs went down looking.

Bottom 8th:

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Freshman Steele Eaves, a Lonoke native, takes over on the mound and struck out Sailors on five pitches. Eaves completed the 1-2-3 inning with consecutive groundouts to third.

Top 9th:

Helfrick leads off the inning with a full count walk, but the Bluejays turned two on a Kozeal groundout to second. After reaching base twice previously via walks, Kuhio records his first hit on a single to left-center. A sprinting Deters gets under an Iredale fly ball in right for the final out.

Bottom 9th:

Colin Fisher is on the mound to finish off the Bluejays. A Jaxon Goldberg single through the right side was sandwiched between two flyouts to center field. Fisher got Hess swinging to end the game.

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ARKANSAS A-Z: Theodore Marcus Sanders among the state’s builders | Arkansas Democrat Gazette

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ARKANSAS A-Z: Theodore Marcus Sanders among the state’s builders | Arkansas Democrat Gazette


Theodore Marcus Sanders was an accomplished architect who designed a variety of buildings in Little Rock and other cities in Arkansas. Many of his buildings have been nominated to the National Register of Historic Places, including the Ada Thompson Memorial Home, the Woman’s City Club building and the Cornish House — all in Little Rock. He was partner in the Thompson, Sanders and Ginocchio firm, which continues to operate in the 21st century as Cromwell Architects Engineers.

Theodore Sanders was born in Little Rock on March 13, 1879, to Fred and Fannie Sanders. He was one of 10 children. The family had settled in Little Rock in 1879 after a relative saved them from starvation on the family’s fledgling farm in Mountain View in Stone County. In Little Rock, the family continued to live in relative poverty. Sanders’ father eventually found stable employment by establishing his own photography business. As the family continued to grow, one of Sanders’ older sisters, Sophia, moved to Germany to alleviate the family’s burden; there, she met and married a wealthy banker, Otto Solmitz. After Sanders graduated from Little Rock High School in 1898, Sophia and Otto offered to finance his further education.

In 1898, Sanders entered the School of Architecture at the University of Illinois at Urbana-Champaign. After graduating in 1902, he continued his studies in architectural design at Ecole des Beaux-Arts in Paris. He was trained in the Eclectic movement, which advocated mixing traditional architectural styles to create new designs.

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When he returned to Little Rock in 1903, he became one of two draftsmen for Frank Gibb. The other draftsman, Frank Ginocchio, left in 1905 to join noted architect Charles Thompson’s firm. Gibb promoted Sanders to partner in 1906. Gibb and Sanders together designed the Ada Thompson Memorial Home. In 1908, Sanders designed the Benevolent and Protective Order of Elks building, which later became the Woman’s City Club building.

In 1907, Sanders married Irene Pareira; they had two children, Arthur and Miriam. In 1916, Irene died in childbirth. Sanders went on to marry Annette Joseph in 1924; she soon thereafter had a debilitating stroke.

The City Market and Arcade in Little Rock, designed by architects George R. Mann and Theodore M. Sanders, opened in 1914 and served as a one-stop marketplace; 1915. (From Sanitary Pottery, no. 1 (1915): 11.)

 

Sanders left Gibb to start his own firm in 1910. Because of his training in Eclecticism, he was well-versed in a variety of architectural styles. He designed Hotel Freiderica in Little Rock using Italian Renaissance and Colonial Revival, and the Cornish House using Tudor and Craftsman styles.

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In 1919, Sanders and Ginocchio — his former co-draftsman for Gibb — joined forces and established the Sanders and Ginocchio firm. Sanders’ talent for design and Ginocchio’s skill for construction supervision made for a well-balanced partnership. Their work included a large number of residences, as well as First Presbyterian Church in Newport and Second Presbyterian Church in Little Rock.

In 1927, Sanders and Ginocchio merged with Charles Thompson’s firm to create the Thompson, Sanders and Ginocchio firm. For the next couple of years, the firm enjoyed a high number of commissions resulting from the area’s expansive growth. One of its most significant projects was the Union Trust building in 1929, for which the architects used an Art Deco design.

During the Great Depression, commissions to design residences dropped, so the firm relied more on projects from institutional and commercial ventures. Little Rock’s Christ Episcopal Church and the M.M. Cohn Co. were some of the firm’s clients, as were what are now Philander Smith University and the University of Arkansas at Pine Bluff.

In 1941, Sanders retired from architecture. His successor was Edwin B. Cromwell, for whom the firm would later be named when it became Cromwell Architects Engineers.

Sanders played an active role in the Little Rock community and charitable organizations. He was a member of the Congregation B’nai Israel and was director of the Jewish Welfare Agency. He established the Theodore M. Sanders Art Exhibit in 1946 to encourage youth art education. In 1937, he took in a foster son, Friedrich Cohn, who emigrated from Germany, undoubtedly to flee Nazi persecution. Cohn would later serve in World War II, earning a silver star for his service.

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In professional organizations, Sanders served as president of the Arkansas chapter of the American Institute of Architects and later became regional director of the national organization. He was also one of 18 architects to help establish the Arkansas Board of Architects, which set standards for the architectural profession in Arkansas.

Sanders died on June 10, 1947, and is buried in Oakland Jewish Cemetery. — Shannon Marie Lausch

This story is adapted by Guy Lancaster from the online Encyclopedia of Arkansas, a project of the Central Arkansas Library System. Visit the site at encyclopediaofarkansas.net.

Portrait of Theodore Marcus Sanders  (Courtesy of Mr. and Mrs. Hollis Pruitt)
Portrait of Theodore Marcus Sanders (Courtesy of Mr. and Mrs. Hollis Pruitt)

 

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Tattoo culture in Central Arkansas: Why people get inked, and the craft’s history | Arkansas Democrat Gazette

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Tattoo culture in Central Arkansas: Why people get inked, and the craft’s history | Arkansas Democrat Gazette


Central Arkansas is home to a vibrant tattoo community and some of the best artists in the state, with dozens of shops in the metro area providing the popular service.

An estimated 32% of people in the United States have at least one tattoo, according to a study conducted by the Pew Research Center in 2023. The study also found that 22% had more than one tattoo.

Tattooing represents an enduring fascination with altering one’s appearance and quest for individuality that has evolved throughout history, with the display of body art becoming more intricate and colorful, offering a glimpse into the world of the person who has tattoos.

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WHY TATTOO?

For some, their tattoo design is chosen simply for aesthetic purposes. Others take a more philosophical approach to their chosen art. Tattoos can tell stories of tragedy, triumph, trauma or accomplishment.

“It can be a confidence boost, or sometimes it’s the rebel cause or trying to make mom mad,” said Josh Chambers, owner and resident artist at The Parlor Tattoo.

The Parlor, at 112 Main St. in North Little Rock, is a storied local shop and boasts more than 28 years in business plus a 4.8-star rating online, with more than 340 reviews as of May.

Another standout local shop is Black Cobra Tattoo Studio at 2323 N. Poplar St. in North Little Rock. It is owned by artist Matt O’Baugh, has been in business for 10-plus years and has a 4.8-star rating with more than 330 reviews.

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Like Chambers, O’Baugh speculated that one reason people get tattoos is to rebel — to “see how much I can p*** my parents off.”

Bradley Labelle, who is having a traditional Norse tattoo worked on by Black Cobra artist Breezy Tucker, said he wanted his tattoo to reflect his beliefs, and the tattoo he chose is a spiritual tribute for him.

Artist Breezy Tucker (right) works on Bradley Labelle’s (left) traditional Norse tattoo at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

As artist Josh Henderson tattooed on Austin Mauney part of a stylized character from the Zelda video game franchise at Black Cobra, Mauney explained that he decided on this design to continue his pattern of other characters from the same franchise. He said he has an emotional connection to those characters.

Tattooing also has a deeper meaning for some of those running the local shops.

Chambers explained that tattooing is more than just a profession; it is a craft that saved his life. He shared his humble artist beginnings — the inside of a prison cell in 2016 — and how he was encouraged to pursue tattooing while there.

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In 2023, after years of hard work, he took over at The Parlor Tattoo.

“I could always draw like the Simpsons characters, all of us as the Simpsons or whatever,” Chambers said. “Everyone (in prison) assumed that I tattooed already.”

The Parlor owner and tattoo artist Josh Chambers demonstrates his wireless rotary tattoo machine on John Shackleford in the 22 May 2025 photo. (Arkansas Democrat-Gazette/Jesse Cain)
The Parlor owner and tattoo artist Josh Chambers demonstrates his wireless rotary tattoo machine on John Shackleford in the 22 May 2025 photo. (Arkansas Democrat-Gazette/Jesse Cain)

O’Baugh also entered the profession in the early 2000s, as an apprentice. Back then, the industry was in a state of experiment and change. “Everybody went through techniques to push the boundaries and seeing what would happen,” he said. “There were a lot of growing pains.”

O’Baugh said there was a “hyper realistic” movement in tattooing, where there was little or no line work. Effects were made by using color shading to make the tattoos look more realistic. “But, after a few years, we found that the designs just didn’t hold as well as they did with line work,” he said.

Black Cobra Tattoo Studio owner / Tattoo artist, Matt O’Baugh, shows off some of his favorite things at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Black Cobra Tattoo Studio owner / Tattoo artist, Matt O’Baugh, shows off some of his favorite things at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

BODY PIERCING

Black Cobra and other tattoo shops also offer another popular body modification service: piercing. A survey conducted by Statista in 2017 found that at least 84% had their earlobe pierced, while 20% had other types of piercings.

Like tattoos, piercings can have a deeper meaning for those who have them.

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Kyle Arkansas, a piercer at Black Cobra, said piercing can be a way for someone to cope with trauma.

Another Black Cobra piercer, Kade Oliverio, added that getting a piercing can offer that rush of adrenaline someone needs, or they might get a piercing to draw attention away from a part of their body they are uncomfortable with.

Tattoo artists Paul Lee (left) and Maia Brouillette (right) pose for a picture in the drawing studio at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Tattoo artists Paul Lee (left) and Maia Brouillette (right) pose for a picture in the drawing studio at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)

HISTORY OF THE CRAFT

Body modification and tattooing dates back thousands of years, and today’s tattooing is a far cry from the utilitarian version noted 19th-century professional artist, Martin Hildebrandt, practiced. It became more intricate and colorful, offering a glimpse into the personality of the person with tattoos.

Hildebrandt first tattooed Civil War soldiers for identification purposes. He opened his New York City shop in 1870.

In the same city, in 1891, Samuel O’Reilly was granted the first patent for an electric rotary tattoo machine. It was inspired by Thomas Edison’s electric pen.

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There is no record of O’Reilly selling such a machine, however.

But the oldest known tattoos were discovered more than 100 years after Hildebrandt set up his shop, when the remains of Ötzi the Iceman was found near the Italian-Austrian border in 1991.

He had 61 tattoos, including several on his legs, arms and lower back, according to the Smithsonian Institution. Ötzi also had some of the oldest known ear piercings in the archaeological record.

Carbon dating estimates he lived around 5,300 years ago during the Copper Age, according to an article published in the Smithsonian magazine in 2023.

The remarkable preservation of Ötzi represents the best evidence and direct archaeological proof of the practice of tattooing. The amount of tattooing on Ötzi’s body indicates social practices that likely predate his life, according to the Smithsonian.

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Whatever the reason people decide to get body modifications, the trend doesn’t appear to be going anywhere anytime soon, and it has only become more beautiful as new colors, techniques and styles emerge in the world of tattooing and piercing.

Artist Josh Henderson (left) tattoos a stylized video game character on Austin Mauney’s (right) arm at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)
Artist Josh Henderson (left) tattoos a stylized video game character on Austin Mauney’s (right) arm at Black Cobra on May 28, 2025. (Arkansas Democrat-Gazette/Jesse Cain)



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